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Gareth von Kallenbach (980 KP) rated Love, Simon (2018) in Movies
Jul 8, 2019
Meet Simon, just your average teenage boy who loves to hang out with his best friends and spend time with his family. His life is seemingly perfect, except he has a secret. Simon (Nick Robinson) is gay. With news of a closeted gay kid at school, who only is known as Blue; Simon starts to venture out of his secret. However, as John Hughes taught us in the 1980’s it’s not easy being a teenager. As Simon tries to navigate this new friendship with Blue, he begins to affect the lives of his best friends Leah (Katherine Langford), Nick (Keiynan Lonsdale), and Abby (Alexandra Shipp) just to keep his secret safe. Even his mom (Jennifer Gardiner) and dad (Josh Duhamel) begin to realize something is up. So, the question is if his secret gets out how will he handle it?
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Love, Simon is the coming of age story 2018 needed. Modern coming of age films lack critical aspects of the teenage condition; being selfish and having massive amounts of teen angst. That is what was special about the 1980’s classics Breakfast Club and Sixteen Candles, they showed how teenagers actually felt.
Love, Simon also bring an LGBT love story into a heavily saturated heteronormative genre. Now for those who say, well why is this important? It’s important because representation in film matters. Being able to see yourself in a character on the big screen can mean so much.
Originally, going into this film I was a bit skeptical; as the film has been heavily advertised on all social media platforms. So, I began to worry if the hype would live up to the actual film. I was glad to be proven quite the opposite; as I ended up completely falling in love with this film. The wit shown in the script, and the delivery made by the actors was incredible. Watching this film was a breath of fresh air; as most coming of age films follow very formulated clichés and while this had some it used them in completely different ways. I would say more on this matter but truly you have to see it to experience it. Even the soundtrack exuded the teenage experience; completely complementing it from beginning to end.
Love, Simon is a film that shows being yourself is a freeing experience and it is definitely a film I will be buying once it hits Blu Ray. This film is for anyone who loved those coming of age movies from the 1980’s and anyone who loves a good love story
Lyndsey Gollogly (2893 KP) rated When You Disappeared in Books
Sep 16, 2022
167 of 230
Kindle
When you Disappeared
By John Marrs
⭐️⭐️⭐️⭐️
All she wanted was the truth, but she’ll wish she never found out.
When Catherine wakes up alone one morning, she thinks her husband has gone for a run before work. But Simon never makes it to the office. His running shoes are by the front door. Nothing is missing—except him.
Catherine knows Simon must be in trouble. He wouldn’t just leave her. He wouldn’t leave the children.
But Simon knows the truth—about why he left and what he’s done. He knows things about his marriage that it would kill Catherine to find out. The memories she holds onto are lies.
While Catherine faces a dark new reality at home, Simon’s halfway around the world, alive and thriving. He’s doing whatever it takes to stay one step ahead of the truth.
But he can’t hide forever, and when he reappears twenty-five years later, Catherine will finally learn who he is.
And wish she’d stayed in the dark.
Holy crap that was a bit good! It was so different to what I thought it was going to be. I couldn’t put it down the characters drew you in. Who’d have thought one simple lack of communication in a perfectly happy relationship would cause so much destruction. I don’t think I’d have been able to stop where Catherine did at the end! Also do you have after hearing an authors voice automatically hear it when read their work? Nope? Just me than kinda weird 😂.
Kindle
When you Disappeared
By John Marrs
⭐️⭐️⭐️⭐️
All she wanted was the truth, but she’ll wish she never found out.
When Catherine wakes up alone one morning, she thinks her husband has gone for a run before work. But Simon never makes it to the office. His running shoes are by the front door. Nothing is missing—except him.
Catherine knows Simon must be in trouble. He wouldn’t just leave her. He wouldn’t leave the children.
But Simon knows the truth—about why he left and what he’s done. He knows things about his marriage that it would kill Catherine to find out. The memories she holds onto are lies.
While Catherine faces a dark new reality at home, Simon’s halfway around the world, alive and thriving. He’s doing whatever it takes to stay one step ahead of the truth.
But he can’t hide forever, and when he reappears twenty-five years later, Catherine will finally learn who he is.
And wish she’d stayed in the dark.
