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David McK (3233 KP) rated The Casebook of Sherlock Holmes (Sherlock Holmes #9) in Books
May 12, 2024
"Come at once if convenient. If not convenient, come at once all the same - SH"
The final entry in Arthur Conan Doyle's Sherlock Holmes canon, which - again - I experienced through a mixture of reading and listening to the Stephen Fry narrated Audible version, and which is also really once again a collection of short stories rather than a single over-arching narrative.
What is unique in this collection, though, is that some of the stories are presented as Holmes himself delivering the narrative, rather than Watson acting as the biographer.
I also noticed - perhaps reflecting the nature of the time in which they were written, and Doyle's own interests - that there are more of the, shall we say, supernatural elements in the case chosen ("The adventure of the Sussex Vampire" springs to mind, for example) although - in all cases - the supernatural elements are later debunked by Holmes himself.
As a whole? I thoroughly enjoyed my time in the company of Holmes and Watson.
The final entry in Arthur Conan Doyle's Sherlock Holmes canon, which - again - I experienced through a mixture of reading and listening to the Stephen Fry narrated Audible version, and which is also really once again a collection of short stories rather than a single over-arching narrative.
What is unique in this collection, though, is that some of the stories are presented as Holmes himself delivering the narrative, rather than Watson acting as the biographer.
I also noticed - perhaps reflecting the nature of the time in which they were written, and Doyle's own interests - that there are more of the, shall we say, supernatural elements in the case chosen ("The adventure of the Sussex Vampire" springs to mind, for example) although - in all cases - the supernatural elements are later debunked by Holmes himself.
As a whole? I thoroughly enjoyed my time in the company of Holmes and Watson.
Bob Mann (459 KP) rated Enola Holmes (2020) in Movies
Oct 4, 2020
Millie Bobby Brown - a confident raw talent (1 more)
Henry Cavill as a new take on Sherlock
The unsinkable Millie Bobby Brown
Sherlock Holmes never had a sister. But if he did, what adventures would Enola Holmes get up to? That’s the premise behind this Netflix feature. starring rising star Millie Bobby Brown.
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Enola Holmes (Millie Bobby Brown) thinks she’s been named as such because it spells “alone” backwards. (But then, she admits, that it doesn’t seem to follow for either kcolrehs or tforcym!)
Enola has been brought up by her dearest mother Eudoria (Helena Bonham Carter) to be a strong and confident woman, free of the normal 19th century rituals of ladylike husband-seeking niceties: for her, it’s all mental gymnastics and martial arts. But when on her 16th birthday her mother vanishes, Enola sets out on a quest to find her. But Eudoria is a Holmes, and knows the value of clues and how to cover her tracks.
Of greater concern to Enola is her brother and ward Mycroft (Sam Claflin), who is intent on packing her off to the Victorian finishing school of Miss Harrison (“Killing Eve’s” Fiona Shaw). But while trying to escape from her brothers – not a trivial matter when one is the famous detective Sherlock (Henry Cavill) – Enola encounters a Marquess on the run (Louis Partridge) and adventure, intrigue and murder are on the cards.
Filming in this “Fleabag” style – where the lead is constantly breaking the fourth wall – requires a confidence in delivery that many young actors would struggle with. But not Millie Bobby Brown. Her asides and camera glances – while not quite as skillful as the astonishingly accomplished Phoebe Waller-Bridge – are nonetheless impressive and constantly entertaining. An underwater wink at the camera was particularly enjoyable.
So… actress – tick!
But perhaps more impressive to me was that the 16 year old – most famous for her role in “Stranger Things”, which I still haven’t watched – was also a PRODUCER of this movie. Which makes me think she is a serious person to watch in the movie business (if there ever is a movie business left after 2020). I read that she is the youngest person ever to appear on the annual list of the “world’s 100 most influential people” by Time magazine: so others agree!
The supporting case are a broad array of British acting talent, with Henry Cavill being particularly appealing as Sherlock, Burn Gorman at his slimy evil best as a murderous henchman, and Sam Claflin being as anonymous as I always find him. (That’s a compliment by the way: whereas I see some actors and think “oh, there’s <<Tom Hanks>> again”, I never recognize Claflin until the credits role… he is a chameleon of the acting world).
But acting the socks off everyone else for me is Frances de la Tour as the Marquess’s grandmother. A deliciously twinkling and charming performance from an old dame of the screen.
The similarities with “Fleabag” are not coincidental, since the director is Harry Bradbeer; director of all of the episodes except the original pilot. But it’s unfortunate in some ways that the style has been interpolated into the Holmes story. Since, of course, this approach was previously done by Guy Ritchie in the two very entertaining movies featuring Robert Downey Jnr and Jude Law. And for me, that’s a shame. Since although the styles are markedly different – here we have a lot of Paddington-style cardboard animations – the “feel” of the films is the same. As such, it doesn’t feel as novel as it should do. Why couldn’t she have been someone else’s sister? Houdini perhaps? Or Oscar Wilde?
As two hours of entertaining escapism, Enola Holmes worked well for me. Brown is eminently watchable, and given the Netflix response to the movie, a sequel would be – I expect – on the cards.
(For the full graphical review, please visit the One Mann's Movies review here - https://bob-the-movie-man.com/2020/10/04/the-unsinkable-millie-bobby-brown/. Thanks.)
Phillip McSween (751 KP) rated Tag (2018) in Movies
Jul 28, 2018
Pretty Funny
A group of friends' have relied on a monthly game of Tag to stay in contact with each other. The friends must come together to take down Jerry (Jeremy Renner), the only one in their circle who has never been tagged. Sound stupid? Sure. However it's a lot less cornier and a lot funnier than you might imagine.
