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Merissa (14173 KP) rated Jamison (Maxim #1) by A.N. Waugh in Books
Jun 7, 2022 (Updated Jun 13, 2023)
JAMISON is the first book in the Maxim series and we are introduced to the guys in the band. This story (obviously) focuses on Jamison and I can't wait to read about the other guys too.
Six years ago, Jamison left love behind because he was told it would hold back his dream. He, and the rest of the guys, worked hard to make Maxim a hit and now, their dream is within their grasp. Vance is one left behind, courtesy of a Dear John letter. He followed his heart and got a degree in PR, ending in the same town as Jamison. Vance makes no bones about the fact he has always loved Jami, and Jami loves him back. But, sometimes, love just isn't enough.
Out of the two characters, I liked Jami a bit more than Vance. He took advice from people in the business and lost his way a bit, but once he found it again, he went for it. Vance was full of martyr complex, choosing his career because of Jami, but then making choices and decisions that affect both of them without talking about it.
Most of the story takes place on tour but not a lot is mentioned about performances, apart from the one at the end. Also, Marcy seemed to be heading somewhere but then disappeared, although she was mentioned in the epilogue by one of the other band members, so maybe she will reappear in future books.
On the whole, this was a quick and easy read with no real surprises, just a question of 'when'. I look forward to reading more in this series and seeing the pairings hinted at here. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 3, 2022
Six years ago, Jamison left love behind because he was told it would hold back his dream. He, and the rest of the guys, worked hard to make Maxim a hit and now, their dream is within their grasp. Vance is one left behind, courtesy of a Dear John letter. He followed his heart and got a degree in PR, ending in the same town as Jamison. Vance makes no bones about the fact he has always loved Jami, and Jami loves him back. But, sometimes, love just isn't enough.
Out of the two characters, I liked Jami a bit more than Vance. He took advice from people in the business and lost his way a bit, but once he found it again, he went for it. Vance was full of martyr complex, choosing his career because of Jami, but then making choices and decisions that affect both of them without talking about it.
Most of the story takes place on tour but not a lot is mentioned about performances, apart from the one at the end. Also, Marcy seemed to be heading somewhere but then disappeared, although she was mentioned in the epilogue by one of the other band members, so maybe she will reappear in future books.
On the whole, this was a quick and easy read with no real surprises, just a question of 'when'. I look forward to reading more in this series and seeing the pairings hinted at here. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 3, 2022
Merissa (14173 KP) rated Blue Moon Rising (Moonlight Prophecies #2) by Amanda Meuwissen in Books
Jun 2, 2022 (Updated Jun 13, 2023)
BLUE MOON RISING is the second book in the Moonlight Prophecies series and we continue where book two left off, so I HIGHLY RECOMMEND reading book one first or you may get lost.
Bari and Jay are returning to Jay's Pack to let them know of all the changes that have happened. Bari makes his attraction to Jay known from the beginning. Jay is feeling a little sore from book one, even though he admits Bari is more his type that Bash ever was.
I'm going to say right here that this book didn't quite hit the mark that book one did for me BUT it was still a fantastic read. For me, it was better than a 4-star but not quite a 5. I've rounded it up as I do believe this is a brilliant book!
Jay has always been the easy-going one, the one to let things slide, but sometimes he needs to take a stand. And Bari is the one to give him the inner strength to do so. I'm not kidding here. Jay's Pack is a mess! I really did not like reading about them. So when the Big Bad was revealed - or rather, her minions - I can't say as I was surprised.
This book definitely doesn't end the story, and I can't wait to see what happens next and with whom. Bari and Jay are a perfect match for each other, especially when Jay lets out his Alpha - which he should do more often IMO!
A great addition to the series and absolutely recommended by me. Bring on book three!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2022
Bari and Jay are returning to Jay's Pack to let them know of all the changes that have happened. Bari makes his attraction to Jay known from the beginning. Jay is feeling a little sore from book one, even though he admits Bari is more his type that Bash ever was.
I'm going to say right here that this book didn't quite hit the mark that book one did for me BUT it was still a fantastic read. For me, it was better than a 4-star but not quite a 5. I've rounded it up as I do believe this is a brilliant book!
Jay has always been the easy-going one, the one to let things slide, but sometimes he needs to take a stand. And Bari is the one to give him the inner strength to do so. I'm not kidding here. Jay's Pack is a mess! I really did not like reading about them. So when the Big Bad was revealed - or rather, her minions - I can't say as I was surprised.
This book definitely doesn't end the story, and I can't wait to see what happens next and with whom. Bari and Jay are a perfect match for each other, especially when Jay lets out his Alpha - which he should do more often IMO!
