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Max Payne (2008)
Max Payne (2008)
2008 | Action, Drama, Mystery
7
5.5 (4 Ratings)
Movie Rating
Against the gritty, snow covered, and crime ridden streets of New York, one man is waging a battle for redemption and revenge. The man in Detective Max Payne (Mark Wahlberg), and following the murder of his wife and infant son, Payne has seen his life and career spin down an ever deepening black hole to the point where he is relegated to a basement office working on cold cases.
Max has become a creature of the night, and spends his off hours patrolling the grimy sections of the city looking for clues about the death of his wife and taking on all manner of the cities criminal elements to get to the truth which has so long eluded him.

While attempting to gain information from a former snitch, Max is introduced to the Natasha Sax (Olga Kurylenko), and her sister Mona (Mila Kunis). The fact that Mona is suspicious of Max from the start is of little concern to Natasha who follows Max back to his apartment and attempts to seduce him. Max quickly spurns her advances which causes Natasha to leave his apartment angry and unbeknownst to Max, steals his wallet in the process. Shortly after leaving Max’s apartment, Natasha is brutally murdered and when Max’s wallet is found at the scene, he becomes the lead suspect in the murder.
Soon after learning from his former partner that Natasha’s dead may be linked to the death of Max’s wife, Max becomes the subject of a city wide manhunt when his partner turns up dead which is attributed to Max going over the edge.

In a race against time, Max must get to the bottom of the deaths as well as solve his family’s murder and clear his good name. This will not be easy as Max must face the resources of a gigantic corporation as well as a crazed drug lord, and his colleagues on the police force.

Based on the popular video games series from Remedy Entertainment and 3D Realms, Max Payne takes some of the games more prominent characters and themes and creates a new storyline. The bullet time ability that Max had in the game has been omitted and replaced with a few gun battles that are shot at times in slow motion, such as a well staged battle in an office building.

While the storyline and character development may be lacking, the film does a decent job of capturing the look and tone of the games, and Wahlberg is solid as the tormented lead character.

Backed by a solid supporting cast which includes Beau Bridges, Chris O’Donnell, and Ludacris, “Max Payne” is an enjoyable if flawed movie experience that makes up for its shortcomings with solid visuals and some great gun battles that come late in the film.

The picture and sound quality of the movie are very crisp and if you have the chance to enjoy the film in surround sound and HDTV I would highly suggest it.

The bonus features are very good and there is a great graphic book feature that delves more into the character of Max Payne’s wife and the events leading up to her murder.
  
Deadly Intent (2016)
Deadly Intent (2016)
2016 |
7
7.0 (1 Ratings)
Movie Rating
Deadly Intent is a Powerful, Viseceral, Performance Driven, British Thriller Unlike Others… Reaney is Superb…

I am on a pretty big Indie kick right now. Trying to rekindle my love of the the Movie Gems you can find out there if you just look past the top 10 of the moment. In doing this we have created a Spin-Off of our podcast in which we will endeavor to promote Indie Cinema and Indie releases on such forms as VOD because not everything has to be capes and spandex or break a billion at the box office.

Director Rebekah Fortune’s unnerving British horror-thriller Deadly Intent is now available On Demand in the U.S.

Deadly Intent is a movie I would stick in the above category. A low budget Few thrills Intense Psychological Horror/Thriller that ticks all the boxes it promises to. Think Babadook, a tense movie that runs at its own pace and is driven by the performances of its leading Female (Rebecca Reaney) as a mother who’s thread is slowly being unwoven and James (Gus Barry) a child who is struggling to deal with the loss of his father… But wait something is afoot.
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I will only dive into this movie a little because to be honest it is only a roughly 90 minute flick that takes half the time your normal thriller would take to actually get into things and keeps the momentum going till the credits. Rebecca Reaney plays Bryony, a mother who is really trying to keep it together for her son James after the death of his father. As with every child in a movie of this genre, James begins to have some paranormal interaction with his father. Not in a Field of Dreams “Do you wanna play catch” type of way, more of a “If im heading to the light your coming with me”. As things really begin to turn to shit for our mother and son we are also given a backstory of the lead up to the fathers supposed death in the form of flashbacks, we find him to be a former soldier suffering from PTSD and… Well not a very nice man.

This movie held my attention in a way I was not really expecting, you hear British, Horror, Thriller and it doesn’t immediately fill you with hope. However we have been able to make some corkers at times and like I say i’m on an Indie kick so this fell into my wheelhouse. The movie is very well executed by not only its reasonably small cast of characters but also script wise and directorial wise. It really doesn’t out stay its welcome, and you can really draw comparisons with movies like Babadook which is a cult darling so thats never a bad thing.

