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BankofMarquis (1832 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Delivers EXACTLY what is expected - and that's a good thing
If you are heading into the multi-plex to check out FAST AND FURIOUS PRESENTS: HOBBS & SHAW, the 9th(!) entry in the Fast and Furious Universe, you pretty much know (and expect) what you are about to watch.
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
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Darren (1599 KP) rated From Dusk Till Dawn: Texas Blood Money (1999) in Movies
Sep 2, 2019
Thoughts on From Dusk till Dawn 2 Blood Money
Characters – Buck is a thieve that has claimed to have gone clean after his recent stint in prison, the cops do still watch him, only now he gets a chance at a new job which will see him put his crew together, he has a way to work with his men, well that is about it, his character doesn’t have much more to him, Sheriff Otis Lawson has been waiting for Buck to make a mistake for years now, using the latest former member of his crew as hope that he could catch him in the act once again. Luther is the one that brings the job to Buck, only on his way back to the crew, he ends up at the Titty Twister grabbing the attention of the vampires, looking for spread the curse to a new selection of victims. C.W. is another member of the crew and just like the rest they don’t get much to make them stand out.
Performances – Robert Patrick does try to make the most of his character only he doesn’t get anything to work with here. This is the big problem for the rest of the cast, nobody gets a chance to make anything from their characters who all end up being painful bland.
Story – The story follows a group of criminals that are looking to head to Mexico for their latest job, only to attract the attention of the vampires using the Titty Twister becoming the latest target, can they survive the night? The story here is very weak, we get five criminals with little to no character development, not making us care about what is happening. We get thrown into another direction with the story which doesn’t help because we know what is happening, while certain members of the crew don’t, this does against what we learnt about the vampires in the first film. this story just feels like a forced sequel nobody really asked for.
Crime/Horror – The crime side of this horror comes from seeing just how the crew is operating, how they plan to get the job done, the horror comes from the vampire side of the film, it does have darker moments, only it still doesn’t feel like a scarier film.
Settings – The film is set between Mexico and Texas, no location involved does make us feel like we are in iconic location the first one did.
Special Effects – The effects in the film are not at the same standard either, with most of the attacks being from bats which seem to be extreme close ups that just feel too difficult to watch.
Scene of the Movie – A helping hand?
That Moment That Annoyed Me – The lack of interest around the characters.
Final Thoughts – This is a disappoint sequel that pulls the quality level right down to just a basic sequel that just so happens to visit the same bar, having no connection to the previous film.
Overall: Bland sequel.
Characters – Buck is a thieve that has claimed to have gone clean after his recent stint in prison, the cops do still watch him, only now he gets a chance at a new job which will see him put his crew together, he has a way to work with his men, well that is about it, his character doesn’t have much more to him, Sheriff Otis Lawson has been waiting for Buck to make a mistake for years now, using the latest former member of his crew as hope that he could catch him in the act once again. Luther is the one that brings the job to Buck, only on his way back to the crew, he ends up at the Titty Twister grabbing the attention of the vampires, looking for spread the curse to a new selection of victims. C.W. is another member of the crew and just like the rest they don’t get much to make them stand out.
Performances – Robert Patrick does try to make the most of his character only he doesn’t get anything to work with here. This is the big problem for the rest of the cast, nobody gets a chance to make anything from their characters who all end up being painful bland.
Story – The story follows a group of criminals that are looking to head to Mexico for their latest job, only to attract the attention of the vampires using the Titty Twister becoming the latest target, can they survive the night? The story here is very weak, we get five criminals with little to no character development, not making us care about what is happening. We get thrown into another direction with the story which doesn’t help because we know what is happening, while certain members of the crew don’t, this does against what we learnt about the vampires in the first film. this story just feels like a forced sequel nobody really asked for.
Crime/Horror – The crime side of this horror comes from seeing just how the crew is operating, how they plan to get the job done, the horror comes from the vampire side of the film, it does have darker moments, only it still doesn’t feel like a scarier film.
Settings – The film is set between Mexico and Texas, no location involved does make us feel like we are in iconic location the first one did.
Special Effects – The effects in the film are not at the same standard either, with most of the attacks being from bats which seem to be extreme close ups that just feel too difficult to watch.
Scene of the Movie – A helping hand?
That Moment That Annoyed Me – The lack of interest around the characters.
Final Thoughts – This is a disappoint sequel that pulls the quality level right down to just a basic sequel that just so happens to visit the same bar, having no connection to the previous film.
Overall: Bland sequel.
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Emma @ The Movies (1786 KP) rated The King of Comedy (1983) in Movies
Jun 2, 2020
While I vaguely knew the name of the film I'd never seen it and didn't really get the vibe that I wanted to, after seeing the Joker though I was hit by so many comments on it in reviews that I really needed to see it.
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
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A film with dodgy voices.
Catching up here with a review of a film I saw a couple of weeks ago.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
What a great film “Get Out” was. Jordan Peele’s classic which unpeeled (sic) race relations in a wholly novel and horrifying way. Yes, the story was a bit ‘out there’ and unbelievable, but he pulled it off with great chutzpah.
With his follow-up film – “Us”…. sorry but, for me, it just didn’t work.
From great beginnings
It all starts so promisingly. Young Adelaide Wilson (a fine debut performance by Madison Curry) is on a seaside holiday with her mother and careless father when she wanders onto the deserted Santa Cruz beach at night. There sits, like some gothic horror ghost train, the Hall of Mirrors. “Find Yourself” it taunts. She makes the mistake of entering and changes her life forever.
Spin forwards 30 years and Adelaide, now a married mother of two, is back in Santa Cruz with a terrifying feeling that things are about to go pear-shaped. And of course they do!
Why oh why oh why those voices?
