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"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
"As far as I’m concerned, I came out of the womb spouting cynicism and wishing for rain."
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
A while back, I read an online comic strip by the same author, Heartstopper Volume 1. I found it by chance and I literally flew through it. I adored it and I went ahead and TBR’d some of her other books. I found this one on Scribd and come to find this was her baby. This was her debut novel. The story was pretty good, it is NOT a love story, but I sometimes found myself getting frustrated with the main character. Reasons why are listed below.
The story is told from a teenager named Victoria ‘Tori’ Spring. She has two younger brothers and she is quite…indifferent. She has one best friend, and honestly one friend only, and she’s very much the pessimist. I can’t fully fault her for that, but some things that I just CANNOT tolerate. I found myself gasping and GLARING at the words as I read them.
She hates books. Yes, she said she hates books (-1 point). She knows the name of each book and the author who wrote them, but she won’t actually read them.
Though she loves film so I’ll give the point back to her (0).
"When you watch a film, you’re sort of an outsider looking in. With a book – you’re right there. You are inside. You are the main character."
She thinks Pride and Prejudice is ridiculous and boring…she gets positive points for that (+2) – I’m sorry I’m in the minority. I do not care for Jane Austen and find her so called romance novels dull and boring. Not sorry!
She despises Disney because the movies are total fake and unrealistic. WELL NO SHIT! It’s DISNEY! (-200) – I’m a Disney nerd and while I don’t agree with sugar coating the original fair tales, I still LOVE Disney. You can’t fault me for that!
Anyway…
Tori is highly cynical and while I can appreciate that in her, sometimes she made my favorite cartoon character, Daria, seem like a sweetheart. Two guys come into Tori’s life. One was an old childhood friend, Lucas, and the other is someone she met before, Michael. At the same time, a blog group called ‘Solitaire’ starts making trouble…almost in Tori’s honor.
I won’t go into great detail, mostly because I would definitely give more away than I want to. I breezed through this story quickly, but there are just some things in the story that just didn’t sit well with me.
This guy Lucas was so sketchy that he nearly drove Tori crazy with his change in personality.
Her parents…they literally do not seem to care. Her mother most of all. She is mostly on her computer and seems to kind of be absent, mentally, as a parental figure. That never gets resolved, and I don’t know if that’s a good thing or bad thing. In the end, it really bothered me at how disinterested her parents really were. I get that perhaps it’s something you do when you’re bringing up teenagers, but damn!!
"I swear to God I’m a freak! I mean it. One day I’m going to forget how to wake up."
You’re probably thinking that this really doesn’t seem like it would be in the mental health genre. It is. Tori goes through an awful lot in this story, not to mention the mental strain with her brother, Charlie. I will say there are some MILD trigger warnings regarding implied self harm.
I was kind of left with mixed emotions with this book. I have great respect for this author and this being her first story. I know it’s near and dear to her heart. I wouldn’t say that this was at the top of my list, but it’s not at the bottom either. I definitely appreciated it NOT BEING a love story. Although it seemed like it would, despite the subtitle of the book, but I’m glad it wasn’t.
Emma @ The Movies (1786 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Sep 25, 2019
A film for all those women who dream of chivalry, but want to kick some ass.
Contains spoilers, click to show
"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains."
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
A mysterious plague has fallen across England. The countryside is a relative haven, where the city has become a playground for unmentionables. The oriental arts have become the fashion and a desirable young lady no longer needs to be the prim and proper wife, unless your name is Mr Collins.
The Bennet's lovely daughters, beautiful and strong of body and mind are accustomed to a regimented life of training, until the handsome stranger Mr Bingley comes to the country. A whirlwind of romance and the undead lead them into a battle for family and love.
Heaving bosoms, country estates. Brain eating corpses and assorted weaponry. Everything you'd expect when the undead meets Jane Austen. As if on cue my playlist has shuffled to Zombie by The Cranberries. I can't deny enjoying this film, I should point out that I was always going to enjoy it, be it Oscar or Razzie worthy. It definitely had the potential to be an epic re-watchable classic or the B-movie winner that shone from the book.