A great addition to the series and absolutely recommended by me. Bring on book three!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 30, 2022
Chance Match (Perfect Match Agency #2)
8.0
Rate It
Book
CAN LOVE BE QUANTIFIED BY A SIMPLE BLOOD TEST AND AN ALGORITHM? SOMETIMES… BUT, NOT ALWAYS. ...
MM Mpreg Paranormal Romance Omegaverse
Merissa (14173 KP) rated The Spirit of the Times in Books
Jul 27, 2026
THE SPIRIT OF THE TIMES is a historical story that takes you from Central Asia, along the Silk Road, and ends up in England. This is an area that I don't know very well, and I am always interested in learning more about.
Karia is a nomad, living in gers, and is a Nestorian Christian of the Turgut tribe. It begins with the wedding of her sister, Bacaq, to Sanmaq of the Danko tribe. The Danko tribe have converted to Islam, and therefore Bacaq has to too, or the wedding won't go ahead. Time moves on, and Bacaq is about to become a mother when Sanmaq does something terrible. This is the start of the pestilence, or so some believe. The years pass by, and we stay with Karia as she travels across lands she never dreamt of being in. All she wants to do is go back home, but knows this is something she may never do again.
Although the year is given at the beginning of each chapter, I did occasionally get lost as time sometimes skips ahead a few years. If I wasn't paying full attention, or couldn't remember what year the previous chapter had been, I got lost in the passage of time.
Karia remains the heart of the story throughout, with her steadfast loyalty and determination to do the right thing. Abi is headstrong and innocent, a delight most of the time. Abbot Bernard made me smile every time he was on the page, but Jonathan was neither here nor there.
This is a historical novel with a strong supernatural feel to it, alongside myth and folklore. I enjoyed it, but the supernatural aspect might not be for everyone.
** The same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian
Jul 27, 2026
Karia is a nomad, living in gers, and is a Nestorian Christian of the Turgut tribe. It begins with the wedding of her sister, Bacaq, to Sanmaq of the Danko tribe. The Danko tribe have converted to Islam, and therefore Bacaq has to too, or the wedding won't go ahead. Time moves on, and Bacaq is about to become a mother when Sanmaq does something terrible. This is the start of the pestilence, or so some believe. The years pass by, and we stay with Karia as she travels across lands she never dreamt of being in. All she wants to do is go back home, but knows this is something she may never do again.
Although the year is given at the beginning of each chapter, I did occasionally get lost as time sometimes skips ahead a few years. If I wasn't paying full attention, or couldn't remember what year the previous chapter had been, I got lost in the passage of time.
Karia remains the heart of the story throughout, with her steadfast loyalty and determination to do the right thing. Abi is headstrong and innocent, a delight most of the time. Abbot Bernard made me smile every time he was on the page, but Jonathan was neither here nor there.
This is a historical novel with a strong supernatural feel to it, alongside myth and folklore. I enjoyed it, but the supernatural aspect might not be for everyone.
** The same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian
Jul 27, 2026
Jordan Binkerd (567 KP) rated The Long Earth in Books
Aug 13, 2019
Note: this review is transposted from my personal review blog, and so was originally written several years ago. I figured if I reposted it here, someone might actually read it….
I’m a huge fan of Terry Pratchett’s work, in case you hadn’t noticed. I’m slowly working my way through his Discworld novels and Good Omens: The Nice and Accurate Predictions of Agnes Nutter, Witch, cowritten with Neil Gaiman, is among my favorite books of all time.* So when I discovered The Long Earth at my local library, I was ecstatic. I’d heard good things about Stephen Baxter, but never actually read any of his material. What I found was one of the best novels I have read in a very long time.
The premise here is that there are infinite worlds parallel to ours, spread out across the vast “contingency tree” of possible Earths, and in all of the Long Earth only one iteration has developed Human life–ours. Throughout our history there have always been a few with the natural ability to “step” between worlds at will, and still others who did so unintentionally and disappeared forever, but the world at large was unaware of this phenomenon until a reclusive scientist posted the blueprint for a “stepper” device on the internet and promptly disappeared from his apartment. Suddenly, the whole of the Long Earth is opened up to humanity. Suddenly, there is no shortage of land or resources. Economies are hard hit, jobs are lost, and once again humanity’s pioneer spirit is stirred to go out into the frontier and try to make their way….
