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Heather Cranmer (2721 KP) rated Made You Up in Books
Jun 22, 2021
I'm big into books that deal with mental illnesses. When I heard about Made You Up by Francesca Zappia, I knew it was a book that was right up my alley. I was not left feeling disappointed.
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
The plot and world building felt very realistic although I'm not Schizophrenic nor do I know anyone who is. I could not tell what was real and what was a delusion by Alex. Kudos to Zappia for giving us a brief glimpse into how a Schizophrenic would feel. I kept second guessing myself throughout Made You Up. Sometimes it would be obvious that Alex was hallucinating, but there were many times everything felt too real to be a hallucination. I would be wrong, and something realistic would be a hallucination. As you can imagine, there were many plot twists throughout this book. There was one major plot twist which I had predicted towards the beginning which turned out to be true thanks to subtle hints the author would throw in, so be sure to be attention to every word on the page to try to grasp what is Alex's reality and what is not. I did feel like the main storyline of Made You Up was whether or not Miles, the boy Alex met briefly when she was a young child, was actually real or not since she meets him again her senior year of high school. It was fun trying to guess if Miles was real or not and if he was the same boy Alex met as a child.
All of the characters in Made You Up had a lot of depth to them. They were all easy for me to imagine as real people instead of characters in a book. I enjoyed reading about Alex and her thought process and what all she had to go through all the time due to her Schizophrenia. Alex, like all the characters in this book, was a very likable character. Miles was interesting. I didn't really know what to make of him throughout the book (mainly because I was trying to figure out if he was real or imaginary). I did enjoy him, and I was definitely intrigued by his back story. It was great learning about him. I loved little Charlie and how much she seemed to love her big sister, Alex. Alex loved Charlie so much as well, and I loved reading about the tight sisterly bond between them.
Trigger warnings for Made You Up include some profanity, some violence, death, minor gore, some child abuse, mental illness, a minor sexual situation, bullying, references to Nazis, attempted murder, and death.
All in all, Made You Up is a very interesting read with a fantastic plot and well developed characters. It's obvious the author did her homework before writing this novel. I would definitely recommend Made You Up by Francesca Zappia to those aged 16+ who are seeking a book full of twists and turns. Just be warned that this book will have you second guessing almost everything (which isn't a bad thing).
Outcry: Holocaust Memoirs
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Manny Steinberg (1925-2015) spent his teens in Nazi concentration camps in Germany, miraculously...
Claimed (Breaking Free #7)
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University student Demir Higgs is on the fast-track to graduate with honors and dive straight into...
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Chris Sawin (602 KP) rated Death on the Nile (2022) in Movies
Feb 10, 2022
Most of the female cast. (2 more)
Poirot's backstory.
Kenneth Branagh's mustache.
Slow-moving with little payoff. (2 more)
Nothing substantial happens for the first hour.
Not entertaining. Perfect example of first world problems.
A Drowzy Whodunit Loaded with Mediocrity
Death on the Nile is the sequel to 2017’s Murder on the Orient Express with director and lead actor Kenneth Branagh returning. The mystery thriller is based on the 1937 novel of the same name by Agatha Christie. Death on the Nile has been adapted before as a 1978 film and as a 2004 episode of the Poirot television series starring David Suchet.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
The 2022 film has been completed since December of 2019. The film was moved around several times due to COVID and was pushed back even further after Armie Hammer’s abuse allegations.
Mostly occurring shortly after the events of Murder on the Orient Express, Death on the Nile offers a bit of a look into the past of Hercule Poirot (Branagh). Taking place on the Yser Bridge in Belgium In 1914, a young Poirot advises his Belgian captain to attack the Germans spontaneously without warning. The attack is a success, but Poirot’s captain triggers an explosive after their victory. The explosion leaves Poirot’s face heavily scarred and offers an explanation as to why he always has a mustache.
Poirot reunites with his friend Bouc (Tom Bateman, who also returns from Murder on the Orient Express) in Egypt. Bouc is traveling with his mother Euphemia (Annette Bening) and their friends as they celebrate the marriage of Linnet Ridgeway (Gal Gadot) and Simon Doyle (Armie Hammer). To make matters more complicated, Simon was originally romantically involved with Jaqueline (Emma Mackey) who was also a former friend of Linnet. She now scornfully follows Simon and Linnet around Egypt.
