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Emma @ The Movies (1786 KP) rated Avengers: Endgame (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Contains spoilers, click to show
I'm not really sure where to start with this so settle in for a ride. I've tried to avoid major spoilers but some of the things I've written might give away or hint at events in Endgame so please don't read this until you've seen it at the cinema.
We were left forlorn in the wilds of Wakanda after Thanos' snap in Infinity War. 50% of every living creatures on the planet, on every planet, wiped out of existence. Thanos has set off in his retirement while our heroes are reassembling. What's left of the team is trying to get back to a normal life, saving the world, saving each other. Some are moving on, some are stuck on the past, all are lost.
I wrote more notes for this than I've written for any other movie. It was so much of a problem that I condensed the original and then recondensed them into collected topics. I'm vaguely going to go in chronological order, let's do it!
We open with Hawkeye. The scene was simple and effective to help line up the change in him, but it wasn't the tone I expected for the beginning of the film. You have to start it somehow, and I don't know how I thought they would but tonally it didn't say "Marvel" to me. In the trailers we see his darker side coming through, after seeing the film I can't help but wonder if they needed to do this to him. It felt a little like they were just doing it to use for one scene. Clint is a stand-up guy, he would have been there for them regardless in this situation.
As we recap on what's happening in the wake of the snap we find Nebula and Tony attempting to return from Titan on the Guardian's ship. For me, Nebula was the best bit of the whole film. The scenes with Tony are wonderful and touching, she's able to make a connection that she's never really had before and her transformation through the film is a delight.
Something at this point that I feel I should bring up is the partnership that we witness. Tony and Nebula, Nebula and War Machine, Rocket and Thor. We're given lots of different Marvel Mash-ups with great results. Nebula, in particular, shone through in these. Watch out for her with Rhodey.
Steve, Cap, is very much in control throughout this movie, in leadership as well as of his emotions. He still has his positive outlook on life but even when it wanes he's determined. Visually they've left you no room to wonder on whether he is the first Avenger, he leads into a room and he gets a lot of shots that frame him perfectly. But he has changed... on more than one occasion I found myself going "Language, Steve!" I was unsure about his support group in the trailer and after the full scene it felt like it was just there to set up occurrences towards the end of the film. You'd be forgiven for thinking this was actually a Captain America film, it felt much more like one than Civil War did.
Before coming to Endgame one of the things I had been thinking about was how Scott was going to return from the quantum realm. What happens kind of feels like they had no idea how they were going to do it, and it was frustrating and leaves you with questions about what happened in the five years since the snap. There's also a potential horror movie spin-off teased in Scott's walk through San Francisco, he encounters a kid on a bike... classic horror movie moment in that scene.
Nat gets to flex her leadership muscles in the post-snap world trying to keep a new band of Avengers together. Still based in the Avengers complex she's coordinating with members around the world and out in space. We finally see some genuine raw emotion from her as they search for Hawkeye as he's off on his... well what is it? Redirected revenge? She's always had a trusted position with Fury and it seems like his dusting has pushed her to step up.
Carol is back after her recent debut... I still don't think we can call her Captain Marvel when no one else does. I still don't like her, I can't help it. She's cocky and she doesn't seem to have any desire to actually work with the team. If there's anything that I got from this film it's that Black Widow should have had her own film already rather than introducing Carol at the last minute. She's not really a massive feature of the film and her inclusion feels almost like they needed to a solution to a problem and she was the quickest way to fix it.
Now we get to the point where I had some major upset. In my opinion, Marvel have done wrong by Bruce/Hulk and Thor. I saw a spoiler on Twitter for Bruce that I hoped was fan-inspired, but when we get to him in the film I sat in annoyed silence as those around me murmured with excitement. As far as Thor goes, I can see why they made the choices they did with him but it felt like they just turned him into a joke, and that didn't sit right with me at all. Just one small step back from what they did and they would have nailed it, but it felt like they just went for the cheap laugh at his expense.
So it's time to talk about time travel, I think we all knew that we could expect to see it in some way or another in Endgame. Tony and Bruce obvious have a big hand in this one, and it was nice to see them acknowledging the "normal" person discussion of time travel with film references. Outside of that though they threw a lot of complicated script at it, it felt like a very random step away from how they usually deal with technical things in the universe.
From the one hour point of the movie(ish) everything starts to pick up, up until then I wasn't loving the film, and that was upsetting to me. What follows from the quantum suit walk is a lot of fun. There are a lot of nostalgic moments that brought humour and a fun layer to the older films and we get what is probably the most satisfying moment of the entire MCU.
