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Elizabeth (1521 KP) rated Entwined with You (Crossfire, #3) in Books
Apr 24, 2019
I'm going to assume that this series is not a trilogy because just about everything was left unresolved. The story felt rushed and all over the place, things added just to fill space or for shock value. Too often I found myself thinking how incredibly unbelievable it was and couldn't understand how they could overreact one minute and then completely underreact the next.
Maybe it was the amount of time that passed between my reading the first two books and this one, or maybe it was all of the other books I'd read during that time that had me more aware of its shortcomings. The number of times the word "deft" appeared made me never want to see or hear the word ever again. I was reminded of its overuse in "Fifty Shades" as well. I'm sure there are other ways that these authors can convey the prowess and skill these men possess.
If I could give half stars, I would have given this 2 1/2, but since I can't, I rounded up to 3.
Maybe it was the amount of time that passed between my reading the first two books and this one, or maybe it was all of the other books I'd read during that time that had me more aware of its shortcomings. The number of times the word "deft" appeared made me never want to see or hear the word ever again. I was reminded of its overuse in "Fifty Shades" as well. I'm sure there are other ways that these authors can convey the prowess and skill these men possess.
If I could give half stars, I would have given this 2 1/2, but since I can't, I rounded up to 3.
Nick Hosmer (2 KP) rated Kindle E-Reader in Tech
Apr 24, 2019
Backlight (2 more)
Being able to read in sunlight without glare
Battery life
Slow menus (1 more)
Lagging text
Love this E-Reader
I have the kindle paperwhite 7th gen.
I carry this thing with me everywhere! I absolutely love this device. I enjoy being able to read it everywhere without having to worry about an internet connection, or having to contort my body to avoid screen glare. I have anywhere between 3-10 books downloaded at one time and that didn't make a large impact on its internal memory. The battery life on this is great, I usually read 1-2 hours a day and I go a week between charges, longer if I haven't used the device quite as often.
For as much as I enjoyed this device there are some shortcomings. There have been times that I have to turn the backlight off then back on again for it to work. All the menus lag when loading and while reading the pages occasionally take a moment to turn.
Overall I do recommend the kindle paperwhite or any kindle e-reader.
I carry this thing with me everywhere! I absolutely love this device. I enjoy being able to read it everywhere without having to worry about an internet connection, or having to contort my body to avoid screen glare. I have anywhere between 3-10 books downloaded at one time and that didn't make a large impact on its internal memory. The battery life on this is great, I usually read 1-2 hours a day and I go a week between charges, longer if I haven't used the device quite as often.
For as much as I enjoyed this device there are some shortcomings. There have been times that I have to turn the backlight off then back on again for it to work. All the menus lag when loading and while reading the pages occasionally take a moment to turn.
Overall I do recommend the kindle paperwhite or any kindle e-reader.
Awix (3310 KP) rated Pacific Rim (2013) in Movies
Feb 25, 2018
Brave and comparatively rare (these days) attempt to do a blockbuster that isn't a remake nor based on a novel, comic book, toy line, TV show or theme park attraction. Which is not to say this isn't a tremendously derivative movie; clearly inspired by tokosatsu movies, manga, and anime, just with most of the actual Japanese characters replaced by Americans and Australians. (Hmmm, isn't this cultural appropriation?)
Anyway: big monsters lumber out of the sea, get smacked in the mouth by giant robots. Story isn't really anything special, but the background details of this slightly cartoony world are engaging, as are some of the supporting performances. Film subscribes to the prevailing American dogma, which is that giant monster fights must take place at night and preferably in bad weather: apparently this makes them much more believable. The Hong Kong battle is terrific, the others not so much. In the end I think the premise of this movie is really much better than the way it is realised; maybe the sequel will address some of the shortcomings here.
Anyway: big monsters lumber out of the sea, get smacked in the mouth by giant robots. Story isn't really anything special, but the background details of this slightly cartoony world are engaging, as are some of the supporting performances. Film subscribes to the prevailing American dogma, which is that giant monster fights must take place at night and preferably in bad weather: apparently this makes them much more believable. The Hong Kong battle is terrific, the others not so much. In the end I think the premise of this movie is really much better than the way it is realised; maybe the sequel will address some of the shortcomings here.
