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Tobin Bell recommended Diabolique (1955) in Movies (curated)

 
Diabolique (1955)
Diabolique (1955)
1955 | Crime, Drama, Horror
8.0 (1 Ratings)
Movie Favorite Watch

"An old French film with Simone Signoret, and I think Paul Meurisse is in it. It’s the film that terrified me as child, with this very simple scene where she pulls a curtain back in an upstairs window, and he’s watching from the yard. That was actually probably the first horror film I ever saw. It was a very scary. I was a small child. I just remember the simplicity of that moment when she pulled that curtain back. So there’s that, and they did the remake with Sharon Stone that was not very successful and wasn’t very well made."

Source
  
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David McK (3194 KP) rated Total Recall (1990) in Movies

Jun 21, 2019 (Updated Sep 16, 2019)  
Total Recall (1990)
Total Recall (1990)
1990 | Action, Sci-Fi
8
7.6 (71 Ratings)
Movie Rating Watch
Forget the rather pointless Colin Farrell-starring 2012 remake, this is the original (and best) of the 2 movies to share the name, itself based on the Philip K Dick short story 'We Can Remember It for You Wholesale' - it bears little in common with that story, however, other than the idea of false memory implants!

Starring a pre-T2 Arnold Schwarzenegger alongside Sharon Stone and Michael Ironside, the main plot of this is actually open to interpretation: are these events actually happening, or is Arnie's character of Douglas Quaid dreaming them? Every thing that happens after he visits Rekall is left deliberately open to interpretation, even down to the film ending with a white out instead of a black out ...
  
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Matthew Krueger (10051 KP) rated Basic Instinct (1992) in Movies

Apr 17, 2021  
Basic Instinct (1992)
Basic Instinct (1992)
1992 | Drama, Horror, Mystery
9
7.9 (17 Ratings)
Movie Rating Watch
Love The Way You Lie
Basic Instinct- is a excellent erotic thriller. Both Micheal Douglas and Sharon Stone are excellent in it.

The plot: The mysterious Catherine Tramell (Sharon Stone), a beautiful crime novelist, becomes a suspect when she is linked to the brutal death of a rock star. Investigated by homicide detective Nick Curran (Michael Douglas), Catherine seduces him into an intense relationship. Meanwhile, the murder case becomes increasingly complicated when more seemingly connected deaths occur and Nick's psychologist and lover, Beth Garner (Jeanne Tripplehorn), appears to be another suspect.

Douglas recommended Kim Basinger for the role of Catherine Tramell, but Basinger declined. He also proposed Julia Roberts, Greta Scacchi and Meg Ryan but they also turned down the role, as did Michelle Pfeiffer, Geena Davis, Kathleen Turner, Ellen Barkin, and Mariel Hemingway. Verhoeven considered Demi Moore.

She was paid $500,000, a low sum relative to the film's production budget. Michael Douglas was determined to have another A-list actress starring in the movie with him; worried to take the risk on his own, he was quoted as saying "I need someone to share the risks of this movie. [...] I don't want to be up there all by myself. There's going to be a lot of shit flying around.

Basic Instinct is rated R for "strong violence and sensuality, and for drug use and language". It was initially given a commercially restrictive NC-17 rating by the MPAA for “graphic depictions of extremely explicit violence, sexual content, and strong language”, but under pressure from TriStar and Carolco, Verhoeven cut 35–40 seconds to gain an R rating.

Its a excellent thriller and a must watch.
  
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Kirk Bage (1775 KP) rated Casino (1995) in Movies

Mar 3, 2020  
Casino (1995)
Casino (1995)
1995 | Drama
8
8.2 (16 Ratings)
Movie Rating Watch
In many ways, I prefer this film to Goodfellas. It has a slower burn, but feels more mature and grounded, somehow. The acting generally from all the regulars is top of the game stuff; especially Sharon Stone, who surprised many by just how good she could be, and is a rare mention in this genre for a female stealing the show! The lush visuals afforded by the glamour of the casino itself dazzles the eye. The suits are there, the attitudes are there. Much more than a lot of “ganster” films, however, this one focuses on relationships at its core. The glitz and crime are a context for looking at the people underneath and how they fail one another. It demonstrates how you can have it all in life and still despair. Criticised for lacking focus and a rock solid script, it can’t be denied there are faults, but it is still one hell of a ride!