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Goddess in the Stacks (553 KP) rated Toil & Trouble: 15 Tales of Women & Witchcraft in Books
Dec 22, 2018
Toil & Trouble was a much-hyped anthology of YA stories, and I think it lived up to that hype. I really enjoyed almost every story in this book - only one or two of them were less than awesome. And they still weren't bad! Anthologies like this keep introducing me to yet more authors that I want to read, and just keep growing my TBR list! Some of the authors in this book I was familiar with; while I hadn't read her work yet, I met Zoraida Córdova at the Baltimore Book Festival, and she was amazing. I'm familiar with Brandy Colbert's work, and have not yet read Anna-Marie McLemore but desperately want to, and her story in this work (Love Spell) only increases that need.
I read this book just before Halloween, and it was a perfect choice. I'm not a fan of actual horror novels, which seem to be what everyone else is reading this time of year. Give me my strong witchy women! The stories in this book are all young women - teens to early adulthood - learning to rely on themselves. They embrace what family traditions mean to them, or break free of them entirely if they're the wrong path. They break social taboos and fall in love where they will. They FIGHT for what they want.
I think my favorite story in this book involved a woman whose powers had been bound by her coven until she was old enough to use them wisely, but had to watch her father die in an accident when she could have healed him if she'd had access to her magic. She went to an ancient place of power in the mountains and broke the binding, horrifying her coven. The story is actually about her defying them further in refusing her destined soul mate for the girl she's been in love with since she was a child, and Fate's punishment for that. The two girls fighting for each other and for their own magic was amazing. (The Heart in Her Hands, Tess Sharpe.) Unfortunately it doesn't look like it's part of a larger story, I was hoping for more in that world!
As far as I can tell, only one of the stories is part of something larger - I'm pretty sure Zoraida Córdova's story is part of her Brooklyn Brujas world. Other than that, they all appear to be standalones, which is a little sad as I'd like to see more of many of these worlds!
Toil & Trouble is an outstanding anthology of magical women, and I loved it.
You can find all my reviews at http://goddessinthestacks.com
I read this book just before Halloween, and it was a perfect choice. I'm not a fan of actual horror novels, which seem to be what everyone else is reading this time of year. Give me my strong witchy women! The stories in this book are all young women - teens to early adulthood - learning to rely on themselves. They embrace what family traditions mean to them, or break free of them entirely if they're the wrong path. They break social taboos and fall in love where they will. They FIGHT for what they want.
I think my favorite story in this book involved a woman whose powers had been bound by her coven until she was old enough to use them wisely, but had to watch her father die in an accident when she could have healed him if she'd had access to her magic. She went to an ancient place of power in the mountains and broke the binding, horrifying her coven. The story is actually about her defying them further in refusing her destined soul mate for the girl she's been in love with since she was a child, and Fate's punishment for that. The two girls fighting for each other and for their own magic was amazing. (The Heart in Her Hands, Tess Sharpe.) Unfortunately it doesn't look like it's part of a larger story, I was hoping for more in that world!
As far as I can tell, only one of the stories is part of something larger - I'm pretty sure Zoraida Córdova's story is part of her Brooklyn Brujas world. Other than that, they all appear to be standalones, which is a little sad as I'd like to see more of many of these worlds!
Toil & Trouble is an outstanding anthology of magical women, and I loved it.
You can find all my reviews at http://goddessinthestacks.com
Phil Leader (619 KP) rated The Novice (Black Magician Trilogy, #2) in Books
Nov 21, 2019
The Novice is the second book in The Black Magician trilogy and continues the story of Sonea, the slum girl who discovers she has magical powers.
A few months after the first book, Sonea is offically inducted as a novice into the Magician's Guild in Imardin. She is immediately looked down on by her fellow novices and indeed other magicians because of her poor upbringing (magicians always being taken from the families of the rich upper class). One novice in particular will go to any lengths to humiliate her. Meanwhile Sonea is hiding a secret. The High Lord of the Guild is practicing black magic, strictly forbidden. Dannyl is sent on a secret mission by Lorlen to try to discover how the High Lord won these powers and if there is anything that can be done to stop him.
