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Once Upon A Goth Dog Solstice
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From the author of the award-winning novel You Can Do Magic: Carnival of Mysteries and Publishers...
Contemporary MM Seasonal Romance
Darren (1599 KP) rated Alex Cross (2012) in Movies
Jun 20, 2019
Story: Alex Cross starts with homicide detective Alex Cross (Perry) and his team Thomas (Burns) and Monica (Nichols) needing to show their skills when a new hired killer nicknamed Picasso (Fox) uses his torture and pain techniques while eliminating people.
When the team learns of the targets they must work with who they think is the main target Giles Mercier (Reno), but this has made his team the newest targets for Picasso, who makes the killings personal.
Thoughts on Alex Cross
Characters – Dr Alex Cross is a homicide detective, we have seen this character before, but this time we meet a younger version of him, before he becomes the FBI agent we know. Alex has a family and is on the way to making his big career decision, when Picasso comes into his life, Alex will need to balance his skills and rage to stop him. Picasso is a hired gun, he is one of the very best in the world, he enjoys the pain he gives and receives, he makes his mission personal and drives Alex to limits he has never been pushed before. Thomas is the partner of Alex, he is shorter tempered, but loyal to Alex. Giles Mercier seems to be the main target of Picasso mission, he is the rich man that gets what he wants.
Performances – Tyler Perry was considered a strange choice for the leading role in this movie, known mostly for comedy and taking over from Morgan Freeman, he just doesn’t reach his levels, but is good through the film. it is Matthew Fox that shines the most as the cold calculated killer that enjoys the pain. The commitment Fox showed to this role needs to be praised because of the physical change he put his body through makes him an unlikely looking threat. Edward Burn is good as the partner while not being anything special and Jean Reno will always be good in the role he takes.
Story – To step into another Alex Cross story is always going to be interesting, picking up before he became an FBI agent helps us understand what drove him to be the determined man we know. Making the story personal for Cross shows how he can balance the law and revenge in his attempts to solve the crime. The story might not reach the level of intensity is could have for a personal story, it does everything we need for an entertaining crime mystery thriller.
Action/Crime/Mystery – The action involved in the film is good, even if moments of the effects used are weak. The crime is an interesting one to watch unfold, but it takes away from the mystery because we are always on the same level of the cops, we are not feed anything to solve.
Settings – Detroit makes for a good setting, it always feels like it is a place known for the crime rates.
Scene of the Movie – Picasso introduction fight.
That Moment That Annoyed Me – The Rocket effects.
Final Thoughts – This is an easy to watch crime thriller, it does everything it needs to do and is carried by a wonderful villain performance from Fox.
Overall: Crime fans watch.
https://moviesreview101.com/2018/07/15/matthew-fox-weekend-alex-cross-2012/
When the team learns of the targets they must work with who they think is the main target Giles Mercier (Reno), but this has made his team the newest targets for Picasso, who makes the killings personal.
Thoughts on Alex Cross
Characters – Dr Alex Cross is a homicide detective, we have seen this character before, but this time we meet a younger version of him, before he becomes the FBI agent we know. Alex has a family and is on the way to making his big career decision, when Picasso comes into his life, Alex will need to balance his skills and rage to stop him. Picasso is a hired gun, he is one of the very best in the world, he enjoys the pain he gives and receives, he makes his mission personal and drives Alex to limits he has never been pushed before. Thomas is the partner of Alex, he is shorter tempered, but loyal to Alex. Giles Mercier seems to be the main target of Picasso mission, he is the rich man that gets what he wants.
Performances – Tyler Perry was considered a strange choice for the leading role in this movie, known mostly for comedy and taking over from Morgan Freeman, he just doesn’t reach his levels, but is good through the film. it is Matthew Fox that shines the most as the cold calculated killer that enjoys the pain. The commitment Fox showed to this role needs to be praised because of the physical change he put his body through makes him an unlikely looking threat. Edward Burn is good as the partner while not being anything special and Jean Reno will always be good in the role he takes.
Story – To step into another Alex Cross story is always going to be interesting, picking up before he became an FBI agent helps us understand what drove him to be the determined man we know. Making the story personal for Cross shows how he can balance the law and revenge in his attempts to solve the crime. The story might not reach the level of intensity is could have for a personal story, it does everything we need for an entertaining crime mystery thriller.
Action/Crime/Mystery – The action involved in the film is good, even if moments of the effects used are weak. The crime is an interesting one to watch unfold, but it takes away from the mystery because we are always on the same level of the cops, we are not feed anything to solve.
