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Solomon Wendt (30 KP) rated A Deadly Education: Lesson One of the Scholomance in Books
Aug 28, 2021
Worldbuilding (2 more)
Magic
Coming of Age
Some descriptions lacking (2 more)
Confused on Series Plot
Good first book but not a stand alone story
A Deadly Slice of Life/Coming of Age Magic School
Magic School. Wizards. Teenage Angst. A lot of reasons I signed up for the giveaway of this novel and glad I got a copy.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
For those who want the quick recommendation, if you enjoy wizard teens and magic schools, you will enjoy this book. Outside of that category, it is a decent fantasy novel that is worth a read, but no need to go and get right away.
First and foremost, books like "A Deadly Education" have the unfortunate hurdle of separating itself from the magic school genre alpha that is Harry Potter, to which I believe Naomi Novik did really well. Whenever I read such stories, I can't help compare to the Potter series, but the world that Novik builds is such a stark contrast that I quickly forgot about Hogwarts and Muggles and traded in for the Scholomance and mundanes.
The world that Novik builds is dark and untrusting. Inside the school, there are maleficera, or 'mals,' that try to consume the students' mana at every turn. This puts the place on edge, making almost every character paranoid to open anything or even go anywhere without at least one other person with them, usually at a cost. This darker side is refreshing, especially because the magic in Novik's world is hard magic as opposed to the soft magic of other series. To those who don't know the difference, soft magic is that magic just exists and spells come without consequence. Hard, on the other hand, has limits and comes from a source and takes skills and finesse to learn and use them. Any author who takes it upon themselves to make the magic in their world hard magic gives themselves a challenge, something that Novik clears easily.
The other part of the world that is dangerous are the mals that attack students. There are a lot of them, so much to the point there should be a separate book that could be referenced to know what they are fighting. Although your imagination can run wild, some of the descriptions, or lack there of, leave you to fill in a lot of blanks. I'm still not sure if they are shadows and/or goo with various metal attached or part of their bodies. The variety is so immense that you don't encounter the same thing twice it seems. When reading the encounters, it was hard to picture the exact nature of the fight in my mind. However, the sense of danger was ever present throughout the whole book.
The story itself is coming of age, or more so coming of friendship, mixed with a slice of life feel. Although there is a starting event, Orion saving Galadriel for the second time, there is not an overarching plot for the story. It is just to survive and possibly make an alliance for graduation. This is not my cup of tea when it comes to stories as I enjoy seeing a defined goal or enemy that leads to a finale or into the next book of the series. This story does not have that, which seems to lack an overall plot other that "just survive." Even the climax of this story felt a little out of the blue in terms of action, and then is superseded by a social bombshell and cliffhanger for the next in the series.
To wrap and reiterate, I enjoy the world that this story takes place. It is inventive and unique to standout against others within the magic school genre. There was some plot lacking, but is still enjoyable for not quite knowing what is coming around the next corning. This a clearly the first book of series which is not the strongest as its own installment, but definitely has me waiting for the next in the line.
The Boy Who Drew Monsters
7.0
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From the New York Times bestselling author of The Stolen Child comes a hypnotic literary horror...
Cassie Osbourne (6 KP) rated Ace of Shades (The Shadow Game, #1) in Books
Nov 9, 2018
Prim and proper Enne Salta is looking forward to her graduation from finishing school when her adoptive mother goes missing in New Reynes, otherwise known as the City of Sin. In an effort to find her, she must rely on the help and street smarts of gambler Levi Glaisyer. I think that it is safe to say that the blurb of this book caught me by the nose and I couldn't wait to read it so moving into a new house where there was no internet to distract me seemed as good an opportunity as any.
This book starts pretty slowly, or rather it tries to be interesting while still explaining the quite complex world and history since the Great Street War (which we actually know very little about) as well as introducing all the different characters and their blood talents and split talents. Even writing that sentence has made my head spin a little, and I've read the book! However, at about page 200 or 250 it really starts to pick up. Suddenly all the information and repetition (more on that later) starts to fall into place, and the plot and characters get SO much more interesting. Until that point though, it's all a bit meh.
