Search
Search results
Fred (860 KP) rated The Haunting of Hill House in TV
Oct 24, 2018
Genuinely creepy (2 more)
The tall man
The amazing 6th episode
Horror done right
What is the chance that I would watch the original "The Haunting" movie, only to see that the following day, a TV show based on the book that spawned the original movie, would appear on Netflix? Well, this is what happened to me. I'll start by saying I love the original movie. I love the psychological aspect of the horror. Sounds & shapes can be so much more terrifying that gore & jump-scares. When I saw the show under my recommendations, I couldn't wait, so I just jumped in.
I am not one to binge watch shows. My time is limited & I watch lots of stuff. But I was immediately hooked on this show. I watched half the season in one day & the rest the following.
The show does a very good job in taking the original movie's plot, changing things around & creating a terrifying tale that takes the psychological horror of the original, mixes it with some minor jump-scares & a compelling story of a family dealing with it's own demons as well as the spirits that live within Hell House. Yes, that was a very long sentence, which reminds me of the 6th episode, which is filled with long shots. The camera spins around, while things change around them. in fact, throughout the series, things change all the time. Sometimes statues turn their heads, ghosts appear in the background, faces appear in the furniture. Once I noticed one of these faces, just there, staring at the family. My fiance didn't even notice. I backed it up to show her. She went "Ooh! How did I not see that?"
The story does jump around in time, showing when the family first moved into the house, with 5 children & their parents & then in current day, still being haunted & compelled by the house. Every actor in the show is fantastic. Even the children really pull it off.
The ghosts in the show are creepy as all hell. My favorite is the tall man. I haven't been freaked out by a movie or TV show in decades, but I held my breath & stared as he...well, just watch.
I have recommended this to all my friends & those who watched it all got back to me to thank me. So, I'm recommending it to all of you too.
I am not one to binge watch shows. My time is limited & I watch lots of stuff. But I was immediately hooked on this show. I watched half the season in one day & the rest the following.
The show does a very good job in taking the original movie's plot, changing things around & creating a terrifying tale that takes the psychological horror of the original, mixes it with some minor jump-scares & a compelling story of a family dealing with it's own demons as well as the spirits that live within Hell House. Yes, that was a very long sentence, which reminds me of the 6th episode, which is filled with long shots. The camera spins around, while things change around them. in fact, throughout the series, things change all the time. Sometimes statues turn their heads, ghosts appear in the background, faces appear in the furniture. Once I noticed one of these faces, just there, staring at the family. My fiance didn't even notice. I backed it up to show her. She went "Ooh! How did I not see that?"
The story does jump around in time, showing when the family first moved into the house, with 5 children & their parents & then in current day, still being haunted & compelled by the house. Every actor in the show is fantastic. Even the children really pull it off.
The ghosts in the show are creepy as all hell. My favorite is the tall man. I haven't been freaked out by a movie or TV show in decades, but I held my breath & stared as he...well, just watch.
I have recommended this to all my friends & those who watched it all got back to me to thank me. So, I'm recommending it to all of you too.
Hazel (1853 KP) rated 13 Days of Midnight in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Thirteen Days of Midnight</i> is the slightly lighthearted, young adult novel by Leo Hunt set in contemporary Northeast England. Luke Manchett is an average sixteen-year-old boy who mostly cares about his reputation as a member of the school rugby team, and attracting the attention of his crush, Holiday Simmon. However, his life drastically changes on discovering that his absent, psychic exorcist, of a father has died.
Luke is not affected by the actual death, as he barely knew his father; it is the things he inherits as the only named beneficiary of his father’s will that twist his life upside down. It turns out that Horatio Manchett was not a television phony but actually a powerful necromancer. The biggest shock of all is that Luke is now the owner of a collection of eight sinister ghosts who want him dead. With Halloween fast approaching, when the souls’ powers will be at their strongest, Luke with the help of mysterious school friend, Elza Moss, and an ancient book they cannot read, must find a way to release the ghosts without causing harm to anyone else.