I found this book to be far more satisfying than the first book, The Magician's Guild. I think this is due to two factors. Firstly Canavan's writing is far more confident and assured (not surprising for a second novel). Also the story arc is a lot less predictable and allows for more twists and turns since the end is not inevitable (in the first novel it is clear that Sonea will eventually be joining the guild; it is only the sub-plots that provide suprises).
As a consequence this is an easier read than the first book with plenty of good stories, either Sonea's (mis)adventures in the Guild or Dannyl's voyage of discovery on his travels. The end resolves one of the major plot points, leaving the rest for the third book, The High Lord to investigate.
Canavan touches on various topics during the book, particularly bullying by peers and also some nice observations on repression of homosexuality in the intolerant Imardin society.
It is also welcoming to see more of the land; the first book was bound to the city itself but here through Dannyl we get to see the neighbouring lands and discover some of their peoples and customs, together with a fair amount of hazardous travelling.
The magic system is also key; normally magicians throw around a bewildering array of spells with limitless powers. Clearly this isn't an option in these books and each spell and power Sonea learns is neatly and logically explained and consistant. It really makes a change that the magic spells are treated mechanically rather than as, well, 'magic'.
Definitely a recommended read
A few months after the first book, Sonea is offically inducted as a novice into the Magician's Guild in Imardin. She is immediately looked down on by her fellow novices and indeed other magicians because of her poor upbringing (magicians always being taken from the families of the rich upper class). One novice in particular will go to any lengths to humiliate her. Meanwhile Sonea is hiding a secret. The High Lord of the Guild is practicing black magic, strictly forbidden. Dannyl is sent on a secret mission by Lorlen to try to discover how the High Lord won these powers and if there is anything that can be done to stop him.
I found this book to be far more satisfying than the first book, The Magician's Guild. I think this is due to two factors. Firstly Canavan's writing is far more confident and assured (not surprising for a second novel). Also the story arc is a lot less predictable and allows for more twists and turns since the end is not inevitable (in the first novel it is clear that Sonea will eventually be joining the guild; it is only the sub-plots that provide suprises).
As a consequence this is an easier read than the first book with plenty of good stories, either Sonea's (mis)adventures in the Guild or Dannyl's voyage of discovery on his travels. The end resolves one of the major plot points, leaving the rest for the third book, The High Lord to investigate.
Canavan touches on various topics during the book, particularly bullying by peers and also some nice observations on repression of homosexuality in the intolerant Imardin society.
It is also welcoming to see more of the land; the first book was bound to the city itself but here through Dannyl we get to see the neighbouring lands and discover some of their peoples and customs, together with a fair amount of hazardous travelling.
The magic system is also key; normally magicians throw around a bewildering array of spells with limitless powers. Clearly this isn't an option in these books and each spell and power Sonea learns is neatly and logically explained and consistant. It really makes a change that the magic spells are treated mechanically rather than as, well, 'magic'.
Definitely a recommended read
Lyndsey Gollogly (2893 KP) rated Kink (Vixen Bluff #2) in Books
Jul 2, 2021
99 of 250
Kindle
Kink ( Vixen Bluff book 2)
By Catherine Black
Once read a review will be written via Smashbomb and link posted in comments
Molly I haven't been with a man in over five years. Yeah, yeah, I know what you're thinking. You're wondering if I have a couple dozen cats or if I have to sweep the cobwebs out before getting a Brazilian. But, ladies, I wanna let you in on a little secret... There is money to be made in what us working girls at White Light Sirens like to call 'non-penetrative fantasies'. That's right. You want me—Molly Wilder—to parade around the room dressed like a giant teddy bear while you touch yourself? Sure. You want me to paint your naked body, turning you into an impressionist's wet dream? I'm on it. But if you even think about sliding between my legs, I'll rip our contract to shreds and kick you out the door so fast your manhood won't have time to soften. Barrett Molly makes a snap judgment about me the second I walk through her studio door, but I'm used to it. Women take one look at this body, this face, and immediately label me. I can see the flashing sign above their heads every time. “Danger! Danger!” If they only knew... Molly thinks I'm a client—just another John—and that's fine. I'm content to play her game because when I break her rules, when I expose her secrets and have her on her knees, vulnerable and afraid, then she'll understand. But until then, I have a job to do, and my first order of business is to make Molly realize I'm a man worth breaking for. Whether she knows it or not, her dry spell is about to come to an end. Make it rain, Miss Wilder. Make it rain.
