Search
zapptales - WhatsApp Chat Book
Book
App
With zapptales you can print your favourite WhatsApp Chat as a book. Easy, safe and unique! Because...
Phillip McSween (751 KP) rated The Godfather (1972) in Movies
Dec 3, 2018
Epic Indeed
What makes a film stand the test of time? How do you create a movie that will have the same impact today as it will fifty years from now? That’s almost how long it’s been since The Godfather was released. Can you believe that? It was a classic then and still remains to be so. It follows the story of the Corleone family, a prominent mob family in New York. Michael (Al Pacino), youngest son of Godfather Vito (Marlon Brando), is trying to stay away from the “family business” but finds himself thrust right in the middle after a mob war erupts.
Acting: 10You couldn’t ask for a better cast than within that of The Godfather. Brando captures your attention from jump, smooth yet broiling with passion. He comes off as the type that can handle any situation but doesn’t need to do so to prove himself.
Pacino is phenomenal in his role as Michael. You can feel the weight of his innocence as he finds himself in the middle of things he vowed to stay away from. One of my favorite scenes involves him having to kill someone in a restaurant. When he goes to the bathroom to grab the gun (where it’s stashed in a stall), he is pacing and nervous. As a viewer, you can sense his struggle. He knows that once he does this, there is no going back. It’s incredible to watch his transformation over time as he ascends to power. You can see him becoming what his father was.
Beginning: 10
Characters: 10
Vito and Michael are just a taste of the rich characters that keep the film fresh even to this day. You’ve got Sonny the firstborn, quick to drop a hit or do whatever it takes to protect his family. You find out exactly what that means when he confronts his sister’s abusive husband in the streets threatening to blow his head off.
Then you have a guy like Tom Hagen, the soft-spoken consigliere of the family. He brings a voice of reason to the chaos surrounding the Corleone family. He wants badly to be an official part of the family but can’t because of his Irish descent. As a result, it makes him work twice as hard.
These characters aren’t just one-dimensional, but they carry enough layers to singlehandedly move their own story. Through each of these characters you understand what it means to be a Corleone and how each of them play a specific part to complete the whole.
Cinematography/Visuals: 10
Conflict: 10
If the characters are what enhance the movie, conflict is what ultimately drives it. Sometimes the intensity is subtle while other times it’s loud and boisterous. It’s always there because you understand as a viewer that lives are always on the line, always at stake. The mafia families are playing for power and, most importantly, they are playing for keeps. There are so many great action sequences that stick out in my mind. There is no shortage of death and every death in this film comes with a meaning and a price.
Genre: 10
Memorability: 10
Pace: 10
When a movie is pushing three hours or goes 3+, I’m usually thinking how they could have shortened things. Not only was the runtime necessary here, but The Godfather runs at a consistent smooth pace. It manages itself by keeping you on high alert in some scenes then reining you back in for the next scene.
I remember watching one intense scene where Michael was protecting his father in the hospital. I remember thinking, “Thank God the entire movie is not like this! I would have a heartattack.” Though the film is long, I would have gladly watched another hour if it had been tacked on.
Plot: 9
Enough of the love fest. Time for my one itty bitty gripe. There were a couple of occasions where I found it difficult to keep up with the families, in some cases the Corleones themselves. The plot tripped me up in spots but it was nothing close to ruining an amazing experience.
Resolution: 10The ending of this film is one for the ages, a powerful scene that will stand out in your mind for a long time. It’s the passing of a torch, but the way is unfolds is just so damn cool! I don’t want to ruin it for those that haven’t seen, but for those that have, you know exactly what I mean.
Overal: 99
Classic. I can’t believe it took me this long to watch it. I have to say, it was well worth the wait.
Acting: 10You couldn’t ask for a better cast than within that of The Godfather. Brando captures your attention from jump, smooth yet broiling with passion. He comes off as the type that can handle any situation but doesn’t need to do so to prove himself.
Pacino is phenomenal in his role as Michael. You can feel the weight of his innocence as he finds himself in the middle of things he vowed to stay away from. One of my favorite scenes involves him having to kill someone in a restaurant. When he goes to the bathroom to grab the gun (where it’s stashed in a stall), he is pacing and nervous. As a viewer, you can sense his struggle. He knows that once he does this, there is no going back. It’s incredible to watch his transformation over time as he ascends to power. You can see him becoming what his father was.
Beginning: 10
Characters: 10
Vito and Michael are just a taste of the rich characters that keep the film fresh even to this day. You’ve got Sonny the firstborn, quick to drop a hit or do whatever it takes to protect his family. You find out exactly what that means when he confronts his sister’s abusive husband in the streets threatening to blow his head off.
Then you have a guy like Tom Hagen, the soft-spoken consigliere of the family. He brings a voice of reason to the chaos surrounding the Corleone family. He wants badly to be an official part of the family but can’t because of his Irish descent. As a result, it makes him work twice as hard.
These characters aren’t just one-dimensional, but they carry enough layers to singlehandedly move their own story. Through each of these characters you understand what it means to be a Corleone and how each of them play a specific part to complete the whole.
Cinematography/Visuals: 10
Conflict: 10
If the characters are what enhance the movie, conflict is what ultimately drives it. Sometimes the intensity is subtle while other times it’s loud and boisterous. It’s always there because you understand as a viewer that lives are always on the line, always at stake. The mafia families are playing for power and, most importantly, they are playing for keeps. There are so many great action sequences that stick out in my mind. There is no shortage of death and every death in this film comes with a meaning and a price.
Genre: 10
Memorability: 10
Pace: 10
When a movie is pushing three hours or goes 3+, I’m usually thinking how they could have shortened things. Not only was the runtime necessary here, but The Godfather runs at a consistent smooth pace. It manages itself by keeping you on high alert in some scenes then reining you back in for the next scene.
