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BookInspector (124 KP) rated Leopard at the Door in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
My favourite genre to read normally is mystery, crime or thrillers, but I try to choose different genres from time to time. I need to rest from investigations and murders, that’s where historical fiction, YA and other books come in. This book is no exception; I needed something to clear my mind, and it really done the job.
Let me begin by saying, that I loved the environment used in this book. Author portrayed the surroundings and places in this book with great detail, and made me actually feel the African spirit. So, all her travels through Africa, really helped her to describe what she felt to the reader.
The main character in this book was Rachel, and she was the one to share her life with a reader. This novel had a huge variety of very diverse characters, some of them positive and dear to the heart, and some of them really negative, which made me really angry about them. Unfortunately, I did not have any favourite character in this book, as I felt they were not fully developed and opened up to the reader. I would’ve liked to read different perspectives and have more insight into different personalities. Even though I really tried to like Rachel’s rebellious views and kind heart, I think some of her decisions were really silly and disappointing.
The narrative of this novel starts in 1952, when British Empire is on a verge of collapsing, and Kenya wishes its independence. I absolutely adored all the details about Mau Mau, their ideology and ways of action. I loved Michael’s thoughts about war and his country’s independence. I think, this book was really well researched and the whole spirit of the book was shared just gorgeously. The whole story was flowing very smoothly, with some turns and twists, which kept me interested. There was a great love story going on in this book, but I would’ve liked it to be a bit more passionate than it was. Author discussed some interesting topics in this book, such as: Life after mother’s death and relationship with a stepmother; feelings, when you don’t have anyone to turn to; love and betrayal.
The writing style of this novel was not difficult to read, but it contains some African words, which were explained at the end of the book. (If you read it on Kindle, it’s not very helpful) The chapters of this book have decent length, but it might drag a little, because there is not much action going on in this novel. The ending was quite interesting and done the justice to the book and Rachel, but still left me questioning about “What happened to Michael?” So, overall, I actually enjoyed this story of wish for independence, unexpected love, family difficulties and betrayal, and I would recommend immersing yourself into this beautiful Kenyan setting.
Was given this book by publisher and NetGalley for honest review.
My favourite genre to read normally is mystery, crime or thrillers, but I try to choose different genres from time to time. I need to rest from investigations and murders, that’s where historical fiction, YA and other books come in. This book is no exception; I needed something to clear my mind, and it really done the job.
Let me begin by saying, that I loved the environment used in this book. Author portrayed the surroundings and places in this book with great detail, and made me actually feel the African spirit. So, all her travels through Africa, really helped her to describe what she felt to the reader.
The main character in this book was Rachel, and she was the one to share her life with a reader. This novel had a huge variety of very diverse characters, some of them positive and dear to the heart, and some of them really negative, which made me really angry about them. Unfortunately, I did not have any favourite character in this book, as I felt they were not fully developed and opened up to the reader. I would’ve liked to read different perspectives and have more insight into different personalities. Even though I really tried to like Rachel’s rebellious views and kind heart, I think some of her decisions were really silly and disappointing.
The narrative of this novel starts in 1952, when British Empire is on a verge of collapsing, and Kenya wishes its independence. I absolutely adored all the details about Mau Mau, their ideology and ways of action. I loved Michael’s thoughts about war and his country’s independence. I think, this book was really well researched and the whole spirit of the book was shared just gorgeously. The whole story was flowing very smoothly, with some turns and twists, which kept me interested. There was a great love story going on in this book, but I would’ve liked it to be a bit more passionate than it was. Author discussed some interesting topics in this book, such as: Life after mother’s death and relationship with a stepmother; feelings, when you don’t have anyone to turn to; love and betrayal.
The writing style of this novel was not difficult to read, but it contains some African words, which were explained at the end of the book. (If you read it on Kindle, it’s not very helpful) The chapters of this book have decent length, but it might drag a little, because there is not much action going on in this novel. The ending was quite interesting and done the justice to the book and Rachel, but still left me questioning about “What happened to Michael?” So, overall, I actually enjoyed this story of wish for independence, unexpected love, family difficulties and betrayal, and I would recommend immersing yourself into this beautiful Kenyan setting.
Was given this book by publisher and NetGalley for honest review.
Gareth von Kallenbach (980 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Ross (3284 KP) rated Death Note (2017) in Movies
Sep 26, 2017
The delivery (2 more)
The visual effects
Willem Dafoe
This premise had so much potential: the ability to write someone's name in a book and how they would die and then just watch it happen. Awesome.
However, this was wrongly painted as some sort of poisoned chalice and would lead the beholder to madness. If this was to be because of Ryuk's presence then this wasn't really carried out all that well. If it was meant to be "power corrupts" etc then it just didn't ring true for me.
I can't see someone spend all their spare time researching people's crimes and having them killed, maybe one or two but then they'd put the book away and think about it another time.