Holy crap that was a bit good! It was so different to what I thought it was going to be. I couldn’t put it down the characters drew you in. Who’d have thought one simple lack of communication in a perfectly happy relationship would cause so much destruction. I don’t think I’d have been able to stop where Catherine did at the end! Also do you have after hearing an authors voice automatically hear it when read their work? Nope? Just me than kinda weird 😂.
Lyndsey Gollogly (2893 KP) rated Chasing the Dragon in Books
Feb 14, 2024
28 of 220
ARC
Chasing the Dragon
By Mark Towse
⭐️⭐️⭐️⭐️⭐️
A town on its knees, dread's bony fingers wrapping around its throat and squeezing, death rattles soon to follow.
Drugs, filth, and a lack of human decency are starving it of hope.
Introducing Simon Dooley, our trauma-driven wannabe superhero, the relentless voice of his dead mother pleading with him to "end the chaos." Dressed in a leotard and armed only with a dozen dog poop bags, Simon's plight will find him falling in love and going head to head with the seediest characters walking the streets.
The town needed a hero... it got Reformo.
This was honestly such a fun read. This dude has some parental issues that’s for certain. So Simon decided on the advice of his dead mother that he’s going to clean house and the neighbourhood. So he invents Reformo the super hero everyone needs. Now all the way through this book I couldn’t stop laughing which when you’re on a bus full of people you get crazy looks. You can tell the author has poured everything into this book and it really has paid off. It’s dark, funny, bloody , violent and even a little emotional at the end there. Please read any trigger warnings as it does touch a few and it is dark and violent with some graphic details.
I was kindly given this to me by the author in return for an honest review.
ARC
Chasing the Dragon
By Mark Towse
⭐️⭐️⭐️⭐️⭐️
A town on its knees, dread's bony fingers wrapping around its throat and squeezing, death rattles soon to follow.
Drugs, filth, and a lack of human decency are starving it of hope.
Introducing Simon Dooley, our trauma-driven wannabe superhero, the relentless voice of his dead mother pleading with him to "end the chaos." Dressed in a leotard and armed only with a dozen dog poop bags, Simon's plight will find him falling in love and going head to head with the seediest characters walking the streets.
The town needed a hero... it got Reformo.
This was honestly such a fun read. This dude has some parental issues that’s for certain. So Simon decided on the advice of his dead mother that he’s going to clean house and the neighbourhood. So he invents Reformo the super hero everyone needs. Now all the way through this book I couldn’t stop laughing which when you’re on a bus full of people you get crazy looks. You can tell the author has poured everything into this book and it really has paid off. It’s dark, funny, bloody , violent and even a little emotional at the end there. Please read any trigger warnings as it does touch a few and it is dark and violent with some graphic details.
I was kindly given this to me by the author in return for an honest review.
Leanne Crabtree (480 KP) rated Written in Red (The Others, #1) in Books
Aug 26, 2019 (Updated Sep 3, 2019)
Well I thought this one started on a bit of intrigue. Where had Meg come from? What were these scars she had? How had she so new to...life?
I found this really hard to put down, if I'm honest, the story really pulled me in and despite there not being much of a romance, I'll admit I was hooked. I loved the innocence of Meg and her just being really nice to everyone, which equally confused them and made them want to protect her. It was nice seeing them turn from scary "other" beings to almost friendly. Especially with Meg. She became one of them. Part of their family.
Despite its lack of romance--I can't decide if something may happen between Meg and Simon in the future--I enjoyed this. It had a few elements of horror style things in--at the beginning and towards the end some trespassers are eaten alive and then some detailed snow related deaths towards the end--but although I didn't enjoy that bit so much, I forgot about it quickly enough.
I loved how every species of other in the Courtyard had their own little traits. The Crows with the "shiny". The wolves with their "arroooo" greetings. Tess with her living hair. The Hawks and their love of rats and mice. The elementals and their horses.
It was really well thought out and though it was almost 500 kindle pages long, I didn't lose interest once.
I'm interested enough in this group of characters to carry on the series. I even read the excerpt for the next book and it HAS given me hope for something more between Meg and Simon so I will be buying the next book at some point in the future.
I found this really hard to put down, if I'm honest, the story really pulled me in and despite there not being much of a romance, I'll admit I was hooked. I loved the innocence of Meg and her just being really nice to everyone, which equally confused them and made them want to protect her. It was nice seeing them turn from scary "other" beings to almost friendly. Especially with Meg. She became one of them. Part of their family.