When it was first published I picked it up almost instantly and soon found Quirk Books and other crossover books developing a little shrine-like area. [Now given pride of place in my nerd room.] Having a dislike of classics embedded in me from school and enjoying the general kick-assery of action films, it was a great crossover to bring those classics back into my life.
Admission time, while I've read the book I can't actually remember when, it was dozens of books ago. I loved it but not everyone did. I'm going to make a big sweeping statement. [Sorry, not sorry] It's not a Jane Austen book people, get over it. "He's ruined Elizabeth Bennet!" No he's taken a strong minded female character and put her in a new fantasy setting. I'm sure there would have been less objections if all the names were different (and the title too) and it was just described as "loosely based on Jane Austen's Pride and Prejudice". But swings and roundabouts, because it probably wouldn't have been as popular if it wasn't called Pride and Prejudice and Zombies.
Sam Riley's Mr Darcy was no Colin Firth, but it was still very good. It did kind of seem like they threw him in a lake because they felt they should pay homage to Firth's dunking.
Note to those who see the film, Liz Bennet's heaving bosom is seen on a regular basis and is entirely distracting. I'm not sure there's a plot line linked to them, they're just always there, they probably should have got their own credit for the part.
I think my favourite scene was where Darcy came to Elizabeth to proclaim his love... and then they proceed to beat each other with sticks, books, basically whatever is to hand. Heated and packed with sexual tension it made for entertaining viewing. It also reminded me of the scene in Buffy where the slayer and Spike fight in an abandoned building, and the amount of sexual tension between the pair results in breaking the building, amongst other things... but those other things probably wouldn't work so well in Austen's time.
Even with all the bits that brought a smile to my face and made for enjoyable watching, there were some things I couldn't help but be annoyed with.
Firstly, Matt Smith, my dear number 11... [insert long silence here] I know Mr Collins is there for the annoying comic relief and awkwardness but oh my god. It was too much and I was overcome with annoyance. The cast is made up of relatively unknown people, with the exceptions of Charles Dance, Sally Phillips and Matt Smith. I can't help but wonder if Mr Collins would have been easier to deal with if he was an unknown actor.
The camera work had its own peculiarities. Some shots were taken from the zombies point of view. They were blurred and frustrating to watch, I can't really tell what it added. I'm sure it would have added a bit more drama if you'd seen the potential victim being run at. Again, I'm not an expert in showbiz filming but I'm fairly certain that making your audience want to throw up is not the idea. Right near the end there is a shot that perfectly portrays the devastation of the situation...
"How should we get across the devastation of the city and cut out to the next scene?"
"Spin the camera round until people want to vomit?"
"GENIUS!"
I sat there feeling a bit woozy, trying to avoid looking at the screen for the whole thing. I'm not sure either of the fancy styles really improved anything.
My only other wonder about the film is whether it should have gone all out spoof. This was a sensible spoof [relatively speaking], in that it wasn't made specifically for laughs. It did have some, but there were also some moments of emotion too. Should they have played the film out for more comedy? Who knows, but I feel the scene where Darcy and Elizabeth are stabbing a field to kill zombies that are buried underneath was completely wasted in a sensible spoof!
All in all I did enjoy it, but for those of you looking to see it at the cinema I'm not sure it's worth a £10 ticket. Well worth it if you have an offer of some description though. Just remember going in to it that it isn't Jane Austen, it's just your run of the mill zombie period drama... wow, never thought I'd say that sentence.
Gareth von Kallenbach (980 KP) rated The Wedding Date (2005) in Movies
Aug 14, 2019
The first romantic comedy of the year has arrived and sadly, it is likely to do about as much for romantics as the Black Plaque did for European Travel. The film stars Debra Messing stars as Kat Ellis, a successful career woman who is about to travel to England for the wedding of her younger sister.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Sadly for Kat, her ex is the best man at the wedding, and since he left Kat high and dry with only an engagement ring and no explanation. Desperate to get back at her ex, Kat hires a male escort named Nick (Dermot Mulrony), to pose as her boyfriend.
One would think that with a premise such as this, there would be amble opportunity for laughter, romance, and drama; sadly there is precious little of any of this in the film. Messing tries her best but there is nothing in the material for her to work with. The characters are so weak and one dimensional, that you never really connect with them nor care for their plight.