Joshua Valiente is a so-called “natural stepper,” but he is probably unique among humanity. In the stress of childbirth, his mother stepped out of her world and into a parallel forest before slipping back without him. She managed to get back and recover him pretty quickly, but nevertheless young Joshua spent the first ten minutes or so of his life completely alone in his universe. As a result, he is uniquely attuned to the Long Earth. He can step between worlds without nausea, and is keenly sensitive to the number of people around, growing intensely uncomfortable the more crowded things get. Now, fifteen years after the world learned of the Long Earth, he spends most of his time exploring where no man has gone before. Lobsang, on the other hand, is a keenly intelligent AI, who may or may not be the latest reincarnation of a Tibetan motorcycle repairman. In collaboration with the shadowy Black Corporation, Lobsang has conceived a plan to test just how far the Long Earth goes. And he wants Joshua to go with him….the resulting journey is as much an exploration of what may have been as it is a geographical one, with most worlds mirroring our own, but a few display the effects of a cosmic “toss of a coin” going the other way–for example, there’s one where the Earth was completely destroyed by an asteroid strike sometime in the distant past.
Put quite plainly, this was the best thing I’ve read in a very long time. Very original, and to my (admittedly limited) understanding very faithful to the relevant science without losing quality of narrative or character. Pratchett’s humor and sardonic narrative voice shines through quite often in the interpersonal or introspective moments as well as those detailing more plot driven points–those scenes that would, in a film, become some form of montage showing that time is passing and this is what’s happening in the meantime. As I mentioned, I’ve never read Baxter before, so it’s harder to pick out his voice from their collaboration.
Infodumping has become something of a cardinal sin in the science fiction world, but sometimes you just have to throw some information at the reader so that he doesn’t get lost. I felt that The Long Earth handled that very well. We get our first glimpse at the long earth in montage mode, a series of vignettes that don’t make sense on their own, people popping in and out of worlds without understanding themselves what is going on. This is followed by the main story, twenty years after the discovery of the Long Earth, in which the bare bones are presented via a TV interview a character is half-watching while he waits. These bare bones of the conceptual basis of the book are then fleshed out in more detail as Joshua and Lobsang and introduced and get to know each other, discussing the various theories regarding the Long Earth at length in an effort to better understand it themselves. This is interspersed with flashbacks, sometimes Joshua recalling his experiences, sometimes Lobsang telling stories of other people based on his research into early encounters with the Long Earth. In this way Pratchett and Baxter manage to convey how humanity as a whole is dealing, not just Joshua and Lobsang. If I have one complaint with this it is not always clear why or how we are being told this–you don’t discover until the end of the chapter that Lobsang is telling this to Joshua instead of the authors just throwing in a tangential bit with no direct connection. And it is all connected–every revelation, every character you visit and then abandon early in the book will come back and have significance later on.
This is perhaps not the easiest read–you do have to engage it to understand it properly–but neither is it an incomprehensible enigma. As long as you pay attention you should be fine.
CONTENT: Some R-rated language, but not nearly what you could find elsewhere. Some violence, some grisly aftermath of violence. Sexual references, but nothing explicit.
*I’m frankly a little surprised I don’t have a review of that one up here, I must have reread it last just before I started doing this. I’ll have to fix that in the near future….
Original post: https://jordanbinkerd.wordpress.com/2013/09/18/review-the-long-earth-by-terry-pratchett-stephen-baxter/
I’m a huge fan of Terry Pratchett’s work, in case you hadn’t noticed. I’m slowly working my way through his Discworld novels and Good Omens: The Nice and Accurate Predictions of Agnes Nutter, Witch, cowritten with Neil Gaiman, is among my favorite books of all time.* So when I discovered The Long Earth at my local library, I was ecstatic. I’d heard good things about Stephen Baxter, but never actually read any of his material. What I found was one of the best novels I have read in a very long time.
The premise here is that there are infinite worlds parallel to ours, spread out across the vast “contingency tree” of possible Earths, and in all of the Long Earth only one iteration has developed Human life–ours. Throughout our history there have always been a few with the natural ability to “step” between worlds at will, and still others who did so unintentionally and disappeared forever, but the world at large was unaware of this phenomenon until a reclusive scientist posted the blueprint for a “stepper” device on the internet and promptly disappeared from his apartment. Suddenly, the whole of the Long Earth is opened up to humanity. Suddenly, there is no shortage of land or resources. Economies are hard hit, jobs are lost, and once again humanity’s pioneer spirit is stirred to go out into the frontier and try to make their way….
Joshua Valiente is a so-called “natural stepper,” but he is probably unique among humanity. In the stress of childbirth, his mother stepped out of her world and into a parallel forest before slipping back without him. She managed to get back and recover him pretty quickly, but nevertheless young Joshua spent the first ten minutes or so of his life completely alone in his universe. As a result, he is uniquely attuned to the Long Earth. He can step between worlds without nausea, and is keenly sensitive to the number of people around, growing intensely uncomfortable the more crowded things get. Now, fifteen years after the world learned of the Long Earth, he spends most of his time exploring where no man has gone before. Lobsang, on the other hand, is a keenly intelligent AI, who may or may not be the latest reincarnation of a Tibetan motorcycle repairman. In collaboration with the shadowy Black Corporation, Lobsang has conceived a plan to test just how far the Long Earth goes. And he wants Joshua to go with him….the resulting journey is as much an exploration of what may have been as it is a geographical one, with most worlds mirroring our own, but a few display the effects of a cosmic “toss of a coin” going the other way–for example, there’s one where the Earth was completely destroyed by an asteroid strike sometime in the distant past.
