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Caffeinated Fae (464 KP) rated Red Dragon (Hannibal Lecter #1) in Books
Jul 10, 2018
I really wish I read this when I was in high school. This book really would have been right up my alley. The story was so complex that I would have devoured it within days. This would have been one of those books that I stayed up late reading under my covers. However, reading this book showed me how much I have changed & how my tastes in books have changed as well. Personally I am not a huge fan of mysteries. I find them dull, and typically I avoid them. The weird thing is that I love mystery thrillers. I have always found them fascinating especially if it is a psychological thriller.
Red Dragon is that psychological thriller that is sure to keep you on the edge of your seat once you get passed the half way mark. The beginning of the book dragged for me. I would have loved more of an action packed thriller vs. a mystery turned thriller. Though the first half was essential for establishing characters I truly felt that it dragged. I'm typically used to a book that jolts you into the action instead of taking a lazy river ride to a waterfall. I want the rapids. So, due to the first half, it took me forever to finish. One thing that I really liked about the first half was how much it messed with my mind. Honestly I had trouble reading it before I went to bed simply because of the dreams it created at night. I had to make sure every door and window was locked before I went to bed simply to help sooth my mind so that I could get some sleep.
Though the story dragged for the first half, the second half made up for it. I found myself entranced by the thriller aspect of the writing & loved how complex the story truly was. It has been years since I last watched Red Dragon (the movie) so at times the story felt fresh and new. It was weird, sexual in strange spots, and honestly something that I have never read before. Thomas Harris was able to create a serial killer that will make you cringe, sympathize with, and wish they were dead all at different moments. It was fascinating to read.
All in all, I enjoyed the book. It isn't my favorite book but it was an interesting read that makes me yearn to watch the movies again. I probably will not continue on in the series but I'm happy that I did take the time to read it.
Red Dragon is that psychological thriller that is sure to keep you on the edge of your seat once you get passed the half way mark. The beginning of the book dragged for me. I would have loved more of an action packed thriller vs. a mystery turned thriller. Though the first half was essential for establishing characters I truly felt that it dragged. I'm typically used to a book that jolts you into the action instead of taking a lazy river ride to a waterfall. I want the rapids. So, due to the first half, it took me forever to finish. One thing that I really liked about the first half was how much it messed with my mind. Honestly I had trouble reading it before I went to bed simply because of the dreams it created at night. I had to make sure every door and window was locked before I went to bed simply to help sooth my mind so that I could get some sleep.
Though the story dragged for the first half, the second half made up for it. I found myself entranced by the thriller aspect of the writing & loved how complex the story truly was. It has been years since I last watched Red Dragon (the movie) so at times the story felt fresh and new. It was weird, sexual in strange spots, and honestly something that I have never read before. Thomas Harris was able to create a serial killer that will make you cringe, sympathize with, and wish they were dead all at different moments. It was fascinating to read.
All in all, I enjoyed the book. It isn't my favorite book but it was an interesting read that makes me yearn to watch the movies again. I probably will not continue on in the series but I'm happy that I did take the time to read it.
<i>I received this book for free through Goodreads First Reads.</i>
<i>Wake</i> is a historical, debut novel by the British author, Anna Hope. Set in 1920 the story spans itself over five days, from Sunday 7th November until Thursday 11th November – Armistice Day. It is a story about the aftermath of the First World War and how individuals deal with the loss of loved ones, as well as their relationships with those around them.
The novel tells the story of three different women. None of them know of each other, nor even meet during the course of the narrative. However, they are connected through relationships and acquaintances with other people. There is Hettie, a young woman who works as a dance instructress at the Hammersmith Palais. Her brother fought in and survived the war only to return shell shocked and unable to cope. Evelyn, just short of 30, lost someone dear to her. Her brother, however, survived but he is also greatly affected by what he has done. Finally, there is Ada, a mother of a soldier who died from his wounds. Unable to let go of tragedy she is slowly, unknowingly, pushing her husband away.
The title of the novel initially gives an indication of what the story may contain. The most common definition is about waking up – emerging from sleep. There is slightly less focus on this meaning, nevertheless, toward the end of the book Ada is, in a way, waking up out of the past and concentrating on the here and now. Wake is also the term for a ritual of the dead. The story takes place in the days leading up to Armistice Day, the day when the Unknown Warrior was brought to England and buried in London. The final meaning, and most important in terms of this novel’s content, is consequence or aftermath. Every character, not just the three women, is dealing with the repercussions of war.
Hope has conducted in-depth research with the result that <i>Wake</i> gives a powerful insight into the lives of Londoners at that difficult time. It shocks the reader by revealing the awfulness and pain – emotionally and physically – people went through. As well as war, the book heavily focuses on family and romantic relationships, and even encompasses a hint of mystery, not in the crime thriller sense, but enough to keep the reader engaged and eager to discover the truth.
Admittedly, the beginning did not appear to have a clear plot line, but once the secrets and revelations begin cropping up, the book takes off and becomes an enjoyable read.
