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Kristin (149 KP) rated Destined to Kill (Destined Novels, #1) in Books

Dec 7, 2018  
DT
Destined to Kill (Destined Novels, #1)
Jourdyn Kelly | 2013
10
10.0 (1 Ratings)
Book Rating
Disclaimer: I received an e-copy in exchange for an honest review.

Anala is a Hunter, the child of the Leaders of their society, and she's one of the best. Too bad her parents never let her go out and actually hunt any Cursed Ones. One night, she and her friend Thomas are out, and his sister scares them. When Thomas leaves Anala behind to take his sister home, she lets her guard down for one minute; however, that's all it takes. She's bitten, and her life will change forever.

This story pulled me in from the very first sentence. Everybody loves a good vampire story, but this was more than that. It was a coming-of-age story, of sorts, mixed with a little romance, some intrigue, and some good old-fashioned butt kicking. I'm fond of all the characters, even Jenna (the proverbial sour grape), and I would definitely love to read more about this group. I really hope there's a sequel already in the works!!

5 stars =)
  
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LoganCrews (2861 KP) rated Things You Can Tell Just by Looking at Her (2000) in Movies

Sep 20, 2020  
Things You Can Tell Just by Looking at Her (2000)
Things You Can Tell Just by Looking at Her (2000)
2000 | Comedy, Drama
3
5.0 (2 Ratings)
Movie Rating Watch
Back when every studio drama wanted to be indie real bad (when we got shit like J-Lo's 𝘈𝘯𝘨𝘦𝘭 𝘌𝘺𝘦𝘴 for example) and when hyperlink movies were king. This really could have been something, but instead it leans way too close into the template for all the movies this is ripping off (one-quirk characters overexplaining the themes to the leads and - by extension - the viewers, long writerly conversations that exist solely for decoration, cloying symbolism, purposefully disappointing non-resolutions, etc.) All but completely throws aside the lives of these unique, incredibly intriguing women in favor of having their stories revolve around some lackluster romance - pretty much defining them all by it in the end. For shame. Not entirely unpleasant, of course the ensemble is stuffed with amazing talent, it has a nice cadence and some decent scenes here and there. But as far as I'm concerned Rodrigo García should be fired for continually swinging and missing by turning these potentially thought-provoking stories into underwritten, tiresome (and borderline offensive) grief exploitation.