Put quite plainly, this was the best thing I’ve read in a very long time. Very original, and to my (admittedly limited) understanding very faithful to the relevant science without losing quality of narrative or character. Pratchett’s humor and sardonic narrative voice shines through quite often in the interpersonal or introspective moments as well as those detailing more plot driven points–those scenes that would, in a film, become some form of montage showing that time is passing and this is what’s happening in the meantime. As I mentioned, I’ve never read Baxter before, so it’s harder to pick out his voice from their collaboration.
Infodumping has become something of a cardinal sin in the science fiction world, but sometimes you just have to throw some information at the reader so that he doesn’t get lost. I felt that The Long Earth handled that very well. We get our first glimpse at the long earth in montage mode, a series of vignettes that don’t make sense on their own, people popping in and out of worlds without understanding themselves what is going on. This is followed by the main story, twenty years after the discovery of the Long Earth, in which the bare bones are presented via a TV interview a character is half-watching while he waits. These bare bones of the conceptual basis of the book are then fleshed out in more detail as Joshua and Lobsang and introduced and get to know each other, discussing the various theories regarding the Long Earth at length in an effort to better understand it themselves. This is interspersed with flashbacks, sometimes Joshua recalling his experiences, sometimes Lobsang telling stories of other people based on his research into early encounters with the Long Earth. In this way Pratchett and Baxter manage to convey how humanity as a whole is dealing, not just Joshua and Lobsang. If I have one complaint with this it is not always clear why or how we are being told this–you don’t discover until the end of the chapter that Lobsang is telling this to Joshua instead of the authors just throwing in a tangential bit with no direct connection. And it is all connected–every revelation, every character you visit and then abandon early in the book will come back and have significance later on.
This is perhaps not the easiest read–you do have to engage it to understand it properly–but neither is it an incomprehensible enigma. As long as you pay attention you should be fine.
CONTENT: Some R-rated language, but not nearly what you could find elsewhere. Some violence, some grisly aftermath of violence. Sexual references, but nothing explicit.
*I’m frankly a little surprised I don’t have a review of that one up here, I must have reread it last just before I started doing this. I’ll have to fix that in the near future….
Original post: https://jordanbinkerd.wordpress.com/2013/09/18/review-the-long-earth-by-terry-pratchett-stephen-baxter/
Connor Sheffield (293 KP) rated Supernatural - Season 1 in TV
Apr 20, 2017
Great Character development (2 more)
Brilliant take on the myths/legends lore
Somewhat educational
Saving People, Hunting Things, The Family Business...
Supernatural Season One first aired in 2005, and I was only 10 years old when I first watched it with my Dad. I didn't sleep for right for ages and didn't look in a mirror for a long time. However, now when I watch it, this show still has the horror factor but my brain has grown accustomed to the genre so it doesn't necessarily frighten me these days but it is very creepy.
The first thing I loved about this show was that the lore's it followed were real from the legend of Bloody Mary, to the Woman in White and even a Wendigo. I knew about these legends but this show taught me more about what people believed about them and how they came to be, so this show is somewhat educational as well as being a great action horror drama show.
SPOILERS AHEAD!
So in Season One we are introduced to a family who witness the death of their mother/wife as she bursts into a fiery explosion on the ceiling of baby Sam's nursery room. Fast forward years later and Sam's in college/university and has left his past behind him until his brother Dean shows up to tell him their Dad has gone missing after a 'Hunting' trip.
This is where we learn that Sam, Dean and their Father, were actual in the life of Hunters who hunt down demons, ghosts/spirits, and monsters.
This show takes you one a journey with Sam and Dean saving lives from all sorts of strange and horrifying evil beings, who don't always turn out to be an evil being, just tortured or maybe even a being trying to warn them of a greater evil.
The effects are on par with a lot of big budget movies, even better than some of the most recent box office hits and in 2005, that says a lot about how the show can only get better with age. And it has!
Writer Eric Kripke truly did create something spectacular and to say that it's still running to this day, with a whole 12 seasons finished and a 13th season coming soon, it's hard to believe that it can still stay fresh and entertaining with this genre, but when you watch this show I guarantee you'll be entertained as there are dozens of pop culture references in every episode from X- Files to Lord of the Rings and many more, and with soundtracks that include rock and metal bands such as AC/DC it's hard to wrap your head around just how awesome this show is.