Settings – Detroit makes for a good setting, it always feels like it is a place known for the crime rates.
Scene of the Movie – Picasso introduction fight.
That Moment That Annoyed Me – The Rocket effects.
Final Thoughts – This is an easy to watch crime thriller, it does everything it needs to do and is carried by a wonderful villain performance from Fox.
Overall: Crime fans watch.
https://moviesreview101.com/2018/07/15/matthew-fox-weekend-alex-cross-2012/
Fynd - Online Shopping App
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Fynd is your central online shopping destination for fashion, offering Clothing for Men, Women and...
Tesco Groceries for iPad
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The Tesco Groceries app makes your shopping easier, quicker and more convenient than ever. Order...
Tesco Groceries for iPhone
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The Tesco Groceries app makes your shopping easier, quicker and more convenient than ever. Order...
Tanger Outlets
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Save on your favorite brands and designer fashions at the official Tanger Outlets App! Explore our...
BankofMarquis (1832 KP) rated Hamilton (2020) in Movies
Jul 5, 2020
Captures the power of being in "the room where it happens"
I'll just cut to the chase, the filmed version of the mega-hit stage musical HAMILTON (now streaming on Disney+) is terrific. If you are one of the few that have not seen this, check it out - you'll be glad you did.
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
I could go on and on about the Pulitzer-Prize winning show, the script, the music, the performances and/or the cross-cultural casting - all of which works to perfection, but what separates this film from the other hit Broadway shows that are converted to film is how well that the filmmakers were able to translate the power of being inside the theater during a live performance of this show.
Credit, of course, needs to go to the visionaries responsible for this show, creator/writer/star Lin-Manuel Miranda and Director Thomas Kail. They realized pretty early on (when the show was becoming the phenomenon that it has become) that they wanted to preserve this event for future generations, so started making plans to film the show - in High Def - with an audience and without an audience (for close-ups). In June 2016, about a month before the original cast started leaving the show (and right after the show won 11 Tony Awards), they spent $10 million to capture the show - with live audiences on Sunday and Tuesday and then spent the rest of Sunday night and all day Monday doing close-ups and crane shots to augment the action.
The results are outstanding. The wide-shots show the breadth of the production - showing the strong, Tony Award winning choreography by Andy Blankenbuehler, the unique, minimal and highly versatile set, the Tony Award winning costumes by Paul Tazewell and the Lighting Design that earned Howell Blinkley a Tony. All of these are showcased in this film - special note should be made about the Lighting that needed to be tweaked on the spot for the filming.
As for the close-ups, they showcase the wry smile and comedic delight that Tony winner Daveed Diggs shows in his roles as Lafayette/Jefferson, the power and sorrow of Tony Award winner Renee Elise Goldsberry - her spotlight number SATISFIED is as "perfect" a musical number as you will ever see. The powerful acting of Leslie Odom, Jr. as Aaron Burr (who won the Tony as Best Actor over Lin-Manuel's performance as Hamilton) as well as terrific supporting turns by the likes of Anthony Ramos (Lawrence/Phillip), Chris Jackson (showing real leadership as George Washington) and Okieriete Onaodwoan as Hercules Mulligan (one of my absolute favorite characters in this show)./James Madison.
Special note should be made to Jonathan Groff's portrayal of King George III - it is, basically, a cameo role, but he is filmed with such tight close-ups (showing spittle rolling down has chin as he sings) that marvelously juxtaposes King George's real emotions with that of the words he is speaking.
But, of course, the real star is Lin-Manuel Miranda - the genius creative force behind Hamilton. Interestingly enough, I thought his performance was the weakest of the lead cast (don't get me wrong, he was still excellent - just not "as excellent" as some of the others). His true vision, of course, was to tell the story of "the people of that era" as told by "the people of our era".
That is the true genius of Hamilton.
Letter Grade: A+
10 stars out of 10 (can I turn this up to 11)?
The Blender Girl Smoothies - Easy, Healthy Smoothie Recipes
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The Blender Girl and her healthy, blender-centric recipes have taken the world by storm—in this...
BankofMarquis (1832 KP) rated The Menu (2022) in Movies
Nov 24, 2022
Puts the DARK in Dark Comedy
If a Film Comedy is Milk Chocolate and a Dark Comedy is Dark Chocolate, then the new film THE MENU (Directed by Mark Mylod - Game of Thrones) is the SPECIAL INTENSE (90%) Dark Chocolate of films.
