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Heather Cranmer (2721 KP) rated Girls with Sharp Sticks (Girls with Sharp Sticks #1) in Books
Oct 19, 2022
When I read the synopsis of Girls with Sharp Sticks by Suzanne Young, I was hooked. I love stories about mysterious boarding schools, so I had to read this book! Plus, I had read The Program by Suzanne Young and loved that book. I was not disappointed by this novel.
Philomena aka Mena is one of the beautiful girls. In fact, all the girls at her all girls boarding school are beautiful. They are taught how to behave. They're only allowed salads for food, and their classes focus more on etiquette and how to act in male company. They are all fully obedient until one day something awakens in Mena. She realizes that not all is as it seems at her boarding school. Something sinister is going on, and Mena will do anything to find out to protect her friends.
The plot of Girls with Sharp Sticks has been done before. In fact, much of the plot reminded me so much of the 2018 film Level 16 with a few differences. However, I still really enjoyed the plot. While one of the major plot twists became obvious to me about halfway through the book, there were still a few plot twists that I never would have predicted. Throughout my reading of this book, I felt like I was standing right there in the pages watching everything unfold. Yes, there were some over the top things that happened in the story, but this didn't put me off. I loved that this novel didn't have much romance in it. There is a very light romance though.
I very much enjoyed the creepy boarding school setting with it's very strict teachers (the majority of them male). As this is a series, there is a minor cliff hanger, but I feel like this book can be read without having to read the other books in the series unless you want to know what happens afterwards. You could just read Girls with Sharp Sticks and leave it with the happyish ending though if you really wanted to.
I enjoyed reading about all the characters even the vile ones. Mena certainly was an interesting character with her thought process and how fearless she was. Her curiosity did get her in trouble from time to time, but she persevered to get to the bottom of what was happening at her school in order to protect her friends. Guardian Bose was easy to hate because of how horrible he treated the girls. I just wanted him to go away because he was so mean! I had a love hate relationship with Anton. On one hand, I felt that he cared about the girls in his own way, but I knew he was not to be trusted at all. Jackson had an interesting back story, but after learning his back story, I was left wanting to know more about him. My favorite character throughout the book was Valentine. There was just something about her. In my mind, I had pictured her a a beautiful frail girl, but looks can be deceiving! I was hoping we'd get to read more about her throughout the book than what we did. Valentine was the best part of the book in my opinion.
Trigger warnings for Girls with Sharp Sticks include profanity, blackmail, brainwashing, violence, mentions of sexual assault, and murder.
All in all, Girls with Sharp Sticks is an engrossing read with its interesting character and a plot that will have you cheering on the young women as they try to figure out what's going on at their school. I would definitely recommend Girls with Sharp Sticks by Suzanne Young to those ages 16+ who are sick of being told what to do by the patriarchy.
Philomena aka Mena is one of the beautiful girls. In fact, all the girls at her all girls boarding school are beautiful. They are taught how to behave. They're only allowed salads for food, and their classes focus more on etiquette and how to act in male company. They are all fully obedient until one day something awakens in Mena. She realizes that not all is as it seems at her boarding school. Something sinister is going on, and Mena will do anything to find out to protect her friends.
The plot of Girls with Sharp Sticks has been done before. In fact, much of the plot reminded me so much of the 2018 film Level 16 with a few differences. However, I still really enjoyed the plot. While one of the major plot twists became obvious to me about halfway through the book, there were still a few plot twists that I never would have predicted. Throughout my reading of this book, I felt like I was standing right there in the pages watching everything unfold. Yes, there were some over the top things that happened in the story, but this didn't put me off. I loved that this novel didn't have much romance in it. There is a very light romance though.
I very much enjoyed the creepy boarding school setting with it's very strict teachers (the majority of them male). As this is a series, there is a minor cliff hanger, but I feel like this book can be read without having to read the other books in the series unless you want to know what happens afterwards. You could just read Girls with Sharp Sticks and leave it with the happyish ending though if you really wanted to.
I enjoyed reading about all the characters even the vile ones. Mena certainly was an interesting character with her thought process and how fearless she was. Her curiosity did get her in trouble from time to time, but she persevered to get to the bottom of what was happening at her school in order to protect her friends. Guardian Bose was easy to hate because of how horrible he treated the girls. I just wanted him to go away because he was so mean! I had a love hate relationship with Anton. On one hand, I felt that he cared about the girls in his own way, but I knew he was not to be trusted at all. Jackson had an interesting back story, but after learning his back story, I was left wanting to know more about him. My favorite character throughout the book was Valentine. There was just something about her. In my mind, I had pictured her a a beautiful frail girl, but looks can be deceiving! I was hoping we'd get to read more about her throughout the book than what we did. Valentine was the best part of the book in my opinion.
Trigger warnings for Girls with Sharp Sticks include profanity, blackmail, brainwashing, violence, mentions of sexual assault, and murder.
All in all, Girls with Sharp Sticks is an engrossing read with its interesting character and a plot that will have you cheering on the young women as they try to figure out what's going on at their school. I would definitely recommend Girls with Sharp Sticks by Suzanne Young to those ages 16+ who are sick of being told what to do by the patriarchy.
