I love that Helly Acton dreamt up an entire Tv show around a devastating moment in life and turned it around to something positive. Having seven women in a house at a low point in their lives could have gone completely horribly, but the characters that Helly wrote gelled together so well that there wasn’t a lot of drama but you still rooted for each and every woman in The Shelf house.
I loved how she integrated social media and technology into the house with The Wall and The Tracker, and used them to show how they would be interacted with if they were included in a real reality TV show.
I didn’t want to put this book down, and didn’t know who I wanted to be evicted each time there was an eviction as I loved each one of the characters. I also liked how at the end of the book, everyone’s happiness wasn’t measured by whether they were in a relationship or not, it was whether they had met their goals. And I also love that the theme throughout this book wasn’t that you need to be in a relationship to be happy, but that you need to love yourself first to be happy and don’t rush into being with someone who ultimately isn’t right for you just because you think that you’re running out of time.
I can’t wait to read Helly’s next book now.
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Gareth von Kallenbach (980 KP) rated Nerve (2016) in Movies
Aug 6, 2019
Nerve feels like its two movies in one. For the first two acts, Nerve is a young adult/teen film where we follow Vee (Emma Roberts) as she breaks free from her unassertive personality that has her in the background among her friends and afraid to tell her family where she wants to go to college. She is a good kid, but too timid to go after anything she really wants. Instead through the challenges of the game Nerve, she gains confidence in herself as she becomes involved with another Nerve player Ian (Dave Franco). Together, along with a fast paced uplifting soundtrack, we are taken on a fun and entertaining ride where you cannot help but care about these two and wonder what you would do in their situation.
Roberts and Franco are likable in their roles and they lead a stellar young cast who are all realistic in their youthful portrayal. Not too surprising because they are actually young actors, but it is important to note that the cast feels “real,” which helps sell the believability that a game like “Nerve” could actually exist in our world. Especially in a world where we are glued to our phones, tablets and computers in order to be the “star of our own lives” through the instant gratification of social media. Along with the recent emergence of the popularity of augmented reality games like Pokémon Go, it is conceivable that a game like Nerve could exist in our near future.
But this is where the film starts to fall apart. In the third act, the film hastily transitions into a social commentary of the anonymity of the internet, mob think and what we are willing to share online. While I understand this is a message that seem appropriate a story like this, that message would have been better served in a sinister film like the aforementioned, 13 Sins, and not in a movie which up to that point, felt that it was headed towards being an inspiring and uplifting film. It doesn’t help that the resolution of that social commentary was comical in its execution that completely pulls you out of the film. It was an unnecessary turn that wanted us to focus on the game Nerve rather than the characters the story made us care about. It’s a shame really because up until that point, the film Nerve was fun, enjoyable and inspiring, only to fall apart for no real reason other than to make a weak attempt at being something more than a teen movie.
I am sure the young adult/teenage audience this film is marketed towards will enjoy Nerve, but this film is really more of a rental or at most, a matinee.
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