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Purple Phoenix Games (2266 KP) rated Tokaido in Tabletop Games
Jun 12, 2019
Tokaido is one of those simple, yet beautiful, games where you can bring it to the table and nearly everyone will have a great time, errrr I mean trip… Just keep reading! You’ll see!
DISCLAIMER: The photos showing game play reflect components from the Collector’s Edition, as they are upgraded from the traditional retail copy. There is no affect on game play, the components are just nicer. -T
I don’t recall another board game on the market, as of today 1/9/2019, that has been able to recreate some of the intuitive mechanisms that Tokaido provides its players. So okay, envision one of those looooong car rides as a kid in the stuffy old car full of suitcases with your parents. Boring, right? That’s NOT Tokaido!
NOW, Imagine one of the most thrilling trips across Japan – where you get to see the sights, experience the extensive shopping, eat great delicacies, and yes, even take a dip in a sultry hot spring! THAT is Tokaido! It is an immersive vacation in a box. So, how does it all work…
In Tokaido, you take on the persona of a Japanese tourist, a.k.a cute, very detailed, little meeples (or minis). From the start you are on a race, albeit not in a complete hurry, to have the most fulfilling vacation across Japan. Here’s the catch: go too fast and you will miss out on all the wonderful opportunities Japan has to offer, as well as victory points. Your goal in Tokaido is to stay just ahead of the other players, yet to visit as many places as possible. Each location provides you with some sort of benefit on your vacation. It may be a beautifully drawn panoramic picture of the landscape (something T.I.M.E Stories would later copy), a visit to a knickknack shop, a dip in a hot spring, some delicious looking hand-rolled sushi, or even a reverent donation to a beautifully ornate temple (highest donation equals BIG victory points later on). All of these items in your collection will reap you some sort of reward in the form of victory points at the end of the game. How you coordinate your collection is VERY important. Simply jumping from space to space will NOT get you delicious sweets like in Candy Land. It’s about timing your moves just right so that you are able complete that entire panoramic landscape, or eat just enough of the right food to satisfy your taste buds.
Seems simple, right? It is! That is the best part. New gamers in your group will gravitate toward the simplistic nature to which the game lends itself. In my gaming groups it has even lead to multiple plays! Experienced gamers will enjoy the delicate artwork and creative mechanics. Because the gameplay is so centered around the mechanic of, “don’t get too far ahead of your neighbor but stay just ahead of them,” it truly feels like you are on the T.V. show “The Greatest Race”. It is a very simple, but clever and excitement-driven concept. With that said, it can be played in under an hour, even with 4 players. Tokaido provides so much gameplay in one simple box, but yet allows you to have a little time left in your game night to still play that heavy Euro afterward. That’s a huge plus in my book, and one reason why it is ranked so high for me. That, and well, those cute little meeples (or minis) get me every time!
I really hope you give this one a try. It is a nice and relaxing experience that lends itself to quick gameplay, immersive theme, and excellent artwork. I hope your trip across Japan will truly be as rewarding as mine was! Ganbarou!! (Good luck!)
Purple Phoenix Games gives this one a relaxing 13 / 18 (Laura has not played it yet).
https://purplephoenixgames.wordpress.com/2019/01/11/tokaido-review/
DISCLAIMER: The photos showing game play reflect components from the Collector’s Edition, as they are upgraded from the traditional retail copy. There is no affect on game play, the components are just nicer. -T
I don’t recall another board game on the market, as of today 1/9/2019, that has been able to recreate some of the intuitive mechanisms that Tokaido provides its players. So okay, envision one of those looooong car rides as a kid in the stuffy old car full of suitcases with your parents. Boring, right? That’s NOT Tokaido!