Mulrony is wasted in the film as he generally seems bored and generates zero chemistry with his co star. He is forced to drift from one scene to another without the benefit of well placed transitions or build up, making the film come across as desperately in search of a direction.
Further complicating the film was an apparent overabundance of editing as scenes concluded only to be followed by scenes that took place much later without the benefit of any transition. As if this matter was not bad enough, references to the past scene and events that were not shown to the audience are constant throughout the film.
While all this could be excused, what can’t be excused is the bizarre lack of humor and romance in the film. It does not take a rocket scientist to see where the film is going, but we never get to see the how and why the characters came to this decision. Nick is a professional escort, and as such, it would stand to reason that he would have hard and fast rules about becoming involved with his clients on a serious basis. Yet, for reasons unknown, he is ready to pledge his undying love in just a couple of days to a person he has spent precious little time with, and seems to have next to zero chemistry with.
Some viewers may also take issue with the notion that a career woman feels the need to parade a man around to show her worth and value, and the fact that she had to hire one as she is seemingly incapable of getting and keeping one on her own.
Somewhere along the way, a good concept for a film went horribly wrong, as The Wedding Date is a clich filled effort that is lacking heart and warmth leaving you wanting more.
Gareth von Kallenbach (980 KP) rated Pride and Prejudice and Zombies (2016) in Movies
Aug 6, 2019
As a fan of the Pride and Prejudice book by Jane Austen, I thought it was all kinds of wrong when I came across the parody novel Pride and Prejudice and Zombies, by Seth Grahame-Smith, that essentially Austen’s classic novel with elements of modern zombie fiction. Mainly because I’m not a fan of horror movies. So as we approached the theater where we were screening Pride and Prejudice and Zombies, I told my husband, “I really don’t want to watch this. I hate zombies.” He just laughed. “You hate zombies, but you watch Walking Dead. Just pretend it’s an episode of Walking dead. Just set near the Victorian era.” I admit, I do watch the Walking Dead but it’s the most stressful hour of television for me, and there are commercial breaks. This movie has a running time for this move was almost 2 hrs with no commercials.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
But the movie got a giggle out of me in the first 5 minutes. And of course it made me gasp not long after. But Walking Dead has trained me well, and it wasn’t too long ago that I watched Hateful Eight, so I think I’m quite desensitized to blood and gore now, and in comparison, PPZ was relatively mild in that regard. It also had enough of the elements of the original story that fighting zombies actually became an entertaining digression. You know – beautiful young ladies, dashing young men, ballroom dancing, budding romance, zombie attack.
“To succeed in polite society, a young woman must be many things. Kind… well-read… and accomplished. But to survive in the world as WE know it, you’ll need… other qualities.” Those qualities include being skilled in the martial arts and weapons training, while wearing a corset –essentially making them Regency era bad-asses.
Because I don’t watch Downton Abbey, the last time I saw Lily James, who plays Elizabeth Bennett, she was brilliantly blond and sweetly keeping her promise to her mother to “have courage and be kind.” as Cinderella. In PPZ, she’s a fierce brunette who doesn’t take too kindly to Fitzwilliam Darcy, played by a sullen and haughty Sam Riley – another Disney alum, last seen as Diaval, Maleficent’s companion raven.
Where the Jane Austen’s Mr. Darcy is won over by Elizbeth’s charm and wit, PPZ’s Darcy is slowly won over by Elizabeth’s aggressive and bold battle skills. Adding the alternate history of how zombies came to be a part of Regency era England hurried the story along, so the romantic developments felt a bit rushed, but Riley’s Darcy was quite believable in his reluctant but growing admiration of Elizabeth.
I was pleasantly surprised by how much I enjoyed this movie, zombies and all. When you can get guys to cheer for some undead’s head getting blown off, and still make the ladies sigh for the romance, you have a pretty perfect date movie. It may very well be my favorite period costume romantic zombie action film.
Bob Mann (459 KP) rated The Big Sick (2017) in Movies
Sep 29, 2021
Just what the doctor ordered: a charming and thoughtful summer comedy.
