"Prince is just one of my absolute, all-time favourite artists. He was a genius. I remember the first time I heard ‘Kiss’ and it's so special, because it's so minimal. It's so intimate and it just grabs you. He's singing so quietly and he's got so much space in between all of his little phrases. It's just so good! “It's a style all of his own and he made that sound his. It's one of those songs where it's become so iconic, and that style has been so distinct; so many people have been inspired by it and you can hear it in their music! I think it's just a great touchstone. For me as an artist, and as a singer, and as a music lover, just hearing that song for the first time, it's such a fundamental song."

"An utter masterpiece from the great Akira Kurosawa. Curiously, a Dashiell Hammet novel provided the inspiration for this film. I love that an American pulp novel from the 1920s was the spark for a staggering work of genius from Japan over three decades later. It demonstrates how art can transcend barriers across time, space, and culture and speak to us in a meaningful way. Yojimbo was remade as Sergio Leone’s spaghetti western classic A Fistful of Dollars, which I saw and loved long before I knew the original even existed. But when I discovered Yojimbo, it was like a gift from the universe. Everything else paled in comparison. Yojimbo is part western, part gangster noir, part samurai story, all awesome. It’s so good. Plus, if Kubo’s dad looks a wee bit like Kurosawa’s resplendent muse Toshiro Mifune, that’s not necessarily a coincidence."

"Years ago I was on the Sundance jury and handed an award to a bright young Damien Chazelle for one of his short films, which naturally means I can now take credit for his entire career. Honestly though I don’t know how he keeps topping himself. When I was little, I saw “The Right Stuff” and was enthralled. Even after three hours I wished it didn’t have to end and could continue telling the story of the space race in such amazing fashion all the way to the moon landing. Now, over thirty years later, I finally got my wish. “First Man” crackles with energy and dread – the direction, the sound design, the edit, cinematography, it just felt so sharp and right in every department. It’s Mr. Chazelle’s strongest work to date and maybe my favorite film of the year."

"I saw Tinariwen by accident at the Cambridge Folk Festival some time in my early 20s. I had a massive hangover, so went to sit in the artists' bit at Cambridge, this bit on the side of the stage where you can see the bands play. I wasn't really paying attention to start with – it was a bad hangover– but slowly but surely this amazing this happened. I was draw in, then hooked in, then totally hypnotised by this music that crashed over me in my little fog. The music had so much forward momentum, and the guitars had so much space, it was like I was being taken off somewhere. It was the most transcendental experience. I love the textural stuff on this record especially – the different types of percussion, the clapping, the chorus singing. The whole thing ebbs and flows. 

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"Previously known as the 21st Birthday Album, this is a gorgeous and goofy compilation of 45 fun and experimental electronic tone poems made for radio and TV from 1958 to 1979, some from the days when the music department only allowed the Workshop to exist by pretending electronic music wasn't music (just as Forbidden Planet was scored with "electronic tonalities"). So since no one was being taken seriously, the composers could even be women, of whom Delia Derbyshire has recently gained acclaim (in electronic-music geek circles; if you're not in one, it's not too late to join!). The longest track, 'A Whisper from Space', is 2:11; so if something doesn't grab you, wait a minute. If only all records could be this varied and entertaining. Derbyshire's immortal Dr. Who theme isn't even necessarily the best track. "