Daniel Boyd (1066 KP) rated Blade Runner 2049 (2017) in Movies
Oct 9, 2017 (Updated Oct 13, 2017)
One of the most visually stunning movies I have ever seen. (8 more)
Awesome production design.
Brilliant direction.
Beautiful cinematography.
Solid performances.
Incredible SFX.
Great score.
Good use of lighting.
Well written script and dialogue.
Villeneuve Strikes Gold Yet Again
Wow, this movie is a feast for your eyeballs. I won't go on about the visuals too much, as I'm sure that you have already heard how good looking this movie is, all I'll say is this; the movie deserves to be seen in the biggest screen possible. What is even better though, is unlike a Zack Snyder film, Blade Runner 2049 has more to it than just surface level, pretty visuals.
Somehow, Denis Villeneuve has achieved the impossible. He has directed a movie every year for the last five years and they have all been absolutely incredible, also he has managed to pull off a fantastic sequel to a 35 year old classic.
I loved almost every part of this movie. The direction was masterful to watch, with the movie being moved along at a deliberate, purposeful pace, rather than rushing through from action scene to action scene. The sets in this were out of this world, some props were really cool to look at and the use of mostly practical backdrops made a huge difference as opposed to using an abundance of green screen. Rodger Deakins' cinematography was astonishing, you could honestly screen grab an image from any time stamp in this movie and it would work perfectly as a beautiful desktop background.
I also thought that the performances were fantastic and everyone did a great job. Although Ford doesn't appear until the movie's third act, when he does he is great. Gosling commands his leading man role as we've come to expect him to. Robin Wright and Dave Bautista were the other standouts for me in terms of their performances.
The more technical elements of the movie worked perfectly in tandem with the story being told as well. The special effects were beautifully implemented and the lighting in the movie added a whole other layer of visual depth as well. The score also worked for the tone that the movie was aiming to achieve. The script was also solid and tightly woven.
The only thing I will say is; if you are going into the film expecting a sci-fi action blockbuster, you will come out disappointed. This is a slow paced, sci-fi noir, detective story. There are a few sparse moments of action and it does feel impactful when it occurs, but it is not the focus of the movie at all.
The one small element that bothered me was Jared Leto's performance. He took me out of the movie and was the only cast member who didn't feel like a real character within this world. Maybe I'm just being biased, as Jared Leto has always annoyed me in general, but for me he was the one bad part of this near masterpiece. Thankfully he doesn't get that much screen time, so it could have been worse. Also, the fact that David Bowie was originally cast in that role adds an extra sprinkle of salt in the wound.
Unfortunately, much like the original movie, this hasn't done great at the box office on its opening weekend. If like me, you are sick of mindless sequel cash cows that are total garbage such as Jurassic World, go and see this movie and vote with your wallet. If you don't, we are telling Hollywood that as a collective, we don't want sequels with depth and integrity, we want dumb, rushed, forgettable nonsense and that is what we will end up getting. Support this movie for the betterment of filmmaking and cinema, even if you haven't seen the original.
Overall I loved the movie, but I can see why people are finding it divisive. For me though, the vast majority of this movie's parts were absolutely fantastic and come together to form a journey that you must experience for yourself.
Somehow, Denis Villeneuve has achieved the impossible. He has directed a movie every year for the last five years and they have all been absolutely incredible, also he has managed to pull off a fantastic sequel to a 35 year old classic.
I loved almost every part of this movie. The direction was masterful to watch, with the movie being moved along at a deliberate, purposeful pace, rather than rushing through from action scene to action scene. The sets in this were out of this world, some props were really cool to look at and the use of mostly practical backdrops made a huge difference as opposed to using an abundance of green screen. Rodger Deakins' cinematography was astonishing, you could honestly screen grab an image from any time stamp in this movie and it would work perfectly as a beautiful desktop background.
I also thought that the performances were fantastic and everyone did a great job. Although Ford doesn't appear until the movie's third act, when he does he is great. Gosling commands his leading man role as we've come to expect him to. Robin Wright and Dave Bautista were the other standouts for me in terms of their performances.
The more technical elements of the movie worked perfectly in tandem with the story being told as well. The special effects were beautifully implemented and the lighting in the movie added a whole other layer of visual depth as well. The score also worked for the tone that the movie was aiming to achieve. The script was also solid and tightly woven.
The only thing I will say is; if you are going into the film expecting a sci-fi action blockbuster, you will come out disappointed. This is a slow paced, sci-fi noir, detective story. There are a few sparse moments of action and it does feel impactful when it occurs, but it is not the focus of the movie at all.
The one small element that bothered me was Jared Leto's performance. He took me out of the movie and was the only cast member who didn't feel like a real character within this world. Maybe I'm just being biased, as Jared Leto has always annoyed me in general, but for me he was the one bad part of this near masterpiece. Thankfully he doesn't get that much screen time, so it could have been worse. Also, the fact that David Bowie was originally cast in that role adds an extra sprinkle of salt in the wound.