Many episodes are either named after movies ("Children Shouldn't Play with Dead Things", "The Usual Suspects", "I Know What You Did Last Summer") or classic rock songs ("In My Time of Dying", "Born Under a Bad Sign", "What is and What Should Never Be", "Sympathy For The Devil", "When The Levee Breaks"). - Copied from IMDB
The on screen chemistry between characters is brilliant and more often than not, even in serious situations, it can become hilarious with cheesy one liners or pop culture references used with perfect timing to lighten the mood of the show.
Sam and Dean (portrayed by Jared Padalecki and Jensen Ackles) have some of the best character development that I've seen in a show, and sometimes throughout the different series' the formula of arguing, falling out, and coming back to one another, can become somewhat tedious and repetitive making you scream at the TV saying "WHY!? YOU KNOW YOU'RE JUST GOING TO REALIZE YOU NEED EACH OTHER!" but if you think about it, that's how brothers would be in this situation. Having to spend every day with your brother on the road fighting the unthinkable, it would be stressful and tensions would run high, but you'd soon realize that after everything you've been through, who else could you feel comfortable around?
If you're into the paranormal or want to start learning more about different paranormal legends then this is the show for you.
TIP: For further entertainment, watch the bloopers. Some of the most hilarious clips I have ever seen from a show ;)
The first thing I loved about this show was that the lore's it followed were real from the legend of Bloody Mary, to the Woman in White and even a Wendigo. I knew about these legends but this show taught me more about what people believed about them and how they came to be, so this show is somewhat educational as well as being a great action horror drama show.
SPOILERS AHEAD!
So in Season One we are introduced to a family who witness the death of their mother/wife as she bursts into a fiery explosion on the ceiling of baby Sam's nursery room. Fast forward years later and Sam's in college/university and has left his past behind him until his brother Dean shows up to tell him their Dad has gone missing after a 'Hunting' trip.
This is where we learn that Sam, Dean and their Father, were actual in the life of Hunters who hunt down demons, ghosts/spirits, and monsters.
This show takes you one a journey with Sam and Dean saving lives from all sorts of strange and horrifying evil beings, who don't always turn out to be an evil being, just tortured or maybe even a being trying to warn them of a greater evil.
The effects are on par with a lot of big budget movies, even better than some of the most recent box office hits and in 2005, that says a lot about how the show can only get better with age. And it has!
Writer Eric Kripke truly did create something spectacular and to say that it's still running to this day, with a whole 12 seasons finished and a 13th season coming soon, it's hard to believe that it can still stay fresh and entertaining with this genre, but when you watch this show I guarantee you'll be entertained as there are dozens of pop culture references in every episode from X- Files to Lord of the Rings and many more, and with soundtracks that include rock and metal bands such as AC/DC it's hard to wrap your head around just how awesome this show is.
Many episodes are either named after movies ("Children Shouldn't Play with Dead Things", "The Usual Suspects", "I Know What You Did Last Summer") or classic rock songs ("In My Time of Dying", "Born Under a Bad Sign", "What is and What Should Never Be", "Sympathy For The Devil", "When The Levee Breaks"). - Copied from IMDB
The on screen chemistry between characters is brilliant and more often than not, even in serious situations, it can become hilarious with cheesy one liners or pop culture references used with perfect timing to lighten the mood of the show.
Sam and Dean (portrayed by Jared Padalecki and Jensen Ackles) have some of the best character development that I've seen in a show, and sometimes throughout the different series' the formula of arguing, falling out, and coming back to one another, can become somewhat tedious and repetitive making you scream at the TV saying "WHY!? YOU KNOW YOU'RE JUST GOING TO REALIZE YOU NEED EACH OTHER!" but if you think about it, that's how brothers would be in this situation. Having to spend every day with your brother on the road fighting the unthinkable, it would be stressful and tensions would run high, but you'd soon realize that after everything you've been through, who else could you feel comfortable around?
If you're into the paranormal or want to start learning more about different paranormal legends then this is the show for you.
TIP: For further entertainment, watch the bloopers. Some of the most hilarious clips I have ever seen from a show ;)
Haley Mathiot (9 KP) rated Ada: Legend of a Healer in Books
Apr 27, 2018
Ada has the unique ability of being able to heal anything she touches. Having lived in the foster care system her whole life, she finally gets the opportunity to live with her aunt, Jessie, who is also a healer, and explains her special ability. But Ada and Jessie have different viewpoints on a healer's responsibility, and Ada decides she's had enough. She takes off on her own heading to Paris with only an address and a photograph to attempt to find her mother, who she discovers isn't dead.