The party travels on the S. S. Karnak, a steamship, along the river Nile. A murder eventually takes place on the steamship, which ignites a desire within Poirot to discover who the killer is before more suffer the same fate.
CGI and visual effects are used to make Kenneth Branagh look younger in the opening sequence of the film. The issue is he looks almost as bad as Henry Cavill did as Superman during the reshoots for Justice League. Branagh’s upper lip is almost nonexistent during this sequence and his philtrum seems to barely move when he speaks. It’s a visual nightmare and a terrible way to jump start a murder mystery.
Poirot travels to a Jazz nightclub where he’s first introduced to Simon, Jacqueline, and Linnet. Poirot spends much of the film embracing his OCD habits and people watching. This first nightclub sequence is about ten minutes long and you’re basically forced to watch people do nothing but dance for that entire time. Armie Hammer’s overly sexual dancing combined with his heavy breathing and constant sweating with both Gal Gadot and Emma Mackey is nauseating even without taking his sexual allegations into consideration.
Nothing really happens in the film for the first hour. Death on the Nile takes its time getting to the murder as little things begin to disappear (like a tube of paint) and Simon and Linnet are nearly crushed to death by a falling rock as they’re practically mid-coitus while sightseeing some pyramids. Emma Mackey gives a particularly strong performance. She is blinded by one-sided love in the film and her performance is a combination of passion, borderline insanity, and a broken heart.
Annette Bening is so cynical that it’s humorous and Jennifer Saunders adds just enough sarcastic bite to remind us ever so slightly of Absolutely Fabulous. Letitia Wright portrays business manager Rosalie Otterbourne. Her performance is intriguing because she’s always fighting for what she feels like she’s rightfully owed; whether it’s the right amount of money for her services or her happiness away from the limelight.
Like Murder on the Orient Express and other Agatha Christie adaptations, the enticing aspect of Death on the Nile is not only its massive and recognizable cast but also the fact that the story is written in a way that everyone is a suspect. The film’s nonchalant way of meandering towards that first murder is frustrating. A deliberate pace is one thing, but Death on the Nile is boring for the most part. Poirot is asked to take a case involving Jacqueline and the safety of Simon and Linnet, but is then mocked for being heartless and not being able to solve the case sooner. The people on board are likely meant to be scared, but come off as rich people not getting what they want the instant they want it.
Death on the Nile crawls towards a resolution you don’t feel invested in. Poirot’s backstory is interesting and there are some solid performances especially from the female cast, but the film otherwise feels like an unwanted game of Guess Who after you unwillingly chug two bottles of NyQuil and are asked to predict who the killer is after two long hours of tediousness.
Zuky the BookBum (15 KP) rated Gather the Daughters in Books
Mar 15, 2018
I was so interested in this one because it's ultimately about a cult. A cult who live on an island where very strict rules are put in place. Daughters are used to "comfort" their Father's during the night until their first bleed, then they get married off, Mothers are used for producing two children and housework. Sons help their Fathers in their jobs and Fathers rule the land.
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
Lottie disney bookworm (1056 KP) rated The Once and Future Witches in Books
Sep 20, 2020
Thank you to Netgalley for luring me in with this recommendation and the gorgeous cover art. Thank you to Alix E Harrow for providing such an amazing story for this ARC review. All the opinions expressed below are my own.
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
"Witches and women's rights. Suffrage and spells. They're both...a kind of power...the kind we're not allowed to have."
I'm not often drawn to books involving witches to be honest. I love an annual viewing of Hocus Pocus (who doesn't?!) but that is usually where the affinity ends.
If anything can change my nonchalance, I suspect it may be Alix E. Harrow. This is the first piece of work I have read by the Hugo award winning writer and I don’t need any tarot cards to predict it will not be the last. From the outset of The Once and Future Witches I was hooked: the worldbuilding alone is amazing; you can immediately picture the mills, avenues, squares and slums of New Salem as well as the mysterious tower that pulls our three main characters together.
The three Eastwood sisters themselves are another work of art. Juniper, Agnes and Bella are fierce, formidable women in wildly different ways. They are also flawed, stubborn and quite frankly, inspirational: by linking women’s rights and witchcraft this fantasy novel suddenly becomes more real and relatable to the modern female reader, despite being set in 1893. We empathise, sympathise and rage right alongside the Eastwood sisters on their quest for equality in a male-controlled world.