Unfortunately, much like the original movie, this hasn't done great at the box office on its opening weekend. If like me, you are sick of mindless sequel cash cows that are total garbage such as Jurassic World, go and see this movie and vote with your wallet. If you don't, we are telling Hollywood that as a collective, we don't want sequels with depth and integrity, we want dumb, rushed, forgettable nonsense and that is what we will end up getting. Support this movie for the betterment of filmmaking and cinema, even if you haven't seen the original.
Overall I loved the movie, but I can see why people are finding it divisive. For me though, the vast majority of this movie's parts were absolutely fantastic and come together to form a journey that you must experience for yourself.
Lee (2222 KP) rated It Comes At Night (2017) in Movies
Jul 14, 2017
Tension packed, slow burner
I headed into ‘It Comes At Night’ in a similar way to when I saw ‘Get Out‘ a few months back – having seen a lot of positive four or five star buzz about it on my news feeds, but without actually seeing the trailer. I skimmed a couple of reviews this time, just to get a rough idea of what I was in for, and one of the words which seemed to crop up on a number of them was ‘unsettling’. Well, that sold it for me! Get Out is my favourite movie of the year so far, and I felt that my enjoyment of seeing that had been greatly improved having not seen the trailer, and with no expectations. So, I went into ‘It Comes At Night’ hoping for a similar experience.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.
The opening scene sets the tone for what’s to come. A sick old man listens to his daughter Sarah tell him she loves him. She’s wearing a protective gas mask, as are her husband and son. Husband Paul and son Travis then take grandpa out of the cabin they’re in, into the woods where they proceed to wrap him up in a sheet, shoot him in the head, roll him into a ditch and set fire to him. It becomes apparent that we’re in a post apocalyptic world where some kind of plague has taken hold, and Grandpa had unfortunately become infected. We’re not shown any TV news footage, we don’t hear any radio broadcast of any kind and there aren’t any zombies or infected people wandering around. There’s just this small family, out in the middle of nowhere and with no idea what state the rest of the world is currently in or how bad things are. They keep their cabin boarded up, with only one locked door for entry. They lead a lonely, basic existence, taking no chances with whatever is going on out in the rest of the world.
And then one night they’re awoken by somebody breaking in downstairs. A man who claims he thought the place was empty. He claims to be only out scavenging for water for his family. His name is Will and he says that he’s left his wife and young son behind some 50 miles away and is only interested in providing for them. Paul and his family don’t know whether to believe him and this feeling of uncertainty, paranoia and tension is something which takes hold and continues throughout the entire movie. Not knowing if Will is infected or not, they tie him to a tree overnight to see if infection sets in. When it doesn’t, they come to an understanding and agree to go and get Wills family and bring them back to the safety of the cabin. The family seem to integrate well, falling in line with Pauls strict routine of eating, washing and going to the toilet, and all seems to be going well for a while.
Sadly, I think the expectation of an experience similar to ‘Get Out’ affected my overall enjoyment of the movie. Sure I was tense and on edge for pretty much the whole movie, but I guess I was expecting it all to build up to something much more. It did reach a pretty intense finale of sorts, but then it just seemed to fizzle out until the credits rolled and a sense of overall disappointment set in. I don’t think I was the only one either. As I stood to leave the cinema, the guy across the aisle from me, along with a couple of others seated nearby, all kind of looked at each other in disbelief and with a ‘WTF?!’ expression. It was definitely a good movie, which deserves to be seen, but it just didn’t leave that much of a lasting impression on me.
Movie Metropolis (309 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 10, 2019
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
Amanda (96 KP) rated Paperweight in Books
Jun 12, 2019
Death is not an exact science, which is irritating for those of us who appreciate precision.
While I’ve had my own experiences with purging after eating, or just trying to avoid food at all, not everybody is the same. It’s hard to read something about this, much less watch someone go through what is, to me, torture. I’m not going to lie, I kept getting this book and another book kind of mixed up because the main characters in both books are named Stevie. This wasn’t a terrible book, but I’m left with mixed feelings in the end.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
Stephanie ‘Stevie’ is signed in (kind of forced) to a rehab facility by her father. Since she is seventeen, she cannot sign herself out. Stevie, while according to the doctors, is not heavily underweight, she is diagnosed with bulimia nervosa (and this actually pisses her off, and not because it’s not true). She is assigned to Anna, one of the therapists on staff (whom she refers to as Shrink most of the book) and a treatment team of different specialists.
This place is something else. The author stated in her Afterward that this is just pure work of fiction, not from personal experience. Do places like this exist? Does a place that thinks that by helping girls get over eating disorders is to have them do some sort of group where they must pick a food and eat it?
My body is both weapon, wound, predator and prey. I will self-destruct without any help.
While I can see how one group therapy can be helpful but having these girls (yes all girls) where they learn, well some learn, to cook something. Cooking is an art, even if you don’t really know how to, or not good at it, so cooking is good therapy.
I was highly mixed with this book. I saw that some other reviewers either really enjoyed it or really did not.
Stevie is typical. She’s frustrated and angry that she has to be there, and it messes up her ‘plans’ for her brother’s death anniversary. You find out that she was actually planning on killing herself (by starving herself apparently) on the day of his death so she could be with him. Her mother abandoned them and come to find she is PAYING for the rehab place, but she NEVER makes a present appearance, just flash back.