<i>Thirteen Days of Midnight </i>is not scary in the way some readers may expect paranormal novels to be. Although it contains ghosts and death threats it is not written in a way meant to terrify, rather to entertain. Luke and Elza’s lack of knowledge and experience with a large number of spirits helps the reader relate to the story, as it is with great doubt that any other teenager would have known exactly what to do. Luke’s dog, Ham, also adds a bit of humour to the book.
There were a few typical aspects to the story, which made it less original. A paranormal novel based at Halloween seems a fairly obvious choice of setting, and popular boy developing a friendship (and possibly more) with an unpopular girl seems rather mainstream in regards to current young adult books.
Some paranormal/horror novels can be a bit over the top and occasionally confusing, therefore it was a surprise to discover how good Thirteen Days of Midnight is. The main characters are likable, the narrative flows well and it is overall entertaining to read. It is definitely a recommendable book.
Matthew Krueger (10051 KP) rated Evil Dead II (1987) in Movies
Oct 30, 2019
A Blood Fest
Contains spoilers, click to show
The Evil Dead II- is a great and fantasic sequel to the oringal movie. It is horrorfying, terrorfying, creepy, spooky, funny, chilling, thrilling and so much more. You got to thank Sam Raimi and Bruce Campbell. Those two togther are unstoppable.
Lets talk about the plot: The second of three films in the Evil Dead series is part horror, part comedy, with Ash Williams (Bruce Campbell) once again battling horrifying demons at a secluded cabin in the woods. After discovering an audiotape left by a college professor that contains voices reading from the Book of the Dead, Ash's girlfriend Linda (Denise Bixler) becomes possessed by evil spirits that are awakened by the voices on the tape. Ash soon discovers there is no escaping the woods.
The movie opens with a brief (and altered/reimagined/truncated) recap of the first movie. Ash Williams and his girlfriend, Linda, take a romantic vacation to a seemingly abandoned cabin in the woods. While in the cabin, Ash plays a tape of archaeologist Raymond Knowby, the cabin's previous inhabitant, reciting passages from the Book of the Dead, Necronomicon Ex-Mortis, which he has discovered during an archaeological dig. The recorded incantation unleashes an evil force (also known as the Kandarian Demon) that kills and later possesses Linda, turning her into a "deadite". Ash is then forced to decapitate his girlfriend with a shovel and bury her near the cabin.
The gore in this movie is overtop, so much blood and gore in this movie. This movie is were ash gets his chainsaw hand. Also Groovy.
I love this movie and the other movies as well.
Also Ash and his Oldsmobile land in the year 1300 AD. He is then confronted by a group of knights who initially mistake him for a deadite, but they are quickly distracted when a real one shows up. Ash blasts the harpy-like deadite with his shotgun and is hailed as a hero who has come to save the realm, at which point he breaks down and screams in anguish. Which sets up to Army of Darkness.
I would highly reccordmend watching this film and the others.
Lastly shout to @LeftSideCut for getting the hints/clues for this review correct.
Lets talk about the plot: The second of three films in the Evil Dead series is part horror, part comedy, with Ash Williams (Bruce Campbell) once again battling horrifying demons at a secluded cabin in the woods. After discovering an audiotape left by a college professor that contains voices reading from the Book of the Dead, Ash's girlfriend Linda (Denise Bixler) becomes possessed by evil spirits that are awakened by the voices on the tape. Ash soon discovers there is no escaping the woods.
The movie opens with a brief (and altered/reimagined/truncated) recap of the first movie. Ash Williams and his girlfriend, Linda, take a romantic vacation to a seemingly abandoned cabin in the woods. While in the cabin, Ash plays a tape of archaeologist Raymond Knowby, the cabin's previous inhabitant, reciting passages from the Book of the Dead, Necronomicon Ex-Mortis, which he has discovered during an archaeological dig. The recorded incantation unleashes an evil force (also known as the Kandarian Demon) that kills and later possesses Linda, turning her into a "deadite". Ash is then forced to decapitate his girlfriend with a shovel and bury her near the cabin.