Phillip McSween (751 KP) rated A Star Is Born (1976) in Movies
Jun 30, 2020
Decent, But Hoped For More
When a local singer is discovered by a big time star, she finds that her time in the spotlight isn’t all she expected it to be.
Acting: 10
While I wasn’t in love with Barbara Streisand’s lead role of Esther Hoffman, she did alright for the most part. I’ll just say it was a little bit better than bearable. I’m never one to say an actor has to knock it out of the park, but they can’t be so bad as to take me out of the movie. For any of her shortcomings Kris Kristofferson made up for it playing the alcoholic musician John Norman Howard. He definitely carries the chemistry between the two.
Beginning: 10
Solid kickoff as you are immediately engaged with John’s character and his shortcomings as a man. You can see this guy is a trainwreck and anyone that gets close to him will probably be brought down too. While I have seen the previous two versions before this one, it made me interested to see how they would tackle his struggles.
Characters: 8
Cinematography/Visuals: 10
For what it’s worth, I did like what director Frank R. Pierson did in showing Esther’s life at home versus what the glamorous life looked like. Before she makes it big, and even in some of the quieter moments, there is peace, shots of calm and quiet. The road life is an entirely different animal, however, as heaps of fans cheer her on at every turn and you can feel just how overwhelming it is. I appreciated that stark contrast.
Conflict: 7
Entertainment Value: 7
Throughout its 141-minute duration, A Star is Born definitely has its shining spots. Who doesn’t love a good rags to riches story? In a twist you can see coming for some time, this is a rags to riches to mortal endings story. I enjoyed watching her rise to stardom although some parts were truly unbearable with John’s character being such a total anus. It was over-the-top at times and took some of the enjoyment away.
Memorability: 2
Pace: 6
Plot: 8
Resolution: 4
Overall: 72
Of the four versions, this is hands-down the weakest A Star is Born. It’s not a horrible movie and I definitely wouldn’t steer someone away from checking it out at least once. For me, it just doesn’t stand the test of time.
Acting: 10
While I wasn’t in love with Barbara Streisand’s lead role of Esther Hoffman, she did alright for the most part. I’ll just say it was a little bit better than bearable. I’m never one to say an actor has to knock it out of the park, but they can’t be so bad as to take me out of the movie. For any of her shortcomings Kris Kristofferson made up for it playing the alcoholic musician John Norman Howard. He definitely carries the chemistry between the two.
Beginning: 10
Solid kickoff as you are immediately engaged with John’s character and his shortcomings as a man. You can see this guy is a trainwreck and anyone that gets close to him will probably be brought down too. While I have seen the previous two versions before this one, it made me interested to see how they would tackle his struggles.
Characters: 8
Cinematography/Visuals: 10
For what it’s worth, I did like what director Frank R. Pierson did in showing Esther’s life at home versus what the glamorous life looked like. Before she makes it big, and even in some of the quieter moments, there is peace, shots of calm and quiet. The road life is an entirely different animal, however, as heaps of fans cheer her on at every turn and you can feel just how overwhelming it is. I appreciated that stark contrast.
Conflict: 7
Entertainment Value: 7
Throughout its 141-minute duration, A Star is Born definitely has its shining spots. Who doesn’t love a good rags to riches story? In a twist you can see coming for some time, this is a rags to riches to mortal endings story. I enjoyed watching her rise to stardom although some parts were truly unbearable with John’s character being such a total anus. It was over-the-top at times and took some of the enjoyment away.
Memorability: 2
Pace: 6
Plot: 8
Resolution: 4
Overall: 72
Of the four versions, this is hands-down the weakest A Star is Born. It’s not a horrible movie and I definitely wouldn’t steer someone away from checking it out at least once. For me, it just doesn’t stand the test of time.
Awix (3310 KP) rated Halloween (1978) in Movies
Oct 30, 2020
John Carpenter's landmark horror movie; not the first slasher movie, but pretty much the textbook example of the genre. A homicidal maniac (and, just possibly, vessel of pure evil) breaks out of an institution and returns to his home town, where he murdered his sister at the age of six. Obsessive doctor Donald Pleasence is in hot pursuit, but Jamie Lee Curtis (in her debut) is about to find that babysitting really deserves danger money...