I am not overly fond of Stevie’s therapist, Anna (Shrink to Stevie). To me, she is almost molded like how people make fun of therapists. ‘How are you feeling?’ ‘How does that make you feel?’ ‘How do you feel about that?’ I work with a therapist, so I understand the point is not to be bottled up, but I feel like Anna is more stereotypical, than helpful. She does, eventually, get Stevie to open up about her brother’s death and why she chose not to eat, but even I got frustrated during her sessions.
Stevie has a few roommates in her cottage. I liked Ashley the most, but her life really messed her up and it takes a while for Stevie to really get out of her head and have a friend in Ashley.
I think there is some things you shouldn’t accept. And living sick is one of those things.
I need that on a shirt as well.
The ending left me kind of unsatisfied. Stevie did have some personal growth by talking more about her brother’s death and the toxic relationship she had with a girl named Eden, but the book ended rather oddly. I won’t say how it ended, but to me, I didn’t go into a book hangover, nor did I feel the need to throw my ereader (or in this case my laptop) across the room frustration (no way, this thing was expensive!!).
I’m not sure on the accuracy of this kind of rehab, but to me, it felt a little off. I won’t say this is not a good book to read, but it is highly triggering. There are talks of eating disorders and self harm, so proceed with caution if it peaked your curiosity enough.
BankofMarquis (1832 KP) rated It (2017) in Movies
Feb 14, 2018
IT is very good
I met the clown and IT is...fascinating, gripping, thrilling, humorous, intense and good.
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Zuky the BookBum (15 KP) rated Fractured in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/fractured-by-catherine-mckenzie
AVAILABLE NOW IN THE UK!
<b><i>They say that if a butterfly flaps its wings in the Amazonian rainforest, it can change the weather half a world away. Chaos theory...
All I know is today is that you can think that what you’ve done is only the flap of a butterfly wing, when it’s really a thunderclap.
And both can result in a hurricane.</b></i>
Julie’s life has gotten hard, she’s become a famous author and managed to bag herself a crazed stalker, so she decides to move her family across the country in hope of a new, stalkerless, beginning. And when she meet neighbour John, they hit it off immediately, the future seems brighter. But before long, things start to go wrong again. Who knew moving into a beautiful picturesque new neighbourhood could be so deadly?
I was really worried about reading this because Netgalley classed it as women's fiction and I have serious beef with that genre… but also, I was expecting a suspense thriller, not some family-lovey-dovey bullshit, but after seeing the rave reviews on Goodreads I had a little more hope that this would be bearable for me. And boy was it bearable, more than that in fact, it was exciting and thrilling to read!
As Stephen King says <i><b>“Good books don't give up all their secrets at once.”</i></b> and this book certainly didn’t! I thought it was excellent at keeping you on your toes, feeding you chunks of mystery and suspense a little at a time.
<b>Minor spoilers in this paragraph.</b> I really liked the main characters in this book… separately. Julie was a good mum and loving wife who was dealing with all her issues in a non-annoying way and John was a good dad, and, for the most part, a good husband. But put the two of them together and they got annoying. How could a grown man and woman not realise the friendship they had managed to create out of one conversation the day Julie moved in was inappropriate for so long? Julie especially, as her relationship with Daniel seemed close to perfect! The childishness of their situation had me really irritated and uncomfortable throughout the novel. I never used to have a problem with these kind of relationships in books until me and Matt had been together for a while, not that I <i>ever</i> condoned cheating on a partner before I got into a relationship, just the thought of being cheated on by your other half sets off all kinds of emotions and feelings inside of me that I can’t even begin to describe. <spoiler>So when they kissed each other outside Julie’s house, my stomach dropped, I felt instantly panicky and sick and contemplated putting the novel down as unfinished. I hate, <b>hate</b> reading about affairs.</spoiler>
My favourite character was Daniel though, what a lovely, gentle and understanding man… if not a little naive. Though I didn’t like Hanna, but she had every right to be angry and suspicious with John.
It’s pretty clear from a few chapters in who our criminal is, but McKenzie does well to keep what specifically the “accident” is and who our victim is secret until just the right moment. When we found out what happened and who it happened to I was shocked! It’s been a long time since a book has surprised me in the same way. What a crazy end to this rollercoaster ride of a book!
Overall, this is a fantastic suspense novel, with just the right amount of “women’s fiction” merged with thriller. I seriously recommend this for all thriller/suspense readers out there, I’m sure this won’t disappoint!
<i>(I don’t mean to create any kind of drama with this comment but this whole novel is <i>so American!</i> Wanting to sue someone over small things? Having “block parties” and neighbourhood newsletters and stuff with an immature queen bee in charge of it all? This shit would never go down in the UK.)</i>
I’d like to thank Netgalley and Lake Union Publishing for the opportunity to read this in an exchange for an honest review.
AVAILABLE NOW IN THE UK!
<b><i>They say that if a butterfly flaps its wings in the Amazonian rainforest, it can change the weather half a world away. Chaos theory...
All I know is today is that you can think that what you’ve done is only the flap of a butterfly wing, when it’s really a thunderclap.