Haha this was just pure filth! I usually skip most sex scenes in some of these books but if I did that I would have about 50 pages to read! The only difference being this one I didn’t as it was well written! The only reason I haven’t gone with a 4 star as I think it lacked a little depth, I know it’s only a short book it took just over an hour to read I just can’t figure out what was missing. Not sure I’ll ever look at a jar of peanut butter the same way again though 😂.
Kindle
Kink ( Vixen Bluff book 2)
By Catherine Black
Once read a review will be written via Smashbomb and link posted in comments
Molly I haven't been with a man in over five years. Yeah, yeah, I know what you're thinking. You're wondering if I have a couple dozen cats or if I have to sweep the cobwebs out before getting a Brazilian. But, ladies, I wanna let you in on a little secret... There is money to be made in what us working girls at White Light Sirens like to call 'non-penetrative fantasies'. That's right. You want me—Molly Wilder—to parade around the room dressed like a giant teddy bear while you touch yourself? Sure. You want me to paint your naked body, turning you into an impressionist's wet dream? I'm on it. But if you even think about sliding between my legs, I'll rip our contract to shreds and kick you out the door so fast your manhood won't have time to soften. Barrett Molly makes a snap judgment about me the second I walk through her studio door, but I'm used to it. Women take one look at this body, this face, and immediately label me. I can see the flashing sign above their heads every time. “Danger! Danger!” If they only knew... Molly thinks I'm a client—just another John—and that's fine. I'm content to play her game because when I break her rules, when I expose her secrets and have her on her knees, vulnerable and afraid, then she'll understand. But until then, I have a job to do, and my first order of business is to make Molly realize I'm a man worth breaking for. Whether she knows it or not, her dry spell is about to come to an end. Make it rain, Miss Wilder. Make it rain.
Haha this was just pure filth! I usually skip most sex scenes in some of these books but if I did that I would have about 50 pages to read! The only difference being this one I didn’t as it was well written! The only reason I haven’t gone with a 4 star as I think it lacked a little depth, I know it’s only a short book it took just over an hour to read I just can’t figure out what was missing. Not sure I’ll ever look at a jar of peanut butter the same way again though 😂.
Lyndsey Gollogly (2893 KP) rated Smoulder ( Anita Blake book 29) in Books
Mar 27, 2023
Contains spoilers, click to show
‼️‼️ spoiler in review ‼️‼️
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
37 of 235
Book
Smoulder ( Anita Blake book 29)
By Laurell K Hamilton
⭐️⭐️⭐️⭐️
Vampire hunter Anita Blake is no stranger to killing monsters. It’s part of her job as a Preternatural U.S. Marshal, after all. But even her experience isn’t enough to stop something that is bent on destroying everything—and everyone—she loves.
Anita Blake is engaged to Jean-Claude, the new vampire king of America. Humans think she’s gone over to the side of the monsters. The vampires fear that their new king has fallen under the spell of the most powerful necromancer in a thousand years.
In the midst of wedding preparations—including getting Edward, aka U.S. Marshal Ted Forrester, fitted as best man—Anita gets a call that the local police need her expertise at a brutal murder scene linked to a nationwide slaughter of vampires and humans, dubbed the Sunshine Murders.
But there is more than just a murderer to catch: an ancient evil has arrived in St. Louis to challenge Jean-Claude for his crown, his life, Anita, and all they hold dear. Even with Jean-Claude’s new powers as king and Anita’s necromancy, it isn’t enough; they must embrace their triumvirate or allow primeval darkness to spread across the country, possessing first the vampires and then the humans. Evil will triumph unless Jean-Claude and Anita can prove that love conquers all.
Omg this book has had me going crazy!!! The first 4 chapters were not good and I was seriously worried for the rest of the book. Then we had a little case and a bit of drama at Guilty Pleasures the Bang! Richard makes his entrance yes I am one of those very few that love him and I think although he was a bit kiss’assy he turned it round for me. I normally hate the relationship bull crap and I don’t like Nathaniel at all but even he impressed me.
So then we get to the new big bad and honestly he sounds bloody awesome I mean what’s not to love a demigod Dragon! I can’t wait to see how and if they take him down!