I recommend you give this flick a watch if only for the performances given by Rebecca Reaney and the rest of the cast. As for the movies director Rebekah Fortune, I fully expect to be seeing more from this woman in the future.
  
    STEINS;GATE HD KR

    STEINS;GATE HD KR

    Games and Entertainment

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    STEINS;GATE has sold over 1,000,000 copies since 2009! "STEINS;GATE", based on the anime currently...

Annabelle: Creation  (2017)
Annabelle: Creation (2017)
2017 | Horror
Effective scares (1 more)
The young stars are brilliant
Surprising decent entry in The Conjuring universe
I'm a big fan of The Conjuring. It's easily one of my favourite scary movies in recent years, successfully hitting the right notes for me when it comes to big scares. I wasn't such a fan of the opening scenes featuring Annabelle though, and The Conjuring 2 didn't quite do it for me either, so when the spin off Annabelle movie came out in 2014, I gave it a miss. Even more so when it received some pretty average reviews. It's been on my Netflix watch-list for sometime now, and I'm sure I will watch it out of curiosity at some point, but for now I can take it or leave it. When I saw the trailer for Annabelle: Creation though, it definitely grabbed my interest. More so than the previous movie. The fact that it was set before the last one and could be watched without needing to have seen it either was also a big plus point as far as I was concerned.

This movie takes us right back to the creation of the Annabelle doll itself, before introducing us to the evil part that we're familiar with (although to be fair, even if the doll wasn't evil, who the hell is going to want a doll that looks like that?!). It's 1957 and Samuel Mullins lives with his wife Esther and their young daughter. Samuel is a master toy-maker, handcrafting dolls in the workshop located within the grounds of their house. But tragedy strikes one day, and the family is destroyed when the daughter is killed.

The story picks up again 12 years later with a group of orphan girls who are traveling with their caretaker, Sister Charlotte, to go and live with the Mullins in their large, empty house. They're welcomed inside by Mr Mullins who tells them that their rooms are all upstairs. There's a locked room upstairs that they're not to go into, but you kind of know they will do at some point, and the Mullins room is downstairs. Mrs Mullins is now bed-ridden following an event that we do not yet know about, but otherwise the girls are free to go explore and enjoy the house as they wish. One of the younger girls, Janice, can only walk with the aid of a leg brace and crutch, so is happy to discover that there is even a stair-lift installed to help her get upstairs.

Not much happens for the first twenty minutes or so, but the movie does an excellent job of introducing us to the large isolated house and the potential for scares to be had later in the movie. That stair-lift I just mentioned - it goes nice and slow and only works if you've managed to click the seat-belt in. The nearby barn - that's got a big scarecrow hanging inside with a terrifying evil looking sandbag face. There's a deep, sinister looking well nearby too. Inside there's an out of use dumbwaiter lift and a whole host of other places to hide. You know it's all going to be put to good use later on, and with Janice not being able to walk so well, you can't help thinking that this is only going to add the tension even more.

When things do kick off, it's all very well executed. There are actually some surprisingly effective BANG scares following moments of quietness and some genuinely creepy stuff of nightmares. And yes, that tension that I mentioned involving Janice and her disability, is played to maximum effect. Janice and her room mate Linda are both brilliant in this and are totally convincing as they come to terms with and try fighting back against the evil that's plaguing them.

For me, this was almost as good as The Conjuring. I got a similar feeling from this, particularly with regard to the setting, the cast and the type of scares involved, which I really liked. As a side note, I also really love how this type of movie tends to attract groups of teenage boys and girls to the cinema. There's nothing like watching this in a dark screening, hearing a mixture of fake bravado from the boys along with gasps/petrified hyperventilating from both the boys and girls! It really does add to the overall enjoyment!
  
What Alice Forgot
What Alice Forgot
Liane Moriarty | 2010 | Fiction & Poetry
8
8.4 (15 Ratings)
Book Rating
For some reason, I kept seeing What Alice Forgot by Liane Moriarty almost every book place I would look. At first, I wasn't interested, but it kept showing up. Eventually, I took it as a sign that maybe I should read What Alice Forgot. I'm glad I did because it was a great book!

The plot for What Alice Forgot is a complex and deep one. It's not just about Alice. It's also about her sister Elisabeth, whom we learn more through letters to her therapist, Jeremy. Elisabeth is trying to conceive. She keeps going through failed IVF treatments time and time again. We learn about her struggle and how she's handling that. We also learn about Frannie, Alice's surrogate grandmother, through letters with a man named Phil. At the center of the story is Alice. After falling off a stationary bike and bumping her head during spin class, Alice wakes up to find some can't remember anything that happened for the past 10 years. Alice believes she is still 29, and she finds it frustrating and a tad funny that she's really almost 40 years old. Alice can't believe who she's turned into at 39. She would hate herself! The book explains if Alice will be more loving and carefree like her 29 year old self or if she'll be that rushed, cynical woman she was at 39 when and if she gets her memories back. There were one or two plot twists although I wouldn't consider them major. All of my questions were answered, and Liane Moriarty did an excellent job of tying up any loose ends and writing a great epilogue explaining what happened to each character years later.