And both can result in a hurricane.</b></i>
Julie’s life has gotten hard, she’s become a famous author and managed to bag herself a crazed stalker, so she decides to move her family across the country in hope of a new, stalkerless, beginning. And when she meet neighbour John, they hit it off immediately, the future seems brighter. But before long, things start to go wrong again. Who knew moving into a beautiful picturesque new neighbourhood could be so deadly?
I was really worried about reading this because Netgalley classed it as women's fiction and I have serious beef with that genre… but also, I was expecting a suspense thriller, not some family-lovey-dovey bullshit, but after seeing the rave reviews on Goodreads I had a little more hope that this would be bearable for me. And boy was it bearable, more than that in fact, it was exciting and thrilling to read!
As Stephen King says <i><b>“Good books don't give up all their secrets at once.”</i></b> and this book certainly didn’t! I thought it was excellent at keeping you on your toes, feeding you chunks of mystery and suspense a little at a time.
<b>Minor spoilers in this paragraph.</b> I really liked the main characters in this book… separately. Julie was a good mum and loving wife who was dealing with all her issues in a non-annoying way and John was a good dad, and, for the most part, a good husband. But put the two of them together and they got annoying. How could a grown man and woman not realise the friendship they had managed to create out of one conversation the day Julie moved in was inappropriate for so long? Julie especially, as her relationship with Daniel seemed close to perfect! The childishness of their situation had me really irritated and uncomfortable throughout the novel. I never used to have a problem with these kind of relationships in books until me and Matt had been together for a while, not that I <i>ever</i> condoned cheating on a partner before I got into a relationship, just the thought of being cheated on by your other half sets off all kinds of emotions and feelings inside of me that I can’t even begin to describe. <spoiler>So when they kissed each other outside Julie’s house, my stomach dropped, I felt instantly panicky and sick and contemplated putting the novel down as unfinished. I hate, <b>hate</b> reading about affairs.</spoiler>
My favourite character was Daniel though, what a lovely, gentle and understanding man… if not a little naive. Though I didn’t like Hanna, but she had every right to be angry and suspicious with John.
It’s pretty clear from a few chapters in who our criminal is, but McKenzie does well to keep what specifically the “accident” is and who our victim is secret until just the right moment. When we found out what happened and who it happened to I was shocked! It’s been a long time since a book has surprised me in the same way. What a crazy end to this rollercoaster ride of a book!
Overall, this is a fantastic suspense novel, with just the right amount of “women’s fiction” merged with thriller. I seriously recommend this for all thriller/suspense readers out there, I’m sure this won’t disappoint!
<i>(I don’t mean to create any kind of drama with this comment but this whole novel is <i>so American!</i> Wanting to sue someone over small things? Having “block parties” and neighbourhood newsletters and stuff with an immature queen bee in charge of it all? This shit would never go down in the UK.)</i>
I’d like to thank Netgalley and Lake Union Publishing for the opportunity to read this in an exchange for an honest review.
Zuky the BookBum (15 KP) rated All the Ugly and Wonderful Things in Books
Mar 15, 2018
Firstly, I'd like to thank Netgalley and St Martin's Press for the opportunity to read this book in exchange for an honest review.
NOW AVAILABLE IN THE UK!
Full review here too: http://bit.ly/1qZtGhP
<i><b>Right up until that moment it was sweet and funny. Odd couple that they were, they had a real connection. Then he tugged her boot off and kissed the bottom of her bare foot. I could see him doing that kind of thing to his own kid, but she wasnt. She was somebody elses little girl.</i></b>
I am an <b>emotional wreck.</b> How has this book set my moral compass so askew? How could I have possibly been crying over a relationship between a grown man and a minor? I was distraught kinda crying, not a horrified or disgusted kinda crying either! I know Im being a sheep when I say this but <b>wow, this is amazing!</b> I was so worried I'd dislike this book because it was so hyped up but it did not disappoint, not even a little bit.
Youll be amazed at how well Greenwood has reinvented the adult-male-child-female relationship that we see all too often in novels and films. Shes managed to completely turn the disgusting, abusive image on its head. The love between Kellen and Wavy is the truest and realist love I've seen in a book for a seriously long time. There is absolutely <i>no</i> comparison between Kellen and Wavy with Humbert and Lolita, its not that sort of book. There are some people who, undoubtedly, are not going to like this book or the message its putting across, but you have to know that there is nothing evil in this age gap relationship as you would first guess there to be.
I can almost understand why Kellen and Wavy fall in love so quickly and so passionately. Wavy has had such a horrible existence, with her abusive, drug addicted father and her horrible mother who doesnt care for anyone but herself. Wavy is her own person, even from the beginning of this story, she may only be 8 years old but shes already a woman, shes had to live her life looking after herself and her baby brother, she already knows what it is to be an adult, so its no surprise she springs into adulthood at such a full force. And then there is Kellen, hes lonely and undesirable <i>(apparently)</i> and hes also bullied by the people around him he calls friends. So when Wavy comes along and looks at him and treats him like hes the most wonderful person in the world, its not really a surprise that a strong bond grows between them almost instantly.
