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Gareth von Kallenbach (971 KP) rated Cabin Fever (2016) in Movies
Jun 19, 2019
Back in 2002, a fairly unknown filmmaker named Eli Roth brought a fresh and creepy horror film to theaters called “Cabin Fever”. It followed a time honored setup of a group of young people taking some time off in an isolated rural setting but instead of the worn to death psycho or monster on the loose setup, this film had something new in mind.
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/
The film followed the outbreak of a flesh eating virus that was relentless, turned characters against one another, and had audiences wondering what would happen next. Filmed for a modest budget, the film became a hit and eventually spawned two direct to video follow ups, the most recent serving as a prequel to the original film.
There were plans to make a third follow up which was reportedly to be set on a cruise ship but they were scrapped in favor of a reboot of the main film with Roth serving as producer.
The 2016 version of the film is pretty much a scene for scene and in some cases; shot for shot remake of the original that duplicates the characters, situations, and outcomes from the first film with only a few changes along the way such as a deputy being female this time around, an addition to the ending, and some slightly better production values.
While it was entertaining to watch, I found that knowing what was to come stopped any tension in the film as has barely been 14 years since the first film came out, and without anything drastically different this time around, it made me wonder why the decision to reboot the film was made.
I do believe that there is still more to tell in this series, but that there is a better way to do it than the sequels we have had to date and a shot by shot remake. I think a story that ran parallel to the original or a more direct sequel might be very interesting as well as a look at the larger consequences of the outbreak.
That being said, if you are a fan of the series you will likely want to see the remake, but will likely wish that the series had continued forward with the story rather than going back to the beginning.
http://sknr.net/2016/02/20/cabin-fever-2016/
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Mark @ Carstairs Considers (2099 KP) rated Aerobics Can Be Deadly in Books
Jan 12, 2023
Killer Workouts Are Fun for Us
Sho Tanaka and Levi Blue have decided to make a triathlon the first item they tackle on their bucket lists. When they go to the local gym to sign up to train, Levi manages to get them jobs as background extras in an aerobics video being shot the next day. However, when one of the stars dies during the first scene, Levi is ready to jump in and find the killer. Will Sho go along with it? Will they figure out what is going on?
While this is the first book in the series, it follows the novella that really introduces the characters. I read them out of order, but I didn’t have trouble figuring out the main characters and their relationships. There are plenty of laughs, especially in the beginning, but as the book progresses, things get more serious, lending itself to some great characters moments. Not that the humor ever goes completely away. Meanwhile, we have a strong mystery that kept me guessing until the very end. I will definitely be back for the prequel soon.
While this is the first book in the series, it follows the novella that really introduces the characters. I read them out of order, but I didn’t have trouble figuring out the main characters and their relationships. There are plenty of laughs, especially in the beginning, but as the book progresses, things get more serious, lending itself to some great characters moments. Not that the humor ever goes completely away. Meanwhile, we have a strong mystery that kept me guessing until the very end. I will definitely be back for the prequel soon.
Bong Mines Entertainment (15 KP) rated Runnin' - Single by SHōTA LōDI in Music
Jun 18, 2019
SHōTA LōDI (pronounced Show-Ta Low-Dee) is an LA-based singer-songwriter from Tokyo, Japan. Not too long ago, he released a music video for his “Runnin’” single.
“‘Runnin’ is an upbeat tale about the never-ending rat race to be at the top of the charts. The lyrics are inspired by the trials and errors that take place in the music business on the road to success. Since the release of this record, Adidas has reached out to use the song in their ads. The music video was shot over 5 days in NYC and has been well received by agents and labels since the release.” – SHōTA LōDI
‘Runnin’’ contains a relatable narrative, harmonious vocals, and feel-good instrumentation flavored with neo-soul, hip-hop, and indie-pop elements.
An accomplished clarinetist and pianist, SHōTA LōDI is a self-taught singer-songwriter and guitarist. He can sing fluently in Japanese and English and his unique sound has already landed him a record deal with Warner Asia.
2019 is going to be a busy year for him because of Warner’s overseas support and labels in the U.S. calling his phone. Also, the launching of his clothing brand will keep him active and the release of his upcoming Freshman album, entitled, “High School Dropout”.
https://www.bongminesentertainment.com/shota-lodi-runnin/
“‘Runnin’ is an upbeat tale about the never-ending rat race to be at the top of the charts. The lyrics are inspired by the trials and errors that take place in the music business on the road to success. Since the release of this record, Adidas has reached out to use the song in their ads. The music video was shot over 5 days in NYC and has been well received by agents and labels since the release.” – SHōTA LōDI
‘Runnin’’ contains a relatable narrative, harmonious vocals, and feel-good instrumentation flavored with neo-soul, hip-hop, and indie-pop elements.
An accomplished clarinetist and pianist, SHōTA LōDI is a self-taught singer-songwriter and guitarist. He can sing fluently in Japanese and English and his unique sound has already landed him a record deal with Warner Asia.
2019 is going to be a busy year for him because of Warner’s overseas support and labels in the U.S. calling his phone. Also, the launching of his clothing brand will keep him active and the release of his upcoming Freshman album, entitled, “High School Dropout”.
https://www.bongminesentertainment.com/shota-lodi-runnin/
Lee (2222 KP) rated 1917 (2020) in Movies
Jan 11, 2020
British soldiers Schofield (George MacKay) and Blake (Dean-Charles Chapman) are taking a well earned rest in a peaceful French field when they are summoned to a meeting down in the trenches with General Erinmore (Colin Firth). Having believed that the Germans had retreated, and were now on the run, the General has now learned that they are in fact armed to the teeth and lying in wait for the unsuspecting battalion of 1600 Brits who are preparing to advance on them. Unfortunately, that battalion is quite a distance across country, and with telephone lines currently out of action, Blake and Schofield have been tasked by the General with delivering the message to call off the attack. And the reason for choosing Blake? His brother is one of the 1600 likely to meet their death if the message isn’t received before they attack the following morning.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
The big talking point surrounding 1917 has been the ‘single shot’ effect that it uses in order to tell its story. We effectively follow Blake and Schofield in real time as they undertake their mission, with only a single camera shot tracking them, and only noticeably cutting away just once. The result is outstanding, delivering a seamless and fully immersive experience unlike anything you’ve experienced before, outside of a first person shooter video game.
Late last year, a short behind the scenes video for 1917 was released, showing how they’d used cameras hanging from wires, which were then passed to guys on foot, then to guys on vehicles, back and forth in order to achieve the effect. The result is that the camera glides effortlessly around the soldiers in the trenches and on the battlefields, through barbed wire and across bodies of water filled with rotting corpses. You feel the tension and all of the emotion right there, right alongside the soldiers who are experiencing it. It’s a truly amazing technical achievement.
Their journey takes them across no mans land, across the war-torn countryside, avoiding danger and all other obstacles in their way. And it’s edge of seat stuff, aided by an amazing heart pumping score and that incredible camera work. Hats off to George Mackay as Schofield too, who carries the majority of the movie and is really put through the wringer.
1917 has already earned itself a Golden Globe, and nine BAFTA nominations, just this last week alone. And it deserves it all. Bold, ambitious storytelling, and an early contender for this years best movie.
