Search
Search results
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
RavenclawPrincess913 (253 KP) rated How to heal a gryphon in Books
Sep 19, 2022
How to heal a Gryphon by Meg Cannistra was a very interesting read. I loved it so much. I give it a four point five out of five stars. I definitely would read it again. The cover to this book is very eye catching and so is the plot. I love how her family's very powerful and uses their magic for good. I also understand why they don't tell many people because she is right people would expect to much from them. I'm also happy she chose to follow her heart instead of what others want her to do. How her brother treated her when she told him that she wants to work with animals instead of people was not right. Just because she's different than everyone else and following her dream does not make her an embarrassment. That part made me so mad. Also I don't know how I feel about the bad luck ajf black cat following her around something seems off. I also get her frustration with her sibling always being the center of attention that can get quite annoying. The person in the shop was pretty mean to her over eating and her weight. The judgement was pretty messed up and I can personally relate to it. I also love her plans on what she plans to do with her powers it seems very fun. I also love that her friend supports her plans unlike everyone else. Her brother apologizing be making her her favorite food Tiramisu was sorta sweet but doesn't excuse his mean words. Her brother disappearing and being replaced be a walnut was kinda confusing at first. I am happy for her that Diana accepted her and that she gifted her a familiar the black cat named Sinistro. In the book it state's only Diana's followers are gifted familiars. I have a bad gut feeling about this Streghe del Malocchio who stole her brother though. Also Piccolina's greeting to her was so cute. Piccolina's father helping them get to the city to rescue Giada's brother was sweet as well. The city seemed very scary as well. The anchovies scene was hilarious with the cat's swarming around the strange women. I wonder what these people want with Giada. How she used her magic to defend herself but got punished for using that spell was sad though. I understand why the Streghe del Malocchio are the way they are because their just trying to keep balance in the world. The ending made me cry I loved it I definitely recommend reading this book.
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Ross (3284 KP) rated The Wheel of Osheim in Books
May 23, 2018
Contains spoilers, click to show
The conclusion of the Red Queen's War trilogy is a significant improvement over the previous book, The Liar's Key. Though again this is a book of two halves: the first half following Jalan as he travels home from the Afriquan desert and is tasked with defending his home city from invasion; the second half sees him meet up with old friends and travel back to the eponymous Wheel to try and halt mankind's destruction and stop "the wheel" from turning.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
Midge (525 KP) rated The Nowhere Child in Books
Mar 11, 2019
Brilliant And Dark
“The Nowhere Child” is a debut psychological thriller by Christian White and it was so special! Several things cast their spell - my favourite genre; a very smart cover design; winner of the Victorian Premier Literary Award; and great ratings from the offset. It could only be a winner!
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
Amanda (96 KP) rated The Diary: Book One of Cursed in Books
Mar 25, 2019
So this is a first in an upcoming series. Reading it kind of gave me a Harry Potter and the Chamber of Secrets vibe - that's my favorite book in the series by the way. Anyway, two girls named Ana and Sophie come across a new shop that has opened. It sells crystals, some dresses, and spell books. Ana comes across this blank book, a diary, and decides to purchase it and record everything going on in her life - like most teenage girls want to do. I certainly did, and I still do to an extent.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.
Kristy H (1252 KP) rated This Is Where It Ends in Books
Feb 13, 2018
On a chilly day, the principal of Opportunity High School is giving a speech to her students, kicking off the new semester. The majority of the school is gathered in the auditorium, listening to her speak. As she finishes, they prepare to head to their next class, but the doors are stuck. Then, suddenly, someone begins to shoot.
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
BookblogbyCari (345 KP) rated Guess Who in Books
Aug 14, 2018
Book Review by Cari Mayhew.
One murder; one room; 5 suspects. Now there’s a promising description for an intense read!
The story begins when central character, Morgan Shephard wakes up handcuffed in what appears to be a hotel room in London. Morgan is a resident detective for a daytime reality TV programme. With him there’s a lawyer, an actress, a teenager, a coffee shop worker, and a hotel cleaner. They find a dead body in the bath - the body of Morgan’s therapist. A message from a masked man appears on the TV screen explaining that Morgan has 3 hours to identify the murderer or the hotel will be blown up.
The characters find that they cannot escape the room. Morgan runs quick interviews with the suspects and finds that they all have links to the victim, but not as strong as his own. Before the 3 hours is up, while Morgan is searching the air ducts, the one suspect accuses another and proceeds to stab him to death. Morgan becomes fairly sure that he knows who murdered his therapist and calls the name out moments before the 3 hours are up. Then nothing happens so he calls out the names of all the suspects. An explosion is then heard by all, but everything remains as it was – there was no explosion. They then discover that they are not at all where they thought they were.
The chapters on Morgan’s current settings are spliced with chapters from other points in Morgan’s life with special emphasis on his solving of a murder which made him famous at age 11, and the reader discovers who has had the longest vendetta against Morgan, and the chapters slowly spell out why.
But this does little to address the reasoning behind the presence of the others in the room, until a further 2 vendettas are revealed.
