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Dean (6927 KP) rated Forza Motorsport 7 in Video Games
May 16, 2021
Amazing graphics, true 4k racing (2 more)
Weather conditions
100's of cars
Loading times (6 more)
Rewind Button
So many menus
Computer AI
Multiplayer races
Grid position
Endurance races
Technically excellent Racing Simulation
A very good Racing Simulation with amazing graphics, true 4k details but with a lot of flaws.
The graphics are the highlight really so much detail on every car and track. While some of the track circuits are sparse, the city tracks especially Prague and Rio de Janeiro look great. Along with the lighting and weather conditions, including thunderstorms make it very realistic.
There is a huge variety of cars from street to every form of racing thinkable, even truck racing.
Unfortunately there are a lot of minor things that add up which are disappointing. Because of the detail in the graphics and large circuits the loading times for the races can be slow. There are so many menus to go through as well. You need to apply Mod cards before most races, like finish in top 5,3,1st, clean laps, races and turning off assists to gain more credits or xp. I'm not a fan of this system. Even after the race you have a few menus to get your rewards.
This is a tough simulation which is why no doubt there is a rewind button for when you go of track or crash. You will need it especially when the computer drivers ram into you or don't observe the racing line. It feels like cheating though. You will need the braking line on most of the time or you are very likely to overrun corners.
With this largely being track racing these are the same tracks mostly that have featured in so many previous Forza Motorsport games. How about a Monaco track? The few street tracks really do look great.
You can full simulation mode where you can do longer races, look after tyres and pit for petrol if you wish. I can't imagine many choosing this option though.
If you are a completist and want to do every race for the cups, you don't need to in order to win the cup, then prepare for the endurance races. At least 2 taking 2.5 hours and one race lasting almost 3 hours long. Why would anyone want to do one race for that long? Most races are 2-4 laps so doing a 60-80 lap race is a huge jump.
There are a wide range of multiplayer races but you really need to tune your car to the max and hope you don't get rammed off at the 1st corner to do well.
The races are big, up to 24 players or computer drivers. Often you start 12th on the grid in the computer races which can make it hard to win when the race is 2 or 3 laps until you get use to the game.
There are a few events like overtake challenges, cone races, bowling but not enough of these for much variety.
So a technically excellent Racing game which is definitely aimed more at the track racing hardcover gamer. Unfortunately it has many minor flaws that do add up which are a bit annoying. Once you win all the cups it's not one you will take for a spin that often. If you want a fun racer the Horizon series is more enjoyable.
The graphics are the highlight really so much detail on every car and track. While some of the track circuits are sparse, the city tracks especially Prague and Rio de Janeiro look great. Along with the lighting and weather conditions, including thunderstorms make it very realistic.
There is a huge variety of cars from street to every form of racing thinkable, even truck racing.
Unfortunately there are a lot of minor things that add up which are disappointing. Because of the detail in the graphics and large circuits the loading times for the races can be slow. There are so many menus to go through as well. You need to apply Mod cards before most races, like finish in top 5,3,1st, clean laps, races and turning off assists to gain more credits or xp. I'm not a fan of this system. Even after the race you have a few menus to get your rewards.
This is a tough simulation which is why no doubt there is a rewind button for when you go of track or crash. You will need it especially when the computer drivers ram into you or don't observe the racing line. It feels like cheating though. You will need the braking line on most of the time or you are very likely to overrun corners.
With this largely being track racing these are the same tracks mostly that have featured in so many previous Forza Motorsport games. How about a Monaco track? The few street tracks really do look great.
You can full simulation mode where you can do longer races, look after tyres and pit for petrol if you wish. I can't imagine many choosing this option though.
If you are a completist and want to do every race for the cups, you don't need to in order to win the cup, then prepare for the endurance races. At least 2 taking 2.5 hours and one race lasting almost 3 hours long. Why would anyone want to do one race for that long? Most races are 2-4 laps so doing a 60-80 lap race is a huge jump.
There are a wide range of multiplayer races but you really need to tune your car to the max and hope you don't get rammed off at the 1st corner to do well.
The races are big, up to 24 players or computer drivers. Often you start 12th on the grid in the computer races which can make it hard to win when the race is 2 or 3 laps until you get use to the game.
There are a few events like overtake challenges, cone races, bowling but not enough of these for much variety.
So a technically excellent Racing game which is definitely aimed more at the track racing hardcover gamer. Unfortunately it has many minor flaws that do add up which are a bit annoying. Once you win all the cups it's not one you will take for a spin that often. If you want a fun racer the Horizon series is more enjoyable.
Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies
Sep 29, 2021
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
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Have you ever wanted to buy a vowel? Spin the Wheel with Pat Sajak? Guess letters and watch them...
Lilyn G - Sci-Fi & Scary (91 KP) rated Winchester: The House That Ghosts Built (2018) in Movies
Feb 2, 2018
It was okay. Nothing more, nothing less.