I loved the characters in What Alice Forgot! I felt they were all very fleshed out and felt like I was reading about real live people. It was interesting to see Alice at odds with herself when her old self was surprised by what her new self (before she hit her head and lost her memory for the past 10 years) was like. I, personally, liked Alice after she forgot her memory. She was more fun loving and carefree. New Alice was always rushed and snippy. I also liked Nick, Alice's soon to be ex-husband. Although he was rushed with work, I loved how he still would help out Alice. I really related to Alice's oldest daughter, Madison, the most. Madison had experienced so much in her short life, so she was acting out a lot of the time. I just wanted to hug her. Alice's youngest daughter, Olivia, was really cute and funny. I loved how she referred to everything as "darling." My heart really went out to Elisabeth. I just wanted Elisabeth to finally have a baby of her own after miscarrying so many times in the past. Frannie was such a fun character! I was moved by her love of Elisabeth and Alice, and I really appreciated her humor at times!

The pacing for What Alice Forgot was a bit hit and miss sometimes. There were a lot of times, mostly during the first 60 percent or so in the book, that I thought about just giving up and finding something else to read. However, I would read a bit more, and the pacing would pick up again. Then it would go back to being slow. Once I got about 65 percent through the book, the pacing found its footing, and it was smooth sailing from there. My eyes devoured the rest of the pages, and I couldn't wait to find out if Alice would get her memory back or if she'd end up with Nick or Dominick. (I was Team Nick throughout the book.) I also wanted to know what would come of Elisabeth's IVF treatment. I really wanted her to have a baby of her own!

Trigger warnings for What Alice Forgot include miscarriages, failed fertility treatments, amnesia, divorce, death, drinking, some profanities, and a few mentions of sex but no details.

Overall, What Alice Forgot is a lovely read even though the pacing is a bit off for the first half or so in the book. Luckily, the pacing redeems itself, and with a great plot and fantastic characters, this book does make a good read. I would definitely recommend What Alice Forgot by Liane Moriarty to everyone aged 16+ who loves a feel good novel.
  
Rot & Ruin (Rot & Ruin, #1)
Rot & Ruin (Rot & Ruin, #1)
Jonathan Maberry | 2010 | Fiction & Poetry
10
9.6 (9 Ratings)
Book Rating
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).

I don't know what makes zombies so cool, but they are. I love reading zombie books, so when I heard about Rot & Ruin by Jonathan Maberry, I knew I had to read this book. This has definitely become my favourite zombie book...EVER!

Benny has grown up in a world where zombies have always existed. His brother, Tom, has been around before the zombies. Everyone thinks Tom is a hero, but Benny has his doubts. Tom left their mother to the mercy of the zombies. Benny doesn't want to spend time with Tom killing zombies, but at 15 year old, he must get a job or have his rations cut in half. With no job satisfying him, Benny begrudgingly agrees to help kill zombies with his brother Tom. Along the way, Benny learns that Tom isn't the person he thought he was. Benny also gets a lesson in compassion. Will Benny be satisfied with killing zombies or will Benny become a zombie himself?

The cover for Rot & Ruin is alright. I've got the cover where the actual cover is not a full cover. The top cover is what is shown in the photo above, but when you open the top cover, the next cover shows the face of a zombie. It gets points for having a zombie cover, but it's nothing special. However, I do like the quote on the cover: "This book is full of heart...They just don't beat anymore." That made me chuckle!

Rot & Ruin is definitely a great title for this book. The Rot & Ruin is where all the zombies exist. I thought it was a fantastic choice.

I was amazed with the world building in this book. From the very first page, I was transported into this zombie apocalypse wasteland. I've never been in a zombie apocalypse, but the author does a good job making me feel like I was living in one each time I started reading his book. The description of the wasteland gives the reader a vivid mental picture of what a zombie apocalypse might entail.

As for the pacing, I never wanted to put this book down. In fact, there was one day where we had company, and I didn't get to read this book at all that day. I was in a bad mood because of it! This is definitely a fast paced, action packed, thrilling book that will leave you hungry for more. Not once while I was reading this book did I become bored with it. I was hooked from the very first page.