NOW, Imagine one of the most thrilling trips across Japan – where you get to see the sights, experience the extensive shopping, eat great delicacies, and yes, even take a dip in a sultry hot spring! THAT is Tokaido! It is an immersive vacation in a box. So, how does it all work…
In Tokaido, you take on the persona of a Japanese tourist, a.k.a cute, very detailed, little meeples (or minis). From the start you are on a race, albeit not in a complete hurry, to have the most fulfilling vacation across Japan. Here’s the catch: go too fast and you will miss out on all the wonderful opportunities Japan has to offer, as well as victory points. Your goal in Tokaido is to stay just ahead of the other players, yet to visit as many places as possible. Each location provides you with some sort of benefit on your vacation. It may be a beautifully drawn panoramic picture of the landscape (something T.I.M.E Stories would later copy), a visit to a knickknack shop, a dip in a hot spring, some delicious looking hand-rolled sushi, or even a reverent donation to a beautifully ornate temple (highest donation equals BIG victory points later on). All of these items in your collection will reap you some sort of reward in the form of victory points at the end of the game. How you coordinate your collection is VERY important. Simply jumping from space to space will NOT get you delicious sweets like in Candy Land. It’s about timing your moves just right so that you are able complete that entire panoramic landscape, or eat just enough of the right food to satisfy your taste buds.
Seems simple, right? It is! That is the best part. New gamers in your group will gravitate toward the simplistic nature to which the game lends itself. In my gaming groups it has even lead to multiple plays! Experienced gamers will enjoy the delicate artwork and creative mechanics. Because the gameplay is so centered around the mechanic of, “don’t get too far ahead of your neighbor but stay just ahead of them,” it truly feels like you are on the T.V. show “The Greatest Race”. It is a very simple, but clever and excitement-driven concept. With that said, it can be played in under an hour, even with 4 players. Tokaido provides so much gameplay in one simple box, but yet allows you to have a little time left in your game night to still play that heavy Euro afterward. That’s a huge plus in my book, and one reason why it is ranked so high for me. That, and well, those cute little meeples (or minis) get me every time!
I really hope you give this one a try. It is a nice and relaxing experience that lends itself to quick gameplay, immersive theme, and excellent artwork. I hope your trip across Japan will truly be as rewarding as mine was! Ganbarou!! (Good luck!)
Purple Phoenix Games gives this one a relaxing 13 / 18 (Laura has not played it yet).
https://purplephoenixgames.wordpress.com/2019/01/11/tokaido-review/
Whatchareadin (174 KP) rated Finding Our Forever (Silver Springs, #1) in Books
Apr 9, 2019
Cora has just moved to the town of Silver Springs California, hoping to start a new life with a new job teaching art. She's teaching a a school for troubled boys called, New Horizons and Cora is really drawn to its founder Aiyana. Besides the teaching job, Cora has other reasons to be in Silver Springs. Will she be able to find the answers she is looking for, or will the decisions she makes along the way hinder her ability to discover the truth about herself?
While I have many Brenda Novak books on my Kindle, this is the first of her titles that I have actually read. I was drawn to this book initially because of its setting of Silver Springs, the town I live in is called Silver Spring. I was even more drawn to the book by the characters because I have members of my immediate family with similar names to the characters in the book.
Cora Kelly was adopted 28 years ago. Since that time she has been on a quest to find her mother and find out why. She loves her adoptive parents wholeheartedly, but still has a desire to know where she comes from. Her birth mother was at a reasonable age to keep a child, 21, so what were the circumstances that made her decide that adoption was the best idea, especially since in her investigation she finds out that her birth mother has adopted several children over the years.
This was a very compelling story. It drew me in immediately and I couldn't put it down. I read it in just a few hours over a couple of days. I can't imagine what it would be like to not know your birth parents. And then searching your whole life to find them, with a closed adoption. In Cora's quest to find all this information, she falls in love and faces conflict with her adoptive parents. It's a great story for everyone who likes a little romance in their lives.
While I have many Brenda Novak books on my Kindle, this is the first of her titles that I have actually read. I was drawn to this book initially because of its setting of Silver Springs, the town I live in is called Silver Spring. I was even more drawn to the book by the characters because I have members of my immediate family with similar names to the characters in the book.