With the exception of Chez, I have to say that I loved all the characters. I liked Levi pretty much from his first chapter, the villains were very cool, manipulative and all round imposing even without being in the book that much and all the rest of the characters got better as the book progressed (most notably Enne who becomes a complete badass). There's even a sequel, so perhaps Chez will grow on me after all. I would just like to add here that I love Jac and I want to have his babies.
The atmosphere, for the most part, was very meh. A lot of it was kind of bland and non-descript, which is not really something that you'd expect from a place called 'the City of Sin'. That being said, when Foody really goes for it on the atmosphere, she gets it pretty well spot on! The atmosphere during the second fight with Chez, the basement in the House of Shadows and pretty much any scene with Torren are all winners. It's just a shame that it wasn't that way for the whole book because Foody has proved that she can do it really well.
The writing style was good on the whole, but there were definitely two things that irritated me with it. I mentioned earlier that the first 200 pages have a lot of repetition, but it goes beyond merely parroting things that we already know. Sometimes whole sections of text are repeated from other chapters which I would be completely behind if it was used to offer a different perspective, but it wasn't. Reading these bits just felt like they had been copied and pasted, so it became redundant and annoying. The other problem which became hugely distracting (and which I have seen other people commenting about) is the use of 'muck' or 'mucking' instead of actual swearing. This is a young adult book with drugs and prostitutes in it and where words like 'piss' and 'ass' are used pretty commonly so when 'muck' appears (often said by a Street Lord), the reader can't help but groan. The sort of swearing and sort of not just really doesn't work. Pick a camp and stick to it!
As with the intrigue of the book, the plot got much better as it went along, with new twists and turns and plot points added to it along the way. Unlike the intrigue though, the plot was good from the beginning.
The logic was pretty good most of the time, but there were some notable moments (all heavily for the plot) that I just did not buy. This also kind of ties in with the whole 'muck' thing as well. It just takes you right out of the world.
All in all, I did enjoy this book, and I have to say that my biggest disappointment is that I have to wait another year for the sequel to come out.
Characters: 8/10
Atmosphere: 7/10
Writing Style: 7/10
Plot: 8.5/10
Intrigue: 7.5/10
Logic: 7.5/10
Enjoyment: 8/10
This book starts pretty slowly, or rather it tries to be interesting while still explaining the quite complex world and history since the Great Street War (which we actually know very little about) as well as introducing all the different characters and their blood talents and split talents. Even writing that sentence has made my head spin a little, and I've read the book! However, at about page 200 or 250 it really starts to pick up. Suddenly all the information and repetition (more on that later) starts to fall into place, and the plot and characters get SO much more interesting. Until that point though, it's all a bit meh.
With the exception of Chez, I have to say that I loved all the characters. I liked Levi pretty much from his first chapter, the villains were very cool, manipulative and all round imposing even without being in the book that much and all the rest of the characters got better as the book progressed (most notably Enne who becomes a complete badass). There's even a sequel, so perhaps Chez will grow on me after all. I would just like to add here that I love Jac and I want to have his babies.
The atmosphere, for the most part, was very meh. A lot of it was kind of bland and non-descript, which is not really something that you'd expect from a place called 'the City of Sin'. That being said, when Foody really goes for it on the atmosphere, she gets it pretty well spot on! The atmosphere during the second fight with Chez, the basement in the House of Shadows and pretty much any scene with Torren are all winners. It's just a shame that it wasn't that way for the whole book because Foody has proved that she can do it really well.
The writing style was good on the whole, but there were definitely two things that irritated me with it. I mentioned earlier that the first 200 pages have a lot of repetition, but it goes beyond merely parroting things that we already know. Sometimes whole sections of text are repeated from other chapters which I would be completely behind if it was used to offer a different perspective, but it wasn't. Reading these bits just felt like they had been copied and pasted, so it became redundant and annoying. The other problem which became hugely distracting (and which I have seen other people commenting about) is the use of 'muck' or 'mucking' instead of actual swearing. This is a young adult book with drugs and prostitutes in it and where words like 'piss' and 'ass' are used pretty commonly so when 'muck' appears (often said by a Street Lord), the reader can't help but groan. The sort of swearing and sort of not just really doesn't work. Pick a camp and stick to it!