I remember watching one intense scene where Michael was protecting his father in the hospital. I remember thinking, “Thank God the entire movie is not like this! I would have a heartattack.” Though the film is long, I would have gladly watched another hour if it had been tacked on.
Plot: 9
Enough of the love fest. Time for my one itty bitty gripe. There were a couple of occasions where I found it difficult to keep up with the families, in some cases the Corleones themselves. The plot tripped me up in spots but it was nothing close to ruining an amazing experience.
Resolution: 10The ending of this film is one for the ages, a powerful scene that will stand out in your mind for a long time. It’s the passing of a torch, but the way is unfolds is just so damn cool! I don’t want to ruin it for those that haven’t seen, but for those that have, you know exactly what I mean.
Overal: 99
Classic. I can’t believe it took me this long to watch it. I have to say, it was well worth the wait.
“OMG when is Purple Phoenix Games gonna review another Harry Potter game??” We listened. So here is the next installment of our unofficial Harry Potter games series. In Harry Potter: Hogwarts Battle – Defence Against the Dark Arts (which I will gladly reduce to Defence throughout the review, even though my American English Spidey-Senses are all over that spelling), players will be playing through a duel in the classroom using spells, allies, and items to push back and stun their opponent. Have you got the wand strength to stand up to your rival?
Like I just mentioned, Defence pits two players against each other in a sparring scenario. Players will be drafting cards that represent Spells to sling, Allies to aid, and Items to help knock opponents off their balance. The winner of Defence is the wizard who can stun their opponent three times. Only then will they be able to stand a chance against their dark foes.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup a game, follow the rulebook instructions to lay out the main duel board and its shuffled decks that will surround it. These include the Hogwarts deck (from which players will be purchasing cards to add to their discard piles), the Library deck (which includes only Books cards that add influence or the ability to draw the top card of the player deck), Hexes (which are placed directly in the opponent’s discard pile and must be dealt with first when in hand), and Banished cards. Each player will choose a House card and a matching mover token to be placed on the board. Likewise, each player will have a starting hand of seven Alohomora! cards, one Wand, one Cauldron, and one starter Ally: Owl, Toad, or Cat. Each player will shuffle their starting deck, drawing five for their starting hand. Determine the starting player and the duel may begin!
On a player’s turn they will first deal with any Hex cards they have acquired, following the instructions written on the card. Once cleared, the active player will play cards from their hand in any order they wish to gain Influence to purchase cards from the Classroom (market), Attack points to push back their opponent towards the Stun space, or Health points to move their own mover token one space closer to the Starting space on the board.
Cards that are purchased from the Classroom can be Items, Spells, or even Allies. Items and Spells typically provide Influence, Health, or Attack, and some will have House bonuses in addition to normal effects. In order to take advantage of the House bonus, a player will either need to be from the affiliated House, or have an active Ally belonging to the affiliated House. This is a new mechanic in this game and adds another layer of strategy to a player’s purchasing.
As wizards duel back and forth slinging Spells, recruiting and activating Allies, and using Items to push back their opponent, one wizard will be stunned. When this happens the players will reset their play areas by combining all of their cards they have in their possession. Shuffle the lot of them, draw another hand of five cards and reset their mover token back to the Starting space. The next round is ready to begin and the wizard who stuns their opponent thrice will be crowned champion! Or get an A for the day… or whatever the Common Core equivalent is nowadays.
Components. I have many great things to say about the components in this box and a couple little gripes. Gripelets, really. First gripe: the box comes with a cardstock sleeve. It is very cool and looks great, but it’s unnecessary and I find it keeps snagging on other boxes and such. Not a big deal, as I can always get rid of it, but that’s an opinion. Second, the board is very dark. It features a very dark purple (yay purple!) with black spaces upon which players move their tokens. The colors are very close under certain lighting and I wish there was even just a faint outline of the spaces in a white or gray. Lastly, and probably just me and the way I play, the Attack and Health trackers are almost completely unnecessary. I know you are supposed to take a token every time you “Gain” a Health or Attack point, but I always just keep track in my head thus negating the need for the tokens.
But onto the great. Literally everything else is great. I have always enjoyed the components in the original game, and as this one contains many of the same, I also enjoy these. The art style is interesting and pretty cool, and I really don’t mind screencaps as much as many others do. So for me, overall, I really enjoy the components here.
All in all I truly love this game. I am almost always in the mood to play Harry Potter: Hogwarts Battle, but it is cooperative and my wife doesn’t really enjoy the OG HP game. This one, however, she does enjoy because she can just flex on me and stun me into oblivion with her superior deckbuilding abilities. This one is quicker to setup and play, and holds a much smaller footprint. The mechanics are familiar without being totally duplicating, and I just love deckbuilders in general. So this one was bound to be a big hit with me from the start.
If you are looking for a great Harry Potter-themed deckbuilding game and are not completely sold on the bigger cooperative game, take a look at this much smaller two-player competitive title. Do try to take some of the cards with a grain of salt, as I am sure it is difficult to imagine having both Hermione and Draco as allies simultaneously, but it can happen in the game. Purple Phoenix Games gives this one a very enthusiastic 11 / 12. Just a word of caution, try not to Flipendo your table when you lose. It won’t end well.
Like I just mentioned, Defence pits two players against each other in a sparring scenario. Players will be drafting cards that represent Spells to sling, Allies to aid, and Items to help knock opponents off their balance. The winner of Defence is the wizard who can stun their opponent three times. Only then will they be able to stand a chance against their dark foes.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup a game, follow the rulebook instructions to lay out the main duel board and its shuffled decks that will surround it. These include the Hogwarts deck (from which players will be purchasing cards to add to their discard piles), the Library deck (which includes only Books cards that add influence or the ability to draw the top card of the player deck), Hexes (which are placed directly in the opponent’s discard pile and must be dealt with first when in hand), and Banished cards. Each player will choose a House card and a matching mover token to be placed on the board. Likewise, each player will have a starting hand of seven Alohomora! cards, one Wand, one Cauldron, and one starter Ally: Owl, Toad, or Cat. Each player will shuffle their starting deck, drawing five for their starting hand. Determine the starting player and the duel may begin!