Cora Kelly was adopted 28 years ago. Since that time she has been on a quest to find her mother and find out why. She loves her adoptive parents wholeheartedly, but still has a desire to know where she comes from. Her birth mother was at a reasonable age to keep a child, 21, so what were the circumstances that made her decide that adoption was the best idea, especially since in her investigation she finds out that her birth mother has adopted several children over the years.
This was a very compelling story. It drew me in immediately and I couldn't put it down. I read it in just a few hours over a couple of days. I can't imagine what it would be like to not know your birth parents. And then searching your whole life to find them, with a closed adoption. In Cora's quest to find all this information, she falls in love and faces conflict with her adoptive parents. It's a great story for everyone who likes a little romance in their lives.
Mark @ Carstairs Considers (2346 KP) rated Sifting Through the Clues in Books
Apr 24, 2019
Jenna Must Sift Through the Suspects to Find a Killer
Spring has sprung in Crystal Cove, and the town is celebrating all things book club. Clubs from neighboring towns have come to advertise their clubs and Jenna Hart is letting the Cookbook Nook be used to host some of the book discussions happening during the week. But she’s most excited about the progressive dinner that her own book club, the Mystery Mavens, is planning for Saturday night. However, the night ends in tragedy when they arrive at their last stop and find their final hostess, Ivy Beale, dead on her kitchen floor. Ivy had a reputation of knowing everyone’s secrets, and Jenna had seen her clashing with several people in town recently. Was that what got her killed?
One thing I love about the series is the different themes that author Daryl Wood Gerber works in via the town’s events, and book clubs is one that will appeal to all readers. The mystery is strong, with some unusual elements that Jenna must figure out in order to solve the case. I felt the suspects are good and kept me guessing as I went along. The climax was a lot of fun and perfectly wrapped things up. There is a large cast of characters, and I love spending time with them. However, at times it can be hard to remember all the connections, so I was thankful for the list of characters at the beginning of the book. My biggest issue is the relationship between Jenna and Cinnamon Pritchett, the chief of police. They are supposed to be good friends, but I don’t see it based on their interactions here. I get why Cinnamon behaves the way she does, but we need to see more of the friendship between them. We got over a dozen recipes at the end, some sweet and some savory, and many of them give us regular and gluten free versions. Fans of Daryl’s other series will enjoy the Easter eggs she slipped into this book; I know I did.
One thing I love about the series is the different themes that author Daryl Wood Gerber works in via the town’s events, and book clubs is one that will appeal to all readers. The mystery is strong, with some unusual elements that Jenna must figure out in order to solve the case. I felt the suspects are good and kept me guessing as I went along. The climax was a lot of fun and perfectly wrapped things up. There is a large cast of characters, and I love spending time with them. However, at times it can be hard to remember all the connections, so I was thankful for the list of characters at the beginning of the book. My biggest issue is the relationship between Jenna and Cinnamon Pritchett, the chief of police. They are supposed to be good friends, but I don’t see it based on their interactions here. I get why Cinnamon behaves the way she does, but we need to see more of the friendship between them. We got over a dozen recipes at the end, some sweet and some savory, and many of them give us regular and gluten free versions. Fans of Daryl’s other series will enjoy the Easter eggs she slipped into this book; I know I did.
Mark @ Carstairs Considers (2346 KP) rated Sealed Off (A Maine Clambake Mystery, #8) in Books
Jan 2, 2020
Fall Brings Mysteries for Julia
The clambake that Julia Snowden and her family run on their family’s island is just running on weekends through Columbus Day. Unfortunately, tension among the staff seems to be reaching the boiling point. Romances among the staff have been causing issues all season, but Julia was hoping they could make it until the end of the season, and those issues would resolve themselves before the clambake starts up again in the spring. A fist fight as the guests and crew were leaving one days brings things to a head, and leaves Julia in the unfortunate position of firing her boyfriend’s brother. However, a dead body on the island the next morning only makes the situation worse.