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And I mean that as a compliment.
Written by Seth Reiss and Will Tracy, THE MENU tells the tale of an exclusive, isolated restaurant, the 12 clients that head out to the secluded island this restaurant is on and the ego-maniacal, celebrity chef that runs this restaurant - and this dining experience. What starts out as a satire of these types of restaurants, the chefs and the hero-worship of it’s clientele turns into something much, much more sinister.
This is a film in 2 parts - the first part is a satire of the “Foodie” World with the dishes being somewhat absurd - and believable - as the attendees gush over the dishes, trying to interpret what they are being served and why. The 2nd half turns darker - as the real theme of the night emerges - but it is not the horror/slasher film that one is led to believe in the trailer, it is more of a psychological suspense thriller with some gore to accentuate the themes. (But make no mistake, there IS gore).
Ralph Fiennes (Voldemort in the Harry Potter films) is the perfect choice as the central figure in this film, Chef Slowik. He controls the screen by standing still and when he speaks and goes into action he pulls the audience - and his clientele - into his web.
Anya Tayor-Joy (THE QUEEN’S GAMBIT) is growing into an actress that is extremely interesting to watch on film and she more than holds her own up against Fiennes in their scenes together. She becomes just as much a force as he is.
The supporting characters in this adventure are interesting ranging from the always good John Leguzamo to Judith Light to Nicholas Hoult and Janet McTeer. They all flesh out characters that could have been just 2 dimensional background characters, but in the capable hands of these performers, they become much more.
Special notice needs to be made of Hong Chau (DOWNSIZING) as Chef Slowik’s main assistant. She pretty much holds down the center of the first part of this film (as we build up the entrance of Fiennes’ character) and she pulls it off with an understated strong performance.
Director Mylod treads an interesting line in THE MENU as he starts this film as a satire, moves it to a dark comedy fairly quickly and then moves it to a much darker place while still keeping the satiric and dark comedic tones as the more sinister things are happening. It’s a tightrope walk to be sure, and Mylod pulls it off.
It’s the type of film that will be difficult to find an audience for it is 2 types of films put together as one - and neither will totally satisfy hard-core fans - but for someone who is looking for an intelligent suspense film (with some gore and, again, let me emphasize that there IS gore) than this MENU will satisfy.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Purple Phoenix Games (2266 KP) rated Bad Guy Nonsense in Tabletop Games
Jul 2, 2020
Bad Guys have been running rampant, and your goal is to stop them and garner some recognition for yourself. However, some of your fellow crime-fighters have their eyes on the same prize, so you must be ready to employ whatever means necessary to capture the most Bad Guys! Whether you capture then yourself, or secure the help of Bounty Hunters, Heroes, Bandits, and more, keep an eye on your captures so they aren’t swiped out from right under you by an opponent… but if you’re sneaky enough maybe you could swipe one of theirs to add to your list of accolades.
Disclaimer: We were provided a PnP copy of Bad Guy Nonsense for the purposes of this preview. Please excuse my lack of a color printer, but know that the final artwork and cards ARE eye-catching, colorful, and clear to read. I do not intend to rehash the entire rulebook in this preview, but rather provide an overview of the gameplay. Check out the publisher’s website to download the rulebook for yourself, and keep an eye out for the Kickstarter campaign coming soon! -L
Bad Guy Nonsense is a card game of hand management and a bit of take that in which players are trying to score the most points by capturing Bad Guys. Here’s how it goes: shuffle the deck and deal 6 cards to each player. On your turn, you will perform one of 3 possible actions: Capture Bad Guy, Discard 1 Card, or Play 1 Special Card. To Capture a Bad Guy, use one of the 4 capture combinations and set the Bad Guy with corresponding cards in your play area. If you choose to Discard 1 Card, select a card from your hand to discard and then draw 1 new card from the draw deck. To play a Special Card, play it to the discard pile and perform its corresponding action. Whatever action you choose to perform, you will always draw back up to 6 cards at the end of your turn. Play continues until the draw deck runs out. Players may then place any remaining Bad Guy captures from their hand into their play area if they have any. Everyone counts up their points – positive points for Bad Guy captures, negative points for Bad Guys still in hand, and 1 point per Nonsense card in hand – and the player with the most points is the winner!