Despite its lack of romance--I can't decide if something may happen between Meg and Simon in the future--I enjoyed this. It had a few elements of horror style things in--at the beginning and towards the end some trespassers are eaten alive and then some detailed snow related deaths towards the end--but although I didn't enjoy that bit so much, I forgot about it quickly enough.
I loved how every species of other in the Courtyard had their own little traits. The Crows with the "shiny". The wolves with their "arroooo" greetings. Tess with her living hair. The Hawks and their love of rats and mice. The elementals and their horses.
It was really well thought out and though it was almost 500 kindle pages long, I didn't lose interest once.
I'm interested enough in this group of characters to carry on the series. I even read the excerpt for the next book and it HAS given me hope for something more between Meg and Simon so I will be buying the next book at some point in the future.
Zuky the BookBum (15 KP) rated The Perfect Stranger in Books
Mar 15, 2018
Oh the dreaded second book! I know Miranda has written more than 2 books, but this is her second adult mystery novel, and while it wasn’t perfect (pun intended) it wasn’t bad and I think some people are giving this a bit of a harsh time!
I can understand where people are coming from, in terms of not connecting with the characters. I wasn’t particularly a fan of Leah myself, but I had enough empathy towards her to be interested in her story. Kyle, I had mixed feelings about, I didn’t like the romance element that Miranda fit in with him and Leah and I thought he was trying to play-it-cool too much while still being really clingy.
I’ve seen some people complain about the motives behind Leah’s move and “new life”, saying it was lack lustre and unworthy of all the dramatics, but I thought it was a pretty good, and quite unique, twist to the story and helped explain Leah’s reservedness well. As for the main twist – what happened to Emmy? – I half saw it coming and half didn’t. There was certainly an element of surprise there for me so I was happy with the way the plot went, for the most part. In fact, I was more surprised by this novel than I was with All the Missing Girls, which I guessed the ending of, part way through.
At times, I found my thoughts getting a little bit muddled with all the names and how everyone fit in, but when it’s all “resolved” at the end, things became clearer.
The writing in this is, as always, superbly atmospheric and descriptive. Miranda certainly knows how to write!
Overall, I actually really enjoyed this book, reading it and finishing it in the early hours of the morning. I will definitely keep my eyes open for more of Miranda’s work, clearly, she is a woman of many genres!
<i>Thanks to Netgalley and Simon & Schuster for giving me the opportunity to read this in exchange for an honest review.</i>
I can understand where people are coming from, in terms of not connecting with the characters. I wasn’t particularly a fan of Leah myself, but I had enough empathy towards her to be interested in her story. Kyle, I had mixed feelings about, I didn’t like the romance element that Miranda fit in with him and Leah and I thought he was trying to play-it-cool too much while still being really clingy.
I’ve seen some people complain about the motives behind Leah’s move and “new life”, saying it was lack lustre and unworthy of all the dramatics, but I thought it was a pretty good, and quite unique, twist to the story and helped explain Leah’s reservedness well. As for the main twist – what happened to Emmy? – I half saw it coming and half didn’t. There was certainly an element of surprise there for me so I was happy with the way the plot went, for the most part. In fact, I was more surprised by this novel than I was with All the Missing Girls, which I guessed the ending of, part way through.
At times, I found my thoughts getting a little bit muddled with all the names and how everyone fit in, but when it’s all “resolved” at the end, things became clearer.
The writing in this is, as always, superbly atmospheric and descriptive. Miranda certainly knows how to write!
Overall, I actually really enjoyed this book, reading it and finishing it in the early hours of the morning. I will definitely keep my eyes open for more of Miranda’s work, clearly, she is a woman of many genres!
<i>Thanks to Netgalley and Simon & Schuster for giving me the opportunity to read this in exchange for an honest review.</i>
Movie Metropolis (309 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Jun 11, 2019
Relentless and action packed
The Mission: Impossible franchise has had something of a resurgence over the course of its five films. The first film in the series was praised for its thrilling action and commanding turn from Tom Cruise.
The following two films failed to recapture what made the original such a hit, despite being popular at the box-office. 2011’s Ghost Protocol ensured the franchise still had a pulse and four years later Cruise returns in Rogue Nation. But does it continue the upward trend?
