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JT (287 KP) rated Killer Elite (2011) in Movies
Mar 10, 2020
Just another mindless Statham master-class of ass kicking? Think again people, this one is a whole different ball game, and one that sets this easily one of the Stath’s best to date. Paired alongside Robert De Niro would be an honour in itself for any actor and the rapport between the two was like they had been lifelong friends.
Despite De Niro’s relatively smallish part he still gets his moment in the limelight, and makes the most of the opportunity, with a few witty pieces of dialogue thrown in, we all know he can handle an automatic weapon.
It’s more than just an action film though, it’s part drama part spy thriller
This is all about Danny (Jason Statham) and his group of deadly assassins, Davies, played by Prison Break’s Dominic Purcell and Meier (Aden Young) who set out to take down three former SAS soldiers who are alleged to have killed a dying Sheik’s three sons. All this in return for the release of Hunter, simply put “You do this job, or Hunter’s a dead man.”
Set in the 80s it gives the film a real retro feel to it, and the action is balls and all, there is no CGI here. From an opening sequence centred on a assassination attempt to close hand to hand combat, director McKendry goes a little Bourne-esque with his sharp direction and tight camera shots.
Clive Owen sporting the film’s dodgiest tash is ultra slick and uber cool as the dogsbody of a secret society called The Feather Men which is actually a book by Ranulph Fiennes to which the film is based. Why The Feather Men? Because they have the lightest touch, apt really when Owen goes about his business heavy handed.
It’s more than just an action film though, its part drama part spy thriller. The script is extremely well written with intricate characters that you can care about, rather than go to watch kick the shit out of each other.
The film does jump from a variety of locations, from the Middle East to London to Paris to the outback bush of Australia, it can be hard to follow and keep up with just where they are. But a close eye will leave no confusion whatsoever.
It’s a great debut feature from McKendry and will do his stock no harm at all, and for Statham fans this one has got a bit more meat on it to chew through.
Despite De Niro’s relatively smallish part he still gets his moment in the limelight, and makes the most of the opportunity, with a few witty pieces of dialogue thrown in, we all know he can handle an automatic weapon.
It’s more than just an action film though, it’s part drama part spy thriller
This is all about Danny (Jason Statham) and his group of deadly assassins, Davies, played by Prison Break’s Dominic Purcell and Meier (Aden Young) who set out to take down three former SAS soldiers who are alleged to have killed a dying Sheik’s three sons. All this in return for the release of Hunter, simply put “You do this job, or Hunter’s a dead man.”
Set in the 80s it gives the film a real retro feel to it, and the action is balls and all, there is no CGI here. From an opening sequence centred on a assassination attempt to close hand to hand combat, director McKendry goes a little Bourne-esque with his sharp direction and tight camera shots.
Clive Owen sporting the film’s dodgiest tash is ultra slick and uber cool as the dogsbody of a secret society called The Feather Men which is actually a book by Ranulph Fiennes to which the film is based. Why The Feather Men? Because they have the lightest touch, apt really when Owen goes about his business heavy handed.
It’s more than just an action film though, its part drama part spy thriller. The script is extremely well written with intricate characters that you can care about, rather than go to watch kick the shit out of each other.
The film does jump from a variety of locations, from the Middle East to London to Paris to the outback bush of Australia, it can be hard to follow and keep up with just where they are. But a close eye will leave no confusion whatsoever.
It’s a great debut feature from McKendry and will do his stock no harm at all, and for Statham fans this one has got a bit more meat on it to chew through.
Awix (3310 KP) rated Red Sparrow (2018) in Movies
Mar 7, 2018 (Updated Mar 7, 2018)
Stodgy and slightly bloated twisty-turny espionage thriller is made distinctive, if that's the right word, by extra added leery prurience. Beautiful Russian ballerina (played by American) is blackmailed by her uncle (Belgian) into going to elite hooker-spy school, run by terrifying matron (English). Soon she is packed off on mission to subvert rugged American CIA agent (Australian).
Now there's a discussion to be had about just how appropriate it is to be making blockbuster entertainment about Russian espionage, infiltration, and assassination these days - some would say that a taste barrier has been well and truly breached, and the depiction of the Russian state is cartoon-horrible. But surely we can agree that, at the moment if at no other time, there is something unconscionable about a movie the sine qua non of which is the depiction of an attractive young actress in various provocative situations and states of nudity. Some nastily graphic violence, too, much of it misogynistic and openly sexual. J-Law's performance is not up to the usual standard and mainly consists of doing a Rooshan oksent from behind an unflattering fringe. Competently made, but too long and too much. The kind of film you emerge from wanting to be hosed down with sheep dip. Yuck.