Romance and comedy work together beautifully on film: love is innately ridiculous after all! But mix in a dramatic element – particularly a serious medical emergency – to a Rom Com and you walk a dangerous line between on the one hand letting the drama overwhelm the comedy ( “Well! I don’t feel like laughing now!”) and on the other hand diverging into shockingly mawkish finger-down-the-throat sentimentality. Fortunately the new comedy – “The Big Sick” – walks that line to perfection.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
Kumail Nanjiani plays (who’d have thought it?) Kumail, a Pakistani-born comic-cum-Uber-driver struggling to get recognised on the Chicago comedy circuit. His performances mix traditional stand-up at a club with a rather po-faced one-man show where he explains at length the culture of Pakistan (Naan-splaining?), including intricate detail on the fielding positions and strategies of cricket. Kumail is heckled during a show by the young and perky Emily (Zoe Kazan, the middle daughter from “It’s Complicated”). Lust blossoms (mental note: stand up comedy seems a fabulous strategy for picking up women) and lust turns to romance as the pair grow closer to each other.
A surging romance. Uber gets love from A to B.
Unfortunately Kumail is aware of something Emily isn’t: his strictly Muslim parents Sharmeen and Azmat (Anupam Kher and Zenobia Schroff) believe in arranged marriages to ‘nice Pakistani girls’ and a relationship with – let alone a marriage to – Emily risks disgrace and familial exile. A medical crisis brings Kumail further into dispute, this time with Emily’s parents Beth and Terry (Holly Hunter and Ray Romano).
Stand-up is, I assert, a very nationalistic thing. It is a medium hugely dependant on context and while I’m sure great British comics like Peter Kay and Eddie Izzard might rate as only a 4 or a 5 out of 10 for most Americans, so most American stand-up comics tend to leave me cold. And perhaps it’s also a movie-thing, that stand-up on the big screen just doesn’t work well? Either way, the initial comedy-club scenes rather left me cold. (And I don’t think most of them were SUPPOSED to be particularly bad – since they seemed to fill the seats each night). As a result I thought this was a “comedy” that wasn’t going to be for me.
Stand up and be counted. Kumail Nanjiani doing the circuit.
But once Nanjiani and Kazan got together the chemistry was immediate and palpable and the duo completely won me round. Kazan in particular is a vibrant and joyous actress who I would love to see a lot more of: this should be a breakout movie for her.
Broader, but none less welcome, comedy is to be found in Kumail’s family home as his mother introduces serial Pakistani girls to the dinner table.
Holly Hunter (“Broadcast News” – one of my favourite films) and Ray Romano are also superb, delivering really thoughtful and nuanced performances that slowly unpeel the stresses inherent in many long-term marriages. The relationship that develops between Kumail and Beth is both poignant and truly touching.
Where the script succeeds is in never quite making the viewer comfortable about where the movie is going and whether the film will end with joy or heartbreak. And you will find no spoilers here!
So is it a comedy classic? Well, no, not quite. What’s a bit disappointing is that for a film as culturally topical as this, the whole question of Islamophobia in Trump’s America is juggled like a hot potato. Aside from one memorable scene in the club, with a redneck heckler, and an excruciating exchange about 9/11 between Kumail and Terry, the subject is completely ignored. This is a shame. The script (by Nanjiani and Emily Gordon) would have benefited enormously from some rather braver “Thick of It” style input from the likes of Armando Iannucci.
I also have to despair at the movie’s marketing executives who came up with this title. FFS! I know “East is East” has already gone, but could you have possibly come up with a less appealing title? I guess the title does serve one useful purpose in flagging up potential upset for those with bad historical experiences of intensive care. (Like “The Descendants” this is what we would term in our family #notaShawFamilyfilm).
Overall though this film, directed by Michael Showalter (no, me neither!) and produced by Judd Apatow (whose name gets the biggest billing), is a fun and engaging movie experience that comes highly recommended. A delightful antidote to the summer blockbuster season. The end titles also bring a delightful surprise (that I’ve seen spoiled since by some reviews) that was moving and brought added depth to the drama that had gone before.
