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The Avengers - Season 4
The Avengers - Season 4
1965 | Comedy, Fantasy, Sci-Fi, Thriller
Difficult not to use words like iconic to describe this; the two seasons with Diana Rigg (this is the first of them) is what defines this series in the public recollection. Gentleman spy John Steed and his leather-clad friend Emma Peel investigate a wide range of threats to British society as we know it, ranging from the relatively mundane (attempts to assassinate visiting dignitaries) to the positively outlandish (man-eating Martian plants with mind-control powers).

Occasionally a bit tonally uneven, but still mostly a joy to watch even after all these years: the two leads are clearly enjoying themselves hugely and so are the characters (most of the time). The best episodes have a sort of intelligent silliness about them which is almost irresistible: they sustain a mixture of spy spoof, black comedy, and science fiction which many have tried to copy but few have achieved. This is the Avengers in its imperial phase.
  
The Satanic Rites of Dracula (1974)
The Satanic Rites of Dracula (1974)
1974 | International, Horror
5
6.0 (2 Ratings)
Movie Rating
Last Film With Christopher Lee as Dracula (1 more)
A huge Disappointment
Out With Boredom
The Satanic Rites of Dracula- was a huge disappointment. It was boring, and only was intresting when Dracula was on screen. The first 30 minutes doesnt seem like a dracula film, i was confused on what i was watching. It sad because this was the last time you get to see Christopher Lee as Dracula. And it was a disappointment.

The plot: British-made chiller about a blood-thirsty count who takes up residence in modern London to develop a new strain of bubonic plague, with the evil intention of annihilating all life on Earth.

Work began on what was tentatively titled Dracula is Dead...and Well and Living in London in November 1972.

The film itself is a mixture of horror, science fiction and a spy thriller, with a screenplay by Don Houghton, a veteran of BBC's Doctor Who. This is the problem its trying to be more sci-fi and a spy thriller than horror.

This was the final Hammer film that Christopher Lee and Peter Cushing would make together. The two stars would eventually reunite one more time in House of the Long Shadows, ten years later.

A huge let down.