So, when I saw the trailer for Winchester, I was a little intrigued. Not a lot, but a little. A bit more so when I realized that Helen Mirren was in it. Though I can’t say I could name anything else she’s been in off-hand, I did recognize that she had a bit of weight behind her name. Her presence, combined with Jason Clarke (who I recognize more as a “Hey, it’s that guy” than actually recognize) gave me some hope for the movie. Hence stealing away on a Friday afternoon, paying entirely too much money for a ticket and popcorn to get the big-screen experience.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Winchester could have been good, if it didn’t feel like they were scared to go outside the realm of jump-scares. (Though, I will give the directors credit for surprising me and putting a different spin on the typical mirror scare.) Most of the acting was decent-to-solid, but the actors were sorely limited by a distinctly yawn-worthy script.
In regards to the Winchester cast: Clarke has an undeniable charisma. The way Mirren portrayed Sara Winchester, she had that haughty, truth-speaking old lady thing going on that I appreciated and thought I was in for a treat. I was wrong, unfortunately. I felt very much like Mirren’s heart wasn’t in her role at all, and hiding her behind a veil was sometimes the only way to disguise the blue cardboard of her eyes. Sarah Snook reminded me a bit of Maggie Smith, and she had a way of keeping your attention on her. However, Henry, played by Finn Scicluna-O’Prey was barely worth noticing. Scicluna-O’Prey’s ability to command attention on the screen was pretty much solely limited to the well-light scenes featuring his brilliant red hair. (I feel really mean saying that about a younger actor, but it’s the truth.)
The pacing was middling. I definitely got the fidgets a few times during the movie. The dialogue had it’s moments. (There’s a scene between Mirren and Clarke that’ll have you snickering.) The action, such as it was, was bland and cliched. The ending scene had me rolling my eyes.
Overall, Winchester wasn’t god-awful, but it wasn’t something your average horror-movie watcher hasn’t seen 999 times before. It’s one to rent at your local Redbox, or when it his Amazon, but not worth paying movie theatre prices for right now.
Dana (24 KP) rated Six of Crows in Books
Mar 23, 2018
Oh My Gosh!
Can we start out with this cover? It is absolutely gorgeous! And the dyed edges on the paper make me want to weep with joy. I love books that do that, but it isn't done enough in my opinion.
Okay, so on with the review.
I actually really enjoyed this book. It has been a while since I was able to actually read something for fun, so this was awesome to be able to pick up and devour.
I was kind of skeptical about it because there are so many spin-off series that don't work as well as the originals and make me start to dislike the series. This, however, exceeded all expectations. I actually think I enjoyed this book more than the originals!
The characters were well fleshed out and all had interesting quirks about them. I loved being able to delve into each character and their backstories when it was their turn to narrate. I do wish that some things were told a bit earlier, just to clear up any questions I had, but I think it still worked very well when those parts were told to the audience.
One thing that I really appreciate is that there are no love triangles!!! Yay!!! Also, bad ass females who don't need the male characters to validate them! And inclusiveness in sexuality!! Just, so much love for this book.
I enjoyed how I was able to root for the criminals who would, in all honestly, probably be seen as the villains in any other novel. It was refreshing for the characters to know they aren't the heroes, but are still able to be heroic in their own way.
Minor spoilers ahead!!! Turn back if you have not read the whole book!!!!
I loved that there were references to the characters in the Grisha trilogy!! When I recognized their names, I did a little happy dance.
There was a small reference (that may have been just me wanting it to be there) to The Breakfast Club on page 332.
My favorite passage from the novel would have to be from one of Inej's chapters on page 136 where she is thinking about true love. It was so interesting to see those feelings written out in a way that I would have never thought to see it as!
Overall, I absolutely adored this book and I can't wait for the next one to come out. I am mad at myself that I didn't read this sooner!
Can we start out with this cover? It is absolutely gorgeous! And the dyed edges on the paper make me want to weep with joy. I love books that do that, but it isn't done enough in my opinion.
Okay, so on with the review.
I actually really enjoyed this book. It has been a while since I was able to actually read something for fun, so this was awesome to be able to pick up and devour.
I was kind of skeptical about it because there are so many spin-off series that don't work as well as the originals and make me start to dislike the series. This, however, exceeded all expectations. I actually think I enjoyed this book more than the originals!
The characters were well fleshed out and all had interesting quirks about them. I loved being able to delve into each character and their backstories when it was their turn to narrate. I do wish that some things were told a bit earlier, just to clear up any questions I had, but I think it still worked very well when those parts were told to the audience.
One thing that I really appreciate is that there are no love triangles!!! Yay!!! Also, bad ass females who don't need the male characters to validate them! And inclusiveness in sexuality!! Just, so much love for this book.