More Hollywood please, more.
KittyMiku (138 KP) rated Her Last Goodbye in Books
May 23, 2019
Contains spoilers, click to show
As with any mystery, it is amazing to have that suspense with a tad bit of danger. After all, the excitement is in the wondering who did what and what may have caused an event to happen. However, Her Last Goodbye is more than just that. It allows the reader to see into some of the worries and dangers it is to be a parent, how romance can lead to vulnerable states of mind (which we all know can lead to some acts of intimacy), as well as how some people have some complicated views on how a relationship should work. It was even more shocking and terrifyingly real than the first book in the Morgan Dane series. I found myself ridden with anxiety, fear, and concern through out the book. Having so many difficult situations to have to sort through and ideas, I found this book hard to put down, even when it got too intense to keep reading at the moment.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.
Debbiereadsbook (1440 KP) created a post
Dec 5, 2017
Debbiereadsbook (1440 KP) rated Cold Fire: A Pre-Apocalyptic Dragon Romance (Ice Drake Series #1) in Books
Dec 5, 2017
really great, fun read, 4 stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book, direct from the author, that I write a review was not required.
I have a *thing* for dragons, as you well know, so when asked if I would like to read this, because, you know, I saw DRAGONS in the title! (This has however let me down before!) and who am I to dent dragons!
But I really REALLY enjoyed this book!
Faro and his brothers are on Earth to, basically, loot the planet of what they need to save THEIR planet, and since Earth is on the direct path of a comet, it's a bit of a free for all. Amy runs the hotel the brothers stay in, while doing their looting. She is struggling though, since the death of her father and Faro is drawn to her grief. Then he realises that maybe it's not her grief that draws his emphatic powers, but AMY herself, that she might just be the stuff of legends. She might just be his mate.
Like I said, really really enjoyed! Loved that the dragon doesn't show himself til very VERY late on in the book, but Faro tells Amy of his existence, and of where Faro and his brothers came from.
It's not overly complicated, or explicit or violent. Some of the words that Faro uses for various body parts are amusing, dated, like something out of an historical romance, BUT Faro does say, while his race is technically advanced, they do prefer the old ways, so maybe he meant old words too. Thats the way I read it. Liked that little clarification!
Told from both Amy and Faro's point of view, in the third person, it hit the right spot for me. It's a little on the long side for a hangover cure, but it was such an easy read, I cannot file it anywhere else. This is, by the way, a GOOD thing, being an easy read!
The passion between Faro and Amy simmers along nicely, but it is some time before they actually give in to it, and OH!!! what a surprise! I'm not gonna say what that is, but hey, lucky Amy! :-p
I'm expecting all the brothers, and the android to have their own story, and I saw at least one laying out here. And the issue of looting on Earth and the fate of Earth is going to run through those books. Because two years is not a long time, and before long Earth scientist will find out what's in their future.
Thank you to Ms Layne for my copy!
so, for an easy, dragon read
4 solid stars
**same worded review will appear elsewhere**
I have a *thing* for dragons, as you well know, so when asked if I would like to read this, because, you know, I saw DRAGONS in the title! (This has however let me down before!) and who am I to dent dragons!
But I really REALLY enjoyed this book!
Faro and his brothers are on Earth to, basically, loot the planet of what they need to save THEIR planet, and since Earth is on the direct path of a comet, it's a bit of a free for all. Amy runs the hotel the brothers stay in, while doing their looting. She is struggling though, since the death of her father and Faro is drawn to her grief. Then he realises that maybe it's not her grief that draws his emphatic powers, but AMY herself, that she might just be the stuff of legends. She might just be his mate.
Like I said, really really enjoyed! Loved that the dragon doesn't show himself til very VERY late on in the book, but Faro tells Amy of his existence, and of where Faro and his brothers came from.
It's not overly complicated, or explicit or violent. Some of the words that Faro uses for various body parts are amusing, dated, like something out of an historical romance, BUT Faro does say, while his race is technically advanced, they do prefer the old ways, so maybe he meant old words too. Thats the way I read it. Liked that little clarification!
