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Entertainment Editor (1988 KP) created a video about EA Sports UFC 3 in Video Games
Dec 7, 2017
Entertainment Editor (1988 KP) created a video about Super Beat Sports in Video Games
Nov 5, 2017
Entertainment Editor (1988 KP) created a video about EA SPORTS Rory McIlroy PGA Tour in Video Games
Oct 18, 2017 (Updated Oct 19, 2017)
Matthew Krueger (10051 KP) rated Spooks Run Wild (1941) in Movies
Jun 17, 2020
The East Side Kids Meet Dracula
Spooks Run Wild- is a funny entertaining horror movie starting the East Side Kids and of course Bela Lugosi as the creepy man/villian.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.
The plot: The East Side Kids are sent to summer camp, and shortly after arriving they encounter a mysterious man named Nardo (Bela Lugosi). Naturally, the Kids assume Nardo is the "monster killer" they've been warned about. Their theory is strengthened when they see Peewee (David Gorcey), seemingly risen from the dead after getting shot, walking around Nardo's house in a zombie-like trance. The Kids take it upon themselves to capture Nardo before he can kill anyone else.
Like i said its funny entertaining and over a good black and white comedy horror film.
Entertainment Editor (1988 KP) created a video about track The Mountain (feat. Pegasus Warning, DJ Mujava, DJ Spoko & Machepis) by Spoek Mathambo in Mzansi Beat Code by Spoek Mathambo in Music
Jan 2, 2018
Brecoles Nine (16 KP) rated The Haunting of Hill House- Season 1 in TV
Mar 12, 2019 (Updated Mar 12, 2019)
Haunting of Hill House Review
Haunting of Hill House is a Netflix Original released mid 2018. The show caught me off guard as I suspected it was just another show on Netflix thst was hyped up and failed to entertain. However, I was surprised to find myself binging the season every chance I got in my spare time. The first thing that intrigued me was the "Easter Egg Ghosts" is what I have labeled them. These ghosts would appear somewhere in certain scenes that the characters never notice but we, the audience, noticed. They're not in every episode or every scene, but they're there. The spookiness of this show was far better than I thought it would be, the story was unique enough to leave me wanting more, the ending took a different turn than it was leading up to, not a bad turn, definitely a different turn. The show in my opinion deserves a lot more attention than I feel it has received as it isn't just another ghost story, it's one that had kept my wife and I on the edge of our seats but also on guard in the dark. Check The Haunting of Hill House out on Netflix if you're brave!
Matthew Krueger (10051 KP) rated House on Haunted Hill (1959) in Movies
Oct 4, 2019
The Hill House
House on Haunted Hill- is one of the best horror movies of all time. Its terrorfying, horrorfying, scary, spooky, terrorfying and more.
The Introduction by Vincent Price is perfect, he introduces the movie and tells us the viewer what were going to witness. Vincent Price's spooky and creepy introduction is terrorfying.
The Plot: Rich oddball Frederick Loren (Vincent Price) has a proposal for five guests at a possibly haunted mansion: Show up, survive a night filled with scares and receive $10,000 each. The guest of honor is Loren's estranged wife, Annabelle (Carol Ohmart), who, with her secret lover, Dr. Trent (Alan Marshal), has concocted her own scheme to scare Loren's associate, Nora Manning (Carolyn Craig), into shooting the potentially crazy millionaire. But more spooks and shocks throw a wrench into the plan.
The film is in the public domain.
The film was remade as the 1999 film House on Haunted Hill, which had a 2007 sequel titled Return to House on Haunted Hill. The 1999 film was released to middling reviews but was a box office success, while the 2007 sequel was direct-to-video and widely panned. Dont watch those films.
In 2017, another remake is in development and a prequel to the original film, which the latter will be written by Castle's daughter Terry Castle. That will be intresting if it happens.
I would highly reccordmend this movie.
The Introduction by Vincent Price is perfect, he introduces the movie and tells us the viewer what were going to witness. Vincent Price's spooky and creepy introduction is terrorfying.
The Plot: Rich oddball Frederick Loren (Vincent Price) has a proposal for five guests at a possibly haunted mansion: Show up, survive a night filled with scares and receive $10,000 each. The guest of honor is Loren's estranged wife, Annabelle (Carol Ohmart), who, with her secret lover, Dr. Trent (Alan Marshal), has concocted her own scheme to scare Loren's associate, Nora Manning (Carolyn Craig), into shooting the potentially crazy millionaire. But more spooks and shocks throw a wrench into the plan.
The film is in the public domain.