Series newcomer Christopher McQuarrie directs a slick if massively overlong film that is supported by the strengths of its leading stars and Cruise in particular proves there’s no limits to his prowess as an action hero.
Rogue Nation follows Cruise’s Ethan Hunt as he tries to prove the existence of a criminal syndicate, intent on destroying the hard work the IMF has done over the last films.
It’s a nice twist on a story that has been done to death in Rogue Nation’s predecessors and ensures the wheels keep turning nicely on this ever-popular franchise, though at times it can feel a little like the plot is steamrolling ahead and leaving you behind to fill in the missing pieces.
Cruise stars alongside Jeremy Renner, Simon Pegg, Alec Baldwin and the ever-beautiful Rebecca Ferguson as he goes about avoiding thugs and the CIA across what feels like every country on the planet.
At 131 minutes, McQuarrie manages to cram in a lot of action and a lot of scenery and the result is a film that feels overstuffed and a little like a very expensive tourist brochure. There’s also some blatant product placement for BMW that smacks you in the face with its lack of subtlety.
This is a real shame as the action sequences are slickly shot and beautifully choreographed and the fact that Cruise does the majority of his own stunt-work gives a sense of realism not matched by many other films – there’s just too much of it.
Nevertheless, Ferguson and Cruise have real chemistry and their scenes together are positively sizzling, helped in part by an almost operatic soundtrack that punches above what the genre asks for.
Perhaps the most impressive thing about Rogue Nation is its lack of predictability. There are numerous red herrings making it nearly impossible to plan where the film is going and where it is going to end – a real plus point in my eyes.
The ending is a little anti-climactic after two hours of non-stop car chases, motorcycle races and explosions but it leaves itself open for yet another sequel, which is more than likely.
Overall, Rogue Nation is a relentless film that is very well filmed and for the most part, exceptionally paced. It’s not quite up there with the original, but in sequel terms, it’s one of the best and your mission, should you choose to accept it is to go and watch it too.
Gosh that theme tune is catchy!
https://moviemetropolis.net/2015/08/02/relentless-and-action-packed-mission-impossible-rogue-nation-review/
The following two films failed to recapture what made the original such a hit, despite being popular at the box-office. 2011’s Ghost Protocol ensured the franchise still had a pulse and four years later Cruise returns in Rogue Nation. But does it continue the upward trend?
Series newcomer Christopher McQuarrie directs a slick if massively overlong film that is supported by the strengths of its leading stars and Cruise in particular proves there’s no limits to his prowess as an action hero.
Rogue Nation follows Cruise’s Ethan Hunt as he tries to prove the existence of a criminal syndicate, intent on destroying the hard work the IMF has done over the last films.
It’s a nice twist on a story that has been done to death in Rogue Nation’s predecessors and ensures the wheels keep turning nicely on this ever-popular franchise, though at times it can feel a little like the plot is steamrolling ahead and leaving you behind to fill in the missing pieces.
Cruise stars alongside Jeremy Renner, Simon Pegg, Alec Baldwin and the ever-beautiful Rebecca Ferguson as he goes about avoiding thugs and the CIA across what feels like every country on the planet.
At 131 minutes, McQuarrie manages to cram in a lot of action and a lot of scenery and the result is a film that feels overstuffed and a little like a very expensive tourist brochure. There’s also some blatant product placement for BMW that smacks you in the face with its lack of subtlety.
This is a real shame as the action sequences are slickly shot and beautifully choreographed and the fact that Cruise does the majority of his own stunt-work gives a sense of realism not matched by many other films – there’s just too much of it.
Nevertheless, Ferguson and Cruise have real chemistry and their scenes together are positively sizzling, helped in part by an almost operatic soundtrack that punches above what the genre asks for.
Perhaps the most impressive thing about Rogue Nation is its lack of predictability. There are numerous red herrings making it nearly impossible to plan where the film is going and where it is going to end – a real plus point in my eyes.
The ending is a little anti-climactic after two hours of non-stop car chases, motorcycle races and explosions but it leaves itself open for yet another sequel, which is more than likely.