Told from both Amy and Faro's point of view, in the third person, it hit the right spot for me. It's a little on the long side for a hangover cure, but it was such an easy read, I cannot file it anywhere else. This is, by the way, a GOOD thing, being an easy read!
The passion between Faro and Amy simmers along nicely, but it is some time before they actually give in to it, and OH!!! what a surprise! I'm not gonna say what that is, but hey, lucky Amy! :-p
I'm expecting all the brothers, and the android to have their own story, and I saw at least one laying out here. And the issue of looting on Earth and the fate of Earth is going to run through those books. Because two years is not a long time, and before long Earth scientist will find out what's in their future.
Thank you to Ms Layne for my copy!
so, for an easy, dragon read
4 solid stars
**same worded review will appear elsewhere**
Ben Howkins (7 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 14, 2019 (Updated Feb 17, 2019)
Visuals (1 more)
Story
A fitting farewell to Hiccup and Toothless
The basic plot of the movie is: 1 year after the events of the 2nd film, the new chief of Berk, Hiccup and his friends have taken to rescuing captured dragons and taking them back to Berk, which Hiccup has decided make a Viking/ Dragon utopia. This, unfortunately, gets the attention of a band of a group of Warlords, who wish to use the dragons themselves for their plans. The Warlords enlist a legendary dragon hunter called “Grimmel The Grisly” to kidnap Hiccup’s Night Fury dragon Toothless as he is the alpha and all the other dragons will obey him. To do this, Grimmel uses a female, white Night Fury (dubbed a Light Fury) as bait to play with Toothless emotions. As a way of helping Toothless with his matters of the heart and to get away from Gimmel, Hiccup decides to go looking for a legendary place which his dad used to talk of, where all dragons came from, called “The Hidden World”
Because this was an animated film I find it really hard to do any sort of proper performance reviews of the characters and associated performers. In all honesty, in my opinion, it is very hard to muck up read lines off of a sheet (though it can be done). This is, in my opinion, a double-edged sword, as though it is really hard to really stand out in voice performances (though some people always do aka Mr Hayter, Mr North and Mr Baker), the fact that I believed this to be a very good film shows the quality of the script, story and animation. The people of Berk still feel like a group of empty-headed, muscular idiots just like they were in the first film, whilst at the same time all growing as characters. All the relationships show on screen have their own distinct elements which add to the story, be it the romance between Hiccup and girlfriend Astrid, the awkward and silly crush Snotlout has for Hiccup’s mum Valka or of course the eternal friendship between Hiccup and Toothless. And finally, the visual art style and animation work amazingly well and capture the scenery perfectly at times, be it the giant waterfalls of “Old” and “New” Berk, the bright and vibrant colours of inside “The Hidden World” or even just the effects of making the Light Fury look so elegant and mysterious.
Overall I feel like this is a fitting end to what I feel is Dreamwork’s best made and least loved series. It is filled with laughs, cheers and unless you have a soul of stone, DEFINITELY some tears.
Because this was an animated film I find it really hard to do any sort of proper performance reviews of the characters and associated performers. In all honesty, in my opinion, it is very hard to muck up read lines off of a sheet (though it can be done). This is, in my opinion, a double-edged sword, as though it is really hard to really stand out in voice performances (though some people always do aka Mr Hayter, Mr North and Mr Baker), the fact that I believed this to be a very good film shows the quality of the script, story and animation. The people of Berk still feel like a group of empty-headed, muscular idiots just like they were in the first film, whilst at the same time all growing as characters. All the relationships show on screen have their own distinct elements which add to the story, be it the romance between Hiccup and girlfriend Astrid, the awkward and silly crush Snotlout has for Hiccup’s mum Valka or of course the eternal friendship between Hiccup and Toothless. And finally, the visual art style and animation work amazingly well and capture the scenery perfectly at times, be it the giant waterfalls of “Old” and “New” Berk, the bright and vibrant colours of inside “The Hidden World” or even just the effects of making the Light Fury look so elegant and mysterious.
Overall I feel like this is a fitting end to what I feel is Dreamwork’s best made and least loved series. It is filled with laughs, cheers and unless you have a soul of stone, DEFINITELY some tears.
graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]