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Chris Sawin (602 KP) rated Black Widow (2021) in Movies
Oct 6, 2021
Florence Pugh (2 more)
The free-fall sequence at the end.
Taskmaster before the mask comes off.
It's way too long. (3 more)
The Taskmaster changes are weak.
It's as if the characters are fighting over who gets to be the comedic relief.
Familiar storyline.
Espionage Exhaustion
Black Widow is a film explaining what Natasha Romanoff (Scarlett Johansson) was up to in-between Captain America: Civil War and Avengers: Infinity War. The film was originally set to be released in May of 2020, but was pushed back and had three different release dates thanks to COVID-19. Unfortunately, most completed films that sit on the shelf and are in limbo for over a year rarely live up to the anticipation. Black Widow is worthwhile for a few key action sequences and notable characters that steal the spotlight, but is otherwise a mostly forgettable superhero film.
Marketed as a superhero film, Black Widow is also a spy thriller. Johansson has stated that films such as Logan, Harrison Ford’s The Fugitive, and Terminator 2: Judgment Day were influences. After Civil War, Thaddeus Ross (William Hurt) is on the hunt for Natasha Romanoff. Women like Natasha who have had similar training in a torturous training facility known as The Red Room are victims to brainwashing by a man named Dreykov (Ray Winstone), but a serum ends up in Natasha’s hands that can break Dreykov’s brainwashing. Natasha begins searching for The Red Room and Dreykov, which also has her crossing paths with other spies that posed as her family members; her “sister” Yelena Belova (Florence Pugh), her “father” Alexai Shostakov (David Harbour), and her “mother” Melina Vostokoff (Rachel Weisz).
The biggest selling point for Black Widow is that it’s a mostly female cast in front of and behind the camera. The film is directed by Cate Shortland and Black Widow is her first big budget feature. It’s also co-written by female screenwriter Jac Schaeffer (uncredited co-screenwriter of Captain Marvel) and Ned Benson (director of The Disappearance of Eleanor Rigby).
Taskmaster is cool in the film until you realize the character has been altered from his comic book origins. This isn’t uncommon in the MCU or even other live-action superhero adaptations, but what the character has become in the film will be received with mixed results. In the comics, Taskmaster’s real identity is Anthony Masters and he’s a mercenary not unlike Deadpool (the two have fought together and against each other). Copying fighting styles and weapon techniques is similar to the film, but it’s all thanks to his incredible memory and photographic reflexes.
The character is altered to fit the story in the Black Widow film. It’s not necessarily a bad thing as it gives a bigger purpose for the character since it suddenly becomes a major part of Natasha’s storyline, but how the character evolves over the course of the film seems to almost relieve Natasha of her past sins rather than continue to serve as a catalyst. Taskmaster is generally involved in some of the best hand-to-hand combat sequences, but seems to be left hanging by the end of the film. We could see the character again, but whether or not the desire is there to see Taskmaster return is debatable.
The free-fall sequence that has been teased in the trailers is Black Widow’s most unique source of action. There’s exploding elements and falling debris, Natasha trying to save someone’s life, and Taskmaster thrown in attempting to mess up whatever she has planned; plus a bunch of goons bringing up the rear that will obviously be taken out in peak fashion. The sequence is like a duel to the death taking place on the edge of a volcano that’s about to erupt. It’s on the verge of being overkill, but is just awesome enough to trigger all of the adrenaline in your body.
Kevin Feige apparently wanted an equal amount of screen time for both Natasha and Yelena. With the after-credits sequence, Natasha being very dead after the events of Infinity War, and the reports that Yelena may be the new Black Widow, she’s essentially the star of the film and for good reason. The character begins as an individual with a chip on her shoulder from someone from her past, but Florence Pugh is able to add humor and empathy with her performance. Yelena has the best one-liners in the film (“That would be a cool way to die,”) and is essentially the best source of comedic relief (i.e. her hysterectomy rant), as well. She is the one character in the film you’d want to see more of after Black Widow ends.
The storyline of Black Widow doesn’t feel like anything you haven’t experienced cinematically before, especially within the confines of the MCU. An evil man is responsible for pulling the strings of a bunch of women that would kick his ass otherwise. Unfortunately, Ray Winstone doesn’t feel all that intimidating as Dreykov since he doesn’t do much besides talk in Black Widow. The point is made in the film that is all there’s really needed of the character, but Dreykov’s biggest weapon is his mouth. However, his verbal skills don’t seem advantageous enough to make him such a threat let alone keep him alive for over 20 years.