<i>Wake</i> is a historical, debut novel by the British author, Anna Hope. Set in 1920 the story spans itself over five days, from Sunday 7th November until Thursday 11th November – Armistice Day. It is a story about the aftermath of the First World War and how individuals deal with the loss of loved ones, as well as their relationships with those around them.
The novel tells the story of three different women. None of them know of each other, nor even meet during the course of the narrative. However, they are connected through relationships and acquaintances with other people. There is Hettie, a young woman who works as a dance instructress at the Hammersmith Palais. Her brother fought in and survived the war only to return shell shocked and unable to cope. Evelyn, just short of 30, lost someone dear to her. Her brother, however, survived but he is also greatly affected by what he has done. Finally, there is Ada, a mother of a soldier who died from his wounds. Unable to let go of tragedy she is slowly, unknowingly, pushing her husband away.
The title of the novel initially gives an indication of what the story may contain. The most common definition is about waking up – emerging from sleep. There is slightly less focus on this meaning, nevertheless, toward the end of the book Ada is, in a way, waking up out of the past and concentrating on the here and now. Wake is also the term for a ritual of the dead. The story takes place in the days leading up to Armistice Day, the day when the Unknown Warrior was brought to England and buried in London. The final meaning, and most important in terms of this novel’s content, is consequence or aftermath. Every character, not just the three women, is dealing with the repercussions of war.
Hope has conducted in-depth research with the result that <i>Wake</i> gives a powerful insight into the lives of Londoners at that difficult time. It shocks the reader by revealing the awfulness and pain – emotionally and physically – people went through. As well as war, the book heavily focuses on family and romantic relationships, and even encompasses a hint of mystery, not in the crime thriller sense, but enough to keep the reader engaged and eager to discover the truth.
Admittedly, the beginning did not appear to have a clear plot line, but once the secrets and revelations begin cropping up, the book takes off and becomes an enjoyable read.
Kirk Bage (1775 KP) rated Ghosteen by Nick Cave & The Bad Seeds in Music
Mar 3, 2020 (Updated Aug 6, 2020)
My intention was to listen to this twice through and then tell you what I thought about it. In the past, I have always admired Nick Cave more in theory than in practice. Finding his heavier touches a little too “noisy”. Typified by the 2004 release Abbatoir Blues / The Lyre of Orpheus, where I listened to the latter, gentler side over and over, and largely left the more raucous tracks on the former alone.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
Because of this personal preference, I have ended up virtually listening to Ghosteen on loop for a full week, as it leans very definitely towards the softer side of his soul – at times almost ambient dreamscape, washing over you like tired thoughts just before sleep. And, often, that is what it became for me: a night album to drift away to.
It is an album about grief, regret, spirituality and humanism. There is a misconception that it is wholly inspired by the death of Cave’s son Arthur, but, in his own words, it was more the death of band member Conway Savage that allowed the themes and lyrics to become the work.
As always, it is Cave’s poetry that emerges as the backbone and soul of every song. The melodies wash over you, at times indistinguishable as separate tracks, and you begin to feel invited into a man’s heart and mind as he explores mortality, shifting between anger, acceptance, fear and hope, in a segue of sound that feels ultimately like a mood painting, defying criticism.
At times listening feels like an intrusion; like these thoughts are too personal to eavesdrop on. At other times, you feel taken by the hand and invited to look at something beautiful. If you allow yourself to be taken on this journey willingly, your empathy will be coaxed and encouraged, and it will be safe. Sadness is only one part of grief, seems to be the message, and it’s a message I relate to and adore.
Labels such as “art-rock” and “post-punk” get thrown at Cave, in futile efforts to pin him down. I think it best not to try. For me, he is truly one of a handful of musicians alive who can be called an artist without hyperbole. His work has texture and emotion that goes beyond how we normally judge music. Making it ok to not “like” a song, as long as it tells part of the story.
For sure his best work for quite a while. At times, so perfect it seems churlish to judge it at all.
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
Debbiereadsbook (1511 KP) rated The Cardinalis Code in Books
Mar 23, 2020
read the book, people, read the damn book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
So, there I was, merrily reading away. Enjoying this book, not a 5 star read, but a very good solid four star. Some minor typos, but they might be cos of the changing file thing. A good solid 4 star read, that piqued my interest enough to keep going.
And then, in the VERY last chapter, followed by the EPILOGUE, it all changed!
I mean, it made the whole bloody book flip on it's head! And it's gonna be really REALLY hard not to write spoilers into this review, so if it's vague, I ain't sorry!
Paislee takes a job as a blood donor, a donateur for Michael, a Cardinalis, (not EVER a vampire!) When Michael's vicious half brother takes a shine to Paislee, things become deadly, both for Paislee and Michael. Then The Order become involved and Michael has a fight on his hands to keep Paislee safe, and more importantly, to keep her HIS.
Like I said, plodding along, nicely. Moving at speed in places, and little slower in others. Sexy at points, but deadly in others. Sufficiently different in the 'vampire' (Sorry, Michael!) lore to be interesting. These guys don't combust in the sun or sparkle, either! They have a usual sleep pattern, they eat food. So, I enjoyed all that.