I believe that at the beginning of their relationship there is no sexual desire, I honestly think their relationship is one of friendship and love in a more uncle and niece kind of way, but soon enough these feelings become something more. Kellen, although he does desire sexual gratification, knows his feelings are misplaced and so there is nothing dark and evil about his feeling towards Wavy, and for me, this makes him one of the best male character Ive read about in a long time, no matter if hes a paedophile or not. He's an incredible man and I absolutely loved him.
This book is a serious roller coaster of emotions and had me blubbering like a baby for the last 10%, or more, of the book. I am in love with this book, so thank you <i>very</i> much Bryn Greenwood for this amazing novel and giving me the chance to read it before publication! Ive already recommended this to friends and family and I cant wait to read more of Greenwoods writing.
<spoiler>I am over the moon with how this ended, I was rooting for their relationship to last throughout the whole thing, as sick as that makes me sound. Thank you Greenwood for the happy ending!</spoiler>
NOW AVAILABLE IN THE UK!
Full review here too: http://bit.ly/1qZtGhP
<i><b>Right up until that moment it was sweet and funny. Odd couple that they were, they had a real connection. Then he tugged her boot off and kissed the bottom of her bare foot. I could see him doing that kind of thing to his own kid, but she wasnt. She was somebody elses little girl.</i></b>
I am an <b>emotional wreck.</b> How has this book set my moral compass so askew? How could I have possibly been crying over a relationship between a grown man and a minor? I was distraught kinda crying, not a horrified or disgusted kinda crying either! I know Im being a sheep when I say this but <b>wow, this is amazing!</b> I was so worried I'd dislike this book because it was so hyped up but it did not disappoint, not even a little bit.
Youll be amazed at how well Greenwood has reinvented the adult-male-child-female relationship that we see all too often in novels and films. Shes managed to completely turn the disgusting, abusive image on its head. The love between Kellen and Wavy is the truest and realist love I've seen in a book for a seriously long time. There is absolutely <i>no</i> comparison between Kellen and Wavy with Humbert and Lolita, its not that sort of book. There are some people who, undoubtedly, are not going to like this book or the message its putting across, but you have to know that there is nothing evil in this age gap relationship as you would first guess there to be.
I can almost understand why Kellen and Wavy fall in love so quickly and so passionately. Wavy has had such a horrible existence, with her abusive, drug addicted father and her horrible mother who doesnt care for anyone but herself. Wavy is her own person, even from the beginning of this story, she may only be 8 years old but shes already a woman, shes had to live her life looking after herself and her baby brother, she already knows what it is to be an adult, so its no surprise she springs into adulthood at such a full force. And then there is Kellen, hes lonely and undesirable <i>(apparently)</i> and hes also bullied by the people around him he calls friends. So when Wavy comes along and looks at him and treats him like hes the most wonderful person in the world, its not really a surprise that a strong bond grows between them almost instantly.
I believe that at the beginning of their relationship there is no sexual desire, I honestly think their relationship is one of friendship and love in a more uncle and niece kind of way, but soon enough these feelings become something more. Kellen, although he does desire sexual gratification, knows his feelings are misplaced and so there is nothing dark and evil about his feeling towards Wavy, and for me, this makes him one of the best male character Ive read about in a long time, no matter if hes a paedophile or not. He's an incredible man and I absolutely loved him.
This book is a serious roller coaster of emotions and had me blubbering like a baby for the last 10%, or more, of the book. I am in love with this book, so thank you <i>very</i> much Bryn Greenwood for this amazing novel and giving me the chance to read it before publication! Ive already recommended this to friends and family and I cant wait to read more of Greenwoods writing.
<spoiler>I am over the moon with how this ended, I was rooting for their relationship to last throughout the whole thing, as sick as that makes me sound. Thank you Greenwood for the happy ending!</spoiler>
The story. (3 more)
The writing.
Thomas Fawkes.
The emotions I went through reading this. (Yes it's here twice for a reason.)
A gripping, heartfelt historical read that will take you on an adventure.
When I first picked up Fawkes by Nadine Brandes, it was for a blog tour that I was lucky enough to get (thank you so much!). I started reading it and only got three chapters read before I had to put it down because I just. Could. Not. Get. Into. It. I'm awfully glad that I picked it back up to actually reread the first three chapters and finish the book because this is my favorite book of September.
Legit, this is a five-star read for me. There's so much sarcasm, humor, history packed into this little story that I just didn't want it to end. If Nadine Brandes ever creates a second book regarding this storyline, I will be the first person to buy it and support it. Because dang woman, you have a way to make me tear up and then get all angry at a character in a matter of pages.
Okay, let's talk about some of these humorous quotes that I just can't get over.
"If you do not agree to all my terms, Thomas Fawkes, then I shall tell my guardian that you forced yourself upon me and - after he castrates you - he will string you up on the gallows without a tongue!" Okay Emma, he knows not to mess with you. You strong and independent amazing human being. I think I love you. (Can you actually fall in love with a fictional character?)
" ' There's no we,' Kit muttered in Jack's ear. 'Percy didn't even detect an intruder - the boy did.' " - SHOTS FIRED!