It also feels like every MCU film has its on-screen characters competing over who can get the most laughs; this is something that only got worse after Thor: Ragnarok proved to be a success. Marvel films are already so formulaic with most villains being introduced and killed within the confines of a single film. Natasha’s spy family all feel like minor extensions of herself. Rachel Weisz, despite not aging a day in nearly 30 years, is forgettable as Melina. David Harbour is essentially his character from Stranger things cosplaying as Mr. Incredible with a Russian accent. Even Florence Pugh’s Yelena Belova character is basically a blonde younger version of Natasha even though they’re not related by blood.
Black Widow clocks in at over two hours and it feels like a film that could have been edited down. Witnessing the events of a dysfunctional spy family who then spend good chunks of the film reminiscing about those moments the audience has already seen is redundant storytelling that feels like nothing more than filler.
Black Widow is worth seeing for Florence Pugh, the free-fall action sequence, and anything involving Taskmaster before it’s revealed who is under the mask. Everything else about Black Widow feels like it was done better by the films it was supposedly influenced by and mostly feels like a diluted imitation of Captain America: The Winter Soldier. It’s fantastic that women are getting more opportunities in big summer blockbusters like this one, but it’s also disheartening since their filmmaking skills are shackled to formulaic superfluity that obviously stands in the way of creating extraordinary cinema.
Marketed as a superhero film, Black Widow is also a spy thriller. Johansson has stated that films such as Logan, Harrison Ford’s The Fugitive, and Terminator 2: Judgment Day were influences. After Civil War, Thaddeus Ross (William Hurt) is on the hunt for Natasha Romanoff. Women like Natasha who have had similar training in a torturous training facility known as The Red Room are victims to brainwashing by a man named Dreykov (Ray Winstone), but a serum ends up in Natasha’s hands that can break Dreykov’s brainwashing. Natasha begins searching for The Red Room and Dreykov, which also has her crossing paths with other spies that posed as her family members; her “sister” Yelena Belova (Florence Pugh), her “father” Alexai Shostakov (David Harbour), and her “mother” Melina Vostokoff (Rachel Weisz).
The biggest selling point for Black Widow is that it’s a mostly female cast in front of and behind the camera. The film is directed by Cate Shortland and Black Widow is her first big budget feature. It’s also co-written by female screenwriter Jac Schaeffer (uncredited co-screenwriter of Captain Marvel) and Ned Benson (director of The Disappearance of Eleanor Rigby).
Taskmaster is cool in the film until you realize the character has been altered from his comic book origins. This isn’t uncommon in the MCU or even other live-action superhero adaptations, but what the character has become in the film will be received with mixed results. In the comics, Taskmaster’s real identity is Anthony Masters and he’s a mercenary not unlike Deadpool (the two have fought together and against each other). Copying fighting styles and weapon techniques is similar to the film, but it’s all thanks to his incredible memory and photographic reflexes.
The character is altered to fit the story in the Black Widow film. It’s not necessarily a bad thing as it gives a bigger purpose for the character since it suddenly becomes a major part of Natasha’s storyline, but how the character evolves over the course of the film seems to almost relieve Natasha of her past sins rather than continue to serve as a catalyst. Taskmaster is generally involved in some of the best hand-to-hand combat sequences, but seems to be left hanging by the end of the film. We could see the character again, but whether or not the desire is there to see Taskmaster return is debatable.
The free-fall sequence that has been teased in the trailers is Black Widow’s most unique source of action. There’s exploding elements and falling debris, Natasha trying to save someone’s life, and Taskmaster thrown in attempting to mess up whatever she has planned; plus a bunch of goons bringing up the rear that will obviously be taken out in peak fashion. The sequence is like a duel to the death taking place on the edge of a volcano that’s about to erupt. It’s on the verge of being overkill, but is just awesome enough to trigger all of the adrenaline in your body.
Kevin Feige apparently wanted an equal amount of screen time for both Natasha and Yelena. With the after-credits sequence, Natasha being very dead after the events of Infinity War, and the reports that Yelena may be the new Black Widow, she’s essentially the star of the film and for good reason. The character begins as an individual with a chip on her shoulder from someone from her past, but Florence Pugh is able to add humor and empathy with her performance. Yelena has the best one-liners in the film (“That would be a cool way to die,”) and is essentially the best source of comedic relief (i.e. her hysterectomy rant), as well. She is the one character in the film you’d want to see more of after Black Widow ends.
The storyline of Black Widow doesn’t feel like anything you haven’t experienced cinematically before, especially within the confines of the MCU. An evil man is responsible for pulling the strings of a bunch of women that would kick his ass otherwise. Unfortunately, Ray Winstone doesn’t feel all that intimidating as Dreykov since he doesn’t do much besides talk in Black Widow. The point is made in the film that is all there’s really needed of the character, but Dreykov’s biggest weapon is his mouth. However, his verbal skills don’t seem advantageous enough to make him such a threat let alone keep him alive for over 20 years.
