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    Returner 77

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    Returner 77 is a cinematic sci-fi mystery puzzle game. You are in a giant alien spaceship hovering...


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The Girl With All the Gifts (2017)
The Girl With All the Gifts (2017)
2017 | Drama
Contains spoilers, click to show
The Girl With All the Gifts is a slow paced zombie movie based on the book of the same name. Unlike a lot of zombie movies, 'The Girl With All the Gifts' doesn't go in for gore, although there is a bit. Instead it uses it's slow pace to build suspense as the protagonists try to find safety as they pass through zombie infested England. As they travel the group find out more about both the zombies and the strange children that now inhabit the earth.
As I said, 'The Girl With All the Gifts' is slow but it uses this pace to let us know about the new world, the zombies and the other characters. The scenery is both beautiful and harsh as the characters travel through the now overgrown city of London and the visual effects are built on by the eerie soundtrack.
If you have read the book then you should find that the film is close to the main story, of course the film cuts out some of the back story's and there are some scenes missing but over all the film does well and manages to show how the events of the story change some of the characters (although even this is a bit lacking from the book but that is too be expected) and, over all the film does manage to get the feel of the book.
As I said, 'The Girl With All The Gifts' does not really go for gore so, if you want to see lots of action and people getting eaten then this isn't really for you. 'The Girl With All the Girts' focus more on what lies ahead, both for the reaming humans and for the zombies who will be left and the answer is bleak.

So, 'The Girl With All the Gifts' is a slow, story based zombie film with an interesting, well thought out take on the popular monster.
  
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Johnny Marr recommended track Philadelphia by Magazine in The Correct Use Of Soap by Magazine in Music (curated)

 
The Correct Use Of Soap by Magazine
The Correct Use Of Soap by Magazine
1980 | Alternative, Punk, Rock
8.0 (3 Ratings)
Album Favorite

Philadelphia by Magazine

(0 Ratings)

Track

"The reason I picked ‘Philadelphia’ is because of the relatively unsung brilliance of John McGeoch on the guitar during that period, the album The Correct Use of Soap is my favourite of anything that Martin Hannett produced and again, that it came from Manchester was a huge bonus. It’s a really subjective one, for myself and my girlfriend at the time Angie, who’s now my wife, it made a soundtrack to our spring when it came out in 1980, when I was working in a clothes shop. “Every song on the record is great and no one really puts a song across in the same way as Howard Devoto, one or two people have tried, but most people wouldn’t even bother, because it’s so idiosyncratic and impossible to pull off without sounding ridiculous. I can hear Alice Cooper in there and his effect on that generation in the delivery of the vocals. There’s also the literary influences in the concepts of the songs, which are really brilliant. Whether it’s Sartre, Dostoevsky, The Situationists or feminism, whatever kind of perversity is going on there, there was a really great, mysterious manifesto in the lyrics. “It was art school that managed to rock without the need for laptops, sequencers or extra musicians onstage. They could really play but they were delivering art rock music and that’s why they’ve inspired me, especially in my solo career, on the first two records The Messenger and Playland Magazine were a really big inspiration for me and the band. “John McGeoch is someone I’m more than happy to pay tribute to and it’s only really in later years that I’ve realised what a big influence he was. The fact that he joined Public Image Ltd made total sense to me, because the other guitar player of his generation who was as inventive as him was Keith Levene. He obviously had a bit of wanderlust in him as a guitar player too, and I can relate to that!"

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Caribou recommended 6 6 6 by Aphrodite's Child in Music (curated)

 
6 6 6 by Aphrodite's Child
6 6 6 by Aphrodite's Child
1971 | Psychedelic, Rock
6.3 (3 Ratings)
Album Favorite

"""This would've been in my top five for sure - it's a big, big record for me. It's incredible on so many levels. If you want a record that illustrates what music can do in a very different sense, this is it. It's progressive and weird, but it shows you can make a concept album that isn't awful. I grew up in this little town called Dundas in Ontario - actually, I lived outside it, but all my friends lived in town. And this record is like a mythical record in Dundas, because one of my friends found a copy of it in the middle of the road - just lying there - and he brought it home. I wasn't doing any drugs at that point, but it was around that time my friends were smoking weed and doing mushrooms and whatever, so finding a beat-up copy of this record and putting it on it was like: ""HOLY SHIT!!!"" I still can't really listen to that track that's just an infinity symbol - I find it uncomfortable. And then there's 'The Four Horsemen' - that's like the Dundas theme as far as I'm concerned. It captures something of the eccentric spirit of this weird place that I grew up in. At the time that I found out about this record, the only reason I knew about Vangelis was because of the Chariots Of Fire theme, which was pretty terrible or definitely naff. But I love introducing people to this record because it's so far away from what they think Vangelis or Demis Roussos would do, even if you know the Blade Runner soundtrack. It's so far removed from anything that either of those guys was involved in. The music on there is so diverse; each track is completely different. Leading up to the release of the new album I was doing a DJ mix, and because of doing this feature there are now two tracks from this record on that mix! I'd forgotten how fucking good all these tracks are."""

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Erika (17788 KP) rated Cruella (2021) in Movies

Jun 1, 2021 (Updated Jun 1, 2021)  
Cruella (2021)
Cruella (2021)
2021 | Comedy, Crime
3
8.0 (24 Ratings)
Movie Rating
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.