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RəX Regent (349 KP) rated Ben-Hur (2016) in Movies
Feb 20, 2019
Who thought it was a good idea to remake Ben-Hur? Well, on paper, it would seem to be a possibility. Ben-Hur has been hitting our cinema screens since 1907, with three other theatrical versions before this one; a short silent effort in 1907, the 1925 silent epic and the blockbusting MGM epic from 1959.
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
But this follows stage plays, TV movies and even animated movies, all based on General Lee Wallace's 1880 novel of the same name. But if a comparison is to be made, let us focus on the 1959 Charlton Heston movie. That, which ran for over three and half hours, takes its time to establish characters and situations, then takes us on a journey across the Roman Empire as we follow the turmoil of Judah Ben-Hur, betrayed by his best friend, a Roman who he considered to be a brother.
This journey takes place and parallels the life and ultimate execution of Jesus Christ and with this parallel, Judah is gradually inspired to temper his vengeance against his friend turned enemy and after the famous chariot race and the hollow victory therein, he will witness the crucifixion and through several machinations, find solace in the fledgling Christian movement.
So, how does this version hold up? To the 1959 version; not very well. This two-hour action movie is centred around the chariot race from start to finish, something which happens in the second act of the 1959 version but this is NOT the conclusion, but a catalyst for the finale.
Here, even though the events play out in a similar fashion, they are rushed and none of the character moments are earned. It is as if the film was pitched soley on the concept of showing an action packed chariot race in the 21st century.
If you want to see a modern interpretation of this race, possibly cinema's greatest such sequence, then look at Star Wars: Episode I's Podrace which captures the spirit perfectly. The positioning of this race and its significance to the plot was the same in the 1925 version as well, yet the fifteen minute 1907 short pretty much cherry picked the same plot elements as this 2016 version, which is quite telling really.
There was little interest in the story, just a cynical desire to bring this iconic movie back to the big screen and milk it as they would any franchise. But Ben-Hur is a poisoned chalice, so iconic that it would have to have offered something new without losing the original feel to succeed, as this classic simply did not warrant a remake.
But if you are going to remake it, give it a mega budget, which they did not, an all star cast, again, not the case and bring on board a top director to lead this project.
Instead we have a cast of relative unknowns, with Morgan Freeman being the most notable cast member, the director of such movies as Wanted (2007) and a small budget of just $100,000,000, when a blockbuster these days is usually pushing $200,000,000.
The main selling point for the previous two Ben-Hurs was the scale. These were epics and pushed the technology, filmmaking styles and never shied away from the strong religious overtones. Here it looks like it is given little more than lip service hoping to pander to the religious right.
It failed. Darren Aronofsky's Noah (2013) made more of an impact and it divided audiences, but at least it was faithful to itself, pushed boundaries and left its mark on cinema.
But by the end, my jaw was literally on the floor as the maimed Massalia reconciled with Judah and the pair ride off into the sunset together, all forgiven....
WHAT!!!
And more importantly, what was the point? Jesus sacrified himself, (in the story) so that people like Judah would put down their swords and learn to forgive, yet in the end, Judah and Massalia sacrifice nothing as they both regain their friendship and live happily ever after. In the previous versions, Ben-Hur beat Massalia but he has the last laugh as his mother and sister have been left with leprosy, that is until Jesus' death sparks a miracle which cures them. This was his reward for seeing the error of his ways, not getting his family and his friend back.
In the end, this is not a bad action romp, very watchable and is an entertaining spectacle but ultimately forgettable. It will entertain for two hours but leaves you with nothing to think about, unlike the books, plays and films which have preceded this.
A real shame...
Chris Sawin (602 KP) rated Jason Goes to Hell: The Final Friday (1993) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
Jason Voorhees is believed to be dead, but his murderous rampage lives on. He's able to transfer from body to body, but each host deteriorates at an incredible rate and he has to switch frequently. Meanwhile, Steven goes to meet Diana one night, who happens to be his ex-wife's mother. She has something very important to tell Steven. You see, Diana is the sister of Jason Voorhees and Jessica, Steven's ex, is his niece. Steven and Jessica have a baby named Stephanie, as well.