It also feels like every MCU film has its on-screen characters competing over who can get the most laughs; this is something that only got worse after Thor: Ragnarok proved to be a success. Marvel films are already so formulaic with most villains being introduced and killed within the confines of a single film. Natasha’s spy family all feel like minor extensions of herself. Rachel Weisz, despite not aging a day in nearly 30 years, is forgettable as Melina. David Harbour is essentially his character from Stranger things cosplaying as Mr. Incredible with a Russian accent. Even Florence Pugh’s Yelena Belova character is basically a blonde younger version of Natasha even though they’re not related by blood.
Black Widow clocks in at over two hours and it feels like a film that could have been edited down. Witnessing the events of a dysfunctional spy family who then spend good chunks of the film reminiscing about those moments the audience has already seen is redundant storytelling that feels like nothing more than filler.
Black Widow is worth seeing for Florence Pugh, the free-fall action sequence, and anything involving Taskmaster before it’s revealed who is under the mask. Everything else about Black Widow feels like it was done better by the films it was supposedly influenced by and mostly feels like a diluted imitation of Captain America: The Winter Soldier. It’s fantastic that women are getting more opportunities in big summer blockbusters like this one, but it’s also disheartening since their filmmaking skills are shackled to formulaic superfluity that obviously stands in the way of creating extraordinary cinema.
Kristy H (1252 KP) rated As Chimney Sweepers Come to Dust (Flavia de Luce, #7) in Books
Feb 13, 2018
I can't help it. I just find Flavia de Luce absolutely delightful. I want to be her friend, her confidante, her laboratory buddy. I confess that the last Flavia novel, The Dead in their Vaulted Arches, was probably my least favorite of the series (though still a fun read), and I was a bit tentative about this one. And it's true, I missed Buckshaw a lot (though probably not as much as Flavia). This novel finds Flavia in Canada, navigating boarding school after discovery that she's to be inducted in the same secret society as her mother.
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)
Perhaps I envisioned a bit more secret-spy training for Flavia than the book delivered - instead, immediately upon her arrival, a dead body falls out of a chimney, and Flavia sets upon her usual course - proving the adults wrong and finding out whodunnit. It's a formula that still hasn't gotten old, because Bradley simply writes Flavia so well. She is such an amazing character - so likable, so true to herself. I can just picture her in the situations in which she finds herself, and imagine the adults around her and their expressions. Flavia has some good interactions with both her fellow students and teachers at this new academy -- many of whom knew her mother. the late Harriet. She proves herself a worthy detective, again, of course, using her wits and chemistry.
The whole Nide business is still a bit odd and confusing to me. I suppose that's the point, but it's hard not to have some resolution - though I suppose we are supposed to be sharing Flavia's similar frustration at this point.
Nevertheless, I am amazed at Bradley's ability to continue to write books that so embody this character. I often try to envision a Flavia film and then find myself hoping it never happens, as I would hate to have the Flavia in my head ruined by the movies.
Definitely worth a read, as always, and now I'm left bereft that I'll have to wait over a year for the next installment of Flavia's adventures.
(Note, I received an advanced copy of this title from NetGalley in return for an unbiased review.)
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TravelersWife4Life (31 KP) rated Crystal Witness in Books
Feb 24, 2021
What is the best way to get lost in a book you may ask? Well, Kathy Tyers certainly will help you find the answer to that question in Crystal Witness. From what I can find, Crystal Witness is a standalone book and not part of a series.
The Setting/Storyline
The best way I know how to describe the experience of this book is by likening it to a dream that you do not want to wake up from. Kathy Tyers managed to make me feel as if I were immersed in a very different world, from her detailed descriptions of everyday life to the way people looked and dressed. It was fascinating. I liked how she gave just enough background at the beginning to get you curious, without feeling lost, and make you very involved in the outcome of the character's lives and that of the world they live in. One of the best total immersions I have read in a long time. At some points in the story, I did feel a little lost as I was not quite sure how the beginning of the story connected, but it did make sense by the end.
The Characters
Kathy Tyers brought to life some great characters. I enjoyed Ming’s artistic talent and how Kathy Tyers described the 3D and calligraphy aspects of it. Ming’s reactions to waking up after 20-year imprisonment were very realistic (not that I know what it would really be like), and I enjoyed seeing her come out of her shell; I think Ming showed a very intelligent and sweet nature. Tieg her male counterpart was a cross between a bad boy spy and an emotional musician, he was a well brought to life character that I could envision in my mind while reading. Both Ming and Tieg learned different aspects of trust and doing what is right no matter the cost. The secondary characters were great additions to round out the rest of the story and I sincerely enjoyed their interactions with the main characters, each one displayed growth throughout the story and by the end, I was wishing they had their own stories too! (Hint, hint
The Setting/Storyline
The best way I know how to describe the experience of this book is by likening it to a dream that you do not want to wake up from. Kathy Tyers managed to make me feel as if I were immersed in a very different world, from her detailed descriptions of everyday life to the way people looked and dressed. It was fascinating. I liked how she gave just enough background at the beginning to get you curious, without feeling lost, and make you very involved in the outcome of the character's lives and that of the world they live in. One of the best total immersions I have read in a long time. At some points in the story, I did feel a little lost as I was not quite sure how the beginning of the story connected, but it did make sense by the end.