The gore in this movie is overtop, so much blood and gore in this movie. This movie is were ash gets his chainsaw hand. Also Groovy.
I love this movie and the other movies as well.
Also Ash and his Oldsmobile land in the year 1300 AD. He is then confronted by a group of knights who initially mistake him for a deadite, but they are quickly distracted when a real one shows up. Ash blasts the harpy-like deadite with his shotgun and is hailed as a hero who has come to save the realm, at which point he breaks down and screams in anguish. Which sets up to Army of Darkness.
I would highly reccordmend watching this film and the others.
Lastly shout to @LeftSideCut for getting the hints/clues for this review correct.
Darren (1599 KP) rated Patient Seven (2016) in Movies
Oct 24, 2019
Characters – Dr Daniel Marcus is the man trying to learn about six disturbed patients at a mental hospital, each story needs to be broken down in a different way, he is doing research for his book, but leaving us wondering what his motives are is the biggest mystery in this film. we do meet the different patients which all have different stories and we follow the events of their stories each different from the rest. We do meet the doctors, but as the film is an anthology we just don’t get enough time to look into their characters.
Performances – Michael Ironside is the star of this film with his calming presence while interviewing the patients that can turn on them in a heartbeat. We have a couple of known names in the supporting cast with Alfie Allen in the second story being the highlight of the rest of the performances, while no one is bad in their roles here, they just don’t get the time they deserve.
Story – The story here is told like an interview process to give us seven short horror stories, the fact each one goes in a different direction helps the audience find one they can enjoy even if the previous one isn’t for them. Vampires, ghost, spirits, serial killers and zombies are the main topics each one feels short enough to be entertaining, even if one did make me want to see a feature film about that character. For a horror anthology this does check the boxes well and is one that can be enjoyed.
Horror – The horror in the story comes from the different stories, while we don’t always get the best build up to the horror moments, we do follow the horror guidelines well.
Settings – Each story does take us to a new setting which helps make the film feel fresh, though I don’t quiet understand how the crimes from England, New Zealand and Iceland ended up in an American mental home.
Special Effects – The effects in the film across the different stories are great and make you feel like you are part of them.
Scene of the Movie – The second story.
That Moment That Annoyed Me – Some of the stories are slightly too short though.
Final Thoughts – This is a good horror anthology even if the ending feel slightly flat, we get plenty going on and can enjoy the different ideals of horror.
Overall: Horror anthology does correctly.
Performances – Michael Ironside is the star of this film with his calming presence while interviewing the patients that can turn on them in a heartbeat. We have a couple of known names in the supporting cast with Alfie Allen in the second story being the highlight of the rest of the performances, while no one is bad in their roles here, they just don’t get the time they deserve.
Story – The story here is told like an interview process to give us seven short horror stories, the fact each one goes in a different direction helps the audience find one they can enjoy even if the previous one isn’t for them. Vampires, ghost, spirits, serial killers and zombies are the main topics each one feels short enough to be entertaining, even if one did make me want to see a feature film about that character. For a horror anthology this does check the boxes well and is one that can be enjoyed.
Horror – The horror in the story comes from the different stories, while we don’t always get the best build up to the horror moments, we do follow the horror guidelines well.
Settings – Each story does take us to a new setting which helps make the film feel fresh, though I don’t quiet understand how the crimes from England, New Zealand and Iceland ended up in an American mental home.
Special Effects – The effects in the film across the different stories are great and make you feel like you are part of them.
Scene of the Movie – The second story.
That Moment That Annoyed Me – Some of the stories are slightly too short though.