On a player’s turn they will first deal with any Hex cards they have acquired, following the instructions written on the card. Once cleared, the active player will play cards from their hand in any order they wish to gain Influence to purchase cards from the Classroom (market), Attack points to push back their opponent towards the Stun space, or Health points to move their own mover token one space closer to the Starting space on the board.
Cards that are purchased from the Classroom can be Items, Spells, or even Allies. Items and Spells typically provide Influence, Health, or Attack, and some will have House bonuses in addition to normal effects. In order to take advantage of the House bonus, a player will either need to be from the affiliated House, or have an active Ally belonging to the affiliated House. This is a new mechanic in this game and adds another layer of strategy to a player’s purchasing.
As wizards duel back and forth slinging Spells, recruiting and activating Allies, and using Items to push back their opponent, one wizard will be stunned. When this happens the players will reset their play areas by combining all of their cards they have in their possession. Shuffle the lot of them, draw another hand of five cards and reset their mover token back to the Starting space. The next round is ready to begin and the wizard who stuns their opponent thrice will be crowned champion! Or get an A for the day… or whatever the Common Core equivalent is nowadays.
Components. I have many great things to say about the components in this box and a couple little gripes. Gripelets, really. First gripe: the box comes with a cardstock sleeve. It is very cool and looks great, but it’s unnecessary and I find it keeps snagging on other boxes and such. Not a big deal, as I can always get rid of it, but that’s an opinion. Second, the board is very dark. It features a very dark purple (yay purple!) with black spaces upon which players move their tokens. The colors are very close under certain lighting and I wish there was even just a faint outline of the spaces in a white or gray. Lastly, and probably just me and the way I play, the Attack and Health trackers are almost completely unnecessary. I know you are supposed to take a token every time you “Gain” a Health or Attack point, but I always just keep track in my head thus negating the need for the tokens.
But onto the great. Literally everything else is great. I have always enjoyed the components in the original game, and as this one contains many of the same, I also enjoy these. The art style is interesting and pretty cool, and I really don’t mind screencaps as much as many others do. So for me, overall, I really enjoy the components here.
All in all I truly love this game. I am almost always in the mood to play Harry Potter: Hogwarts Battle, but it is cooperative and my wife doesn’t really enjoy the OG HP game. This one, however, she does enjoy because she can just flex on me and stun me into oblivion with her superior deckbuilding abilities. This one is quicker to setup and play, and holds a much smaller footprint. The mechanics are familiar without being totally duplicating, and I just love deckbuilders in general. So this one was bound to be a big hit with me from the start.
If you are looking for a great Harry Potter-themed deckbuilding game and are not completely sold on the bigger cooperative game, take a look at this much smaller two-player competitive title. Do try to take some of the cards with a grain of salt, as I am sure it is difficult to imagine having both Hermione and Draco as allies simultaneously, but it can happen in the game. Purple Phoenix Games gives this one a very enthusiastic 11 / 12. Just a word of caution, try not to Flipendo your table when you lose. It won’t end well.
Kristy H (1252 KP) rated The Sunshine Sisters in Books
Jan 21, 2018
Good beach read
Ronni Sunshine has summoned her daughters home. The aging actress is ill, and she wants her daughters by her side. This, however, will be easier said than done, as her three children--Nell, Meredith, and Lizzy--are estranged, both from each other and their mother: the result of a traumatic childhood. Even Ronni will now readily admit she focused on her acting career and beauty rather than her daughters. Her constant belittlement and pressure on the girls made them turn on each other as well. Nell lives the closest to her mother, on a nearby farm, and her son River is in grad school. Middle child Meredith spent her childhood struggling with her weight, thanks to endless biting comments from Ronni; she fled to England and is now engaged. Youngest Lizzie escaped most of her mother's wrath and appears to be the "golden child": she's a successful chef and celebrity, with a TV show and line of related products, but her marriage and personal life aren't all that they seem. Frustrated by their mother's long history of hypochondria, the girls reluctantly return home, excepting to find her fine. However, it seems this time Ronni may be telling the truth: she's really sick. Can the Sunshine sisters set aside their differences? And can they ever forgive their mother?
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
In some ways, I'm not sure why I keep giving Jane Green books a chance. I liked Summer Secrets well-enough, but was really let down by Saving Grace and Falling. I was intrigued that in her acknowledgements, Green mentions that this is the first book in while where she's felt like herself. I went in hoping that this was true, but still wary, and truthfully, this wariness may have clouded some of my thoughts and feelings about the book.
Overall, this is a summery read, though it does deal with some serious subject matter. If you're looking for a book that will surprise you, this isn't it. Most of these plot points I saw coming from a few miles away; I predicted the majority of the twists and turns before they happened. And, truly, I think the ending is a foregone conclusion. Green relies a bit to heavily on some tropes, as well. Serious older sister? Check. Insecure middle sister? Check. Flighty younger sister? She's here, too, don't worry.
Still, this was a fun book--despite the dark topic at its core--and I found myself compelled to read through the second half in nearly one sitting. Despite some of the transparency of the characters, I was oddly invested in their lives. The novel starts out with a brief glimpse of Ronni summoning her daughters home, then goes back in the past, allowing us to learn about the Sunshine family via various snippets from the sisters at different points in time. In this way, we sort of catch up with the family fast-forward style--it's like a cheat sheet of sorts. It also allows us to get to know each sister a bit better and explore their relationship with their mother (and other sisters). It's easy to see how much influence Ronni had on their lives and how she shaped them into the women they are today.