This film had me gripped until a particular point. Having people stand still and silent at the end of your drive is an incredibly spooky thing to show. But then, for me, the wheels came off big time. The “reveal” of who these people were I could take. But the manner of their behaviour and – particularly – how they talked was horrifying; and not in a good way. When “Red” started speaking I couldn’t believe my ears: Joe Pasquale after swallowing Donald Duck.
From there, the film became farcical for me, descending in progressive stages to a tunnel-based apocalypse: a plot element that was just so paper thin it bore no scrutiny at all.
This was, no doubt, an attempt at a satirical dig at the class structure of America (“We are Americans” adding a double meaning to the name of the film). If it had been played as a deliberate comedy farce it might have worked. But otherwise no.
Flashes of Peele brilliance
This is not to say that there are not positives in the film. The excellent Lupita Nyong’o gives the whacky material her all, and the other adult female lead – Elisabeth Moss (from TV’s “The Handmaid’s Tale”) – is good value as Kitty Tyler: a diabolical incarnation in either form!
Peele also delivers flashes of directorial brilliance. The “hands across America”, disappearing into the sea, is a sight that stays with you. I also liked the twist at the end, although in retrospect it’s difficult to relate it to the rest of the story and strikes of desperation in the storytelling.
Overall, a big disappointment
I know there are some who really like this movie. Each to their own, but I was not one of them. After “Get Out” I was hoping for something much better. I hope that was just Jordan Peele’s “difficult second album”.
Debbiereadsbook (1444 KP) rated Yours Everlasting (Enchanted Folklore #2) in Books
Apr 14, 2022
sometimes, you need to be made to wait, and the result is such a sweet, sweet thing.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Enchanted Folklore series. While it can be read as a stand alone book, to get the full impact of this book, you should read Yours Forever After first. It will give you a better view of Evrard, and just what he means to this world.
As the Guardian of Secrets, he is called Evander. Banished for wanting to keep people safe from power hungry sorcerers, he becomes Rhys, and then Evrard, the King of the Unicorns. Marcos watched from afar for so long, so VERY long but now things have changed and they both need to reveal themselves, and quite possibly save the world from those who were tasked with keeping it safe.
In book one, he is Evrard and then Rhys. Here, we get Evander, as he was in the beginning. And it is very important, that beginning, and it shapes him, for all those years to come.
What I especially loved about this book was the time involved! I mean, Evander has been on the surface for a thousand years, and Marcos has loved for that long, longer in fact. Marcos watched Evander when Evander didn't even see Marcos, from before his banishment. That Evander, as Guardian of Secrets, didn't know that, was surprising!
There is a huge amount of emotion in this book. Evander has been alone for a long time. Gray and Rory helped but Evander is lonely. Marcos is patient, has been a long time wanting Evander, but now things need to move forward, so he makes himself known to Evander.
As things move along, Evander joins the dots, putting it all together, and is surprised by Marcos, many times. Marcos is also surprised when Evander reveals some things he had not noticed after all this time.
There is love, even if Evander doesn't think himself capable of such feeling. Betrayal too, and Evander has to deal with the aftermath of that.
Gray and Rory from book 1 play a huge part, and it was fun to catch up with them and their own surprise at the end.
It's beautifully written, from Evander and Marcos point of view. It takes a long time for everything to come together, including Marcos and Evander, and I love that I had to wait. Because sometimes, you need to be made to wait, and the result is such a sweet, sweet thing.
Are there more? Will there be? I'd love to catch up with Evander, Marcos, Gray and Rory but also, there was clearly something between two other Guardians, and I'd like more on that.
I gave book 1 four stars but I found this a much more engaging read, so beautifully told, a story of everlasting love.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 2 in the Enchanted Folklore series. While it can be read as a stand alone book, to get the full impact of this book, you should read Yours Forever After first. It will give you a better view of Evrard, and just what he means to this world.
As the Guardian of Secrets, he is called Evander. Banished for wanting to keep people safe from power hungry sorcerers, he becomes Rhys, and then Evrard, the King of the Unicorns. Marcos watched from afar for so long, so VERY long but now things have changed and they both need to reveal themselves, and quite possibly save the world from those who were tasked with keeping it safe.
In book one, he is Evrard and then Rhys. Here, we get Evander, as he was in the beginning. And it is very important, that beginning, and it shapes him, for all those years to come.
What I especially loved about this book was the time involved! I mean, Evander has been on the surface for a thousand years, and Marcos has loved for that long, longer in fact. Marcos watched Evander when Evander didn't even see Marcos, from before his banishment. That Evander, as Guardian of Secrets, didn't know that, was surprising!
There is a huge amount of emotion in this book. Evander has been alone for a long time. Gray and Rory helped but Evander is lonely. Marcos is patient, has been a long time wanting Evander, but now things need to move forward, so he makes himself known to Evander.
As things move along, Evander joins the dots, putting it all together, and is surprised by Marcos, many times. Marcos is also surprised when Evander reveals some things he had not noticed after all this time.
There is love, even if Evander doesn't think himself capable of such feeling. Betrayal too, and Evander has to deal with the aftermath of that.
Gray and Rory from book 1 play a huge part, and it was fun to catch up with them and their own surprise at the end.
It's beautifully written, from Evander and Marcos point of view. It takes a long time for everything to come together, including Marcos and Evander, and I love that I had to wait. Because sometimes, you need to be made to wait, and the result is such a sweet, sweet thing.
Are there more? Will there be? I'd love to catch up with Evander, Marcos, Gray and Rory but also, there was clearly something between two other Guardians, and I'd like more on that.
I gave book 1 four stars but I found this a much more engaging read, so beautifully told, a story of everlasting love.
5 full and shiny stars
*same worded review will appear elsewhere