Acting: 10
This star-studded cast really came to play, pun-intended. I can only imagine how challenging it would be to take a role like this so seriously while trying to have fun at the same time, but each of the actors/actresses managed their roles perfectly and brought their own style to the game. Isla Fisher was my personal favorite playing the role of Anna Malloy who desperately wants to be initiated into the Tag group but has to settle for (aggressively) helping her husband win. Her intensity cracks me up in every scene she plays in.
Beginning: 8
Characters: 10
I loved that these characters weren't flat, but fleshed out, which made for even better comedy in the longrun. Aside from Anna, you've got Susan Crosby (Leslie Bibb), a perfectionist who wants to keep the Tag game away from her perfect wedding. Jerry's character is a flat-out masterpiece, a bit of Pink Panther meets Sherlock Holmes. Every character brings their own uniqueness to the game.
Cinematography/Visuals: 10
Speaking of Sherlock Holmes, I loved the Holmes-esque cinematics used when capturing Jerry's aversion tactics. Straight out of an action film, watching him duck and dive without breaking a sweat while all the other players destroy themselves is hilarious. The slo-mo captures are perfect, something akin to a Michael Bay or John Woo film.
Conflict: 5
Genre: 7
Memorability: 8
Pace: 10
Plot: 8
Resolution: 8
Somewhat cheesy, it still manages to get the job done. Considering how preposterous the rest of the film is, the ending works just fine.
Overall: 84
The comedy is up and down, but overall, Tag is solidly funny. With a unique concept and a great cast, this is a film that will definitely keep you entertained.
Acting: 10
This star-studded cast really came to play, pun-intended. I can only imagine how challenging it would be to take a role like this so seriously while trying to have fun at the same time, but each of the actors/actresses managed their roles perfectly and brought their own style to the game. Isla Fisher was my personal favorite playing the role of Anna Malloy who desperately wants to be initiated into the Tag group but has to settle for (aggressively) helping her husband win. Her intensity cracks me up in every scene she plays in.
Beginning: 8
Characters: 10
I loved that these characters weren't flat, but fleshed out, which made for even better comedy in the longrun. Aside from Anna, you've got Susan Crosby (Leslie Bibb), a perfectionist who wants to keep the Tag game away from her perfect wedding. Jerry's character is a flat-out masterpiece, a bit of Pink Panther meets Sherlock Holmes. Every character brings their own uniqueness to the game.
Cinematography/Visuals: 10
Speaking of Sherlock Holmes, I loved the Holmes-esque cinematics used when capturing Jerry's aversion tactics. Straight out of an action film, watching him duck and dive without breaking a sweat while all the other players destroy themselves is hilarious. The slo-mo captures are perfect, something akin to a Michael Bay or John Woo film.
Conflict: 5
Genre: 7
Memorability: 8
Pace: 10
Plot: 8
Resolution: 8
Somewhat cheesy, it still manages to get the job done. Considering how preposterous the rest of the film is, the ending works just fine.
Overall: 84
The comedy is up and down, but overall, Tag is solidly funny. With a unique concept and a great cast, this is a film that will definitely keep you entertained.
Enola Holmes and the Black Barouche
8.0
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A young girl who is empowered, capable, and smart...the Enola Holmes book series convey an impactful...
Tim McGuire (301 KP) rated A Dark Place (2018) in Movies
Jan 25, 2020 (Updated Mar 3, 2020)
383. A Dark Place. A small town murder mystery and it was pretty awesome. We meet Donald a sanitation worker, a quiet guy, when it comes to work he follows the rules to a T. He's not the smartest of human beings but when his interest in the case of a local missing boy, he becomes Sherlock Holmes, ok maybe not that good but... Donald only the knows the family of the missing boy, because they wave to him when he stops by to pick up their trash, and apparently that is enough for Donald to conduct his own investigation and frankly, does it better than the local police. Donald definitely digs in deep and unearths some troubling truths about the small town. The main character Donald played by Andrew Scott reminded me of Mark Ruffalo playing Forrest Gump. I think you'll see it too. It is a short movie, but does manage to tell a good tale and also include a decent sub plot. For the lover of the small town mystery movie, this is worth the time! Filmbufftim on FB
Awix (3310 KP) rated The Dorrington Deed Box in Books
Jul 30, 2019 (Updated Jul 30, 2019)
A handful of stories rather reminiscent in some ways of the Sherlock Holmes shorts, though with a rather different protagonist. Horace Dorrington is a very effective investigator when he chooses to be, and a charming fellow, but he is also totally corrupt and self-serving, with a repertoire that extends to blackmail, fraud, and murder, even of his own supposed clients.
He is, obviously, an anti-hero, and Morrison makes him work as the lead of a series of stories through a few different tricks - firstly, he is outrageously charming, and you generally are waiting for the moment when Dorrington is going to revert to type and pull a fast one on his latest victim. Secondly, he is generally pitted against people even worse than he is.
Still, you can start to detect Morrison struggling to find new things to do with the character after only a few stories, which may be why he only appears in the half-dozen or so collected here. They remain highly entertaining if Victorian crime fiction is your cup of tea.
He is, obviously, an anti-hero, and Morrison makes him work as the lead of a series of stories through a few different tricks - firstly, he is outrageously charming, and you generally are waiting for the moment when Dorrington is going to revert to type and pull a fast one on his latest victim. Secondly, he is generally pitted against people even worse than he is.
Still, you can start to detect Morrison struggling to find new things to do with the character after only a few stories, which may be why he only appears in the half-dozen or so collected here. They remain highly entertaining if Victorian crime fiction is your cup of tea.
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