However, not even witches can act alone and the Eastwood sisters have an amazing cast of supporting characters surrounding them. Impressively, not a single one of these characters can be accused of being two-dimensional: the character development that Harrow has invested into this novel is incredible and must have taken so much work! From the Suffragette’s secretary to the skin-crawling villain to the women and men fighting (and witching) side by side; every single character is substantial and memorable. The sarcasm within Juniper for example is hilarious and even the traditional figures of the Maiden, the Mother and the Crone refuse to conform to stereotypes: I LOVED it!
The format of this novel is very clever and practically forbids you from becoming too comfortable by peppering the main story with “witch-tales”. These complement rather than distract from the storyline and also provide small changes that make you smile – such as the tales of the Sisters Grimm.
Do not be fooled though: the use of witch-tales does not prevent The Once and Future Witches from being an incredibly modern piece of writing. Topics covered include sexuality, gender identity, feminism, race as well as smashing the patriarchy: all interspersed with magic, betrayal and a hell of a lot of emotion.
I would however argue that some topics are slightly too mature for the novel to be considered YA, the description of torture and suggestions of sexual abuse probably push this book firmly into general/adult fantasy fiction novels.
The Once and Future Witches is a future bestseller in my opinion. This unique, powerful novel provides characters that you can’t help but empathise with; slow-burning, intense relationships; the trials and tribulations that come with sisterhood and plot twists at every turn.
This book will swallow you heart and soul, make you laugh, make you cry and leave you bereft at the end.
It is a must read!
Heather Cranmer (2721 KP) rated The Book of Cold Cases in Books
May 5, 2022
I love a thriller that involves a chilling ghost story, so when I heard about The Book of Cold Cases by Simone St. James, I knew I had to read it. (Plus, I loved her other book The Broken Girls.) I was heavily immersed in this novel from the beginning!
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
I was sucked into the plot of The Book of Cold Cases right away. St. James gets right down to the nitty-gritty in the very first chapter. This book instantly grabs you and doesn't let go until the very last page. I was instantly transported to this small town in Oregon where I was right with the characters. As with her previous books, Simone St. James tells the story from more than one characters' point of view. We are told the story from Beth's, Shea's, and Lily's viewpoint. There was plenty of action and mystery to keep me intrigued throughout my reading journey. My favorite scenes in the book were the ones that involved the supernatural. I loved reading about how Greer mansion was haunted and about what supernatural activities were happening there. I also enjoyed the semi-big plot twist towards the middle of the book. However, I kept expecting an even bigger plot twist towards the end that never came which left me feeling a bit disappointed. However, this didn't really take away from the overall story that much. Something I could have done without was the romance in the book. It wasn't a major thing, but I just felt like there wasn't really a need for it. Other than that, I truly enjoyed this novel. Everything fit together really well (minus the romance), and the story was all tied together by the very end.
I felt that all the characters in The Book of Cold Cases were fleshed out enough to feel realistic whilst reading. I really liked Shea's interest in true crime since I can relate to that. I admired Shea's thirst for knowledge and how far she'd go to find out the truth of things she wanted to know. (I guess we both need closure!) I did feel like she got over her phobia a little too conveniently and quickly though. Beth was a wildcard for me throughout the book. I couldn't tell if she was guilty like many people believed or if she actually was a guilty party. I did like Beth though, and I loved her attitude she had when accused of murder. Lily was fabulously written, and I enjoyed reading about her too. I won't go into much more detail about her due to spoilers, but her part in The Book of Cold Cases was written well. The only character that kind of bothered me was Michael. I just felt like he was thrown in there as an easy way out. We're introduced to him from the beginning, and I kept waiting for some plot twist to happen involving him, but I was sadly disappointed. I just felt as if the book could have done without him.
Trigger warnings for The Book of Cold Cases include violence, murder, profanity, sexual abuse of a minor (not graphic), and kidnapping.
Overall, The Book of Cold Cases is a thrilling read with a fantastically chilling plot. With a spooky ghost story and an intriguing mystery, St. James has a real winner on her hands. I would definitely recommend The Book of Cold Cases by Simone St. James to those aged 17+ who love being scared and intrigued at the same time. You won't be disappointed.