The dialogue/wording was fantastic. Through the dialogue, the author portrays the emotions of the characters quite well. I especially enjoyed the dialogue between Benny and his brother Tom. There are a few big words that I didn't understand, but perhaps that's just my limited vocabulary. Do be aware that there is some swearing in this book.

I felt that the characters were well developed. My favourite character was Tom. He came off as being very wise and just as an all around nice person. Benny was a great character as well. I liked how I was able to watch him grow as a character. He starts off being a typical 14 year old teenager, but after witnessing what he is forced to witness, he starts growing up. He starts maturing, and I feel that the author did a fantastic job showing us how Benny was forced to grow up. Charlie and the Hammer were well written as baddies. I hated them throughout the book. Not because they weren't written well but because the author makes us see how horrible these two really are.

I definitely enjoyed this whole book from start to finish. I read it in record time and had even bought the next book in the series before I even finished with Rot & Ruin. I loved the different spin this book put on zombies. It sort of humanizes them and makes us really think about how zombies were once human and how they were somebody's mother, father, son, daughter, sister, brother, etc. It really does make you think. Because of this, Rot & Ruin is much different then any zombie book I've ever read, and I really appreciated that. I also enjoyed that this book just wasn't focused on killing zombies. There's a lot more to the story then just zombie killing.

Although the book says it's for ages 12 and up, I'd recommend it to ages 14+ due to the violence, language, and themes.
  
You Decide
You Decide
2020 | Dice Game
What game do you think of when I mention, “roll and move?” For me, it’s Candy Land. Perhaps most kids’ first foray into board games at all. To be honest, it’s not even a roll and move, it’s more a flip and move, but they are usually all the same anyway: roll/flip/spin something and then move your pawn. Sometimes there will be something on the spot to “do” and sometimes you just try to race to the finish. So when the publisher and I were chatting about You Decide and they mentioned it was a family-style roll and move game, I had my doubts, but I wanted to try it out. How does this first game from new publisher Davidson Games fare? Let’s find out and You Decide.

As mentioned in my intro, You Decide is a roll and move game for two players. More players can be added to the game with more copies of the game. In the game players are attempting to be the first to move all six of their pawns from the STARTing line to the FINISH line.

DISCLAIMER: We were provided a copy of this game for the purposes of this review. These are retail copy components, and therefore final components. Also, it is not my intention to detail every rule in the game, but give a feel for the flow of the game and how it plays. You are invited to download the rulebook, purchase the game from the publisher, or through any retailers stocking it soon. -T


To setup, lay out the board between the two players and each player will place their pawns on the six circles on the START area. Roll off to see who will start the game and you are ready to begin!
You Decide turns are simple: roll both dice and decide which pawn to move. Move it and pass the turn to the opponent. When a player rolls the 2d6 it creates two numbers. For this review we will just use the example of a 4 and a 6. With this roll the player will decide to move the pawn in the 4 spot a total of six spaces, or the pawn in the 6 spot a total of four spaces. Easy, right?

Though movement is easy to determine, deciding which to activate is the challenge, though not severe. Upon many spaces on the board are printed instructions for the player to obey when a pawn lands on it. These could include returning the pawn to the START space, or moving forward a number of spaces but also allowing the opponent to move forward, or simply staying put and moving an opponent’s pawn.


When a player lands their pawn at the FINISH area, that number is no longer able to be used in subsequent rolls, and once several dice are at the FINISH area, each die rolls becomes more and more dire as players are on a mad dash to finish first. Play continues in this fashion until a winner has reached the FINISH area with all their pawns.
Components. This is a board, 12 pawns, and 2d6. The board is fine, with legible print and art that is present but stays out of the way. The pawns are typical plastic pawns but in excellent colors: orange and black. The 2d6 are fine as well. Black plastic with white pips. For this type of game, the components are completely functional. Nothing super impressive nor too egregious.

The gameplay is exactly what you want for a family level game. It is extremely light, offers choices that are meaningful without burning little brains, and has just the right amount of take-that to wean newer gamers off the Candy Land Express.

For me, it fills an interesting niche in my collection that I really didn’t know I had: a simple game for my family that even my 4-year-old can play and do well with, as long as we read the choices to him. Now, You Decide is very light and could be considered a gateway filler, but also as an easygoing family stepping stone game to get little ones rolling dice and making choices. Candy Land does NOT allow you to do that. So if you have young ones about to embark on their board game journey, I suggest you grab a copy of You Decide instead of those beginner games at Wal-Mart or Target. That is, unless You Decide gets picked up and sold at those locations.
  
Annabelle Comes Home (2019)
Annabelle Comes Home (2019)
2019 | Horror, Mystery, Thriller
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.

After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.

From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.

Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.

The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.

Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.