There is a strong sub-plot, almost a second full mystery, in this book involving a room that has been sealed off since the 1890’s in the family mansion on the island. Between the two stories, this book moves forward at a constant pace, and the pages flew by. I never wanted to put the book down until I reached the satisfying end. Once again, I was left in awe of how the clues were woven into the story. Several series arcs were advanced here, and the chances for character development were put to full use. The new characters are just as strong as the series regulars, which is no surprise to anyone who has read the series. Those looking for recipes will be pleased with the five we get at the end of the story. There is not one wasted word in this story, and I set it down completely satisfied. Well, almost satisfied. As is always the case, I was left wanting to visit Julia and her family and friends again as soon as possible. Fans of the series will be delighted with this book. If you haven’t started this series yet, you need to fix that as soon as possible.
There is a strong sub-plot, almost a second full mystery, in this book involving a room that has been sealed off since the 1890’s in the family mansion on the island. Between the two stories, this book moves forward at a constant pace, and the pages flew by. I never wanted to put the book down until I reached the satisfying end. Once again, I was left in awe of how the clues were woven into the story. Several series arcs were advanced here, and the chances for character development were put to full use. The new characters are just as strong as the series regulars, which is no surprise to anyone who has read the series. Those looking for recipes will be pleased with the five we get at the end of the story. There is not one wasted word in this story, and I set it down completely satisfied. Well, almost satisfied. As is always the case, I was left wanting to visit Julia and her family and friends again as soon as possible. Fans of the series will be delighted with this book. If you haven’t started this series yet, you need to fix that as soon as possible.
JT (287 KP) rated Risky Business (1983) in Movies
Mar 10, 2020
That shot of Tom Cruise sliding across the hall in his trademark shades, pink shirt and the tightest pair of white briefs is synonymous with the spring board that launched his career.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
A film that may have proved the inspiration for Ferris Bueller’s Day Off is one of Cruise’s most famous roles, and it has all the hall marks of a classic 80s comedy with an influx of drama that proved the catalyst for a great film.
Joel Goodsen (Cruise) is just your average American teen, when his parents go out of town for a few days he and fellow buddies look to have a little fun, in part by turning the homestead into a working brothel.
Of course there is a method behind the madness with Cruise hooking up with call girl Lana (De Mornay), they both have their problems and agree on a mutual business deal which also involves engaging in sex every now and again.
If you ever wonder what to do on the subway one night Cruise and De Mornay lead the lesson. That scene in itself is draped in 80s clichés, soft rock music and a strobe lighting effect from the train, it delivers on the steam factor.
The subject matter throughout is strong and covered across all angles. A highly sexed teenage boy, drug use, what not to do to your father’s Porche and being hunted down by a killer pimp, its all in there.
Cruise’s acting display is not the best, but he has the early raw talent to get him through, and of course as we know, the rest is history. What is always similar about teenage kids of this era getting into trouble is that they always seem to get away with it in the end, Ferris Bueller a prime example.
To think that anyone in this day and age would be as lucky is highly unlikely, and that goes for sliding around in tight white under garments.
Gareth von Kallenbach (980 KP) rated Red Riding Hood (2011) in Movies
Aug 7, 2019
In a small village a wolf has been killing villagers who wander out alone. Yet for rule-breaking Valerie the desire to venture out and spend time with her true love overpowers all logic. However, drama sets in when Valerie finds she has been betrothed to a wealthy villager around the same time that that the big bad wolf returns.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
Johnny Marr recommended track Philadelphia by Magazine in The Correct Use Of Soap by Magazine in Music (curated)
8.0
Album
Favorite
Kirk Bage (1775 KP) rated Höstsonaten (Autumn Sonata) (1978) in Movies
Jan 28, 2021
I have been familiar with Bergman for a long time, having seen Summer With Monika, Wild Strawberries and The Seventh Seal at a young age. They were more or less my first experience of foreign language art cinema that I sort of understood and liked. Something about the practical and economical way conversations happen in Bergman appeals to me. They tend to lack melodrama and romance, but are intellectually satisfying and often dramatically devastating. None more so than this mindbendingly sad tale of a mother and daughter in conflict. Bergman’s regular muses Ingmar Bergman and Liv Ullmann go head to head in a masterclass of acting that left me in utter awe. It reminded me of the first time I saw Gena Rowlands in A Woman Under the Influence – such soul-wrenching honest of emotion, it is almost unbearable. In a good way.