According to Creighton Duke, a bounty hunter, the only way anyone can kill Jason is by destroying his heart and it has to be done by a blood relative. Not only that, but he can also be reborn by transferring into the body of another Voorhees. So after Diana is killed in a scuffle with "Jason," that only leaves Jessica and Stephanie. Steven has no choice, but to protect his family even though he's believed to be the one who killed Diana and has the police hot on his trail every step of the way.
For a Friday the 13th film, the acting in this is surprisingly good. It still has a few actors that make you groan, but the actors who get the most face time are decent and get the job done. In fact, I probably would've rated this a few points higher if it wasn't for a few factors. The main one being that Jason is a worm. Not only that, but he's like this demonic worm thing that the sphincter-blasting worms in Dreamcatcher would probably find attractive. If they hadn't tried to give Jason this supernatural explanation and had something else in its place, this would have been a lot better.
Jason, like the actual Jason with the hockey mask, is really only in the film for maybe ten to fifteen minutes tops. So that hurts the film, in my eyes. They also made Jason make all these weird noises this time around. He was wheezing, breathing heavily, groaning, and grunting. It didn't fit the character. He was generally silent up until this film and is again in Jason X. So...what the hell? It's a disappointing sendoff overall for a film labeled as The Final Friday. I guess it wasn't completely pointless. We did get the Freddy Vs Jason tease at the end, which wasn't really followed up on for ten years. But I digress...
According to Creighton Duke, a bounty hunter, the only way anyone can kill Jason is by destroying his heart and it has to be done by a blood relative. Not only that, but he can also be reborn by transferring into the body of another Voorhees. So after Diana is killed in a scuffle with "Jason," that only leaves Jessica and Stephanie. Steven has no choice, but to protect his family even though he's believed to be the one who killed Diana and has the police hot on his trail every step of the way.
For a Friday the 13th film, the acting in this is surprisingly good. It still has a few actors that make you groan, but the actors who get the most face time are decent and get the job done. In fact, I probably would've rated this a few points higher if it wasn't for a few factors. The main one being that Jason is a worm. Not only that, but he's like this demonic worm thing that the sphincter-blasting worms in Dreamcatcher would probably find attractive. If they hadn't tried to give Jason this supernatural explanation and had something else in its place, this would have been a lot better.
Jason, like the actual Jason with the hockey mask, is really only in the film for maybe ten to fifteen minutes tops. So that hurts the film, in my eyes. They also made Jason make all these weird noises this time around. He was wheezing, breathing heavily, groaning, and grunting. It didn't fit the character. He was generally silent up until this film and is again in Jason X. So...what the hell? It's a disappointing sendoff overall for a film labeled as The Final Friday. I guess it wasn't completely pointless. We did get the Freddy Vs Jason tease at the end, which wasn't really followed up on for ten years. But I digress...
Neon's Nerd Nexus (360 KP) rated The Lion King (2019) in Movies
Jul 19, 2019 (Updated Jul 19, 2019)
If this is where the monarchy is headed Count me out!
Lion king 2019 is by far the worst of the Disney live action remakes & while newcomers/children will certainly love it many of the people that hold the original close to their hearts will leave wishing they had just stayed home with the far superior predecessor instead. Aladdin & The Lion King are two of the greatest animated feature films of all time & as I experienced them both in cinema on release they are very special to me. Now i loved the Aladdin remake & im not one for comparing these to the animated features but while I was watching this all i could think about was how much better the original is. While it looks absolutely gorgeous (until anything starts to move) the animation at times is so unnatural especially when animals are walking slowly that its constantly distracting & kills the illusion of these creatures being real. Voice work is bland/mediocre & delivered with almost no enthusiasm at all like the cast were more concerned with sounding different to the original than giving the characters charm & personality. Voices also dont feel connected to the characters like your watching a nature documentary thats been dubbed over. While Aladdin did its own thing & changed up the movie Lion King is practically & infuriatingly a scene for scene remake which would be ok if it had the charm, colour, grand scale, imagination, excitement, thrill, humour & emotional impact of the original but it doesnt. Songs are butchered/dull with seemingly no energy or spectacle to them at all feeling significantly toned down/grounded rather than fun & toe tapping (they have also ruined 'Be Prepared'). So whats new? theres new humour & yup you guessed it its really bad with awkward timing & dragged out jokes that just fall flat. I wanted so bad to love this movie but not even a scense of nostalgia kicked in either because the film is just soulless, unenthusiastic, boring, bland, lacking in excitement & magic. Kids will no doubt love it but for me its this years biggest let down. If it were a silent film with an epic score over the top it might of at least been unique/watchable & helped be bearable but as it is I just cant recomend seeing it. A big fat cash grab.