As with the intrigue of the book, the plot got much better as it went along, with new twists and turns and plot points added to it along the way. Unlike the intrigue though, the plot was good from the beginning.
The logic was pretty good most of the time, but there were some notable moments (all heavily for the plot) that I just did not buy. This also kind of ties in with the whole 'muck' thing as well. It just takes you right out of the world.
All in all, I did enjoy this book, and I have to say that my biggest disappointment is that I have to wait another year for the sequel to come out.
Characters: 8/10
Atmosphere: 7/10
Writing Style: 7/10
Plot: 8.5/10
Intrigue: 7.5/10
Logic: 7.5/10
Enjoyment: 8/10
Lucy Buglass (45 KP) rated Halloween (2018) in Movies
Jun 20, 2019
Michael’s back, back again
Happy Halloween everyone! What better way to celebrate than with my review of the latest in the Halloween franchise?
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/
40 years after John Carpenter’s iconic horror film, we are greeted with a brand new instalment in Michael Myers’ saga. It feels like a really special moment for horror fans, as we reflect on the original decades later. The opening credits pay homage to the 1978 and provide some nostalgia for long time fans by using the same text and soundtrack that audiences would’ve seen on the big screen back then. This was a great stylistic choice as it really gets you feeling pumped for what’s to come.
The film opens with Myers in a high security facility, where two true crime podcasters attempt to communicate with him in order to learn more about him and the murders he committed. Unsurprisingly, Michael refuses to say anything, providing a seriously uncomfortable moment for the audience. Throughout the film, we don’t see or hear him, and shots of him without the mask are always the back of his head. I would have been very disappointed if they’d decided to show his face throughout, as this sense of facelessness is something that’s always scared me about him. He’s a silent killer, never jumping out and screaming, but hiding in the shadows waiting to strike at any point. Most interactions with Myers are tense, uncomfortable and nail biting. His presence alone has that effect on you.
As ever, it was a joy to see Jamie Lee Curtis reprise her role as original Myers’ victim, Laurie Strode. Throughout the film, Strode’s paranoia is hard to brush off, and actually makes you feel more on edge. It was great seeing how she’d aged, yet refused to move on, and Curtis really brought her to life once again. She was the highlight of the film for me, as she was far from a cowering victim, and someone who wanted Myers dead for good. Having said that, you can tell how much she still fears him and how she’s suffering with long-term PTSD after almost being murdered. Let’s face it, anyone would feel the same way.
Unfortunately, I did find some of the acting a bit cringeworthy and it took away from the overall experience. I know that horror films have a bit of a reputation for terrible acting and dialogue, but I felt like such an important franchise deserved better than that. In my screening there were a few laugh out loud moments, and I don’t think all of them were intentional. One thing I will say is that child actor Jibrail Nantambu is one to watch because he was such a character and brought some genuine humour to the scenes he was in. I hope he goes far. Michael’s handler Dr. Ranbir Sartain is also an interesting character that I won’t say much about, but his development throughout is particularly great.
Admittedly I would’ve preferred less focus on teenagers, families and their dramas, and more on Michael and the actual kills. The film was meant to be about him and Laurie, after all. Whilst I was mostly satisfied by the brutality and some really gruesome moments, I felt it had been hyped up to the point where I expected more. Is that bad? Have I just become desensitised to bloody moments? I’m not quite sure. Having said that, one scene in particular did have me on the edge of my seat so it was still able to provide that adrenaline rush despite all its flaws. I’m still really bloody scared of Michael Myers.
Overall, Halloween is certainly watchable and a great visit to the cinema, especially this evening. Whilst I’m not the world’s biggest Halloween fan and there are certain films in the franchise I haven’t even seen, I still enjoyed this and understood what was going on. If you’re a big horror fan, particularly of the classics, give this a go. It might give you some welcome nostalgia and scares, and maybe that’s enough.
https://lucygoestohollywood.com/2018/10/31/halloween-2018-michaels-back-back-again/