Overall, Rogue Nation is a relentless film that is very well filmed and for the most part, exceptionally paced. It’s not quite up there with the original, but in sequel terms, it’s one of the best and your mission, should you choose to accept it is to go and watch it too.
Gosh that theme tune is catchy!
https://moviemetropolis.net/2015/08/02/relentless-and-action-packed-mission-impossible-rogue-nation-review/
Billie Wichkan (118 KP) rated We All Fall Down in Books
May 22, 2019
...**THIS IS A GOVERNMENT ALERT**IF YOU EXHIBIT SYMPTOMS, STAY IN YOUR HOMES**PLEASE REMAIN CALM AND DO NOT ATTEMPT THE RESCUE OF OTHERS**THIS IS A GOVERNMENT ALERT**IF YOU EXHIBIT SYMPTOMS, STAY IN YOUR HOMES**PLEASE REMAIN CALM AND DO NOT ATTEMPT THE RESCUE OF OTHERS**THIS IS A GOVERNMENT ALERT**...
IT STARTS WITH ONE PATIENT
A woman is dying in an Italian hospital, coughing up blood, convulsing and barely conscious.
BEFORE IT SPREADS TO THE TOWN
Dr Alana Vaughn, an expert from NATO, confirms everyones worst fears: the woman has the highly infectious disease that swept through Europe eight hundred years ago. The Black Death.
AND TAKES THE CITY
The sickness is spreading so quickly that soon the outbreak becomes a global pandemic. Markets crash and governments fall as quickly as the citizens they govern.
THEN THE COUNTRY
As panic takes hold and the death toll climbs, the consequences become horrifically clear Alana must discover a way to stop the disease or it will be the end of us all.
THEN THE WORLD - AND WE ALL FALL DOWN.
The book is fast paced and had me on the edge of my seat wondering if Alana, Nico, Byron and company were going to be able to get to the bottom of who unleashed the plague and when or if they could get it under control.
The book was well written with believable and interesting characters.
I really liked the medical aspect of the book and how the scientists and doctors react to a dormant disease suddenly becoming active all over again and with them struggling to cope with the lack of vaccines available and also the consideration of the disease used as a bio-weapon was really interesting.
This is scary to think, could biological terrorism really happen, how fast can viruses spread and how safe are we?
I thoroughly enjoyed this book and look forward to reading more from this author.
Highly Recommend reading!
Thank you to NetGalley and Simon & Schuster for this e-book ARC to read and review. I enjoyed this so much that I intend to seek out the other books written by this author.
IT STARTS WITH ONE PATIENT
A woman is dying in an Italian hospital, coughing up blood, convulsing and barely conscious.
BEFORE IT SPREADS TO THE TOWN
Dr Alana Vaughn, an expert from NATO, confirms everyones worst fears: the woman has the highly infectious disease that swept through Europe eight hundred years ago. The Black Death.
AND TAKES THE CITY
The sickness is spreading so quickly that soon the outbreak becomes a global pandemic. Markets crash and governments fall as quickly as the citizens they govern.
THEN THE COUNTRY
As panic takes hold and the death toll climbs, the consequences become horrifically clear Alana must discover a way to stop the disease or it will be the end of us all.
THEN THE WORLD - AND WE ALL FALL DOWN.
The book is fast paced and had me on the edge of my seat wondering if Alana, Nico, Byron and company were going to be able to get to the bottom of who unleashed the plague and when or if they could get it under control.
The book was well written with believable and interesting characters.
I really liked the medical aspect of the book and how the scientists and doctors react to a dormant disease suddenly becoming active all over again and with them struggling to cope with the lack of vaccines available and also the consideration of the disease used as a bio-weapon was really interesting.
This is scary to think, could biological terrorism really happen, how fast can viruses spread and how safe are we?
I thoroughly enjoyed this book and look forward to reading more from this author.
Highly Recommend reading!
Thank you to NetGalley and Simon & Schuster for this e-book ARC to read and review. I enjoyed this so much that I intend to seek out the other books written by this author.
Chris Sawin (602 KP) rated The Ice Age Adventures of Buck Wild (2022) in Movies
Jan 30, 2022
The mimicking raptor (1 more)
The, "power of our spleens," line of dialogue.
Horrendously ugly animation. (2 more)
A terribly boring screenplay.
Humor that is so painfully unfunny.