" 'Annika! Gabriel! Do you want to turn to stone?' " I just think this is so funny but it's true. Like you keep messing with that plagued rat, you ain't gonna look much different.
Can we talk about how descriptive Nadine is with things?! Like for real, I haven't heard anybody talking about that! So, without further adieu here are some of my favorite descriptive quotes:
"The darkness twisted invisible chains around my chest." Holy poopers. Like dang. This is a great representation of anxiety if anybody wants to know.
" 'His past is not without its bloodstains.' I joined him at the window. The grime rested too thickly for us to see out into the night. Another thing for me to clean upon the morrow. ' Should we do something?' 'Our fists are no match for a rabid mutt's teeth. We must leave a man's actions to his one conscience.' " Okay, I got chills when reading this. This is one serious moment but at the same time a jab at how gross London used to be.
"A line of freckles ascended from her left upper lip and ended beneath her eye... like a constellation on a night sky." I dig it and what a way to describe somebody's feature. I wish my husband was all gooey like Thomas Fawkes when it came to Emma.
The next few quotes are moments where I had to stop reading and just think, because they hit me with a burning passion for making me emotional.
"He said that he must bring on only those men who were necessary to the plot's fulfillment. The men who were irreplaceable. That spoke volumes about each man he'd chosen. Because he'd chosen me." Thomas is wanted, not just by his father but by a group of men that become his family. I feel you Thomas, you emotional man.
"I wanted my mask because I was ashamed of what people saw when they looked at me. I hated being defined by my plague and I was sick of being helpless. I wanted a future." STAY AWAY FROM MY THOMAS YOU NUGGETS. I KNOW KARATE AND I WILL USE IT. But seriously, why you gotta be so mean?
"If I was as inconspicuous as Catesby said I would be... why not simply kill the king on my own? In fact, why not turn his masquerade into an assassination?" Thomas you smart man. But don't go getting yourself killed. Emma (and I) need you to survive and stay with her (us).
Legit, this is a five-star read for me. There's so much sarcasm, humor, history packed into this little story that I just didn't want it to end. If Nadine Brandes ever creates a second book regarding this storyline, I will be the first person to buy it and support it. Because dang woman, you have a way to make me tear up and then get all angry at a character in a matter of pages.
Okay, let's talk about some of these humorous quotes that I just can't get over.
"If you do not agree to all my terms, Thomas Fawkes, then I shall tell my guardian that you forced yourself upon me and - after he castrates you - he will string you up on the gallows without a tongue!" Okay Emma, he knows not to mess with you. You strong and independent amazing human being. I think I love you. (Can you actually fall in love with a fictional character?)
" ' There's no we,' Kit muttered in Jack's ear. 'Percy didn't even detect an intruder - the boy did.' " - SHOTS FIRED!
" 'Annika! Gabriel! Do you want to turn to stone?' " I just think this is so funny but it's true. Like you keep messing with that plagued rat, you ain't gonna look much different.
Can we talk about how descriptive Nadine is with things?! Like for real, I haven't heard anybody talking about that! So, without further adieu here are some of my favorite descriptive quotes:
"The darkness twisted invisible chains around my chest." Holy poopers. Like dang. This is a great representation of anxiety if anybody wants to know.
" 'His past is not without its bloodstains.' I joined him at the window. The grime rested too thickly for us to see out into the night. Another thing for me to clean upon the morrow. ' Should we do something?' 'Our fists are no match for a rabid mutt's teeth. We must leave a man's actions to his one conscience.' " Okay, I got chills when reading this. This is one serious moment but at the same time a jab at how gross London used to be.
"A line of freckles ascended from her left upper lip and ended beneath her eye... like a constellation on a night sky." I dig it and what a way to describe somebody's feature. I wish my husband was all gooey like Thomas Fawkes when it came to Emma.
The next few quotes are moments where I had to stop reading and just think, because they hit me with a burning passion for making me emotional.
"He said that he must bring on only those men who were necessary to the plot's fulfillment. The men who were irreplaceable. That spoke volumes about each man he'd chosen. Because he'd chosen me." Thomas is wanted, not just by his father but by a group of men that become his family. I feel you Thomas, you emotional man.
"I wanted my mask because I was ashamed of what people saw when they looked at me. I hated being defined by my plague and I was sick of being helpless. I wanted a future." STAY AWAY FROM MY THOMAS YOU NUGGETS. I KNOW KARATE AND I WILL USE IT. But seriously, why you gotta be so mean?
"If I was as inconspicuous as Catesby said I would be... why not simply kill the king on my own? In fact, why not turn his masquerade into an assassination?" Thomas you smart man. But don't go getting yourself killed. Emma (and I) need you to survive and stay with her (us).
Darren (1599 KP) rated 5 Flights Up (2015) in Movies
Jun 20, 2019
Story: 5 Flights Up starts by introducing our elderly couple Alex (Freeman) and Ruth (Keaton) that have spent their whole life living in Brooklyn but it is finally time for them to move out. Ruth’s niece Lilly (Nixon) is the one trying to sell the house and doing everything she can to make sure they get as much as they can for it. Alex has witnessed how the area has changed over the years and along with his dog Dorothy really is struggling to make it up the 5 flights.