The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.
The fact that something is bleak has never put me off, and Bergman too is completely unafraid of leaving you entirely depressed. In fact, I wish Hollywood wasn’t so afraid of it. Very few films with personal conflicts this strong spring to mind – perhaps Blue Valentine is as close as it gets. But on the scale of rhetorical blows to the emotional solar plexus, that would be a 4 and Autumn Sonata would be a 9. Truthfully, I have seen few things so brutal and painful played out in film form. Guilt, blame, regret, denial, shame and loss cut to the bone, making the key scenes at the crescendo very hard to watch, but also brilliant because of it. Visually it is warm and cosy enough, but quite static, like a stage play, but of course Bergman was aware of this. He wants us to focus on the people, and so we do. A blindingly strong work of art all round. Just not something you want to revisit too often.
LeftSideCut (3776 KP) rated Uncharted (2022) in Movies
Feb 12, 2022
Full disclosure, I'm a massive fan of the Uncharted video game series, and as such, stepped into this one with trepidation. I'm relieved to say then, that despite a few drawbacks, I had a lot of fun overall.
The general premise is going for a precursor to the first game. The characters are younger, learning to gel as a team. Tom Holland is great as a young Nathan Drake. Maybe a little alien in comparison to the game version, but passable for a first outing. I'm still completely unsold on Mark Whalberg as Sully though. He's way more unlikable here than in the games, and that didn't quite sit well with me. The two of them together lack the chemistry that is such an important part of the source material, and it does hurt the film somewhat. Sophia Ali is promising as a young Chloe Frazer, and Tati Gabrielle plays a convincing villain. Antonio Banderas is just kind of there and feels a bit wasted.
The narrative has some pacing issues. As much as I can commend the commitment to lengthy segments of puzzle solving, it doesn't quite have the same impact of when you're in control, and it does drag to a certain extent. Thankfully, the last 30 minutes does a whole lot of heavy lifting in making up for the more lackluster moments. The final set piece causes the film to spring to life, and suddenly, it's a full blown Uncharted film. The action is absurd, the music score is familiar (the main Uncharted theme will always be a banger), and the film ends in a way that has me excited for future installments.
The best way to sum up Uncharted is that it's a good start. It's nowhere near perfect, and it's origin-like narrative pales in comparison to the stories that are right there for the taking thanks to the games, but it feels like a setup for bigger things to come, and most importantly, it does feel like an Uncharted movie, and that's all I really wanted.
The general premise is going for a precursor to the first game. The characters are younger, learning to gel as a team. Tom Holland is great as a young Nathan Drake. Maybe a little alien in comparison to the game version, but passable for a first outing. I'm still completely unsold on Mark Whalberg as Sully though. He's way more unlikable here than in the games, and that didn't quite sit well with me. The two of them together lack the chemistry that is such an important part of the source material, and it does hurt the film somewhat. Sophia Ali is promising as a young Chloe Frazer, and Tati Gabrielle plays a convincing villain. Antonio Banderas is just kind of there and feels a bit wasted.
The narrative has some pacing issues. As much as I can commend the commitment to lengthy segments of puzzle solving, it doesn't quite have the same impact of when you're in control, and it does drag to a certain extent. Thankfully, the last 30 minutes does a whole lot of heavy lifting in making up for the more lackluster moments. The final set piece causes the film to spring to life, and suddenly, it's a full blown Uncharted film. The action is absurd, the music score is familiar (the main Uncharted theme will always be a banger), and the film ends in a way that has me excited for future installments.