Now there's a discussion to be had about just how appropriate it is to be making blockbuster entertainment about Russian espionage, infiltration, and assassination these days - some would say that a taste barrier has been well and truly breached, and the depiction of the Russian state is cartoon-horrible. But surely we can agree that, at the moment if at no other time, there is something unconscionable about a movie the sine qua non of which is the depiction of an attractive young actress in various provocative situations and states of nudity. Some nastily graphic violence, too, much of it misogynistic and openly sexual. J-Law's performance is not up to the usual standard and mainly consists of doing a Rooshan oksent from behind an unflattering fringe. Competently made, but too long and too much. The kind of film you emerge from wanting to be hosed down with sheep dip. Yuck.
The Complete Richard Hannay Stories
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ClareR (6253 KP) rated The Resident in Books
Jul 26, 2020 (Updated Jul 26, 2020)
How can a thriller be both horrific and hilarious at the same time? The humour in The Resident keeps poking its head up in the most unlikely and inappropriate circumstances, and I loved it.
Thomas Brogan is a serial killer on the run, who finds an abandoned end of terrace house to hide in. He discovers that this house and the other three in the row have a shared loft space. So Brogan starts to spy on his neighbours. He has a penchant for playing games with his victims, and this is an ideal set up for him - and the secrets that he discovers are more than enough to keep him entertained.
This is such a fast paced, entertaining read, and I can well imagine it as a film. There are some very interesting twists and turns, and some real heart-in-mouth moments. It was another great reading experience with The Pigeonhole, the comments and opinions from the other readers making it all the more entertaining, and the author dropping in to answer questions. This is what makes The Pigeonhole so great!
If you like your thrillers a bit gory and a bit inappropriately funny, you’ll love this book - I did!
Thomas Brogan is a serial killer on the run, who finds an abandoned end of terrace house to hide in. He discovers that this house and the other three in the row have a shared loft space. So Brogan starts to spy on his neighbours. He has a penchant for playing games with his victims, and this is an ideal set up for him - and the secrets that he discovers are more than enough to keep him entertained.
This is such a fast paced, entertaining read, and I can well imagine it as a film. There are some very interesting twists and turns, and some real heart-in-mouth moments. It was another great reading experience with The Pigeonhole, the comments and opinions from the other readers making it all the more entertaining, and the author dropping in to answer questions. This is what makes The Pigeonhole so great!
If you like your thrillers a bit gory and a bit inappropriately funny, you’ll love this book - I did!
Sleeping with a Psychopath
7.5
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Awix (3310 KP) rated La Flor (2018) in Movies
Nov 2, 2019
How can one rating do justice to film-making on this scale? The simple numbers involved are staggering: the film lasts thirteen and a half hours, took nine years to make, is composed of six different episodes comprising many more sub-narratives. It's usually shown over three or four days, for obvious reasons. Even the closing credits last for over forty minutes (yes, I stayed: my thought process was basically 'Well, I've come this far..).
There's at least one horror movie in the mix, along with a musical melodrama, a sprawling existential spy thriller, and a metafictional self-parody. Characters include archaeologists, witches, Casanova and Margaret Thatcher. Just about the only thing holding it together is the presence of the same four actresses, who play significant roles in almost every episode. It begins very generic, but becomes increasingly strange and avant garde as it progresses. One would say it has become completely unravelled by the end, but it's not as if it was ever very ravelled. Parts of it are indisputably brilliant and highly accomplished, others are kind of indifferent; some of it is actively irritating. In the end it is a gargantuan, self-indulgent oddity. Some of it is definitely worth watching, but the whole thirteen hours...? I'm not sure. Maybe wait until it comes on TV.
There's at least one horror movie in the mix, along with a musical melodrama, a sprawling existential spy thriller, and a metafictional self-parody. Characters include archaeologists, witches, Casanova and Margaret Thatcher. Just about the only thing holding it together is the presence of the same four actresses, who play significant roles in almost every episode. It begins very generic, but becomes increasingly strange and avant garde as it progresses. One would say it has become completely unravelled by the end, but it's not as if it was ever very ravelled. Parts of it are indisputably brilliant and highly accomplished, others are kind of indifferent; some of it is actively irritating. In the end it is a gargantuan, self-indulgent oddity. Some of it is definitely worth watching, but the whole thirteen hours...? I'm not sure. Maybe wait until it comes on TV.
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