I watched the first half hour quite avidly but then just got bored.
It also felt like they had tried to retain too much of the anime spirit in the American movie - Ryuk's voice, provided by Willem Dafoe is like a bad English dub for a Japanese original, the father is not at all representative of a Western father, and L just came across as a strange Japanese Anime character rather than a teenage genius detective (I almost expected him close his eyes and do a big shoulder-lifting laugh every so often). I wouldn't have been surprised if Meowth had appeared at one point and made an oddly worded quip.
However, this was wrongly painted as some sort of poisoned chalice and would lead the beholder to madness. If this was to be because of Ryuk's presence then this wasn't really carried out all that well. If it was meant to be "power corrupts" etc then it just didn't ring true for me.
I can't see someone spend all their spare time researching people's crimes and having them killed, maybe one or two but then they'd put the book away and think about it another time.
I watched the first half hour quite avidly but then just got bored.
It also felt like they had tried to retain too much of the anime spirit in the American movie - Ryuk's voice, provided by Willem Dafoe is like a bad English dub for a Japanese original, the father is not at all representative of a Western father, and L just came across as a strange Japanese Anime character rather than a teenage genius detective (I almost expected him close his eyes and do a big shoulder-lifting laugh every so often). I wouldn't have been surprised if Meowth had appeared at one point and made an oddly worded quip.
Steve Fearon (84 KP) rated Sadako Vs Kayako (2016) in Movies
Oct 2, 2018
Versus movies claim another victim
I love Ringu.
And I love Ju-on.
So although I was skeptical about this movie (Damn you Alien v Predator: Requiem), I was intrigued by how it would work.
How does Sadako, a well dwelling ghost of a psychic little girl, that killed people through terror, end up battling with the curse/spirit of a murdered woman who now makes cricking noise and crawls down stairs and under sheets.
Both combatants kill via terror/mental means, so what does this mean in terms of this movie?
Well an hour or so of the film is basically a mediocre version of Ringu and Ju-On, with some good tension, and a skill for unsettling moments in that way J-Horror still possesses, and I was very much enjoying the ride.
However, as the two titular characters meet...it all starts to get a bit...well silly really.
I won't spoil anything specific, but the final act is a mess of new mythos, old mythos, off-screen battling and really, REALLY weird choices.
I was left feeling frustrated, and that the film had cheapened the brands with their choice of resolution, which though surprising, failed to really add anything to either franchise.
Not a terrible film, but not a great either.
And I love Ju-on.
So although I was skeptical about this movie (Damn you Alien v Predator: Requiem), I was intrigued by how it would work.
How does Sadako, a well dwelling ghost of a psychic little girl, that killed people through terror, end up battling with the curse/spirit of a murdered woman who now makes cricking noise and crawls down stairs and under sheets.
Both combatants kill via terror/mental means, so what does this mean in terms of this movie?
Well an hour or so of the film is basically a mediocre version of Ringu and Ju-On, with some good tension, and a skill for unsettling moments in that way J-Horror still possesses, and I was very much enjoying the ride.
However, as the two titular characters meet...it all starts to get a bit...well silly really.
I won't spoil anything specific, but the final act is a mess of new mythos, old mythos, off-screen battling and really, REALLY weird choices.
I was left feeling frustrated, and that the film had cheapened the brands with their choice of resolution, which though surprising, failed to really add anything to either franchise.
Not a terrible film, but not a great either.
Matthew Krueger (10051 KP) rated The Possession (2012) in Movies
Dec 4, 2019 (Updated Dec 4, 2019)
Whats In The Box???
The Possession- came out in 2012 is anethor very good horror movie that hardly no one talks about and knows about. It came in 2012, and i forgot that this movie came out in 2012 cause 2012 was a big year for movies and was directed by Ole Bornedal, who you may say? Well he directed Nightwatch a danish thriller film in 1994 than he remade it in 1997 and started Ewan McGregor, Patricia Arquette, Josh Brolin and Nick Nolte. It was written by Bornedal and Steven Soderbergh. And i will review that movie at somepoint. Cause the movie is really underreated and a good horror movie. And well thats pretty much it, that he directed. So whats this film about than...
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.
The Plot: When their youngest daughter, Em (Natasha Calis), becomes strangely obsessed with an antique wooden box bought from a yard sale, parents Clyde (Jeffrey Dean Morgan) and Stephanie (Kyra Sedgwick) see little cause for alarm. However, Em becomes increasingly unstable, leading the couple to fear the presence of a malevolent force. To their horror, Clyde and Stephanie learn that the box contains a dybbuk, a dislocated spirit that inhabits -- and ultimately devours -- a human host.
This is a really good movie, its scary, thrilling, horrorfying, spooky, creepy and overall a underrated horror jem. Plus you have Jeffrey Dean Morgan in it and thats a plus.
Like i said this movie is really good and a must watch.
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