Heather Cranmer (2721 KP) rated An Anonymous Girl in Books
Aug 20, 2018
The story line has been done, but this makes it feel original (3 more)
The characters are very fleshed out
The authors have done their research about therapists
The world building is fantastic
Intriguing Plot
I had read The Wife Between Us by Greer Hendricks and Sarah Pekkanen and loved it. When I heard that the same authors were releasing another book, I became giddy and knew I had to read it. Luckily, An Anonymous Girl was a good read.
The pacing for An Anonymous Girl started off very fast which is what I like. I read a quarter of the book right before bed, and I only stopped because I had to go to sleep. I would have read more had I not been so tired. However, once I found out what the motive was behind Dr. Shield's study, the pacing slowed down, and I found myself not being drawn to the book as much although it still held my attention.
I started off enjoying the plot very much. I loved reading about Jess' participation in this strange study. However, like I felt about the pacing, once I learned the true motive behind the study, the plot wasn't as interesting. I don't want to elaborate on the plot because I don't want to give the motive behind the study away in my review. I will say the plot for An Anonymous Girl was well executed. It is an idea that's been written about so many times, but the way Hedricks and Pekkanen wrote about it was very original. There is one plot twists involving the study, but I felt like their aren't any more major plot twists. I kept waiting for more to happen, but they never came. I was left a little confused about the ending. I'm not sure if it was meant to be a plot twist or not.
The world building was written so amazingly! Everything about An Anonymous Girl felt real. It was obvious that the authors had done their research when it came to therapy and how a therapist would act. I felt as if I were watching everything unfold right in front of me. I was constantly worried for Jess, and I wanted to be her friend and help her with what she was going through.
I felt like the characters were very well written. I felt they were fleshed out enough to be enjoyable. It was hard to not like Jess and want to help her. She was an amazing character. Dr. Shields was also well written. As I've stated about the plot, it is obvious that Hendricks and Pekkanen had done their research on how a therapist might act by analyzing situations. I thoroughly enjoyed the character of Dr. Shields. I thought Thomas was well written. I kept wondering what Thomas' motives were, and I was constantly left guessing if he was bad or good. Luckily the ending of the book makes it clear.
Trigger warnings include possible suicide/murder, alcohol (the characters drink wine throughout the book), prescription drugs (Vicodin is mentioned), one count of sexual abuse, swearing, cheating, blackmail, and manipulation.
All in all, An Anonymous Girl is a good read. The plot takes an idea that's been done numerous times and changes it so it feels different. The characters are fleshed out, and the world building is amazing. I would definitely recommend An Anonymous Girl by Greer Hendricks and Sarah Pekkanen to those aged 16 and above.
(I received an ecopy of An Anonymous Girl by Greer Hendricks and Sarah Pekkanen through Netgalley in exchange for an unbiased review. All opinions are my own).
The pacing for An Anonymous Girl started off very fast which is what I like. I read a quarter of the book right before bed, and I only stopped because I had to go to sleep. I would have read more had I not been so tired. However, once I found out what the motive was behind Dr. Shield's study, the pacing slowed down, and I found myself not being drawn to the book as much although it still held my attention.
I started off enjoying the plot very much. I loved reading about Jess' participation in this strange study. However, like I felt about the pacing, once I learned the true motive behind the study, the plot wasn't as interesting. I don't want to elaborate on the plot because I don't want to give the motive behind the study away in my review. I will say the plot for An Anonymous Girl was well executed. It is an idea that's been written about so many times, but the way Hedricks and Pekkanen wrote about it was very original. There is one plot twists involving the study, but I felt like their aren't any more major plot twists. I kept waiting for more to happen, but they never came. I was left a little confused about the ending. I'm not sure if it was meant to be a plot twist or not.
The world building was written so amazingly! Everything about An Anonymous Girl felt real. It was obvious that the authors had done their research when it came to therapy and how a therapist would act. I felt as if I were watching everything unfold right in front of me. I was constantly worried for Jess, and I wanted to be her friend and help her with what she was going through.
I felt like the characters were very well written. I felt they were fleshed out enough to be enjoyable. It was hard to not like Jess and want to help her. She was an amazing character. Dr. Shields was also well written. As I've stated about the plot, it is obvious that Hendricks and Pekkanen had done their research on how a therapist might act by analyzing situations. I thoroughly enjoyed the character of Dr. Shields. I thought Thomas was well written. I kept wondering what Thomas' motives were, and I was constantly left guessing if he was bad or good. Luckily the ending of the book makes it clear.