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
There's just one problem: There's a man who wants to find her and use her as his personal fountain of youth.
Reviewing self-published books is a tricky business. There's a wide range of them: the really crappy ones that make the editor inside me want to cry, the mediocre ones that are just missing a story, and then the occasional gem that I'm so glad I managed to get my hands on. I've had one or two other gems: Ada makes the list, and is pretty high up on it.
I loved Ada's story. I read it almost completely in one sitting. I liked Ada, and admired her will power and strength. We didn't see eye to eye on everything, and I thought she was immature and disrespectful at times, but I could still relate to her well enough that I couldn't hate her for it. About halfway through the book, some characters were introduced that I didn't expect to stay in the story, simply because of the way they were brought in. But isn't that the way our lives work? We meet someone and aren't sure if we'll ever really see them again, but they end up as our friends, and sometimes it's someone really special? That was Ada and Daniel. Daniel is going to have to be added to my list of literary crushes. Not only is he good looking, he's a "bad boy" and a sweetheart at the same time. And he's got a delicious smile. And he does Parkour. And he's French.
The writing was clear and descriptive and easy to understand. It wasn't perfect and there were a few irritating sections with poor grammar, but it didn't distract from the overall piece enough to bring down the star rating.
One of the things I really liked was the pacing. Sometimes a book has an interesting plot, but it takes way too long for things to actually happen that you fall asleep, or have to read an entire series just to get the same amount of plot you're looking for in a single novel (coughtwilightcough). The pacing was really fast in Ada, almost to the point where I wished it was just a little slower so I could really concentrate on what Ada was thinking and feeling.
There was one very tiny part that I didn't like. At one point, Ada tries to practice healing herself, so she takes a pair of scissors to her arm. I thought this was completely inappropriate and very risky, because through Ada's interior monologue, it almost seemed to show self-cutting in a good light. Yes she was practicing healing herself and learning to ignore pain, and trying to figure out her power, and Ada thought it through well enough that the reader would understand why she was doing it, but it just seemed bold and risky. Because of that, I wouldn't want young young adults to read it—I feel like it would make them uncomfortable. I also can't help but wonder what kind of influence that will have on young readers.
Scattered through the book were some truly beautiful illustrations. I found myself flipping through them and just staring at them. They have a pen-and-ink with watercolor sort of feel to them: very lose and impressionistic, almost dreamlike, but with wild pen and scratches thrown through to add definition. Here are two of my favorites (very poor quality photos, though, so I apologize ahead of time).
All in all, I was very pleased and excited about Ada: Legend of a Healer, and I can't wait for the next book in the series.
Content/Recommendation: Some swearing, small reference to self-abuse. Ages 16+
Acanthea Grimscythe (300 KP) rated The Girl with the Dragon Tattoo in Books
May 16, 2018
Several years ago, I watched both film adaptations of Stieg Larsson's book, The Girl with the Dragon Tattoo, and I loved them. It was only natural that at that point, I told myself I would read the book. As all bibliophiles like myself know our to-be-read piles are constantly growing, and sometimes we tend to add books to it faster than we'll ever read them. The result of that is, ultimately, we don't get around to the books we really want to read, because there are just too many of them. That was precisely the case with The Girl with the Dragon Tattoo until I found it at one of my local thrift stores. It might have been the library too, I really don't recall. I do know that I paid no more than a dollar for my copy, and it is undoubtedly the best dollar I have ever spent.
The Girl with the Dragon Tattoo is an utterly enthralling crime thriller, centered around Mikael Blomkvist, a journalist convicted of libel, Lisbeth Salander, a ward of the government with a penchant for hacking, and the age-old mystery of what happened to Harriet Vanger: a daughter of the prominent Vanger family that went missing in 1966 and is presumed to have been murdered. Filled to the brim with corporate corruption, misogynistic views, and sharp twists that could not be done justice by the films, Larsson has undoubtedly woven a masterpiece - one that I was unable to put down until the last page was read. I mean that quite literally, as I didn't go to bed until after five this morning.
It's not very often that a book snares me so strongly that I cannot stop myself from turning its pages, and the way in which this one sunk its claws into me has not happened in a very, very long time. The plot is complicated and filled with dead ends, but every single bit of information is also vital to the progression of the story. At first read, that might sound a bit contradictory, and in a way it truly is. When Blomkvist is hired by the aging Henrik Vanger to look into Harriet's disappearance, he is given a cold case with no open leads. Each and every time he finds something promising, it fails to work out. In many cases, this is not an easy style to pull off. Other books that have created this sense of hopelessness have largely succeeded in boring me half to death, and in some cases I've dropped them.