I do have a few issues one my god Peter is annoying! And two why are Asher and Kane still alive??? I mean the end has pissed me off! Why on earth didn’t they just wipe them both out? Oh and take Rosina with them!!
RavenclawPrincess913 (253 KP) rated How to heal a gryphon in Books
Sep 19, 2022
How to heal a Gryphon by Meg Cannistra was a very interesting read. I loved it so much. I give it a four point five out of five stars. I definitely would read it again. The cover to this book is very eye catching and so is the plot. I love how her family's very powerful and uses their magic for good. I also understand why they don't tell many people because she is right people would expect to much from them. I'm also happy she chose to follow her heart instead of what others want her to do. How her brother treated her when she told him that she wants to work with animals instead of people was not right. Just because she's different than everyone else and following her dream does not make her an embarrassment. That part made me so mad. Also I don't know how I feel about the bad luck ajf black cat following her around something seems off. I also get her frustration with her sibling always being the center of attention that can get quite annoying. The person in the shop was pretty mean to her over eating and her weight. The judgement was pretty messed up and I can personally relate to it. I also love her plans on what she plans to do with her powers it seems very fun. I also love that her friend supports her plans unlike everyone else. Her brother apologizing be making her her favorite food Tiramisu was sorta sweet but doesn't excuse his mean words. Her brother disappearing and being replaced be a walnut was kinda confusing at first. I am happy for her that Diana accepted her and that she gifted her a familiar the black cat named Sinistro. In the book it state's only Diana's followers are gifted familiars. I have a bad gut feeling about this Streghe del Malocchio who stole her brother though. Also Piccolina's greeting to her was so cute. Piccolina's father helping them get to the city to rescue Giada's brother was sweet as well. The city seemed very scary as well. The anchovies scene was hilarious with the cat's swarming around the strange women. I wonder what these people want with Giada. How she used her magic to defend herself but got punished for using that spell was sad though. I understand why the Streghe del Malocchio are the way they are because their just trying to keep balance in the world. The ending made me cry I loved it I definitely recommend reading this book.
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Ross (3284 KP) rated The Wheel of Osheim in Books
May 23, 2018
Contains spoilers, click to show
The conclusion of the Red Queen's War trilogy is a significant improvement over the previous book, The Liar's Key. Though again this is a book of two halves: the first half following Jalan as he travels home from the Afriquan desert and is tasked with defending his home city from invasion; the second half sees him meet up with old friends and travel back to the eponymous Wheel to try and halt mankind's destruction and stop "the wheel" from turning.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
I loved the first half of this book - Jalan is a much easier character to like/put up with on his own, and the city defence against siege was some of the most enjoyable of Lawrence's work, for me.
The second half was a definite nose-dive. Jalan goes back to being an insufferable coward (and given his companions say and do very little this makes these scenes quite a trudge). And it seems as if this was the chance to suddenly explain the point of the earlier "companion" Broken Empire trilogy and cram in loads of science and philosophy. Suddenly we went from knowing next to nothing but occasional hints to being repeatedly told what had happened 1100 years ago and what is still happening. And then in the last few pages, all back to normal, having no idea what was real or not.
At the end of The Liar's Key, I had such anticipation for this book: Jalan and Snorri entering Hell to try and bring back Snorri's family. This became such a massive anti-climax - the whole journey through Hell was covered in about 20 pages total and nothing of any import happened at all. It was a complete let-down.
One of the standout aspects of The Broken Empire trilogy was how two different timelines were maintained and meshed together beautifully at the perfect pace. Here we have an element of that, but Lawrence seems to feel the need to have a reason for Jalan to be experiencing the other timeline (in Liar's Key is was due to a magic spell which had unexpected recurring side-effects, here it is either through having flashbacks at inappropriate times or being told a story by Snorri) - it just totally jars when this suddenly has to happen.
The conclusion of the book I found very unsatisfying - too many key events/characters/plot points were suddenly thrown into one room fighting for attention and resolution - and what were meant to be epic foes to be bested were defeated fairly easily. And then the actual climax - a complete load of philosophical nonsense completely unravelling everything (not in a "woah, that blew my mind" way, more of a "well, what was the point then and what about ... ").
Overall a mostly great book but with some downright annoying aspects and a deeply unsatisfactory ending.