The Characters
Kathy Tyers brought to life some great characters. I enjoyed Ming’s artistic talent and how Kathy Tyers described the 3D and calligraphy aspects of it. Ming’s reactions to waking up after 20-year imprisonment were very realistic (not that I know what it would really be like), and I enjoyed seeing her come out of her shell; I think Ming showed a very intelligent and sweet nature. Tieg her male counterpart was a cross between a bad boy spy and an emotional musician, he was a well brought to life character that I could envision in my mind while reading. Both Ming and Tieg learned different aspects of trust and doing what is right no matter the cost. The secondary characters were great additions to round out the rest of the story and I sincerely enjoyed their interactions with the main characters, each one displayed growth throughout the story and by the end, I was wishing they had their own stories too! (Hint, hint
Leanne Crabtree (480 KP) rated More than Meets the Ink (The Bowen Boys #1) in Books
Jan 6, 2021
This review and more can be found at my blog https://aromancereadersreviews.blogspot.com
A Romance Reader's Reviews
2.5 stars
This has been borrowed from the Kindle Unlimited library and has been on my "want-to-read-don't-own" shelf on Goodreads for quite a while
This starts with Tate crawling across the garden with her mother as they try to spy on their neighbour, who Tate's mum believes has taken her cat, Amy. They are interrupted by tattooed pretty boy, James, who happens to be their neighbours son. Instant attraction leads to flirting. Flirting leads to lots of hot almost-sex, almost because they keep being interrupted by the residents of the older peoples housing facility where they're visiting their respective parents. They finally do the deed before they both have to head home, only they now know they live in the same city. And of course they end up meeting again.
Before I started this I thought it was more of a new adult type thing with it's older cover but the new one (above) has made it all a bit more mysterious. I wasn't sure what the story was going to be other than a romance so its detailed sex scenes threw me off a bit and after so many, I started skipping them entirely. The romance was already starting to bloom so I wasn't really missing anything.
There's also a secondary storyline involving Tate's family restaurant and someone trying to get her to close it with daily threatening emails and stuff going wrong in the restaurant. When James gets wind of what's been happening he insists on helping her deal with it.
I have to admit that I liked James, quite a lot to be honest. He was a little take-charge and bull headed at times but you could tell he did it because he cared. Tate was far too judgmental at the start and it took me quite a while to warm up to her. She seemed really argumentative at times and somewhat whiny.
I'll admit that towards the end I started skipping bits, starting to lose interest in it. I was mainly waiting for the show down with the bad guy.
Not as good as I wanted it to be.
A Romance Reader's Reviews
2.5 stars
This has been borrowed from the Kindle Unlimited library and has been on my "want-to-read-don't-own" shelf on Goodreads for quite a while
This starts with Tate crawling across the garden with her mother as they try to spy on their neighbour, who Tate's mum believes has taken her cat, Amy. They are interrupted by tattooed pretty boy, James, who happens to be their neighbours son. Instant attraction leads to flirting. Flirting leads to lots of hot almost-sex, almost because they keep being interrupted by the residents of the older peoples housing facility where they're visiting their respective parents. They finally do the deed before they both have to head home, only they now know they live in the same city. And of course they end up meeting again.
Before I started this I thought it was more of a new adult type thing with it's older cover but the new one (above) has made it all a bit more mysterious. I wasn't sure what the story was going to be other than a romance so its detailed sex scenes threw me off a bit and after so many, I started skipping them entirely. The romance was already starting to bloom so I wasn't really missing anything.
There's also a secondary storyline involving Tate's family restaurant and someone trying to get her to close it with daily threatening emails and stuff going wrong in the restaurant. When James gets wind of what's been happening he insists on helping her deal with it.
I have to admit that I liked James, quite a lot to be honest. He was a little take-charge and bull headed at times but you could tell he did it because he cared. Tate was far too judgmental at the start and it took me quite a while to warm up to her. She seemed really argumentative at times and somewhat whiny.
I'll admit that towards the end I started skipping bits, starting to lose interest in it. I was mainly waiting for the show down with the bad guy.
Not as good as I wanted it to be.