Visually this is one of the better films in the sequence. Shots weren't overly cluttered and so busy that you couldn't see what was happening, and there were a lot more poignant visuals. There are however a few that make me think they had to be reshot because you get very specific angles that give you the back of someone's head and the audio sounds slightly off to the rest of the scene.
Two things left to specifically mention...
The women of Marvel. For so many films we had very few female heroes, certainly none that got their fair share of coverage until The Wasp, Captain Marvel and an excellent female ensemble in Black Panther. I'm all for more female characters but I think Endgame went too far. There is one scene near the end that felt more like they were worried they hadn't had enough women on screen and they really packed them in, it felt awkward rather than awesome.
Stan Lee's cameo. It wasn't the usual fun we're used to. Fleeting and forgettable. Stan deserved better, this just didn't feel right. I even briefly wondered if it was actually him.
For me, Endgame wasn't the finale that we deserved. It wasn't better than Infinity War but I don't think that it could have been because of how much it had to bring to the table. I went and saw it twice because I like to see the 3D and 2D when they come out, it was actually one of the better 3D films I've seen on a regular screen.
I probably would have given this 3 stars, while I had fun watching it I came out both times feeling kind of "meh" about it. Nebula, America's ass and the epic moment in the finale, as well as a few other amusing moments, bumped it up slightly. I sadly found that first hour rather challenging and couldn't get on board with some of the character choices that were made.
What you should do
Let's face it, you're going to watch it if you've invested time in watching all the Marvel movies and I'm sure you'll enjoy it. I'm aware I'm in a minority with my feelings about this, but not everyone can feel the same way about everything. What a world it would be if we could.
Movie thing you wish you could take home
I'd still like an infinity stone... but I don't know which one.
We were left forlorn in the wilds of Wakanda after Thanos' snap in Infinity War. 50% of every living creatures on the planet, on every planet, wiped out of existence. Thanos has set off in his retirement while our heroes are reassembling. What's left of the team is trying to get back to a normal life, saving the world, saving each other. Some are moving on, some are stuck on the past, all are lost.
I wrote more notes for this than I've written for any other movie. It was so much of a problem that I condensed the original and then recondensed them into collected topics. I'm vaguely going to go in chronological order, let's do it!
We open with Hawkeye. The scene was simple and effective to help line up the change in him, but it wasn't the tone I expected for the beginning of the film. You have to start it somehow, and I don't know how I thought they would but tonally it didn't say "Marvel" to me. In the trailers we see his darker side coming through, after seeing the film I can't help but wonder if they needed to do this to him. It felt a little like they were just doing it to use for one scene. Clint is a stand-up guy, he would have been there for them regardless in this situation.
As we recap on what's happening in the wake of the snap we find Nebula and Tony attempting to return from Titan on the Guardian's ship. For me, Nebula was the best bit of the whole film. The scenes with Tony are wonderful and touching, she's able to make a connection that she's never really had before and her transformation through the film is a delight.
Something at this point that I feel I should bring up is the partnership that we witness. Tony and Nebula, Nebula and War Machine, Rocket and Thor. We're given lots of different Marvel Mash-ups with great results. Nebula, in particular, shone through in these. Watch out for her with Rhodey.
Steve, Cap, is very much in control throughout this movie, in leadership as well as of his emotions. He still has his positive outlook on life but even when it wanes he's determined. Visually they've left you no room to wonder on whether he is the first Avenger, he leads into a room and he gets a lot of shots that frame him perfectly. But he has changed... on more than one occasion I found myself going "Language, Steve!" I was unsure about his support group in the trailer and after the full scene it felt like it was just there to set up occurrences towards the end of the film. You'd be forgiven for thinking this was actually a Captain America film, it felt much more like one than Civil War did.
Before coming to Endgame one of the things I had been thinking about was how Scott was going to return from the quantum realm. What happens kind of feels like they had no idea how they were going to do it, and it was frustrating and leaves you with questions about what happened in the five years since the snap. There's also a potential horror movie spin-off teased in Scott's walk through San Francisco, he encounters a kid on a bike... classic horror movie moment in that scene.
Nat gets to flex her leadership muscles in the post-snap world trying to keep a new band of Avengers together. Still based in the Avengers complex she's coordinating with members around the world and out in space. We finally see some genuine raw emotion from her as they search for Hawkeye as he's off on his... well what is it? Redirected revenge? She's always had a trusted position with Fury and it seems like his dusting has pushed her to step up.