When it comes to the characters in a book, the way in which they are written can easily make or break the story. Extreme distaste, in some cases, can lead to difficulty in finishing a book for some readers, while others loath the so-called "Mary Sue" character. In The Girl with the Dragon Tattoo, Larsson's characters are part of relationships that are largely unconventional, especially to the mind of a girl raised in the conservative Southern United States and. The interaction that results from these relationships help to drive the story forward by not only introducing the reader to a wide range of characters, but by also providing those characters, some of which are deeply flawed, with an impressive amount of depth.
While some of the content is, without a doubt, sensitive material for some readers, Larsson also uses The Girl with the Dragon Tattoo as an opportunity to highlight statistics on sexual assault in Sweden, and for that I must give him props. Even in America, there is a lack of seriousness when it comes to allegations of rape and, more recently, things tend to get brushed under the rug, for lack of a better term, if the perpetrator of the crime has any reputation that could be deemed worthwhile. It is a disgusting, dehumanizing way of treating a very real issue, and Larsson hones in on this while simultaneously creating a very strong, independent heroine that readers like myself can relate to, sometimes unfortunately so.
The next book is definitely on my to-read list, but I don't know when I'll get around to it. Hopefully, I'll be fortunate enough to cross it on one of my thrift-shopping trips. It was most definitely worth my sleepless night.
The Girl with the Dragon Tattoo is an utterly enthralling crime thriller, centered around Mikael Blomkvist, a journalist convicted of libel, Lisbeth Salander, a ward of the government with a penchant for hacking, and the age-old mystery of what happened to Harriet Vanger: a daughter of the prominent Vanger family that went missing in 1966 and is presumed to have been murdered. Filled to the brim with corporate corruption, misogynistic views, and sharp twists that could not be done justice by the films, Larsson has undoubtedly woven a masterpiece - one that I was unable to put down until the last page was read. I mean that quite literally, as I didn't go to bed until after five this morning.
It's not very often that a book snares me so strongly that I cannot stop myself from turning its pages, and the way in which this one sunk its claws into me has not happened in a very, very long time. The plot is complicated and filled with dead ends, but every single bit of information is also vital to the progression of the story. At first read, that might sound a bit contradictory, and in a way it truly is. When Blomkvist is hired by the aging Henrik Vanger to look into Harriet's disappearance, he is given a cold case with no open leads. Each and every time he finds something promising, it fails to work out. In many cases, this is not an easy style to pull off. Other books that have created this sense of hopelessness have largely succeeded in boring me half to death, and in some cases I've dropped them.
When it comes to the characters in a book, the way in which they are written can easily make or break the story. Extreme distaste, in some cases, can lead to difficulty in finishing a book for some readers, while others loath the so-called "Mary Sue" character. In The Girl with the Dragon Tattoo, Larsson's characters are part of relationships that are largely unconventional, especially to the mind of a girl raised in the conservative Southern United States and. The interaction that results from these relationships help to drive the story forward by not only introducing the reader to a wide range of characters, but by also providing those characters, some of which are deeply flawed, with an impressive amount of depth.
While some of the content is, without a doubt, sensitive material for some readers, Larsson also uses The Girl with the Dragon Tattoo as an opportunity to highlight statistics on sexual assault in Sweden, and for that I must give him props. Even in America, there is a lack of seriousness when it comes to allegations of rape and, more recently, things tend to get brushed under the rug, for lack of a better term, if the perpetrator of the crime has any reputation that could be deemed worthwhile. It is a disgusting, dehumanizing way of treating a very real issue, and Larsson hones in on this while simultaneously creating a very strong, independent heroine that readers like myself can relate to, sometimes unfortunately so.
The next book is definitely on my to-read list, but I don't know when I'll get around to it. Hopefully, I'll be fortunate enough to cross it on one of my thrift-shopping trips. It was most definitely worth my sleepless night.
Amanda (96 KP) rated People Like Us in Books
Mar 12, 2019
Ever watched that show Pretty Little Liars or Riverdale (RIP Luke Perry) and think to yourself, this is such a stupid teenager drama show...and yet I can't stop watching or I need to know what happens next? This book doesn't read like Riverdale, but it definitely reads like an episode or another book of Pretty Little Liars. I will say that it reads like that, and a little like Karen M. McManus' novel, One of Us is Lying.
So we have Katherine "Kay" at a boarding school called, Bates. She's there for a soccer and hopes to get an athletic scholarship. One night, her and her few friends come across a body, a student and things begin to unravel about Kay and now she's being blackmailed.