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
Always interesting to watch these classic horror films back on the big screen: as usual, there was a lot of nervous sniggering at some of the technical shortcomings of a low-budget production (plus Halloween has been so extensively ripped off and parodied it's the kind of film you feel you've seen before, even if you haven't). However, there were yelps and screams in the appropriate places as the film got going: Carpenter handles the jump scares with consummate technical skill, but it works as well as it does because of the atmosphere he creates, helped mainly by Pleasance. A film that really sets out to do only one thing, and for the most part achieves that brilliantly.
LeftSideCut (3778 KP) rated Free Guy (2021) in Movies
Oct 1, 2021
I play video games fairly regularly, so it's no surprise that I absolutely love the concept of Free Guy. A whole ass movie exploring the daily ins and outs of an NPC existing in a Grand Theft Auto style world is something that interests me, and it's feels quite unique. Unfortunately, that uniqueness is bogged down by a whole lot of over familiar execution. The time loop style plot trope, the over the top douchebag villain (even when it's Taika Waititi), events in the movie being presented through familiar real life news stations or YouTube, the inclusion of multiple popular IPs thrown in for a cheap thrill - for a movie that carries a fresh premise, it manages to feel wholly unoriginal.
These negatives would usually be enough to complely write off the finished product, but luckily, Free Guy is entertaining as hell. It has some decent action set pieces, never tries to be something it's not, and even managed to wrangle a few laughs out of me. Most importantly, it's fun.
Free Guy has plenty of flaws, but it's shortcomings are just about balanced out by the good, and it will surely appeal to the majority of people who see it. A decent enough switch-off watch.
These negatives would usually be enough to complely write off the finished product, but luckily, Free Guy is entertaining as hell. It has some decent action set pieces, never tries to be something it's not, and even managed to wrangle a few laughs out of me. Most importantly, it's fun.
Free Guy has plenty of flaws, but it's shortcomings are just about balanced out by the good, and it will surely appeal to the majority of people who see it. A decent enough switch-off watch.
Awix (3310 KP) rated When the Tripods Came (The Tripods #4) in Books
Sep 18, 2019
Fourth books in trilogies are inherently inelegant and awkward beasts; Christopher's final Tripods novel is unsurprisingly no exception. 1980s Earth is visited by alien invaders, who (initially at least) are easily repelled. But it turns out that your mum was right when she said that too much TV was bad for your health...
A bit dated, but that's the least of the book's issues. A prequel to the main series was really not required, and the main catalyst for writing it seems to have been the Tripods TV show which was broadcast three or four years earlier. (The TV show the Masters use to take over the world bears a suspicious resemblance to the TV adaptation of the first two books.) It's not really meta, more sort of peeved: peeved at critics of the show's shortcomings, but also peeved at the makers of the show for not doing a better job. As well as being dated, the relationship subplots of the book feel a bit proforma, but the depiction of the world slowly sliding out of human control and the end of modern civilisation is vividly presented in the usual compelling fashion. Whether it should all feel a bit more downbeat and bleak is probably a question of personal taste; Christopher's prose retains its good manners as well as its readability.
A bit dated, but that's the least of the book's issues. A prequel to the main series was really not required, and the main catalyst for writing it seems to have been the Tripods TV show which was broadcast three or four years earlier. (The TV show the Masters use to take over the world bears a suspicious resemblance to the TV adaptation of the first two books.) It's not really meta, more sort of peeved: peeved at critics of the show's shortcomings, but also peeved at the makers of the show for not doing a better job. As well as being dated, the relationship subplots of the book feel a bit proforma, but the depiction of the world slowly sliding out of human control and the end of modern civilisation is vividly presented in the usual compelling fashion. Whether it should all feel a bit more downbeat and bleak is probably a question of personal taste; Christopher's prose retains its good manners as well as its readability.
This book is part of a series by Blythe Camenson that explores different careers centered on a theme. This volume focuses on water related careers and covers the spectrum from aquatic scientists to the Navy, fishing, cruise staff, water safety and rescue, and water sports.
The book tackles each of these items in a series of chapters. Each chapter talks about what the job entails, training needed, salaries, and employment figures. It then concludes with an interview with someone who is currently employed in the field that touches on their background, their job, and what they do and don't like about it.
The book is interesting and covers a range of things that anyone considering a new career would find interesting. However, it does have its shortcomings. At 150 pages, including an appendix of professional associations, the book just barely wets your appetite for more. Each chapter only focuses on one or two jobs and basically lists the others. This means the book isn't one stop shopping, but it does give you a general idea whether you might want to look for further information on the jobs listed.
