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Suswatibasu (1701 KP) rated The Beast Side: Living (and Dying) While Black in America in Books
Oct 26, 2017
A vivid account of survival and growth
Dwight Watkins, a seasoned writer and teacher with indisputable talent and skills, gives a detailed account of living on the 'Other Side' of Baltimore. The Beast Side is a socio-historical examination of black lives in the United States juxtaposed against his upbringing in the area. Through his account we discover a poignant and unadulterated story about the systematic way black lives don't matter and how the challenges for African Americans are much deeper and pervasive than people will admit.
What helps the arguments in Watkins's essays hit home are the sobering and enlightening slices of life and characters he weaves throughout. By the end, you're left with an advanced understanding of this man's love for the community that formed him, and how neighbourhoods such as East Baltimore fit into the national debate for social change. A must for those who care about social equality.
What helps the arguments in Watkins's essays hit home are the sobering and enlightening slices of life and characters he weaves throughout. By the end, you're left with an advanced understanding of this man's love for the community that formed him, and how neighbourhoods such as East Baltimore fit into the national debate for social change. A must for those who care about social equality.
Food Parcels in International Migration: Intimate Connections: 2017
Diana Mata-Codesal and Maria Abranches
Book
This book takes food parcels as a vehicle for exploring relationships, intimacy, care, consumption,...
Suswatibasu (1701 KP) rated What We Lose in Books
Mar 3, 2018
Wonderful variety but something missing
This is an interesting literary debut from Zinzi Clemmons, with many semi-autobiographical elements discussing her heritage.
Thandi, a girl of mixed race, has to endure taking care of her dying mother, all the while battling various social aspects of living as a daughter of a South African and an American parent. Written in different formats, from a text message to hip hop lyrics, Clemmons explores the rich tapestry of her life and layers it with various threads.
While I mostly enjoyed this story, I do feel there is something missing and could have been weaved together a little more clearly.
Thandi, a girl of mixed race, has to endure taking care of her dying mother, all the while battling various social aspects of living as a daughter of a South African and an American parent. Written in different formats, from a text message to hip hop lyrics, Clemmons explores the rich tapestry of her life and layers it with various threads.
While I mostly enjoyed this story, I do feel there is something missing and could have been weaved together a little more clearly.
Gay Fathers, Their Children, and the Making of Kinship
Book
While the topic of gay marriage and families continues to be popular in the media, few scholarly...
Sarah (7798 KP) rated Spree (2020) in Movies
Jan 24, 2021
Different
In a world filled with YouTubers and social media influencers, it was inevitable that eventually we’d get a film shot in the style of a social media stream. We’ve seen similar with films like Unfriended and Searching, taking on the likes of social media whilst shot entirely from a webcam. However Spree is the first that I’ve seen that takes on social media almost entirely from live streaming or go pro recordings, and overall it’s a pretty decent attempt.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Nursing Podcast by NRSNG (NCLEX® Prep for Nurses and Nursing Students)
Podcast
I Help Nursing Students Succeed. Period. Free Nursing School and NCLEX Cheat Sheets at...
Design for Aging: International Case Studies of Building and Program
David Hughes, Jeffrey W. Anderzhon, Monique Wijnties and Emi Kiyota
Book
Architecture/Interior Design An in-depth look at the most innovative aged care facilities today With...
ET
Examining the Relationship Between Trauma and Addiction
Book
Trauma, trauma-related disorders, substance use, and addictive disorders often co-occur, and...