Heather Cranmer (2721 KP) rated Yazzy's Amazing Yarn in Books
Aug 24, 2019 (Updated Aug 24, 2019)
Yazzy is a young girl who loves knitting just like her mom. When Yazzy and her mom walk by a park, Yazzy's mom reminisces about how the park was a lot better back when she was a kid. That night, Yazzy can't sleep. She's thinking about what her mom told her about the park. With the help of her friends, Yazzy decides to yarn bomb the park to bring back some of the cheer her mom experienced as a little girl.
I found the plot for Yazzy's Amazing Yarn to be interesting. My 4 year old son lost interest after a few pages though, but I don't think he's quite the demographic this book would appeal to. To me, I believe this book would appeal most to little girls aged 6 to 10 years of age. I also think the dialogue would be more understandable in this age group. Anyway, I enjoyed learning about what Yazzy and her friends would come up with to make the park more colorful and lively. When the girls leave the house for the park before it opens, I did wonder if they let Yazzy's mom know they were leaving the house. I guess that's just the mom in me though. I would have liked something written in the book that said a parent was notified of them leaving. Anyway, everything else was great, and yarn bombing was a fantastic idea to make a dreary old park come to life. I loved how the author added some history about yarn bombing at the end of the book. I had no idea yarn bombing was a thing until I read Yazzy's Amazing Yarn. From my take on it, it's when someone knits something for an item in their neighborhood such as for stop signs, traffic lights, parks, sidewalks, trees, etc.
The character of Yazzy was likable, and I think young girls can and will relate to her quite easily. She comes across as someone with a kind heart who likes to make others happy. Yazzy seems selfless and like a happy go lucky girl. I loved the diversity of all the characters I came across in Yazzy's Amazing Yarn, but it would have been even better if one of Yazzy's friends had been a boy to show that boy's like knitting as well and that it's not only for females. I was a bit disappointed that only girls were shown knitting. However, that didn't stop me from enjoying this great book.
The illustrations for Yazzy's Amazing Yarn were done superbly. Emily Calimlim, the illustrator, is such a talented artist, and it definitely showed throughout this book. I loved the different vibrant colors used throughout the pictures! My favorite scenes were the ones that took place in the park when it came to illustrations. I felt this was when the colors and illustrations jumped up at me from the page the most.
All in all, Yazzy's Amazing Yarn is such a feel good funtastic (not a typo) story that will warm everyone's heart. The story itself is beautifully written, and the illustrations are gorgeous! I would recommend Yazzy's Amazing Yarn by Cathey Graham Nickell to all ages due to the feel good factor although I do believe little girls ages 6 - 10 years would find it the most appealing. Yazzy's Amazing Yarn gets a 4 out of 5 stars from me!
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(A special thank you to Lone Star Book Blog Tours for providing me with an eBook of Yazzy's Amazing Yarn by Cathey Graham Nickell in exchange for an honest and unbiased review.)
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Bob Mann (459 KP) rated Judy (2019) in Movies
Sep 28, 2021
This is an extremely sombre film. I will go as far as saying that it is well-and-truly a “Father Ted” film (see glossary).
The Story.
Young Judy Garland is a starlet in the MGM studio system run by Louis B. Mayer (a villainous Richard Cordery). She doesn’t have a life outside of the movies; is fed diet pills and “pep-pills” that destroy her sleep; and she is starting to get fed up with it all. No wonder then that she grows up to be an alcoholic insomniac with a trail of failed marriages and a temperamental nature.
Thus, through flash-backs to the young Judy (the English Darci Shaw, in her movie debut) we track the older Judy (Renée Zellweger) through the last tragic years of her life. Unable to work, due to a reputation that proceeds her, she is forced to take up the offer from Bernard Delfont (Michael Gambon) of a residency at London’s “Talk of the Town”. This separates her from her older daughter (Liza Minnelli played by Gemma-Leah Devereux) and, crucially, her younger children Lorna (Bella Ramsey) and Joey (Lewin Lloyd). (Their Dad is Sidney Luft (“Victoria’s” Rufus Sewell): hence Lorna being Lorna Luft). This separation increases Judy’s mental decline.
Also in a constant state of stress is Rosalyn Wilder (Jessie Buckley) who has the unenviable job of trying to keep Garland on the straight and narrow to perform every night.
A Towering Performance.
Whatever I think about the film overall (and we’ll come to that), this is 100% the “Renée Zellweger show”. It’s an extraordinary performance, and is pitch perfect, both in terms of capturing Garland’s mannerisms and vocal style. If Zellweger doesn’t get an Oscar nomination for this then I’ll eat my favourite orange baseball hat! I’ll have to review the final short-list, but I would not be remotely surprised if she won for this.
Elsewhere is the cast, Michael Gambon gives a reliable performance as Delfont (his second depiction this year after the turn by Rufus Jones in “Stan and Ollie“!) and the rising star that is Jessie Buckley is also effective as Wilder in a much quieter role than we’re used to seeing her in.
Musical? Or biopic?
Is this a musical? Or a biopic? Or neither? Actually, I would suggest it’s neither. There’s been a curious split in the last year between films like “Bohemian Rhapsody“, which were biopics with music, to “Rocketman” which was very much a musical based around a biopic.
“Judy” can’t be classed as a musical since (and I checked my watch) the first musical number doesn’t come until FORTY MINUTES into the picture. Neither is it a true biopic, focusing only on a few short months of Garland’s extensive career, the ‘young Judy’ scenes being nothing but short flashbacks to set the scene. This probably makes sense, else a true biopic of the wonder that was Judy Garland would have turned into a 4 hour plus epic!
A rough ride, but could I care?
Above all, it’s a depressing watch, like seeing a sick animal in distress. But I never felt the film got to the heart of the matter to really make me CARE enough. The nearest it gets is with a moving portion where Judy makes the evening (if not the lifetime) of some super-fans – Dan (Andy Nyman) and Stan (Daniel Cerqueira). She goes home with them for omelettes and a sing-song: a strong nod towards Garland’s extensive following, even today, among the gay community. The finale, where the couple try to salvage an on-stage psychiatric session by Judy is touching but, for me, not tear-inducing.
The screenplay is by Tom Edge, from the stage play by Peter Quilter. The director is relative movie-newcomer Rupert Goold.
I liked this movie, but did I like it enough to rush and see it again? No, not really. Worth seeing though to appreciate the odds-on favourite (surely!) for the Best Actress Oscar of this year.