The couple have to deal with the idea that Dorothy needs major surgery to fix a ruptured disc in her back, this means that Alex has to go along with selling the apartment to help fund the operation. The attempts to sell the apartment get put in jeopardy when a terrorist attack happens on the Williamsburg Bridge where a tanker gets abandoned on the bridge and the suspect flees.
The first interested parties turn up before the open house where Alex & Ruth get to meet a collection on colourful characters that all have different opinions on the apartment. Alex & Ruth decide to try and find their own replacement apartment as they continue to battle the idea of trying to pick who to sell the apartment too.couple
5 Flights Up tells such a simple story of a couple trying to move apartments, while dealing with their sick dog. This is putting everything down to the simplest way, the flashbacks show how in love the couple have been through the years but for the most part the film takes place over a couple of days. I will say not everyone will find this appealing and I do think the light hearted comedy makes the film a lot more enjoyable. The performances are all important and the character our couple meet add to the story. This will go under many people’s radar but it is well worth a watch. (7/10)
Actor Review
Morgan Freeman: Alex is our elderly man reluctantly selling his apartment with his wife. We watch how the relationship has blossomed over the years and the love for their dog helped keep them happy. Morgan gives us a charming performance that shows he age without taking away any of his acting credentials. (7/10)
Diane Keaton: Ruth is Alex’s wife who is willing to sell their apartment and falls for another apartment, she tries to convince Alex into buy the new apartment as they both continue to want to buy the new apartment alone. Diane does give a good performance showing she still has what it takes to lead a film. (7/10)
Support Cast: 5 Flights Up has a supporting cast that each have their own colourful take on the situation as we see Alex & Ruth react to them all.
Director Review: Richard Loncraine – Richard gives us a charming drama that keeps our attention from start to finish. (7/10)
Drama: 5 Flights Up puts us into a very real situation off an elderly couple considering moving but as the story unfolds we see how difficult it is to make that decision. (8/10)
Settings: 5 Flights Up keeps the settings easy to identify and gives them all a very homely feel to our couple. (9/10)
Suggestion: 5 Flights Up is one to try I do believe it will be enjoyed but there is part of me that thinks some people will not enjoy this one too much. (Try It)
Best Part: Open house.
Worst Part: The characters the couple meet are slightly generic.
Believability: The moving idea is a very real idea that people will find themselves in and the indecision about it too. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Unlikely
Runtime: 1 Hour 32 Minutes
Tagline: A coming of age story
Overall: Charmingly enjoyable film about life and the difficulties with change.
https://moviesreview101.com/2015/05/18/5-flights-up-2015/
The couple have to deal with the idea that Dorothy needs major surgery to fix a ruptured disc in her back, this means that Alex has to go along with selling the apartment to help fund the operation. The attempts to sell the apartment get put in jeopardy when a terrorist attack happens on the Williamsburg Bridge where a tanker gets abandoned on the bridge and the suspect flees.
The first interested parties turn up before the open house where Alex & Ruth get to meet a collection on colourful characters that all have different opinions on the apartment. Alex & Ruth decide to try and find their own replacement apartment as they continue to battle the idea of trying to pick who to sell the apartment too.couple
5 Flights Up tells such a simple story of a couple trying to move apartments, while dealing with their sick dog. This is putting everything down to the simplest way, the flashbacks show how in love the couple have been through the years but for the most part the film takes place over a couple of days. I will say not everyone will find this appealing and I do think the light hearted comedy makes the film a lot more enjoyable. The performances are all important and the character our couple meet add to the story. This will go under many people’s radar but it is well worth a watch. (7/10)
Actor Review
Morgan Freeman: Alex is our elderly man reluctantly selling his apartment with his wife. We watch how the relationship has blossomed over the years and the love for their dog helped keep them happy. Morgan gives us a charming performance that shows he age without taking away any of his acting credentials. (7/10)
Diane Keaton: Ruth is Alex’s wife who is willing to sell their apartment and falls for another apartment, she tries to convince Alex into buy the new apartment as they both continue to want to buy the new apartment alone. Diane does give a good performance showing she still has what it takes to lead a film. (7/10)
Support Cast: 5 Flights Up has a supporting cast that each have their own colourful take on the situation as we see Alex & Ruth react to them all.
Director Review: Richard Loncraine – Richard gives us a charming drama that keeps our attention from start to finish. (7/10)
Drama: 5 Flights Up puts us into a very real situation off an elderly couple considering moving but as the story unfolds we see how difficult it is to make that decision. (8/10)
Settings: 5 Flights Up keeps the settings easy to identify and gives them all a very homely feel to our couple. (9/10)
Suggestion: 5 Flights Up is one to try I do believe it will be enjoyed but there is part of me that thinks some people will not enjoy this one too much. (Try It)
Best Part: Open house.
Worst Part: The characters the couple meet are slightly generic.
Believability: The moving idea is a very real idea that people will find themselves in and the indecision about it too. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Unlikely
Runtime: 1 Hour 32 Minutes
Tagline: A coming of age story
Overall: Charmingly enjoyable film about life and the difficulties with change.
https://moviesreview101.com/2015/05/18/5-flights-up-2015/