Trigger warnings include possible suicide/murder, alcohol (the characters drink wine throughout the book), prescription drugs (Vicodin is mentioned), one count of sexual abuse, swearing, cheating, blackmail, and manipulation.
All in all, An Anonymous Girl is a good read. The plot takes an idea that's been done numerous times and changes it so it feels different. The characters are fleshed out, and the world building is amazing. I would definitely recommend An Anonymous Girl by Greer Hendricks and Sarah Pekkanen to those aged 16 and above.
(I received an ecopy of An Anonymous Girl by Greer Hendricks and Sarah Pekkanen through Netgalley in exchange for an unbiased review. All opinions are my own).
Heather Cranmer (2721 KP) rated Nell and Lady in Books
Oct 12, 2018
Well written characters (1 more)
A very believable plot
A Book to Fall in Love With
There was something about the synopsis for Nell and Lady by Ashley Farley that drew me in from the beginning. As soon as I found out this book, I knew I had to read. I was ecstatic when I found out it was free in Kindle Unlimited! I'm really glad I read this book. It was really good.
I found the pacing for Nell and Lady to be perfect. It wasn't super fast where I was left wondering what happened, and it wasn't so slow that it felt like a chore reading this book. I would describe the pacing as being a relaxed pace.
I enjoyed the plot for Nell and Lady. The book synopsis does a great job of describing what the story is about, so I won't rehash the plot. There were no plot twists, but this isn't a book that requires a plot twist to be good. It was nice to read a book that was just straight forward when it came to the plot. It was interesting to read about what happened to Nell on the night of Lady's sixteenth birthday party (although I was expecting something a lot worse than what actually happened to her). It was also interesting to see how the family would overcome what happened to Nell and the falling out between them. It was also nice to read about things from Booker's and Regan's (Nell's son and Lady's daughter) point of view about what was going on with their mothers. It was a nice touch making Booker and Regan best friends in the book too. All of my questions were answered in Nell and Lady, and any loose ends were tied up by the ending of the book.
I loved the world building in Nell and Lady. Ashley Farley did a great job making everything feel believable whether it took place in present day or back when Nell and Lady were children/teenagers. I felt like I was in whatever era the book was taking place in. In fact, I felt like I was a silent witness to everything that was going on.
Every character in Nell and Lady was written very well. My favorite characters were Booker, Regan, and Willa. It was great to read about the friendly competition between Booker and Regan and how great of friends they were. Booker and Regan both had a great head on their shoulders. I loved how much Willa cared so much for her family and how she'd do anything for them. I did like Nell, but I didn't like the way she became racist after one incident when she was 16. However, readers will see her finally snap out of her views. Lady was written well, but I found her to be very spoiled and just plain rude. I could understand that she was hurt by how Nell had walked out of hers and Willa's life when she was a teen, but I felt like there was no excuse with how she acted when Nell wanted to visit Willa once she found out she was dying. I found myself annoyed with Lady most of the time, but not because she was poorly written. Lady was written very well, and I realize there are real life Ladys in the world.
Trigger warnings for Nell and Lady include sexual assault, mild racism, underage drinking and prescription pill abuse, mild violence, and one minor swear word.
Overall, Nell and Lady is an excellent read. I thoroughly enjoyed the whole story. It's got a great plot and a great cast of characters. I would definitely recommend Nell and Lady by Ashley Farley to everyone aged 16+. You will fall in love with this book.
I found the pacing for Nell and Lady to be perfect. It wasn't super fast where I was left wondering what happened, and it wasn't so slow that it felt like a chore reading this book. I would describe the pacing as being a relaxed pace.
I enjoyed the plot for Nell and Lady. The book synopsis does a great job of describing what the story is about, so I won't rehash the plot. There were no plot twists, but this isn't a book that requires a plot twist to be good. It was nice to read a book that was just straight forward when it came to the plot. It was interesting to read about what happened to Nell on the night of Lady's sixteenth birthday party (although I was expecting something a lot worse than what actually happened to her). It was also interesting to see how the family would overcome what happened to Nell and the falling out between them. It was also nice to read about things from Booker's and Regan's (Nell's son and Lady's daughter) point of view about what was going on with their mothers. It was a nice touch making Booker and Regan best friends in the book too. All of my questions were answered in Nell and Lady, and any loose ends were tied up by the ending of the book.