Additionally, the book was published in the last decade, so some of the information, like salaries, is already out of date. The book focuses on the US, so if you live elsewhere, you'll need to look into local standards, and all the addresses given won't do you any good.
The book tackles each of these items in a series of chapters. Each chapter talks about what the job entails, training needed, salaries, and employment figures. It then concludes with an interview with someone who is currently employed in the field that touches on their background, their job, and what they do and don't like about it.
The book is interesting and covers a range of things that anyone considering a new career would find interesting. However, it does have its shortcomings. At 150 pages, including an appendix of professional associations, the book just barely wets your appetite for more. Each chapter only focuses on one or two jobs and basically lists the others. This means the book isn't one stop shopping, but it does give you a general idea whether you might want to look for further information on the jobs listed.
Additionally, the book was published in the last decade, so some of the information, like salaries, is already out of date. The book focuses on the US, so if you live elsewhere, you'll need to look into local standards, and all the addresses given won't do you any good.
LeftSideCut (3778 KP) rated The Purge (2013) in Movies
Aug 8, 2021
Despite it's shortcomings, it's easy to see why The Purge ended up spawning a franchise and that's mainly down to it's tantalising premise. The whole "murder is legal for one night every year" idea is suitably dystopian, and yet feels uncomfortably plausible. It's a little slice of horror-plot gold.
This first entry however, is more of a tease of what could be, focusing on one family, in one location, on Purge Night.
It has a fair amount going for it. Two strong leads in Ethan Hawke and Lena Headey, a relatively charismatic villain, and a well paced narrative that manages to achieve some sort of tension here and there.
Unfortunately, it falls into silly action clichés during the final third. It's easy to lose count of how many times a main character is about to meet their demise, before being miraculously saved at the last second. It becomes a bit laughable by the time the credits roll. The plot beats around this point take a bit of a dive as well, with some last minute twists thrown in that don't really make a lick of sense. The action itself is fairly entertaining, but marred somewhat by all the crappy CGI blood flying around. And although the main villain has some entertaining aspects, his minions are just a bunch of cringy edge lords that unfortunately plague this entire series.
All that being said, The Purge is still a modest and tidy enough home invasion thriller that deserves a watch.
This first entry however, is more of a tease of what could be, focusing on one family, in one location, on Purge Night.
It has a fair amount going for it. Two strong leads in Ethan Hawke and Lena Headey, a relatively charismatic villain, and a well paced narrative that manages to achieve some sort of tension here and there.
Unfortunately, it falls into silly action clichés during the final third. It's easy to lose count of how many times a main character is about to meet their demise, before being miraculously saved at the last second. It becomes a bit laughable by the time the credits roll. The plot beats around this point take a bit of a dive as well, with some last minute twists thrown in that don't really make a lick of sense. The action itself is fairly entertaining, but marred somewhat by all the crappy CGI blood flying around. And although the main villain has some entertaining aspects, his minions are just a bunch of cringy edge lords that unfortunately plague this entire series.
All that being said, The Purge is still a modest and tidy enough home invasion thriller that deserves a watch.
LoganCrews (2861 KP) rated Garden State (2004) in Movies
Sep 20, 2020 (Updated Nov 26, 2020)
Whole quirk, probably just a feature length "Try not to cringe" challenge if I really think about it - which as a cringe connoisseur I always have a soft spot for and you will too if that's your thing - but this taps into something buried deep in the psyche, with an almost primal force. Not only does this capture how fucking insufferable "Hey, how've you been?" small talk can be, but this does better than most movies before or after it in depicting that time in your life (late adolescence/early adulthood) where you were the center of your own moody universe and nothing else mattered - when you thought that's how life would be forever and you just Felt So Deeply™, for good and for ill. It has this authentic, free youthful energy about it but it also has a pretty mopey demeanor to it as well. Hence why I think this would work better if these characters were a bit younger, but I digress - it does that so impeccably well that all of its other blatant shortcomings are easy to forgive (for instance I still can't decide if Braff nailed the emotionally detached, despondent aura of his disillusioned lead character... or if he just sucked). It's so magnetic stylistically (soundtrack is stacked and the cinematography rules) I think it does its job more than capably. Pretty mesmerizingly walks a fine line between "What the fuck is this?" and "Hey who left this bowl of onions here?". Portman is the final boss Manic Pixie Dream Girl.