The girls can certainly be frustrating at times. Poor, needy Meredith drove me nearly mad, with her insecurities and inability to stand up for herself. There's also a point in the book where Meredith magically cleans up after a party (everything is fixed) and later loses a large amount of weight (everything is fixed, again!). I would have liked to have seen a little more plot realism. It was also hard to see how anyone could be quite as big of a doormat as Meredith, even with her mother's influence. And, truly, Ronni is pretty bad. It's an interesting technique--learning how terrible of a mother she is after we're told in the beginning of the novel that she's sick. But, in this way, we're allowed to see how the sisters were alienated by their poor upbringing and how everyone has reached the point we are at today.
Eventually, we reach the present day, with the girls learning about their mother's illness and coming to grips with reality. And, Ronni, of course, must grapple with the kind of mother she was to her children. She's a surprisingly compelling character considering how awful she was to her children, so that's a testament to Green's characterization. To me, the novel picked up a bit more in the present day time period. There were still some silly, unbelievable moments, but I truly did find myself invested in Meredith, Nell, and Lizzy (and Ronni).
The book does wrap things up too easily, as I stated. It's often quite trite and cliche, so you have to go in prepared. Think Lifetime movie, wrapped up in a bow. Still, it's fun at times and certainly a quick read. Well-suited for the beach or a vacation.
I received a copy of this novel from the publisher and Netgalley (thank you!).
Purple Phoenix Games (2266 KP) rated Gekitai in Tabletop Games
Feb 20, 2020
We have all played Chess, Checkers, Go, and even more recent abstracts like Azul, Patchwork, and Blokus, right? Most abstract strategy games are loosely themed, if themed at all, have perfect information, and offer very little luck factors. Furthermore, classic abstracts feature that familiar grid-board with moving pieces we all grew up learning with our grandparents. Right, we all have played and loved these. So when my friend posted PNP files online for his new game featuring a grid-board and pieces that move around it, I said, “Great. I just printed another PNP game and now I need to do another one!” But instead, the designer, Scott, messaged me and let me know he had a copy for me… which he hand-delivered to me at a high school concert I was attending. Then he taught it to me there.
Gekitai is an abstract strategy game with very minimal rules. The phrase, “easy to learn, but hard to master” is very overdone, but it certainly applies here. For those that are wondering, the term, “Gekitai” is Japanese for “Repel.” You will see why this nomenclature is perfect for this game soon.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. Though I know the designer personally, I will be reviewing this game as an impartial judge. -T
Normally I like to include setup instructions here in this paragraph for my reviews, so I shall do that now. To setup, place the board between the two players and give each player their eight matching pieces. In my game, they are red and black glass beads. For convenience I will refer to the red ones as apples and the black ones as 8-balls. That’s it. You’re setup to play.
The object of Gekitai is to fulfill one of two victory conditions: play until one player has three of their pieces in a row (diagonally OR orthogonally) or finish their turn with all eight of their pieces on the board. Easy, right? It most certainly is! Oh, you want the catch? Ok then, here’s the catch: while players can place any piece on any empty square, once placed the pieces will repel all other adjacent pieces away from itself. This includes their own pieces.
So let’s say you start the game and place your first 8-ball in a corner closest to you. Great opening noob. I mean move. You see, I would just place one of my apples adjacent to your 8-ball and repel it right off the board. That doesn’t mean that I have captured your 8-ball or anything like that. You would be able to use it again next turn if you like, but this is the danger of outside spaces. When repelled, a piece (your 8-ball) continues one space in the direction away from the most recently-placed piece (my apple). So diagonally if diagonal from the just-placed apple, or orthogonally otherwise. Again, this would affect all pieces that are adjacent, not just your opponent’s. Think of placing a piece as someone doing a cannonball in an infinity pool. Everyone already in the pool will get pushed away from the point of impact and may even fall out of the pool, but be able to hop back in soon.
One note about pushing other pieces. One piece can only push one other piece. Here’s what I mean. When my apple is placed near another 8-ball or apple, it repels it, right? Well, a piece may only be repelled if there is an empty space for it to go. If another apple is blocking the pathway of an affected apple or 8-ball, no movement happens. The pieces has been blocked. In this way strategy plays in integral part in Gekitai – you must always be thinking about 10 turns in the future. Play continues in this fashion until a player has achieved three-in-a-row or placed all of their pieces on the board.
Components. Again, we are playing with a PNP prototype game package. Granted, this PNP is assembled by the designer and looks WAAAY better than if I had tried to assemble it myself, so we do take that into consideration. Components aside (because unless you order a copy from the designer via Etsy in the future, you will probably download the files and play on a sheet of paper with coins or other stand-ins), this is a typical, classic abstract strategy-style game. The board can look any way you like in a 6×6 board and you can you use any bits for your game. Heck, you could even play with real apples and 8-balls. But what we were provided is excellent and looks great on the table.
But gameplay. Like I mentioned earlier, I know the designer and his family and they are wonderful people. Luckily that makes no difference here because the game itself is absolutely wonderful! My wife typically kicks my booty in all abstracts. Ok fine, usually in all games. BUT! After playing Gekitai lots with her, she has only beaten me once! When we do play it she asks for rematches several times over and I just love being able to have a go-to game for when we have a few minutes between running around with the kids. I love it. She loves it. We at Purple Phoenix Games, with an enthusiastic guest score from my wife, give Gekitai a cannonball-esque 11 / 12. We suggest you go to the BGG page where the PNP files can be printed. You will want this in your collection.
Gekitai is an abstract strategy game with very minimal rules. The phrase, “easy to learn, but hard to master” is very overdone, but it certainly applies here. For those that are wondering, the term, “Gekitai” is Japanese for “Repel.” You will see why this nomenclature is perfect for this game soon.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. Though I know the designer personally, I will be reviewing this game as an impartial judge. -T
Normally I like to include setup instructions here in this paragraph for my reviews, so I shall do that now. To setup, place the board between the two players and give each player their eight matching pieces. In my game, they are red and black glass beads. For convenience I will refer to the red ones as apples and the black ones as 8-balls. That’s it. You’re setup to play.