I enjoyed the book and the story behind the masked man’s murderous hatred, but what I didn’t like was that the general premise of the book wasn’t lived up to. The 3 hours before the “explosion” was up at the 50% mark of the book, and the 5 suspects in the room all have incredibly weak links to the murder victim. I also think that more story could have been made around the lawyer whose big case Morgan was somehow embroiled in which was to take to trial that very day.
I found elements of the book too unrealistic, with extensive effort to bring the plotting to fruition, 1 completely needless and unnecessary victim, and an actual willing murder victim. Also Morgan’s drink and drug dependency did nothing to aid the story telling.
Although I was hoping for more from the book, the plot was indeed intense and I did have a good read.
One murder; one room; 5 suspects. Now there’s a promising description for an intense read!
The story begins when central character, Morgan Shephard wakes up handcuffed in what appears to be a hotel room in London. Morgan is a resident detective for a daytime reality TV programme. With him there’s a lawyer, an actress, a teenager, a coffee shop worker, and a hotel cleaner. They find a dead body in the bath - the body of Morgan’s therapist. A message from a masked man appears on the TV screen explaining that Morgan has 3 hours to identify the murderer or the hotel will be blown up.
The characters find that they cannot escape the room. Morgan runs quick interviews with the suspects and finds that they all have links to the victim, but not as strong as his own. Before the 3 hours is up, while Morgan is searching the air ducts, the one suspect accuses another and proceeds to stab him to death. Morgan becomes fairly sure that he knows who murdered his therapist and calls the name out moments before the 3 hours are up. Then nothing happens so he calls out the names of all the suspects. An explosion is then heard by all, but everything remains as it was – there was no explosion. They then discover that they are not at all where they thought they were.
The chapters on Morgan’s current settings are spliced with chapters from other points in Morgan’s life with special emphasis on his solving of a murder which made him famous at age 11, and the reader discovers who has had the longest vendetta against Morgan, and the chapters slowly spell out why.
But this does little to address the reasoning behind the presence of the others in the room, until a further 2 vendettas are revealed.
I enjoyed the book and the story behind the masked man’s murderous hatred, but what I didn’t like was that the general premise of the book wasn’t lived up to. The 3 hours before the “explosion” was up at the 50% mark of the book, and the 5 suspects in the room all have incredibly weak links to the murder victim. I also think that more story could have been made around the lawyer whose big case Morgan was somehow embroiled in which was to take to trial that very day.
I found elements of the book too unrealistic, with extensive effort to bring the plotting to fruition, 1 completely needless and unnecessary victim, and an actual willing murder victim. Also Morgan’s drink and drug dependency did nothing to aid the story telling.
Although I was hoping for more from the book, the plot was indeed intense and I did have a good read.
Debbiereadsbook (1202 KP) rated Off Base (Out of Uniform #1) in Books
Oct 22, 2019
bloody LOVED this book!
I lovefinding new to me authors, and narrators and Ms Albert and Mr Stevens are bothnew to me! Zach ishiding himself, from his fellow SEALs, his family but most of all his hidingfrom himself. Moving off base seems to be the best solution but then his worstnightmare needs a place to stay and Zach can’t say no to Pike, and Pike’s cats.So, he grits his teeth and bares it. Pike, however, is gritting his teeth foran entirely different reason. He has a massive crush on Zach but can’t let Zachknow. The two men call an uneasy truce to do up the house, but neither can stayaway from the other for long. That stayingaway lasts only so long and it really was a joy to behold to watch Zach andPike get closer, and begin their friends with benefits thing, but it was alsopainful. Both men knew they shouldn’t do this, and it messed with everyone’s head,mine included! Zach is verymuch in the closet, and Pike is not. That alone causes Zach to have kittensabout every.single.little.thing! Everything, near the beginning, caused Zach topanic, but watching the man fall, watching him come out of himself and thatcloset, watching him fall in love with Pike?? Twas a beautiful thing!I loved thatit was ZACH who made the decision to do something about their situation, andPike did not push Zach, even though he really wanted to.Much of thatbeauty though, is in the delivery, and Tyler Stevens narrates. This is thefirst of his work I have come across and I need more, lots more! I loved thenarration, as much as the story itself! Stevens wasable to wrench so much emotion, particularly for Zach, into his narration, itwas almost listening to your best friend pour their heart out to you.The voicesfor Zach and Pike are very different, getting the point across about the manydifferences between the two men. ALL the voices are distinctive enough for meto not have any trouble with multi person conversations. Stevens reading voiceis deep and clear and very VERY easy to listen to.Someinteresting characters in the book, Ryan and Josiah (apologies if that’s nothow you spell, I’ve not seen it written down!) do they have a book?? Would LOVEto read or listen to their story! And Apollo. That man is sad, it’s too soon,but maybe, just maybe. . . .and OH!! His book is next! I just looked!I have booktwo to listen to next, but that is by a different narrator so it will be interestingto see how Apollo’s voice carries from one narrator to the next. 5 stars forthe book5 stars forthe narration5 starsoverall**sameworded review will appear elsewhere**