The film was remade as the 1999 film House on Haunted Hill, which had a 2007 sequel titled Return to House on Haunted Hill. The 1999 film was released to middling reviews but was a box office success, while the 2007 sequel was direct-to-video and widely panned. Dont watch those films.
In 2017, another remake is in development and a prequel to the original film, which the latter will be written by Castle's daughter Terry Castle. That will be intresting if it happens.
I would highly reccordmend this movie.
Bethany Fletcher (17 KP) rated Until Dawn in Video Games
Jun 25, 2018
Engrossing (1 more)
Good jump scares
This game is phenomenal! I sat and played the entire thing in one go. In the dark. Alone. If your in it for the scares definitely play it in the dark. If you are a bit more nervous play with the lights on. And a friend.
The spooks were good. They gave you enough time to chill and breathe before you had to react to the situation but not too much, you were still kept on your toes.
The graphics are incredible. They are realistic and engaging. The story was fantastic and took a supernatural twist I was not expecting but it just added a whole other level to the game. It felt like being in a movie.
The game mechanics were also very good. Having to swipe the touch pad on your controller to open the characters phones, having to hold the controller completely still to keep the sensor in the center in order to keep the characters still. All of these things add stress to the gamer but make it way more engaging than just pressing buttons.
The only real downfall for me was the constant recaps. About every 20 minutes there were recaps you couldn’t skip. If you only played for twenty minutes a time that’s great but most people don’t only sit down for 20 minutes to play a game so it is incredibly annoying. Apart from that this game was one of my favourites I played last year and I would absolutely recommend it for those who want a good engaging horror game.
The spooks were good. They gave you enough time to chill and breathe before you had to react to the situation but not too much, you were still kept on your toes.
The graphics are incredible. They are realistic and engaging. The story was fantastic and took a supernatural twist I was not expecting but it just added a whole other level to the game. It felt like being in a movie.
The game mechanics were also very good. Having to swipe the touch pad on your controller to open the characters phones, having to hold the controller completely still to keep the sensor in the center in order to keep the characters still. All of these things add stress to the gamer but make it way more engaging than just pressing buttons.
The only real downfall for me was the constant recaps. About every 20 minutes there were recaps you couldn’t skip. If you only played for twenty minutes a time that’s great but most people don’t only sit down for 20 minutes to play a game so it is incredibly annoying. Apart from that this game was one of my favourites I played last year and I would absolutely recommend it for those who want a good engaging horror game.
Adam Colclough (3 KP) rated Slow Horses in Books
Mar 12, 2018
The awkward squad to the rescue
Slough House is the place where the secret service dumps those operatives who don’t’ make the grade. A bureaucratic limbo as far away from the glamourous world inhabited by James Bond as Biarritz is from the outer moons of Saturn.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
The crew of misfits incarcerated there under the command of the objectionable Jackson Lamb are called back to active service when a terrorist gang kidnap a teenager and threaten to behead him live online. Suddenly the awkward squad are players in a deadly game with only one possible winner.
In this book, first published in 2010 and part of an award-winning quartet, Mick Herron delivers all the thrills you would expect as he pits his cast of oddballs against a chillingly plausible enemy.
Spy novels often describe hidden worlds as a way of talking about the one with which we are all familiar. In the Sixties Le Carre wrote about a secret service that resembled nothing so much as minor Oxbridge college down on its luck but clinging tightly to past glories. Any similarity to a Britain that for all the promises of wonders delivered by the ‘white heat of technology’ was starting to look decidedly seedy was entirely intentional.
Mick Herron writes about a service that has been capture by bean counters and career obsessed middle managers. Drowning in paperwork, stymied by procedure and inclined to try and be a little too clever for its own good.
He also creates delightfully complex characters, the ‘slow horses’ of the title may all be difficult individuals, but that gives them fears and failings that make them infinitely more interesting than monochrome supermen like Bond or Bourne. By the book’s end he even manages to provide them with if not redemption than the unexpected feeling they may have a purpose after all.
The best spy novels are always about more than just chasing after a McGuffin. This book is unafraid to look at troubling ideas and to present characters who don’t tick the boxes of traditional heroism. That puts it in the running to become a classic of the genre.
Acanthea Grimscythe (300 KP) rated Highwayman in Books
May 16, 2018
It's a bit hard for me to really talk about how I felt while reading Highwayman by Craig Saunders. To some extent, I feel that I may not know as much about old lore and mythology as I thought I did - and that's definitely a possibility. The concept behind the book is intriguing, but there are many elements of Saunders story that failed to satisfy me.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.