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    Tiny Epic Dungeons

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    Tiny Epic Dungeons is a fully co-operative dungeon crawler for 1 to 4 players set in the fantasy...

And I Darken (The Conqueror's Saga #1)
And I Darken (The Conqueror's Saga #1)
Kiersten White | 2016 | History & Politics
4
6.9 (9 Ratings)
Book Rating
And I Darken: Audio Book Review
Contains spoilers, click to show
Historical fiction! Heavy on the fiction, light on the historical, and a good young adult. Now, this is young adult fiction, the kind that even adults can appreciate. Though, this is not for YOUNG young adults. If you are wary of what your kids read, stay away from this. I enjoyed this story, and loved the twists and turns the author took us on.

Again, I did not like the voice of the reader for this novel. She was grating, could not do much variation of the voices and I wish she would not have tried, and was the reason I often considered stopping the track. And I have no idea how to spell any of the names without looking them up.

This novel, by Kiersten White, follows Lada and Radu, in the 1400s, in the Ottoman empire as insurances for the Sultan.

I wonder if, like many young adult series, this would have been better as a single book with the next being far in the future or following other characters during the same time frame.

If you enjoy war novels, historically-set novels, or stories of growing up in difficult circumstances will enjoy this.

Alright, SPOILERS BELOW, SPOILERS BELOW, PLEASE SCROLL FOR DISCUSSION there, that is out of the way.





So, this book covers a good lifetime, showing us the development, fully, of characters. Saw the gay man coming as soon as he was born, which is kind of sad. Why, why make the gay man beautiful? Why make it so obvious from the start?

Why have her fall in love with the future Sultan?

I wanted her, based on the description of the book, to be in her homeland more often than they are. The hatred between the siblings isn't what is odd, but what causes it. How Radu doesn't understand Lada's love towards him and what drives her. I do not understand it.

This book is also supposed to be a gender-bend of Dracula the Impaler. Which is interesting, because I did not figure that out from reading it. It is the correct time period, but gender bending DOESN'T WORK historically. I am sorry, it would be far to complicated to do that. It, it just doesn't work. You can write it and ponder what it would have been if one character was different. But not all. So, is that what this is?

I think I will be reading (or listening?) to the second book of this.

THIS VOICE IS TERRIBLE!

Alright, there. Little bits done
  
Vampire Academy
Vampire Academy
Richelle Mead | 2007 | Fiction & Poetry
8
8.5 (48 Ratings)
Book Rating
I found this book a bit unusual in that the background information that is usually relayed within the first chapter or so is not in this book. Instead, I am plunged into the action as if I were tagging along with Rose and not given relevant background information until it is actually useful to the plot. I prefer this rarely-used method because then I don't need to go back and find the definitions and explanations of things that I have forgotten when the specific topic is not addressed for half the book.
I really like the way that Mead separates the "good" vampires from the "bad" vampires with the Moroi and Strigoi (although I would love a pronunciation guide) as almost two different species. There is actually a major consequence to being evil - loss of magic - with no exceptions. Mead builds an excellent world of clear-cut rules that I can appreciate.
The interplay between Rose and Lissa is fascinating both for Rose's unwavering dedication to Lissa, as well as Lissa's almost surreal innocence. If it weren't for Lissa's "madness" she would seem almost faultless. Normally, I find characters like this to not be believable, but since she is bonded to Rose, it almost seems as if they are two halves of the same person, one dark and one light. The dhampir lifestyle that Rose is a representative of seems like a cross between brainwashing, slavery, and the use of a caste system, but Rose seems to be a very willing participant. I can't decide if I like this or not, but Rose seems to be quite happy with it, especially given her abilities.
What I like most is Rose's relationship with Dimitri. In a word - hot! There is nothing like a forbidden romance to make me want to keep reading way past my bedtime as I root for every training session to go beyond the norm. Of all the ways for Victor Dashkov to distract Rose and Dimitri, there are worse ways than the much-needed lust spell. That was a fantastic way to make them aware of their feelings for each other, which may never have happened otherwise due to each other's strong sense of duty and responsibility.
The one minor thing that bothers me about this world that Mead has constructed as the lack of addressing the topic of money. For instance, Rose has been attending the Academy almost since she was born, but who pays for that?
  
SS
Suicidal Since 1995 by Ängie
7
7.0 (1 Ratings)
Album Rating
Ängie is an electric-pop singer from Stockholm, Sweden. Not too long ago, she released an explosive debut EP, entitled, “Suicidal Since 1995”.

Ängie – “Dope”

The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.

The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.

The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.

Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.

“Here For My Habits”

On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.

The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.

The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”

The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.

The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.


Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.

https://www.bongminesentertainment.com/angie-suicidal-since-1995/