The object of Gekitai is to fulfill one of two victory conditions: play until one player has three of their pieces in a row (diagonally OR orthogonally) or finish their turn with all eight of their pieces on the board. Easy, right? It most certainly is! Oh, you want the catch? Ok then, here’s the catch: while players can place any piece on any empty square, once placed the pieces will repel all other adjacent pieces away from itself. This includes their own pieces.
So let’s say you start the game and place your first 8-ball in a corner closest to you. Great opening noob. I mean move. You see, I would just place one of my apples adjacent to your 8-ball and repel it right off the board. That doesn’t mean that I have captured your 8-ball or anything like that. You would be able to use it again next turn if you like, but this is the danger of outside spaces. When repelled, a piece (your 8-ball) continues one space in the direction away from the most recently-placed piece (my apple). So diagonally if diagonal from the just-placed apple, or orthogonally otherwise. Again, this would affect all pieces that are adjacent, not just your opponent’s. Think of placing a piece as someone doing a cannonball in an infinity pool. Everyone already in the pool will get pushed away from the point of impact and may even fall out of the pool, but be able to hop back in soon.
One note about pushing other pieces. One piece can only push one other piece. Here’s what I mean. When my apple is placed near another 8-ball or apple, it repels it, right? Well, a piece may only be repelled if there is an empty space for it to go. If another apple is blocking the pathway of an affected apple or 8-ball, no movement happens. The pieces has been blocked. In this way strategy plays in integral part in Gekitai – you must always be thinking about 10 turns in the future. Play continues in this fashion until a player has achieved three-in-a-row or placed all of their pieces on the board.
Components. Again, we are playing with a PNP prototype game package. Granted, this PNP is assembled by the designer and looks WAAAY better than if I had tried to assemble it myself, so we do take that into consideration. Components aside (because unless you order a copy from the designer via Etsy in the future, you will probably download the files and play on a sheet of paper with coins or other stand-ins), this is a typical, classic abstract strategy-style game. The board can look any way you like in a 6×6 board and you can you use any bits for your game. Heck, you could even play with real apples and 8-balls. But what we were provided is excellent and looks great on the table.
But gameplay. Like I mentioned earlier, I know the designer and his family and they are wonderful people. Luckily that makes no difference here because the game itself is absolutely wonderful! My wife typically kicks my booty in all abstracts. Ok fine, usually in all games. BUT! After playing Gekitai lots with her, she has only beaten me once! When we do play it she asks for rematches several times over and I just love being able to have a go-to game for when we have a few minutes between running around with the kids. I love it. She loves it. We at Purple Phoenix Games, with an enthusiastic guest score from my wife, give Gekitai a cannonball-esque 11 / 12. We suggest you go to the BGG page where the PNP files can be printed. You will want this in your collection.
EmersonRose (320 KP) rated In The Dark Corner I Stood Alone in Books
Nov 20, 2019
I stood alone in a dark corner. My imagination ran wild.”
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.
In the Dark Corner, I stood Alone is a collection of short stories by author Petra Pavlikova, published on June 12th, 2018. These short stories pull together themes of women and fairytales. Telling stories about strong women in stressful situations, difficult because they are real, and how these women pull through, with a healthy dose of the fantastical. The collection itself is a short and easy read as the stories range in length from 5-20 pages each. I loved the beautiful imagery created in these stories as they each take you on fantastic journeys.
The characters in these stories are such strong and relatable women that I fell in love with each one as I read their story. From beginning to end this book captured this beautiful whimsey that kept me captivated in each story. As you read, each has a distinctive story to tell, but they are all in the same unique voice that has a charming but straightforward tone that captures the fairytale quality splendidly. I think that my favorite story may be The Smell of Sweet Lavender, as it tackles a heart-wrenching tale of trying to be true to yourself and the cost it sometimes has on those that you love most. But each was so unique that they held different messages and meanings to them, that I could see myself having a different favorite depending on what mood I was in at the time. This is definitely one of those books that I could see myself re-reading whenever I just wanted to curl up with a sweet set of stories that allow my imagination wander in the realm of fairies and distant kingdoms. The magic in them creates a tone but the themes within them last without extra flare, making them that much more poignant.
The other thing that makes this book really stand out is the remarkable work of the illustrator Anastasia Telegina. From the small flowers and bright colored pages to the exquisite images of the women in the book, the watercolor work is astounding and fits in perfectly with the wanderlust tone of the writing. Each time I saw that stories full image, I was blown away by the beauty and talent. They play with your imagination rather than entirely putting images in your head, keeping the fluidity of the imagination intact while still creating magnificent images. Creating perhaps what is more what a child might imagine from what is described that a realistic picture. This pair clearly makes an excellent team.
These are stories for almost any age in the themes it tackles and the beautiful way in which they are told. While some of the ideas may be intense for a younger audience, the way in which the stories are told make them accessible to any reader. They are important topics dealt with in a way that is natural and very real world, while held within a slightly more fantastical space. I very much enjoyed reading this book and would definitely recommend it. I will be keeping an eye out to read more from this author. Five Stars.
Darren (1599 KP) rated The Girl in the Spider's Web (2018) in Movies
Oct 2, 2019
Characters – Lisbeth Salander is the famous hacker that will stand up against any man that is causing a woman abuse, she will leave her brand on them. She is called for difficult hacking jobs, which sees her take something from the Americans, this makes her a wanted suspect in Sweden and her on the run looking for answers to clear her name. Mikael Blomkvist is still the only person that Lisbeth will trust, he tries to operate from a distant and investigates the trust behind what is happening. Ed Needham is the American that has his system hacked, a government man, he heads to Sweden to get it back and finds nothing but barriers from the Swedish government. Camilla Salander is the long lost sister of Lisbeth, she thought to be dead, but now she is involved in a criminal gang known as The Spiders, targeting Lisbeth for what she wants.