The Ice Age Adventures of Buck Wild is the first Disney produced film of the franchise and the first Ice Age film to go directly to streaming. None of the original cast members return other than Simon Pegg as Buck Wild. Scrat is nowhere to be found and the animation is a noticeable downgrade. This project began with the intention of being a new Ice Age TV series, but was then repurposed into an 81-minute feature-length film.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Crash and Eddie (now voiced by Vincent Tong and Aaron Harris) have gotten the itch to branch out on their own. Being a part of the herd with Manny, Diego, Sid, and Ellie has finally reached a boiling point. After ruining a summer getaway with an ice-alanche, Manny encourages Crash and Eddie to go off on their own adventure. He never thought the death portraying duo would take his words to heart.
The possums venture back deep below the ice and back to The Lost World where they are reunited with Buck Wild (Pegg). However, their reunion is bittersweet as a big-headed and big-brained Protoceratops named Orson (Utkarsh Ambudkar, Free Guy) has just returned from exile where he intends to use his raptor henchmen to rule over every living mammal.
This new Ice Age film is animated by Canadian animation company Bardel Entertainment. Other CGI related works Bardel has had a hand in producing include Angry Birds Blues, Teenage Mutant Ninja Turtles (2012), All Hail King Julien, The Adventures of Puss in Boots, and the Monsters vs. Aliens TV series. The animation in Adventures of Buck Wild is incredibly ugly. Scenery and background characters are minimally detailed and look like poorly colored blobs with a limited color palette.
The film has a very direct-to-video ambiance to it. It’s kind of like watching Reboot or Beast Wars: Transformers today, but what those series lack in animation they make up for with exceptional writing. The Adventures of Buck Wild mostly feels like Disney’s quick attempt at a cash grab after dissolving Blue Sky Studios in 2021. The animation is a bit better when it comes to close-ups of characters as strands of hair have more detail. It still doesn’t help the horrendous character design. Orson is basically the dinosaur version of Yosemite Sam while his raptors look like Wheelie from Transformers: Revenge of the Fallen.
Directed by John C. Donkin (producer of the first three Ice Age films, Rio and Rio 2, and Robots) and written by Ray DeLaurentis (Fairly Oddparents), Jim Hecht (Ice Age: The Meltdown), and William Schifrin (Quest for Camelot), Adventures of Buck Wild has stale writing that has a few noteworthy moments. Most of the attempts at humor are met with eyerolling, severe facepalms, or shaking your head with disgust. The raptor that copies everything Orson does may be the best comedic relief the films has and the, “Power of spleens,” bit is easily the best line of dialogue.
Buck Wild is a seriously bizarre character though. He formed his own team and inadvertently destroyed it since he last met Crash and Eddie. Being alone has obviously taken its toll on him. He now talks to his left hand in a silly voice and has a pumpkin daughter that is babysat by a cucumber. Zee, a former team member and ex-best friend of Buck, is a zorilla/striped polecat. She looks like a raccoon, but is super agile and can spray like a skunk. Her and Buck are incredibly similar other than the fact that Buck likes to rush into battle without any sort of preparation whereas Zee likes to train and plan before facing an enemy.
It would have been so incredibly satisfying if Disney had debuted an Ice Age film with solid animation, laugh out loud humor, a well-written story, and likeable or even downright despicable characters. Having those elements would have at least given fans of the franchise thus far that Disney had a vision of where to take Ice Age in the foreseeable future. Instead we get this lackluster dud of a film that is boring to look at and is mostly massively unfunny while making most of the characters – old and new – forgettable. When Zee first meets Crash and Eddie, Buck says something along the lines of, “What they lack in courage they make up for with bumbling ineptitude.” That is all The Adventures of Buck Wild is; an unnecessary animated excursion into bumbling ineptitude.
Gareth von Kallenbach (980 KP) rated A Good Day To Die Hard (2013) in Movies
Aug 7, 2019
To me, the original Die Hard (1988) was the birth of the modern action movie that we now take for granted. We have a seeming normal everyman in Bruce Willis, playing a likable but tough as nails NYPD cop John McClane, who just happens to be in the wrong place at the wrong time. (Yes, Story if his life.) The street smart hero uses whatever resources he could muster to become a thorn in the side of an intelligent and sophisticated villain, while dropping a few comedy one-liners along the way. This being the 5th installment of the Die Hard series the formula seems to be working, only not as well as past films in the series.