The basis and gameplay are pretty simple and straight-forward, and that’s what I love about Bad Guy Nonsense. It is so easy to teach, learn, and play that I can see this game played in so many situations. Whether I want to introduce some newer gamers to the hobby, or I need a fast and fun filler between longer games, or even if I want something to play with younger gamers, this game hits that sweet spot. Even though the gameplay is pretty simple, it still needs a bit of strategy for success. You need to decide which actions to take and when to ensure maximum benefit for yourself. Are you willing to risk discarding a card in hopes for getting a new one that may be more beneficial? Should you try to steal that high-value capture from an opponent? Or do you just try to fly under the radar, silently amassing your points and hoping your opponents don’t take notice? There are lots of options, and that keeps the gameplay refreshing and engaging. And the Special Card abilities add a fun strategic twist to the game too – from stealing opponent’s captures for yourself to searching the Discard deck for the card you want, you are always on your toes when playing this game.
Let’s talk components. Obviously, as I mentioned earlier, I do not have a color printer, so my PnP version leaves much to be desired. However, the final production copies of the game will feature tarot-sized cards that are bright, colorful, and sturdy in hand. I enjoyed this game so much that I will probably back it to get a copy of that higher quality for myself!
All in all, Bad Guy Nonsense is a fun little card game that can be played in many different situations. The gameplay is relatively light, the rules are simple to understand, and the time to play is the perfect length. Rarely do I play just one game of Bad Guy Nonsense, I will play 2 or 3 at least back-to-back! If you’re looking for a fun game that can be played with the entire family, consider backing Bad Guy Nonsense. It has a great balance of strategy and light-hearted fun that will keep you coming back for more.
Disclaimer: We were provided a PnP copy of Bad Guy Nonsense for the purposes of this preview. Please excuse my lack of a color printer, but know that the final artwork and cards ARE eye-catching, colorful, and clear to read. I do not intend to rehash the entire rulebook in this preview, but rather provide an overview of the gameplay. Check out the publisher’s website to download the rulebook for yourself, and keep an eye out for the Kickstarter campaign coming soon! -L
Bad Guy Nonsense is a card game of hand management and a bit of take that in which players are trying to score the most points by capturing Bad Guys. Here’s how it goes: shuffle the deck and deal 6 cards to each player. On your turn, you will perform one of 3 possible actions: Capture Bad Guy, Discard 1 Card, or Play 1 Special Card. To Capture a Bad Guy, use one of the 4 capture combinations and set the Bad Guy with corresponding cards in your play area. If you choose to Discard 1 Card, select a card from your hand to discard and then draw 1 new card from the draw deck. To play a Special Card, play it to the discard pile and perform its corresponding action. Whatever action you choose to perform, you will always draw back up to 6 cards at the end of your turn. Play continues until the draw deck runs out. Players may then place any remaining Bad Guy captures from their hand into their play area if they have any. Everyone counts up their points – positive points for Bad Guy captures, negative points for Bad Guys still in hand, and 1 point per Nonsense card in hand – and the player with the most points is the winner!
The basis and gameplay are pretty simple and straight-forward, and that’s what I love about Bad Guy Nonsense. It is so easy to teach, learn, and play that I can see this game played in so many situations. Whether I want to introduce some newer gamers to the hobby, or I need a fast and fun filler between longer games, or even if I want something to play with younger gamers, this game hits that sweet spot. Even though the gameplay is pretty simple, it still needs a bit of strategy for success. You need to decide which actions to take and when to ensure maximum benefit for yourself. Are you willing to risk discarding a card in hopes for getting a new one that may be more beneficial? Should you try to steal that high-value capture from an opponent? Or do you just try to fly under the radar, silently amassing your points and hoping your opponents don’t take notice? There are lots of options, and that keeps the gameplay refreshing and engaging. And the Special Card abilities add a fun strategic twist to the game too – from stealing opponent’s captures for yourself to searching the Discard deck for the card you want, you are always on your toes when playing this game.
Let’s talk components. Obviously, as I mentioned earlier, I do not have a color printer, so my PnP version leaves much to be desired. However, the final production copies of the game will feature tarot-sized cards that are bright, colorful, and sturdy in hand. I enjoyed this game so much that I will probably back it to get a copy of that higher quality for myself!
All in all, Bad Guy Nonsense is a fun little card game that can be played in many different situations. The gameplay is relatively light, the rules are simple to understand, and the time to play is the perfect length. Rarely do I play just one game of Bad Guy Nonsense, I will play 2 or 3 at least back-to-back! If you’re looking for a fun game that can be played with the entire family, consider backing Bad Guy Nonsense. It has a great balance of strategy and light-hearted fun that will keep you coming back for more.