Performances – Claire Foy does feel mis-cast in this role, she doesn’t seem to have a tough enough look to make this character effect as the two previous stars. Sverrir Gudnason had large shoes to fill and he doesn’t do a strong enough job in the Mikael role, while Sylvia Hoeks does what she can with her role without being anything overly special, while LaKeith Stanfield doesn’t seem to feel like the character he is meant to be playing.
Story – The story here is the fourth story in the Dragon Tattoo world, the second in English and is the first not written by the original author. We follow Lisbeth who once again finds herself needing to take on secret organisation that what something that could put the world in danger and this time it becomes more personal, with her sister being the enemy. This story does feel like it has borrowed from many other films and while it still puts Lisbeth is an anti-hero role, we only seem to find ourselves in one direction where Lisbeth is always one step ahead of everything happening, despite the fact we get to see just how twisted the Spiders are, it paints one image of them only to leave us facing a different softer enemy.
Action/Crime – The action was pretty much all given away in the trailer, we have the motorbike chase across the ice, the car chases and shoot outs, each feels very similar and doesn’t have the suspense required in a thriller.
Settings – The film does try to bring everything back to Lisbeth’s backstory with the settings showing the off the grid life she current lives compared to the one she could have lived, the snowy roads add a little to the chases, but not that much overall.
Scene of the Movie – Ice lake escape.
That Moment That Annoyed Me – The Spider’s not hinting at wanting to do to what they did to the guy without a nose, to the new Lisbeth group.
Final Thoughts – This does feel like a cash grab on a franchise that has never taken off on the American side of things, we get everything scaled back leaving us feeling disappointed by the end of the film.
Overall: No thrills to be seen here.
Performances – Claire Foy does feel mis-cast in this role, she doesn’t seem to have a tough enough look to make this character effect as the two previous stars. Sverrir Gudnason had large shoes to fill and he doesn’t do a strong enough job in the Mikael role, while Sylvia Hoeks does what she can with her role without being anything overly special, while LaKeith Stanfield doesn’t seem to feel like the character he is meant to be playing.
Story – The story here is the fourth story in the Dragon Tattoo world, the second in English and is the first not written by the original author. We follow Lisbeth who once again finds herself needing to take on secret organisation that what something that could put the world in danger and this time it becomes more personal, with her sister being the enemy. This story does feel like it has borrowed from many other films and while it still puts Lisbeth is an anti-hero role, we only seem to find ourselves in one direction where Lisbeth is always one step ahead of everything happening, despite the fact we get to see just how twisted the Spiders are, it paints one image of them only to leave us facing a different softer enemy.
Action/Crime – The action was pretty much all given away in the trailer, we have the motorbike chase across the ice, the car chases and shoot outs, each feels very similar and doesn’t have the suspense required in a thriller.
Settings – The film does try to bring everything back to Lisbeth’s backstory with the settings showing the off the grid life she current lives compared to the one she could have lived, the snowy roads add a little to the chases, but not that much overall.
Scene of the Movie – Ice lake escape.
That Moment That Annoyed Me – The Spider’s not hinting at wanting to do to what they did to the guy without a nose, to the new Lisbeth group.
Final Thoughts – This does feel like a cash grab on a franchise that has never taken off on the American side of things, we get everything scaled back leaving us feeling disappointed by the end of the film.
Overall: No thrills to be seen here.
BankofMarquis (1832 KP) rated Rear Window (1954) in Movies
May 14, 2020
Perfect Match of Director and Material
1954's REAR WINDOW is my favorite of all of the Alfred Hitchock films. So when it came time to expose my college-aged children to the works of "the Master of Suspense", it was a "no-brainer" as to which film it would be.
And...they loved it.
Starring "everyman" Jimmy Stewart and the always fabulous Grace Kelly, REAR WINDOW tells the tale of photographer L.B. Jefferies (Stewart) who is laid up in his New York apartment with a broken leg. His only means of entertainment is looking out of the "rear window" of his apartment into the courtyard - and the other apartments (and the people) therein.
This is a treatise on voyeurism and the pairing of this material with a master of film like Hitchcock is a marriage made in heaven. He sets up most of the movie so you are viewing the events as though you are Jefferies - confined to his apartment. Each apartment around the courtyard are their own little viewing boxes. He does a neat, subtle trick in this film. When he pans counter-clockwise, he is just browsing the apartments (like channel surfing on TV). When he pans clockwise - or goes straight to an apartment - he is focusing on that place/story. More often than not, the scenes in the apartments that Jefferies is looking at is mirroring what is going on in the relationship between Stewart and Kelly - sometimes with a sinister undertone. As always, Hitchcock ratchets up the suspense in a way only he can - focusing on a mundane item/thing until it becomes malevolent. This could have easily been a boring/static film, but in Hitchcock's capable hands, there is movement aplenty and the film flows beautifully.
As for the performances, Stewart has never been better as the audience stand-in/everyman who goes from charming scamp just snatching peeks of his neighbors to "peeping-tom" voyeur who is intruding in the private lives of his fellow courtyard denizens. Grace Kelly is just radiant in the way Hitchcock photographs her and in the way that all-time great costumer Edith Head dresses her. She is perfectly made-up and costumed to make her "the most beautiful woman in the world". But...what caught me in this viewing was how good of an acting job she does in this film. In previous viewings I was swept up in the look and feel of the actress. This time, I was taken in by the character and she became the one in this film I was rooting for. Well...either Grace Kelly or the great character actress Thelma Ritter as insurance nurse (and willing accomplice) Stella. She almost steals the movie from the two leads...almost.