As a fan of the series there are many things this film does well. The soon to be 58 Willis is still as likeable as ever as John McClane. The film does a good job of making fun of his age just enough to make you feel that he is old, but not TOO old. The improbable action is as big as ever which leads to mass destruction in typical John McClane fashion. This action helps the 97min runtime feel fast paced and fun. Also Jai Courtney (Jack Reacher) plays John’s son CIA agent Jack McClane and actually plays strong against Willis. The whole father-son dynamic is interesting and gives some new depth to this familiar character. This dynamic leads up to a redeeming moment for John McClane that makes you wonder if this is Willis’s swan song in the series and if the reins are being passed to Courtney?
As a fan of the series there are many things this film does not do well. Perhaps the most notable are the lack luster one-liner jokes that always seem to stand out in the previous films. They exist, however they are not really that funny. Also the same joke was recycled over and over that by the end I do not recall laughing about anything in the final 40 mins of the film. Perhaps my biggest complaint is that the villain in this film is vanilla. So plain that I do not care to even look up his name. Just know that if you are a fan of the film he is nowhere near the Brilliance of the characters Hans Gruber or even Simon Gruber in previous films. And for this series that is a big problem. We know John McClane is a bad ass, but what is the point of all his destruction if he is not using it to stomp someone who is equally menacing.
In the end I can say that this film is a guilty pleasure that I enjoyed. It is far from a good movie but fans of the series and anyone just looking to watch a run of the mill action flick will be entertained. Leading up to this film I watch the previous four films and I have to say that this film is better than Die Hard 2: Die Harder and Live Free and Die Hard but behind the Die Hard With A Vengeance and far behind the original Die Hard. If you have never seen a Die Hard film, do yourself a favor and use the price of admission to rent the original.
As a fan of the series there are many things this film does well. The soon to be 58 Willis is still as likeable as ever as John McClane. The film does a good job of making fun of his age just enough to make you feel that he is old, but not TOO old. The improbable action is as big as ever which leads to mass destruction in typical John McClane fashion. This action helps the 97min runtime feel fast paced and fun. Also Jai Courtney (Jack Reacher) plays John’s son CIA agent Jack McClane and actually plays strong against Willis. The whole father-son dynamic is interesting and gives some new depth to this familiar character. This dynamic leads up to a redeeming moment for John McClane that makes you wonder if this is Willis’s swan song in the series and if the reins are being passed to Courtney?
As a fan of the series there are many things this film does not do well. Perhaps the most notable are the lack luster one-liner jokes that always seem to stand out in the previous films. They exist, however they are not really that funny. Also the same joke was recycled over and over that by the end I do not recall laughing about anything in the final 40 mins of the film. Perhaps my biggest complaint is that the villain in this film is vanilla. So plain that I do not care to even look up his name. Just know that if you are a fan of the film he is nowhere near the Brilliance of the characters Hans Gruber or even Simon Gruber in previous films. And for this series that is a big problem. We know John McClane is a bad ass, but what is the point of all his destruction if he is not using it to stomp someone who is equally menacing.
In the end I can say that this film is a guilty pleasure that I enjoyed. It is far from a good movie but fans of the series and anyone just looking to watch a run of the mill action flick will be entertained. Leading up to this film I watch the previous four films and I have to say that this film is better than Die Hard 2: Die Harder and Live Free and Die Hard but behind the Die Hard With A Vengeance and far behind the original Die Hard. If you have never seen a Die Hard film, do yourself a favor and use the price of admission to rent the original.
Kevin Wilson (179 KP) rated the PlayStation 4 version of Soma in Video Games
Jul 13, 2018
Interesting concept and story (3 more)
Good length
Creepy atmosphere
Amazing world
Bad AI (2 more)
Awkward acting and diologue
Slow parts
Great game, a few flaws
Contains spoilers, click to show
This is a great game, I loved it but there were a few flaws that knocked the rating down sadly.
First off the concept, story and world were by far the best parts of the game. It lasted me around 10 hours and I wanted to keep coming back to it.
The idea to transfer consciousness to robot has fascinated me for a long time. It's not new, it's been talked about for a long time and this game shows it in a very interesting way.