Here's Kay in a nutshell. She DID NOT come from money, though she is trying her best to dress and act the part - including being the bully. It's hard to say if she goes a long with most of the stuff her friends did and said, or if she is genuinely a 'mean girl'. Although, after a prank that was her idea comes to play, my sympathy for her slowly weakens.
She gets a link to this revenge blog and it works along with algorithm that if she doesn't get a student off the class roster (meaning getting them expelled) then information about her is leaked to the police that could put her in prison. How it works is the blog is a stove and it opens for a 'recipe'. The recipe is a poem and sometimes had photos or information that incriminates her friends. One of them, for example, hints that one of her friends cheats on her tests.
To add to the drama, Kay struggles with her romantic feelings for her best friend (though I often wonder why) Brie whom has a girlfriend. They've gone through the whole will they or will they not bit, and although Brie has a girlfriend, Kay still struggles. She also has conflicting feelings for her ex-boyfriend, Spencer, who cheated on her...oddly enough with the student they found dead.
Kay's life is one long soap opera. She harbors a secret about her brother's murder and her best friend's suicide (before she was shipped to Bates). Her and her group of friends makes me think of the reasons of why I didn't hang out with a group of girls growing up. They are catty and vengeful. Sometimes guys aren't any better, but I had more guy friends than I did girl friends growing up.
I dozed off on most of the book because Kay started babbling on about certain things that just didn't keep my interest. The more she told her story the more intrigued I did get, but in the end, I still couldn't really feel much for her. I'm not sure if that was the intention of the story - perhaps if it were, it wouldn't be told by Kay. The characters were not likable, but I think that was the point.
I didn't even care for Brie whom is basically the only NICE girl in the whole bunch. I can understand her being hurt by Kay (and Kay has said and done some things to warrant that), but at the same time, I wonder what it is about her that has Kay wanting her so badly.
I liked Nola for a moment because she was a computer nerd and liked literature, but that didn't last long at all. The only character I felt for was a cat named Hunter...poor kitty.
The story as a whole wasn't bad. Each side story came around in full circle and nothing was left out or left unresolved. I didn't even have a problem with how it ended, because honestly, how else would it have ended? Kay expresses regret for her actions and the things she has said, but if the story were to continue into a book two, I better see some major growth from everything she endured.
So we have Katherine "Kay" at a boarding school called, Bates. She's there for a soccer and hopes to get an athletic scholarship. One night, her and her few friends come across a body, a student and things begin to unravel about Kay and now she's being blackmailed.
Here's Kay in a nutshell. She DID NOT come from money, though she is trying her best to dress and act the part - including being the bully. It's hard to say if she goes a long with most of the stuff her friends did and said, or if she is genuinely a 'mean girl'. Although, after a prank that was her idea comes to play, my sympathy for her slowly weakens.
She gets a link to this revenge blog and it works along with algorithm that if she doesn't get a student off the class roster (meaning getting them expelled) then information about her is leaked to the police that could put her in prison. How it works is the blog is a stove and it opens for a 'recipe'. The recipe is a poem and sometimes had photos or information that incriminates her friends. One of them, for example, hints that one of her friends cheats on her tests.
To add to the drama, Kay struggles with her romantic feelings for her best friend (though I often wonder why) Brie whom has a girlfriend. They've gone through the whole will they or will they not bit, and although Brie has a girlfriend, Kay still struggles. She also has conflicting feelings for her ex-boyfriend, Spencer, who cheated on her...oddly enough with the student they found dead.
Kay's life is one long soap opera. She harbors a secret about her brother's murder and her best friend's suicide (before she was shipped to Bates). Her and her group of friends makes me think of the reasons of why I didn't hang out with a group of girls growing up. They are catty and vengeful. Sometimes guys aren't any better, but I had more guy friends than I did girl friends growing up.
I dozed off on most of the book because Kay started babbling on about certain things that just didn't keep my interest. The more she told her story the more intrigued I did get, but in the end, I still couldn't really feel much for her. I'm not sure if that was the intention of the story - perhaps if it were, it wouldn't be told by Kay. The characters were not likable, but I think that was the point.
I didn't even care for Brie whom is basically the only NICE girl in the whole bunch. I can understand her being hurt by Kay (and Kay has said and done some things to warrant that), but at the same time, I wonder what it is about her that has Kay wanting her so badly.
I liked Nola for a moment because she was a computer nerd and liked literature, but that didn't last long at all. The only character I felt for was a cat named Hunter...poor kitty.
The story as a whole wasn't bad. Each side story came around in full circle and nothing was left out or left unresolved. I didn't even have a problem with how it ended, because honestly, how else would it have ended? Kay expresses regret for her actions and the things she has said, but if the story were to continue into a book two, I better see some major growth from everything she endured.
Movie Metropolis (309 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 10, 2019
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/