I loved the world building in Nell and Lady. Ashley Farley did a great job making everything feel believable whether it took place in present day or back when Nell and Lady were children/teenagers. I felt like I was in whatever era the book was taking place in. In fact, I felt like I was a silent witness to everything that was going on.
Every character in Nell and Lady was written very well. My favorite characters were Booker, Regan, and Willa. It was great to read about the friendly competition between Booker and Regan and how great of friends they were. Booker and Regan both had a great head on their shoulders. I loved how much Willa cared so much for her family and how she'd do anything for them. I did like Nell, but I didn't like the way she became racist after one incident when she was 16. However, readers will see her finally snap out of her views. Lady was written well, but I found her to be very spoiled and just plain rude. I could understand that she was hurt by how Nell had walked out of hers and Willa's life when she was a teen, but I felt like there was no excuse with how she acted when Nell wanted to visit Willa once she found out she was dying. I found myself annoyed with Lady most of the time, but not because she was poorly written. Lady was written very well, and I realize there are real life Ladys in the world.
Trigger warnings for Nell and Lady include sexual assault, mild racism, underage drinking and prescription pill abuse, mild violence, and one minor swear word.
Overall, Nell and Lady is an excellent read. I thoroughly enjoyed the whole story. It's got a great plot and a great cast of characters. I would definitely recommend Nell and Lady by Ashley Farley to everyone aged 16+. You will fall in love with this book.
Lucy Buglass (45 KP) rated Ekaj (2015) in Movies
Jun 20, 2019
A gritty, raw portrait of a teenage runaway
When I was first introduced to Ekaj, I genuinely thought it was a documentary. The realisation that it was in fact a work of fiction took me by surprise, and this is a testament to the directing style of Cati Gonzalez. She has gone to great lengths to make this film feel as real as possible. None of the actors in the film are well-known or established, making them seem like ordinary people you might pass on the street. This sense of realism draws you closer to the characters we meet throughout, and I really loved this stylistic choice.
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/
This gritty, imperfect camerawork and editing matches well with the harsh realities of life for Ekaj and his friend Mecca, both of which are young, gay Puerto Ricans trying to navigate the intimidating streets of New York City. This film doesn’t sugar coat it, as we are greeted with things such as drug abuse, AIDS, violence and sexual assault. We are forced to live this reality alongside Ekaj and Mecca, in all its harrowing honesty. It’s worlds away from my own, yet I felt close to the subject matter throughout. Ekaj and Mecca are complete opposites, with Mecca’s life experience and protective nature conflicting with Ekaj and his naivety. Following these two characters throughout was thoroughly entertaining, despite the difficult environment they both live in.
As the titular character, Jake Mestre really stood out to me. He does a fantastic job at portraying someone young, clueless and confused about their own identity. He experiments with new looks, new scents, and what he feels most comfortable in. He is a character that many can identify with when it comes to sexuality and gender identity, even if they do not share the same life experiences. In addition, the presence of Ekaj’s homophobic and aggressive father is an upsetting reminder of the rejection many individuals face from their own family members. I’m glad Ekaj never avoided these issues or tried to pretend they didn’t exist, instead, they were placed in clear view for the discomfort of the audience. It’s important we shed light on these societal problems, and cinema as a great way to do this.
The intrusive nature of the camera paired with natural, overlapping dialogue is striking, and at times I felt as though I shouldn’t be watching what I was. I felt like a genuine spectator, desperately trying to get a closer look at the lives of these individuals, even when they were talking about some deep and intense topics. The fly-on-the-wall style of filmmaking is what really stood out to me with Ekaj, and something I seriously enjoyed throughout. To me, this is what sets the film apart from others within the genre.
All in all, Ekaj is a well-rounded indie film that gives us a heartfelt and eye opening look at the dark side of New York City, whilst simultaneously creating a compelling and strong relationship between two young men. The way humour and sentimentalities still existed in such an awful world gave me a glimmer of hope, and some light relief throughout. Fundamentally, this is down to great writing and acting, which I’m full of praise for when it comes to this film.
I would certainly recommend Ekaj to a variety of audiences, whether or not you feel you can identify with any of the characters or subject matters. It sheds light on the darker side to human existence, which is important for us all to witness.
https://lucygoestohollywood.com/2018/11/04/ekaj-a-gritty-raw-portrait-of-a-teenage-runaway/