The best way to sum up Uncharted is that it's a good start. It's nowhere near perfect, and it's origin-like narrative pales in comparison to the stories that are right there for the taking thanks to the games, but it feels like a setup for bigger things to come, and most importantly, it does feel like an Uncharted movie, and that's all I really wanted.
Matthew Krueger (10051 KP) rated Fright Night (1985) in Movies
Oct 30, 2020
You Can't Murder a Vampire
Fright Night- is a excellent vampire movie. Directed by Tom Holland. It has comedy, horror, lots of gory and Peter Vincent.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.
The plot: Teenage Charley Brewster (William Ragsdale) is a horror-film junkie, so it's no surprise that, when a reclusive new neighbor named Jerry Dandridge (Chris Sarandon) moves next-door, Brewster becomes convinced he is a vampire. It's also no surprise when nobody believes him. However, after strange events begin to occur, Charlie has no choice but to turn to the only person who could possibly help: washed-up television vampire killer Peter Vincent (Roddy McDowall).
While writing the script for Cloak & Dagger, Tom Holland amused himself when he conceived the idea of a horror-movie fan becoming convinced that his next-door neighbor was a vampire, but he did not initially think this premise was enough to sustain a story. "What's he gonna do", Holland asked, "because everybody's gonna think he's mad!"
The Peter Vincent character was named after horror icons Peter Cushing and Vincent Price, and Holland specifically wrote the part for Price, but at this point in his career, Price had been so badly typecast that he had stopped accepting roles in horror movies.
Holland and McDowall built a lasting friendship, and McDowall eventually invited Holland to a dinner party where he introduced him to Vincent Price, who was flattered that the part was an homage to him and commented that the film "was wonderful and he thought Roddy did a wonderful job."
Once his cast was in place, Holland got input from each of the actors and made numerous revisions to the script. Some were slight and others were major – such as the ending, which originally featured Peter Vincent transforming into a vampire as he returned to host Fright Night.
The cast could only wear them for a maximum of 20 minutes because they were virtually blind in them, and they were thick and painful, and dried out their eyes. A set was made for Stark to wear when he was in his final pursuit of Peter and Charley, but he kept tripping on the stairs. Holland told him to take one out, and he was then able to perform the scene.
Three sets were made for Amanda Bearse, but one of them caused her agonizing pain, which she initially tried to endure. When it finally became too much to bear, she took the contacts out and the crew realized they had forgotten to buff them. For the scene in Mrs. Brewster's bedroom, Geoffreys kept his contacts in for nearly 40 minutes, resulting in scratches on his eyeballs for months afterward.
For the transformation sequences, up to 8 hours were needed to prepare Sarandon's makeup.
The makeup for Evil Ed's wolf transformation took 18 hours.
On Christmas Eve, during the shooting of a scene where he is running down a staircase, Ragsdale accidentally tripped and broke his ankle, resulting in the film being temporarily put on a hold until he could recover. "
Many scenes were shot with his foot in a cast, including the scene in which Jerry comes to Charley's room to attack him. For shots in which Charley's feet were visible, the costumers slit Ragsdale's shoes in several places, slipped them on and then covered the portions of white cast that peeked through the slits with black cloth. For the scene in which Jerry is carrying Charley by the throat with one hand, Sarandon was simultaneously pushing Ragsdale along on a furniture dolly.
The shot of Jerry pulling the pencil out of his hand was achieved by having a spring-loaded, collapsible pencil glued to his palm and an eraser-tip loosely attached to the back of his hand. When he turns his hand and pulls the spring-loaded piece from his palm, out of shot a |monofilament wire jerked away the tip, so when he turns it back, it appears as though he hss pulled it straight through his hand.
Filming of the sequence with the bat was difficult for effects veteran Randall Cook, who kept winding up on film while puppeteering the creature.
Its a excellent movie.