The Letter for the King
Tonke Dragt and Laura Watkinson
Book
A young messenger. A secret mission. A kingdom in peril. It is the dead of night. Sixteen-year-old...
Woody Woodmansey recommended track Life on Mars by David Bowie in Platinum Collection by David Bowie in Music (curated)
Leanne Crabtree (480 KP) rated The Ballerino and the Biker (The Hedonist, #1) in Books
Jan 11, 2021
This has been borrowed from the Kindle Unlimited Library.
In this one Morgan has just buried his older brother, Jake, who was part of an MC. He was the only family that Morgan had left in the world and now so he focuses on his ballet with the help of his best friend, Nikki. Only Morgan arrives home to someone in his apartment and he struggles against the man. It turns out the man, Zeke, is from Jake's MC and is there to protect him from a rival biker club after Jake died with a female from the other MC. Zeke is drawn to Morgan and vice versa so it's not long before sparks are flying, though Zeke is adamant he's straight.
This definitely felt like a gay-for-you story. Zeke wasn't attracted to any other guys really, though in the end he settled on himself being bisexual. He's the strong silent type and completely opposite to ballerino - Italian for male ballerina - Morgan. They do have an intense attraction for each other and it takes a while for anything to happen but once it does, it quickly turns into more than physical attraction. Opposites attract and all that.
I'm intrigued by some of the other MC members like Blaze and what's going to happen between Dante and Swish.
Speaking of the MC, we didn't really see much of that side of the story. Most of the time Zeke was working on cars in the garage or the guys were settling down to meals together. We know the MC run a business out back that films their own pornography but that's about it. And we had that short bit at the start involving the Hedonist's rivals wanting to hurt Morgan in retaliation for the death of one of theirs but that was it.
That end bit with Morgan's stalker was a bit strange, if you ask me. I wasn't expecting it to take that turn or be that person and it threw me a little but it all worked out in the end due to Morgan's quick thinking
As mentioned above I do think I'll look up this series in the future to see what happens with Dante and Swish and Blaze with his questions on gay sex etc.
In this one Morgan has just buried his older brother, Jake, who was part of an MC. He was the only family that Morgan had left in the world and now so he focuses on his ballet with the help of his best friend, Nikki. Only Morgan arrives home to someone in his apartment and he struggles against the man. It turns out the man, Zeke, is from Jake's MC and is there to protect him from a rival biker club after Jake died with a female from the other MC. Zeke is drawn to Morgan and vice versa so it's not long before sparks are flying, though Zeke is adamant he's straight.
This definitely felt like a gay-for-you story. Zeke wasn't attracted to any other guys really, though in the end he settled on himself being bisexual. He's the strong silent type and completely opposite to ballerino - Italian for male ballerina - Morgan. They do have an intense attraction for each other and it takes a while for anything to happen but once it does, it quickly turns into more than physical attraction. Opposites attract and all that.
I'm intrigued by some of the other MC members like Blaze and what's going to happen between Dante and Swish.
Speaking of the MC, we didn't really see much of that side of the story. Most of the time Zeke was working on cars in the garage or the guys were settling down to meals together. We know the MC run a business out back that films their own pornography but that's about it. And we had that short bit at the start involving the Hedonist's rivals wanting to hurt Morgan in retaliation for the death of one of theirs but that was it.
That end bit with Morgan's stalker was a bit strange, if you ask me. I wasn't expecting it to take that turn or be that person and it threw me a little but it all worked out in the end due to Morgan's quick thinking
As mentioned above I do think I'll look up this series in the future to see what happens with Dante and Swish and Blaze with his questions on gay sex etc.
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