Final Thoughts – This is a good horror anthology even if the ending feel slightly flat, we get plenty going on and can enjoy the different ideals of horror.
Overall: Horror anthology does correctly.
BackToTheMovies (56 KP) rated Annabelle Comes Home (2019) in Movies
Jul 2, 2019
The third instalment of the Annabelle franchise as Annabelle Comes Home delivers where the previous two did not.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.
Demonologists Ed Warren (Patrick Wilson) and his wife Lorraine (Vera Farmiga) return back to their home with the cursed Annabelle doll. Safely locked away in their occult museum of the paranormal they leave for another case and leave their babysitter Mary (Madison Iseman) and her best friend Daniela (Katie Sarife) in charge of looking after their daughter Judy (McKenna Grace). One curious friend breaks into the paranormal museum situated in the Warren’s basement and all hell breaks loose.
Annabelle Comes Home is a well-rounded horror. It has a completely different feel than the films previous to it. It has a very goosebumps style goofiness about it with a more sinister tone. The Annabelle doll acts as a beacon for spirits. So when she is unleashed within the museum the other entities contained within that room escape. It really is a Goosebumps style injection of horror as various creatures and entities roam the house.
Whilst these horror movies have cut and paste jump scares and quite predictable outcomes Annabelle Comes Home just about keeps it somewhat fresh. The film is heavily held up high from strong performances by our three lead girls. The film has a lovely dark tone and the detail within the museum is incredible. If you’re a paranormal/haunted object junkie like me just seeing the attention to detail in the set dressing was impressive indeed.
Director Gary Dauberman takes Annabelle out of the one trick pony setting and allows this freedom of entities to run amok without convoluting the plot in any way shape or form. Each item is linked to a spirit and they’re carefully injected at spaced intervals through the story.
There’s nothing really new on display here. Horror movies just aren’t scary anymore. They rely on jump scares to provide a ‘scare’ which is actually a fabricated effect. A jump scare will never make a movie scary. I wish filmmakers wouldn’t over-saturated jumps every 10 minutes to make something ‘scary’. This movie isn’t bad whatsoever but my god is the horror genre becoming a little repetitive and boring in some aspects. It’s time to spice things up without pushing agendas! Yes, I’m talking to you Jordan Peele.
LeftSideCut (3776 KP) rated American Horror Story - Season 6 in TV
Jan 16, 2020
Season 6 of AHS, subtitled Roanoke, may very well be my favourite season to date, if not it comes a very close second to Asylum.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
156Reviews (7 KP) rated Extra Ordinary (2019) in Movies
May 1, 2020 (Updated May 1, 2020)
Ghosts, hell demons, possessed animals, sex, a car chase, people exploding, ware-wolves (Kind of), Extra Ordinary has it all. Is it some kind of Hollywood blockbuster staring Benedict Cumberbatch? No, it's a small independent Irish comedy staring little known actors, and Will Forte of course.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
The film begins by introducing us to Rose Dooley (Maeve Higgins), a very single driving instructor in a small town who has a “Talent”. She can talk to Ghosts. After the death of her father when she was a child, Rose no longer uses these talents though. She spends her days teaching the locals how to drive, and her evenings with no trousers on, eating microwavable meals for one and ignoring messages on her phone from people asking for supernatural help. That is until she gets a call from Martin Martin, who is being haunted by his dead ex-wife, and her journey back to the exorcism business begins.
What this film does best is keep the ordinary and the supernatural events very grounded. Instead of screaming angry spirits howling in the night they see messages like “You must pay ..... The car tax” or “Dog has worms”. The dead don't stick around to terrorise, they are here to make sure we're doing the recycling properly, or donating enough money to charity. Even Christian Winter (Will Forte) the satanist pop-star dubbed “One hit Winter” seems like an every-day man, doing the ironing and making cups of tea between sacrifices and demon summoning.