All of the elements at play in this film work - acting, costuming, scenic design, cinematography and script - all wrapped up by a Master Director at the top of his game.
If you only watch one Alfred Hitchock film, make it REAR WINDOW. You'll be glad you did.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...they loved it.
Starring "everyman" Jimmy Stewart and the always fabulous Grace Kelly, REAR WINDOW tells the tale of photographer L.B. Jefferies (Stewart) who is laid up in his New York apartment with a broken leg. His only means of entertainment is looking out of the "rear window" of his apartment into the courtyard - and the other apartments (and the people) therein.
This is a treatise on voyeurism and the pairing of this material with a master of film like Hitchcock is a marriage made in heaven. He sets up most of the movie so you are viewing the events as though you are Jefferies - confined to his apartment. Each apartment around the courtyard are their own little viewing boxes. He does a neat, subtle trick in this film. When he pans counter-clockwise, he is just browsing the apartments (like channel surfing on TV). When he pans clockwise - or goes straight to an apartment - he is focusing on that place/story. More often than not, the scenes in the apartments that Jefferies is looking at is mirroring what is going on in the relationship between Stewart and Kelly - sometimes with a sinister undertone. As always, Hitchcock ratchets up the suspense in a way only he can - focusing on a mundane item/thing until it becomes malevolent. This could have easily been a boring/static film, but in Hitchcock's capable hands, there is movement aplenty and the film flows beautifully.
As for the performances, Stewart has never been better as the audience stand-in/everyman who goes from charming scamp just snatching peeks of his neighbors to "peeping-tom" voyeur who is intruding in the private lives of his fellow courtyard denizens. Grace Kelly is just radiant in the way Hitchcock photographs her and in the way that all-time great costumer Edith Head dresses her. She is perfectly made-up and costumed to make her "the most beautiful woman in the world". But...what caught me in this viewing was how good of an acting job she does in this film. In previous viewings I was swept up in the look and feel of the actress. This time, I was taken in by the character and she became the one in this film I was rooting for. Well...either Grace Kelly or the great character actress Thelma Ritter as insurance nurse (and willing accomplice) Stella. She almost steals the movie from the two leads...almost.
All of the elements at play in this film work - acting, costuming, scenic design, cinematography and script - all wrapped up by a Master Director at the top of his game.
If you only watch one Alfred Hitchock film, make it REAR WINDOW. You'll be glad you did.
Letter Grade: A+
10 stars (out of 10) and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) rated Getting A Life, Even If You're Dead (No Going Back, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I've been wanting to read this book for awhile. I love books with ghosts in them. I had high hopes for this book, but it just turned out to be an mediocre read.
Right away, the title of this book suggests that it's not going to be a scary book or one that takes itself too seriously. I do like the title, and I found it very interesting.
I like the cover. I think it suits a young adult book, and the cover fits with the setting of the book.
The world building was alright. I just felt that the ghosts were able to do too many things such as they were able to manipulate objects in the living world. They could move things, open doors, log on to Facebook, etc. It was the logging on to Facebook that really got to me. The ghosts even had their own Facebook pages! They could even write on others' Facebook profiles. I just think that because the ghosts were able to do too much, they would've been discovered in a real world setting.
The pacing was just alright. It wasn't too fast, and it wasn't too slow. It was just kind of there. I found myself not really in a rush to find out what would happen next.
I did enjoy the idea of the plot. I like how Kendra is able to see her dead best friend and then realizes she can actually see ghosts. I like how there was a mystery incorporated in the book. There was also romance going on with all the characters. However, I just felt as if there was too much going on with the plot. Perhaps this book would've been better without the romance especially the romance between Loic and Amber. I also felt as if the mystery about how Loic died wasn't that big of a mystery at all. I had correctly predicted the mystery surrounding Loic's death from the very beginning. There is a small plot twist towards the end, but it's not a major one. The author does leave the ending of this book open for the next book in the series, but I think this book could work well as a stand alone.
I didn't really connect with any of the characters, but I did enjoy them. My favorite character was Amber. To me, she felt the most realistic. It was good to see the wide range of emotions she was feeling throughout the book. I enjoyed her zest for life (even if she was dead). I also liked Pierrot. He seemed like a sweet boy, and it was clear how much he loved his brother. As for Kendra, I didn't like the way she treated her mother. I found her to be a bit disrespectful and a bit spoiled. I also didn't really care for Loic. To me, he came across as very whiny and a little bit selfish. I get that he just died and wanted answers, but it's like he just wanted everything to happen all at once. He was a very impatient boy.
I felt that the dialogue fit in more with a middle grade book rather then a young adult book. The way the characters thought and spoke made them seem like they were around thirteen or fourteen as opposed to being around seventeen years old. I also felt the dialogue didn't fit in with a modern day story. I can understand Amber using words that people don't really say anymore being as she died in the 1980s (although she's been a ghost, so surely she would've picked up the modern day lingo), but even Kendra used odd words such as the word "crimmers" (or something to that effect) when she was shocked about something. There's not really any violence, but there is some swearing. There's also no sexual references besides kissing.
Overall, Getting a Life, Even If You're Dead by Beth Watson is just an alright read. It's not great, but it's definitely not a bad read by any means. I believe that if the ghosts were a bit more believable and the book was written in more of a young adult tone, it could've been much better. I probably will read the next book in the series simply because it will focus on Amber.
I'd recommend this book to those aged 13+ who are like the mystery genre but also like their books with a little bit of romance.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
I've been wanting to read this book for awhile. I love books with ghosts in them. I had high hopes for this book, but it just turned out to be an mediocre read.
Right away, the title of this book suggests that it's not going to be a scary book or one that takes itself too seriously. I do like the title, and I found it very interesting.
I like the cover. I think it suits a young adult book, and the cover fits with the setting of the book.
