
JT (287 KP) rated Drive Angry (2011) in Movies
Mar 10, 2020
Cage plays Milton a father who is out for justice after escaping from hell (why he’s in there we’re not sure, all we know he’s a former criminal) to avenge the death of his daughter and save his granddaughter.
Hot on his heels is The Accountant played by William Fichtner, who was actually one of the shining lights of the film. Smartly dressed in a suit with a coin very reminiscent of Harvey Two Face for quick decision making or possible misdirection he ads some comedic presence and has some of the films’ best lines.
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over
Amber Heard was there for pure sex appeal, and when she was sat in that muscle car every bloke would have been reaching for the bucket of cold water. But she doesn’t hold up the side-kick role at all well, instead she swears a bit, kicks some ex boyfriends’ ass and gets her nails painted by a random naked bloke in a hotel room.
The title Drive Angry should suggest just that, but fails. We get the odd car chase but its hardly anything to get excited about. How can you, when a muscle car as powerful as it is fails to keep up with a camper van full of sadistic Satan worshippers!
In the end the finale is the only thing to get excited about as you realise that the film is finally going to be over. Cage looks bored practically all the way through it, and had he actually bothered to be awake it might have been a better vehicle.
Instead this one got a flat the moment the opening credits rolled.

JT (287 KP) rated Richard Jewell (2019) in Movies
Mar 10, 2020
When he discovers a backpack containing a pipe bomb at a celebratory music concert at the 1996 Summer Olympics in Atlanta, his quick thinking saves countless lives. Unfortunately for Richard, he becomes the prime suspect in the investigation and with it, his life is turned upside down as he’s thrust into the media spotlight.
Directed by Clint Eastwood Richard Jewell follows in similar vein to films like American Sniper and The 15:17 to Paris where the central characters struggle with the media attention they receive in the aftermath of events.
The scene during the concert is recreated with meticulous precision and attention to detail and there is genuine tension as you realise that at any point the bomb is going to explode. The investigation is led by FBI agent Tom Shaw (Jon Hamm) who with little to go on places Richard in the spotlight and will stop at nothing to prove his guilt, using every trick in the book to get Richard to confess.
Atlanta Journal-Constitution journalist Kathy Scruggs played by Olivia Wilde was portrayed unfairly for implying that she traded sex for stories. Having died in 2001 she was not around to defend herself, which is a black mark for Eastwood on an otherwise very well directed film.
The journal ran the story much to the delight of Scruggs, but it painted Jewell as the villain causing considerable pain to him and his mother Bobi (Kathy Bates) who delivers another acting masterclass in her supporting role. Scruggs realised her error later on but it was too little too late as the damage to Jewell’s reputation had already been done.
One of the highlights of the film is the relationship between Richard and attorney Watson Bryant (Sam Rockwell). It’s very heartwarming as Watson stood by him until the end even right up to the point of passing on that the real bomber, Eric Rudolph, had confessed to the crime. Richard Jewell is not a gripping film outside of the first half but it’s a powerful watch heightened by excellent acting.

Debbiereadsbook (1475 KP) rated Thief In The Light (Bed, Breakfast and Beyond #1) in Books
Apr 18, 2020
I've left with a deep feeling of delightful!
I mean, it comes with a story line that is a bit darker in places, when Lucky is telling what happened to him and the others but it's not delivered in any GREAT detail. You are just given enough for you to add things up, at first, to make a picture. More comes, in more detail, but still not great detail, you know? You don't have to live through everything Lucky and the kids went though.
It is *almost* clean. I expected it to come out totally clean, to be honest, but still I really enjoyed that fact. This is not about the sex between Lucky and Kreed, it's about the LOVE, or rather, about learning to love, to trust and to just be, you know?
I LOVED Mildred, the house! Loved the little noises she makes to express her opinion and thoughts on a matter or person. Loved that she saw the main trouble-causer in this book way before we did. Mildred did make me laugh, with her little noises, she really did.
I loved Lucky, and what he was running from, but more importantly, what he ran TO. He knew Kreed needed him, very quickly and just as quickly, Lucky was staying, even though people thought he had done a runner. I loved Kreed, too. He knew that Mildred wanted Lucky and he knew that HE wanted Lucky, it was just a matter of whether Lucky wanted Kredd enough to stay.
Like i said, a bit darker in places, but it really is the most delightful read I've read in a very long time! From what I can see, I've only read one other by Samms, and that was a long while ago. THIS book is billed as book 1 in the Bed, Breakfast and Beyond series, and I really hope I get to read the future books and that Kreed and Lucky pop up too.
Thank you, Ms Samms, for an enjoyable, delightful read!
4 stars
**same worded review will appear elsewhere**

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