As the films big-bad, Will Forte does a decent job of keeping the film flowing, even if it is almost identical to his Last man on Earth performance. It's Rose and Martins relationship that really pulls the film forward. After Martins Daughter starts floating in mid-air, he reaches out to Rose for help. Directors Mike Ahern and Enda Loughman succeed in making Rose and Martins journey through the mysterious, humorous yet believable, a will they-won't they without the cheesiness.
Overall this is a very funny, well made film, not afraid to take the time from driving the plot to include some great, if possibly unnecessary scenes, Christian Winter's driving lesson is a particular highlight. Everybody involved has done an excellent job making a great film. It's absurd, it's funny, it's weird, it's well worth a watch.
Kim Pook (101 KP) rated Cruel Peter (2019) in Movies
Sep 10, 2020
The movie starts in 1908, a young boy named Peter is accused of cutting a girl with a razor, he insists the girl is lying and his mother defends him even though she knows the girl is actually telling the truth. We learn how evil Peter is soon after when he sets fire to a rat and it is implyed that he killed someone's dog. Peter soon gets a visitor from someone wearing a potato sack on their head, who hits him on the head with a shovel and buries him alive, never to be seen again.
We jump ahead to the present day to a dad studying and then randomly going in his daughters room and finding a boof of spirits in his deaf daughters room. We then jump to another scene of him being offered a job in Italy with some bloke on a boat, who I can only assume is a friend or his boss, its never made clear. Then in the next scene, him and his daughter are pulling up in Italy!?! Literally no lead upto it, just job offer and boom, they're there! The dad is even shown talking to some woman who I thought was a tour guide or his new boss, until she asked him if he'd like to meet her aunt! Anyway, we briefly see his daughter Liz walking down the corridor at her new school and then he finds Peters body whilst on a dig, leading to him searching the Internet and Liz summoning a ghost which we later find out is Peter.
To be honest, I knew from the get go that this movie wasn't going to be great, but I always see a movie to the end so I persevered. The scenes were very poorly put together, they seemed randomly placed and very rushed, random characters would appear, have no introductions (apart from one) and yet seem to have known the dad for a while! Speaking of which, I don't recall ever finding out his name as it was never mentioned. The acting was absolutely atrocious and the sound effects even worse, for example when Liz was supposed to be possessed, she sounded more like a dinosaur from jurassic Park rather than a demon. I was glad to see the end of this truly awful movie.
We jump ahead to the present day to a dad studying and then randomly going in his daughters room and finding a boof of spirits in his deaf daughters room. We then jump to another scene of him being offered a job in Italy with some bloke on a boat, who I can only assume is a friend or his boss, its never made clear. Then in the next scene, him and his daughter are pulling up in Italy!?! Literally no lead upto it, just job offer and boom, they're there! The dad is even shown talking to some woman who I thought was a tour guide or his new boss, until she asked him if he'd like to meet her aunt! Anyway, we briefly see his daughter Liz walking down the corridor at her new school and then he finds Peters body whilst on a dig, leading to him searching the Internet and Liz summoning a ghost which we later find out is Peter.
To be honest, I knew from the get go that this movie wasn't going to be great, but I always see a movie to the end so I persevered. The scenes were very poorly put together, they seemed randomly placed and very rushed, random characters would appear, have no introductions (apart from one) and yet seem to have known the dad for a while! Speaking of which, I don't recall ever finding out his name as it was never mentioned. The acting was absolutely atrocious and the sound effects even worse, for example when Liz was supposed to be possessed, she sounded more like a dinosaur from jurassic Park rather than a demon. I was glad to see the end of this truly awful movie.
Top Shelf Drinks
Food & Drink and Lifestyle
App
"The magic of Top Shelf is that it thinks the way most of us do." - NYTimes.com "Top Shelf should...
EDITION29 RETURN OF THE SURFER
Lifestyle and Magazines & Newspapers
App
EDITION29 RETURN of the SURFER is a cinematic journal that documents the modern surf culture being...