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Cowboy In The Crosshairs (Dreamspun Desires #53)
Cowboy In The Crosshairs (Dreamspun Desires #53)
BA Tortuga | 2018 | LGBTQ+, Romance
8
4.5 (2 Ratings)
Book Rating
a bit jumpy but an enjoyable 4 star read
Independent reviewer for Divine Magazine, I was gifted my copy of this book.

I liked this, I really did. Its just the characters tend to jump about with their thinking and it got a little difficult trying to keep up in places!

BUT!!!

A great easy read, as usual from Tortuga!

Wacey comes home after an accident and TJ is Sheriff in town now. They split some ten years before, for one reason or other, to be honest I wasn't entirely sure WHY they split! But it's clear they still have an attraction that won't go away. When it becomes obvious that the "accident" might not have been, TJ goes into deep protection mode, and Wacey welcomes it. The culprit is caught, but will Wacey leave TJ again??

Like I said, a really easy read! Told from both Wacey and TJ's point of view, we get how each man feels seeing the other for the first time, their reactions then and after. It's not overly explicit, because it's a DreamSpun Desires, from DreamSpinner, but there is enough that is right for this book. While I do tend to prefer my male/male romances on the more explicit side, I really did enjoy this one with that little bit less.

The story flows well (apart from the jumping around the minds of the guys did!) and I saw no spelling or editing errors. I did not get who was trying to get Wacey until it was revealed in the book!

A perfect way to spend a snowed in Friday afternoon!

4 solid stars

**same worded review will appear elsewhere**
  
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Edgar Wright recommended Blow Out (1981) in Movies (curated)

 
Blow Out (1981)
Blow Out (1981)
1981 | Mystery

"I have heard people call themselves Brian De Palma apologists. I am proud to say that I am a huge fan without any caveats. There’s a reason that, back in the seventies, fellow movie brats Spielberg, Lucas, and Scorsese would defer to De Palma as “the filmmaker.” When on form, his work is something to behold. Even the lesser works of De Palma contain flashes of genius, while the best of his movies rank as pure cinema. Blow Out is certainly one of De Palma’s finest. There’s not a wasted shot, not even a wasted corner of frame. In the telling of this audiovisual thriller, De Palma uses Steadicam work, split screens, split diopter shots, and complex optical effects to utterly exciting but never overly flashy effect. Some directors are great storytellers without their presence being felt, but De Palma, much like his cinematic hero Alfred Hitchcock, is a master manipulator of both his medium and his audience. He plays us like an instrument, maneuvers us like puppets, and frequently makes us look where we’d rather not. Blow Out begins with De Palma turning the camera on himself and criticisms against him, then ends with one of the crueller, blacker chapters in cinema. The interview on the disc with De Palma and Noah Baumbach is a must-see too; great to hear him talk about Hitchcock, Antonioni, and Coppola and their influence on this film. Filmmakers and film students will be also fascinated to know that Brian thinks coverage is a dirty word. This is a tremendous piece of work that I am very glad Criterion has given the royal treatment."

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