Basically you have a brain scan. Your creating a digital copy of yourself and that is being transferred into the robot. So it doesn't matter if it's 1 year or 100 years later you will have the brain scan and then wake up in a robot because this version of you is from that moment the brain scan took place (stay with me haha) which means the original "you" could have gone on to live 50 more years for all we know.
It's intriguing but also a scary thought because it does beg the question, is this version actually you? It's a copy so surely it's not you conscious?
So obviously we meet our protagonist, Simon who is suffering a brain injury and goes for a brain scan. He doesnt know what the brain scan is intended for so he is immediately woken up in the far future and feeling very confused and this could have been a very interesting story about him descending into madness and insanity as he begins to realise what he has now become. However this falls flat and when he does find out the truth he is quickly accepting and calm about it all. It wasn't very believable and could have done so much more with it.
There is a 2nd character you meet, Catherine who turns out to be a machine who then gets transfer into your omnitool so you assume will be a constant companion and will talk to you constantly as you walk about. However this is not the case as she only talks when plugged into a console which was too few for my liking. Her acting and diologue also felt too emotionless and wooden which could have been intentional and gradually made her out to be obsessive and manipulative and this would have further showed that if they had her talking as you walked about. But again this was not the case, the game is predictable which was disappointing. The ending was predictable despite a few twists but I still liked it.
The AI was very confusing. I didn't understand what the rules were. Was it attracted to light, movement or sound? It was very unpredictable but thankfully the developer updated the game to add a safe mode which keeps everything the same, and still keeps the creepiness but removes the ability for enemies to harm you which did make the game more enjoyable. Plus trophies still unlock on that mode for those completionests.
Overall game was too good to not play thanks to story and the concept behind it. I loved learning about the world through recordings and terminal. I'd love to learn more in a sequel or prequel but with different characters and location. The atmosphere felt creepy and clostophobic at times. But gameplay was generic. Walk to here, open this door, use this terminal.
I do recommend anyone playing it but the lack of collectibles and multiple endings doesn't give good replayability.
First off the concept, story and world were by far the best parts of the game. It lasted me around 10 hours and I wanted to keep coming back to it.
The idea to transfer consciousness to robot has fascinated me for a long time. It's not new, it's been talked about for a long time and this game shows it in a very interesting way.
Basically you have a brain scan. Your creating a digital copy of yourself and that is being transferred into the robot. So it doesn't matter if it's 1 year or 100 years later you will have the brain scan and then wake up in a robot because this version of you is from that moment the brain scan took place (stay with me haha) which means the original "you" could have gone on to live 50 more years for all we know.
It's intriguing but also a scary thought because it does beg the question, is this version actually you? It's a copy so surely it's not you conscious?
So obviously we meet our protagonist, Simon who is suffering a brain injury and goes for a brain scan. He doesnt know what the brain scan is intended for so he is immediately woken up in the far future and feeling very confused and this could have been a very interesting story about him descending into madness and insanity as he begins to realise what he has now become. However this falls flat and when he does find out the truth he is quickly accepting and calm about it all. It wasn't very believable and could have done so much more with it.
There is a 2nd character you meet, Catherine who turns out to be a machine who then gets transfer into your omnitool so you assume will be a constant companion and will talk to you constantly as you walk about. However this is not the case as she only talks when plugged into a console which was too few for my liking. Her acting and diologue also felt too emotionless and wooden which could have been intentional and gradually made her out to be obsessive and manipulative and this would have further showed that if they had her talking as you walked about. But again this was not the case, the game is predictable which was disappointing. The ending was predictable despite a few twists but I still liked it.
The AI was very confusing. I didn't understand what the rules were. Was it attracted to light, movement or sound? It was very unpredictable but thankfully the developer updated the game to add a safe mode which keeps everything the same, and still keeps the creepiness but removes the ability for enemies to harm you which did make the game more enjoyable. Plus trophies still unlock on that mode for those completionests.
Overall game was too good to not play thanks to story and the concept behind it. I loved learning about the world through recordings and terminal. I'd love to learn more in a sequel or prequel but with different characters and location. The atmosphere felt creepy and clostophobic at times. But gameplay was generic. Walk to here, open this door, use this terminal.
I do recommend anyone playing it but the lack of collectibles and multiple endings doesn't give good replayability.