The world building was alright. I just felt that the ghosts were able to do too many things such as they were able to manipulate objects in the living world. They could move things, open doors, log on to Facebook, etc. It was the logging on to Facebook that really got to me. The ghosts even had their own Facebook pages! They could even write on others' Facebook profiles. I just think that because the ghosts were able to do too much, they would've been discovered in a real world setting.
The pacing was just alright. It wasn't too fast, and it wasn't too slow. It was just kind of there. I found myself not really in a rush to find out what would happen next.
I did enjoy the idea of the plot. I like how Kendra is able to see her dead best friend and then realizes she can actually see ghosts. I like how there was a mystery incorporated in the book. There was also romance going on with all the characters. However, I just felt as if there was too much going on with the plot. Perhaps this book would've been better without the romance especially the romance between Loic and Amber. I also felt as if the mystery about how Loic died wasn't that big of a mystery at all. I had correctly predicted the mystery surrounding Loic's death from the very beginning. There is a small plot twist towards the end, but it's not a major one. The author does leave the ending of this book open for the next book in the series, but I think this book could work well as a stand alone.
I didn't really connect with any of the characters, but I did enjoy them. My favorite character was Amber. To me, she felt the most realistic. It was good to see the wide range of emotions she was feeling throughout the book. I enjoyed her zest for life (even if she was dead). I also liked Pierrot. He seemed like a sweet boy, and it was clear how much he loved his brother. As for Kendra, I didn't like the way she treated her mother. I found her to be a bit disrespectful and a bit spoiled. I also didn't really care for Loic. To me, he came across as very whiny and a little bit selfish. I get that he just died and wanted answers, but it's like he just wanted everything to happen all at once. He was a very impatient boy.
I felt that the dialogue fit in more with a middle grade book rather then a young adult book. The way the characters thought and spoke made them seem like they were around thirteen or fourteen as opposed to being around seventeen years old. I also felt the dialogue didn't fit in with a modern day story. I can understand Amber using words that people don't really say anymore being as she died in the 1980s (although she's been a ghost, so surely she would've picked up the modern day lingo), but even Kendra used odd words such as the word "crimmers" (or something to that effect) when she was shocked about something. There's not really any violence, but there is some swearing. There's also no sexual references besides kissing.
Overall, Getting a Life, Even If You're Dead by Beth Watson is just an alright read. It's not great, but it's definitely not a bad read by any means. I believe that if the ghosts were a bit more believable and the book was written in more of a young adult tone, it could've been much better. I probably will read the next book in the series simply because it will focus on Amber.
I'd recommend this book to those aged 13+ who are like the mystery genre but also like their books with a little bit of romance.
(I received a free paperback of this book from the author in exchange for a fair and honest review).
Mike Wilder (20 KP) rated The Avengers (2012) in Movies
May 30, 2018
Wow!
Contains spoilers, click to show
First of all I will not be referring to this film by the crap UK name of Avengers Assembled. The film is The Avengers and that all it needs to be called.
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D
This is biggest and most anticipated film from the last few years. It is a sequel to the Marvel films Iron Man (2008), Iron Man 2 (2010), Thor (2011), Captain America (2011) and The Incredible Hulk (2008). But is it possible to make one film starring them all? Would it work with all of them in lead roles? The film brings together Iron Man (Robert Downey Jr.), Thor (Chris Hemsworth), Captain America (Chris Evans) & The Hulk (Mark Ruffalo) along with S.H.I.E.L.D. agents Hawkeye (Jeremy Renner), Black Widow (Scarlett Johansson) and Nick Fury (Samuel L. Jackson). They join forces against Thor's Brother Loki (Tom Hiddleston) who has unleashed an alien race upon the Earth so he can conquer it.
As many of you will know by now, I am a huge action movie and comic adaption fan, so this film exactly what I was looking for. I kept away from many reviews and possible spoilers. However I had to see the trailers. After seeing them and being blown away I got a little worried for the film. Many trailers use so much of the action and plot that they show most of the good parts of the film. I really hoped that this wouldn't happen with this one. I wanted this film to be good.
After the first 5 minutes I was worried. The film started out well but there was a really really bad camera cut/edit. For a film fan it stood out and slapped me in the face. I started to worry that it was a sign of things to come. However my fears were soon dispelled as the film sucked me in with outstanding direction, visuals and 3D effects like I have never seen before. The way the film was prepared starting out with Iron Man in 2008 and then tying in all the following films together are a big lead up to this one. A huge gamble but it really paid off. The outstanding cast work so well together. With all these larger than life characters already having their own individual stories told, all what was left was to bring them together. But first they start out against each other. Their individual egos explode as they battle each other with explosive devastation. Soon they all share a common goal and start to band together. Then the film really lets to. Up until this point it was amazing. When they finally start working together that's when an amazing movie exceeds all expectations and takes the superhero genre to a level never before seen. This is also the point then the 3D effects take on a whole new level. Prior to this they were used for depth and clarity of the film very well, but now it bring you in to the film and doesn't let go. The greatest effect is an alien ship appearing from over your head. It actually startled me as it appeared above my head before it was on the screen. Never before outside of a theme park has a 3D film managed this.
Fortunately it didn't just meet my expectations, it exceeded them more than I ever thought possible. I really can't find the right words to convey how good this film really is. It has moments where you laugh so hard you cry, amazingly the best of these involve The Hulk! There are moments where you find yourself holding your breath at the sheer scope of what you are seeing. The action raises the bar for the genre to maybe unattainable heights. This film is so very good.
I usually rate films on a scale of 1-10 but 10 feels inadequate for this. So for this one I am using 1-100. This film scores a 99. Only losing out on 100 due to the single bad edit at the start of the film. Joss Whedon has managed the impossible with this film and pulled of a film no one expected to be so good. For this reason and for the first time my stand out performance is the director Joss Whedon, for creating a perfect superhero movie.
You have to see this on the biggest screen you can find and in 3D