Both Michael and Paislee have a say, as do a couple of other characters.
The story concludes, or so I thought, in a way I expected it to, mostly. Michael's brother doesn't quite get the ending I was expecting but still. It all comes to a head and is wrapped up nicely.
THEN!
Michael's mother says something, and the doctor says something and then the doctor says something else and . . . . .cliff hanger people! I mean a proper, spit you dummy out, throw your toys out the pram and throw your kindle at the wall so hard it bounces off and scares the cat! I had to double back a couple of times, to reread what was said by whom, to put the pieces together, and still I have no bloody idea what's going on!
So, for a first book . . .very well played Ms Sterling! For a first in series, because there is much unfinished here, very well played. For that bloody cliff hanger . . .
5 full and shiny stars!
**same worded review will appear elsewhere**
So, there I was, merrily reading away. Enjoying this book, not a 5 star read, but a very good solid four star. Some minor typos, but they might be cos of the changing file thing. A good solid 4 star read, that piqued my interest enough to keep going.
And then, in the VERY last chapter, followed by the EPILOGUE, it all changed!
I mean, it made the whole bloody book flip on it's head! And it's gonna be really REALLY hard not to write spoilers into this review, so if it's vague, I ain't sorry!
Paislee takes a job as a blood donor, a donateur for Michael, a Cardinalis, (not EVER a vampire!) When Michael's vicious half brother takes a shine to Paislee, things become deadly, both for Paislee and Michael. Then The Order become involved and Michael has a fight on his hands to keep Paislee safe, and more importantly, to keep her HIS.
Like I said, plodding along, nicely. Moving at speed in places, and little slower in others. Sexy at points, but deadly in others. Sufficiently different in the 'vampire' (Sorry, Michael!) lore to be interesting. These guys don't combust in the sun or sparkle, either! They have a usual sleep pattern, they eat food. So, I enjoyed all that.
Both Michael and Paislee have a say, as do a couple of other characters.
The story concludes, or so I thought, in a way I expected it to, mostly. Michael's brother doesn't quite get the ending I was expecting but still. It all comes to a head and is wrapped up nicely.
THEN!
Michael's mother says something, and the doctor says something and then the doctor says something else and . . . . .cliff hanger people! I mean a proper, spit you dummy out, throw your toys out the pram and throw your kindle at the wall so hard it bounces off and scares the cat! I had to double back a couple of times, to reread what was said by whom, to put the pieces together, and still I have no bloody idea what's going on!
So, for a first book . . .very well played Ms Sterling! For a first in series, because there is much unfinished here, very well played. For that bloody cliff hanger . . .
5 full and shiny stars!
**same worded review will appear elsewhere**
BankofMarquis (1832 KP) rated Bringing Up Baby (1938) in Movies
Apr 4, 2020
The Perfect Example of a "Screwball Comedy"
It's always a bit of a crap-shoot when one shows an 82 year old, black and white film to a couple of college age students. But, with a film as crazy/zany as the 1938 Howard Hawks screwball comedy BRINGING UP BABY, the odds are in your favor.
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The college students loved it.
Starring Cary Grant and Katherine Hepburn - in their screwball comedy best - BRINGING UP BABY tells the story of a paleontologist (Grant) who is looking to land a $1 million donation, but ends up crossing paths with a wealthy heiress (Hepburn) - who marches to the beat of her own drum.
Told at breakneck speed by Hawks - a trademark of screwball comedy - BRINGING UP BABY is smart, witty, wacky and very, very funny. I was surprised at this viewing just how fast-paced this film is - you do not come up for a breath throughout the entire film. It's a bit exhausting - and exhilarating - kind of like hanging onto a wild roller coaster ride.
Remembered more for their dramatic roles, Hepburn and Grant are marvelous as the 2 leads of this film, they banter back and forth - quickly - throughout the film, they have tremendous chemistry with each other and their patter is a hallmark of these types of films and I was amazed at the dexterity and timing of these 2 pros. They make the dialogue work by not commenting on the comedy of it, but just moving onto the next scene, the next line, the next situation.
The supporting cast - featuring such rubber faced character actors as Charles Ruggles, Barry Fitzgerald, Fritz Feld and Leona Roberts - are just as good and add to the insanity that is seen on the screen. All corralled beautifully by one of the greatest Directors of the Old Hollywood era (the era before 1960), Howard Hawks who would end up directing a few years later the epitome of the screwball comedy - HIS GIRL FRIDAY - but who also Directed such classics as SCARFACE, THE BIG SLEEP, TO HAVE AND HAVE NOT and GENTLEMEN PREFER BLONDES as well as quite a few John Wayne westerns like RED RIVER, RIO BRAVO and EL DORADO.
Oh...and did I mention...the 3rd leading performer of this film is a Leopard?
If you are looking to introduce someone (or maybe yourself) to a film type of a bygone era - you could do worse than BRINGING UP BABY - a screwball comedy that clips along in 102 fast-paced minutes.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
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