Midge (525 KP) rated The Nowhere Child in Books
Mar 11, 2019
Brilliant And Dark
“The Nowhere Child” is a debut psychological thriller by Christian White and it was so special! Several things cast their spell - my favourite genre; a very smart cover design; winner of the Victorian Premier Literary Award; and great ratings from the offset. It could only be a winner!
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
The book opens with an introduction to the main protagonist Kimberly (Kim) Leamy who is a photography teacher in Melbourne, Australia. Twenty-six years earlier, Sammy Went, a two-year-old girl vanished from her home in Manson, Kentucky. James Finn, an American accountant who contacts Kim is convinced she was that child, kidnapped just after her birthday. She cannot believe the woman who raised her crossed international lines to steal a toddler.
Jack and Molly Went’s daughter Sammy disappeared from their Kentucky home in 1990. Already estranged, the couple drifted further apart as time passed. Jack did his best to raise and protect his other daughter and son while Molly found solace in her faith. The Church of the Light Within, a Pentecostal fundamentalist group who handle poisonous snakes as part of their worship, provided that faith.
Now, with proof that she and Sammy are in fact the same person, Kim travels to America to reunite with a family she never knew she had and to solve the mystery of her abduction that will take her deep into the dark heart of religious fanaticism.
For me, Christian White’s writing is captivating and extremely well structured. Although the theme of a child being stolen is not particularly original, the clever telling of this story made it a joy to read. The chapters alternate between the past and the present, maintaining the reader’s attention. The chapters narrated in the past explore the impact of Sammy’s disappearance on her family and the community in which they live. The other chapters follow Kim’s pathway of discovery to the truth about her past.
The most gripping parts of “The Nowhere Child” were the chapters about the past, as the author unearthed long-buried secrets of Kim’s grieving family. It seemed that nearly every character from her past had something they wanted to be kept hidden. Revelations were made that included identity, betrayal, secrets, loss and a sinister cult. A tense story of menace and suspense, the story held my interest from start to finish and the way in which Christian White brought everything to a conclusion was just fabulous.
I loved “The Nowhere Child” and I would recommend it to anyone who likes this genre. It has left me eager to read more from this author in the future.
Thank you to #NetGalley, and HarperCollins UK for a free ARC of #NowhereChild in exchange for a voluntary, honest review.
Amanda (96 KP) rated The Diary: Book One of Cursed in Books
Mar 25, 2019
So this is a first in an upcoming series. Reading it kind of gave me a Harry Potter and the Chamber of Secrets vibe - that's my favorite book in the series by the way. Anyway, two girls named Ana and Sophie come across a new shop that has opened. It sells crystals, some dresses, and spell books. Ana comes across this blank book, a diary, and decides to purchase it and record everything going on in her life - like most teenage girls want to do. I certainly did, and I still do to an extent.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.
It seems like everything Ana writes in this diary seems to come true - for instance, wanting her friend to finally stop whining about a boy she likes and asks him out. It's pointed out quite a few times how 'out of character' it was for Sophie to ask a boy out. She describes it as an out of body experience where she was watching herself just simply go up to the the boy and ask him on a date.
In a sense of 'be careful what you wish for' in this case it's, 'be careful what you write.' The diary, however, has a mind of its own and it slowly starts to take over Ana.
Does anybody else hear Smeegal's voice and wishing that Ana would once say, 'My Precious!'? No? Okay, I'm really that nerdy, but I don't care. I wear it like a badge of honor.
I won't lie it say it wasn't a tad but cheesy. Almost like watching some parts of it as a Disney show, at least the ones that include someone falling from a Ferris wheel or getting an allergic reaction. I'm not saying that's a bad thing, because it's not overpowering like the new Disney shows these days are, gag me.
The writing style was simplistic and it's one that I liked. It wasn't told from Ana's point of view, which is surprising because most of the YA novels I've read are told from the main character's point of view. It's not a terrible thing, but it's not always the best. In this book, you get more than just Ana's views which is important to a story like this.
The ending did, of course, leave a cliffhanger and a small excerpt for the next book in the series.
All in all, the book was a quick read for the most part. I like the three main characters of the story and I enjoyed how it was written. Can you imagine finding a diary and it making things you write in it come true? The good will come with bad.