I enjoyed how I was able to root for the criminals who would, in all honestly, probably be seen as the villains in any other novel. It was refreshing for the characters to know they aren't the heroes, but are still able to be heroic in their own way.
Minor spoilers ahead!!! Turn back if you have not read the whole book!!!!
I loved that there were references to the characters in the Grisha trilogy!! When I recognized their names, I did a little happy dance.
There was a small reference (that may have been just me wanting it to be there) to The Breakfast Club on page 332.
My favorite passage from the novel would have to be from one of Inej's chapters on page 136 where she is thinking about true love. It was so interesting to see those feelings written out in a way that I would have never thought to see it as!
Overall, I absolutely adored this book and I can't wait for the next one to come out. I am mad at myself that I didn't read this sooner!
101 Positions of KamaSutra - Sex Positions Guide and Diary Premium
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$ EXCLUSIVE SALE *** 50% OFF*** LIMITED TIME ONLY! $ • More then 1 million downloads • 2...
Debbiereadsbook (1608 KP) rated The Secret Brokers in Books
Apr 16, 2020
very engaging
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
For the most, I did enjoy this. Couple of things let it down, for ME, and I'll enplain shortly.
Dallas is called up by an acqaintance, is best to describe him, to cash in on a favour owned. Someone needs protecting, and the acquaintance needs something from this someone to keep her safe. There follows a lot of double crossing, back stabbing and general underhandedness you would expect from an organised crime boss, and an organisation that walks under the radar of most things.
From what I can gather, this is actually a spin off from another series, The Nicci Beauvior series and Dallas plays a huge part in the 2nd and 3rd book in that series. Some reviewers of THIS have said you should read THOSE books to get the full picture of what Dallas went through, and how he came to where he is now.
Personally, I don't think it's really necessary. There is enough recapped and retold here, for you to get the picture, or for ME anyway, to get enough of the picture to fill in the gaps and for this story to flow.
I was a little concerned at first that this would be a bit too complicated for my addled brain (April 2020, you get my drift?) to cope with, but it's good. There is a good, intriguing plot to follow, but it's not ever so complex that you have to concentrate too hard on, you know? It's ENOUGH to make you think, to excerise the grey matter, and just enough to keep you engaged til the end.
What let it down for ME were two things.
Only Dallas has a say. I would like to have heard from Gwen, the someone who Dallas is called to keep safe. I get maybe some of the plotline would be given away, yes, but still I wanted to hear from her, and (job aside) what she thought of Dallas and what leads her to make the offer she does.
And Dallas himself was very . . standoffish? . .maybe not quite the right word, but I struggled to connect with Dallas, made more difficult because only his voice is heard. Had Gwen had a say, I could have coped better, or maybe connected earlier, with Dallas.
I LOVED Cleveland and Stokes, two of Dallas' operatives. Their banter has, I'm sure, far deeper roots and far further reaching branches, than is currently showing.
A very engaging 4 stars
**same worded review will appear elsewhere**
For the most, I did enjoy this. Couple of things let it down, for ME, and I'll enplain shortly.
Dallas is called up by an acqaintance, is best to describe him, to cash in on a favour owned. Someone needs protecting, and the acquaintance needs something from this someone to keep her safe. There follows a lot of double crossing, back stabbing and general underhandedness you would expect from an organised crime boss, and an organisation that walks under the radar of most things.
From what I can gather, this is actually a spin off from another series, The Nicci Beauvior series and Dallas plays a huge part in the 2nd and 3rd book in that series. Some reviewers of THIS have said you should read THOSE books to get the full picture of what Dallas went through, and how he came to where he is now.
Personally, I don't think it's really necessary. There is enough recapped and retold here, for you to get the picture, or for ME anyway, to get enough of the picture to fill in the gaps and for this story to flow.
I was a little concerned at first that this would be a bit too complicated for my addled brain (April 2020, you get my drift?) to cope with, but it's good. There is a good, intriguing plot to follow, but it's not ever so complex that you have to concentrate too hard on, you know? It's ENOUGH to make you think, to excerise the grey matter, and just enough to keep you engaged til the end.
What let it down for ME were two things.
Only Dallas has a say. I would like to have heard from Gwen, the someone who Dallas is called to keep safe. I get maybe some of the plotline would be given away, yes, but still I wanted to hear from her, and (job aside) what she thought of Dallas and what leads her to make the offer she does.
And Dallas himself was very . . standoffish? . .maybe not quite the right word, but I struggled to connect with Dallas, made more difficult because only his voice is heard. Had Gwen had a say, I could have coped better, or maybe connected earlier, with Dallas.
I LOVED Cleveland and Stokes, two of Dallas' operatives. Their banter has, I'm sure, far deeper roots and far further reaching branches, than is currently showing.
A very engaging 4 stars
**same worded review will appear elsewhere**
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