Carol is back after her recent debut... I still don't think we can call her Captain Marvel when no one else does. I still don't like her, I can't help it. She's cocky and she doesn't seem to have any desire to actually work with the team. If there's anything that I got from this film it's that Black Widow should have had her own film already rather than introducing Carol at the last minute. She's not really a massive feature of the film and her inclusion feels almost like they needed to a solution to a problem and she was the quickest way to fix it.
Now we get to the point where I had some major upset. In my opinion, Marvel have done wrong by Bruce/Hulk and Thor. I saw a spoiler on Twitter for Bruce that I hoped was fan-inspired, but when we get to him in the film I sat in annoyed silence as those around me murmured with excitement. As far as Thor goes, I can see why they made the choices they did with him but it felt like they just turned him into a joke, and that didn't sit right with me at all. Just one small step back from what they did and they would have nailed it, but it felt like they just went for the cheap laugh at his expense.
So it's time to talk about time travel, I think we all knew that we could expect to see it in some way or another in Endgame. Tony and Bruce obvious have a big hand in this one, and it was nice to see them acknowledging the "normal" person discussion of time travel with film references. Outside of that though they threw a lot of complicated script at it, it felt like a very random step away from how they usually deal with technical things in the universe.
From the one hour point of the movie(ish) everything starts to pick up, up until then I wasn't loving the film, and that was upsetting to me. What follows from the quantum suit walk is a lot of fun. There are a lot of nostalgic moments that brought humour and a fun layer to the older films and we get what is probably the most satisfying moment of the entire MCU.
Visually this is one of the better films in the sequence. Shots weren't overly cluttered and so busy that you couldn't see what was happening, and there were a lot more poignant visuals. There are however a few that make me think they had to be reshot because you get very specific angles that give you the back of someone's head and the audio sounds slightly off to the rest of the scene.
Two things left to specifically mention...
The women of Marvel. For so many films we had very few female heroes, certainly none that got their fair share of coverage until The Wasp, Captain Marvel and an excellent female ensemble in Black Panther. I'm all for more female characters but I think Endgame went too far. There is one scene near the end that felt more like they were worried they hadn't had enough women on screen and they really packed them in, it felt awkward rather than awesome.
Stan Lee's cameo. It wasn't the usual fun we're used to. Fleeting and forgettable. Stan deserved better, this just didn't feel right. I even briefly wondered if it was actually him.
For me, Endgame wasn't the finale that we deserved. It wasn't better than Infinity War but I don't think that it could have been because of how much it had to bring to the table. I went and saw it twice because I like to see the 3D and 2D when they come out, it was actually one of the better 3D films I've seen on a regular screen.
I probably would have given this 3 stars, while I had fun watching it I came out both times feeling kind of "meh" about it. Nebula, America's ass and the epic moment in the finale, as well as a few other amusing moments, bumped it up slightly. I sadly found that first hour rather challenging and couldn't get on board with some of the character choices that were made.
What you should do
Let's face it, you're going to watch it if you've invested time in watching all the Marvel movies and I'm sure you'll enjoy it. I'm aware I'm in a minority with my feelings about this, but not everyone can feel the same way about everything. What a world it would be if we could.
Movie thing you wish you could take home
I'd still like an infinity stone... but I don't know which one.
graveyardgremlin (7194 KP) rated Sweet Valley Confidential: Ten Years Later in Books
Feb 15, 2019
<b><i>"What a stupid book."</i></b>
That was my initial thought after turning the final page of <b>Sweet Valley Confidential: Ten Years Later</b>.
As a pre-teen, I was addicted to the <u>Sweet Valley High</u> series, and then later, the <u>Sweet Valley University</u> series as well. Before that even, I had read some of the Twins and Kids series, so when I heard this was coming out last year, I just knew I had to read it. I was excited beyond compare and went into full geek-out mode. Where are the perfect size-six Wakefield twins, and their friends and enemies, now? What are their occupations? Who are they dating or who'd they marry? And my questions kept going on and on. What has inspired this obsession? It's not like these books were high literature, but somehow they became ingrained into my life to this very day and I cannot help but remember SVH fondly.
It is nearly impossible to review the story within the covers without spoilers, but I am going to try my darnedest. Some cursing may or may not be involved.
<b>Short synopsis</b> (snarky comments in parentheses ;P):
Jessica has betrayed Elizabeth. <i>(Doesn't take a rocket scientist to figure out what she did. Anyone who's read the books could make an accurate guess.)</i> The Ultimate Betrayal. <i>(Oooooh!)</i> Elizabeth flees to New York. Elizabeth is a slightly sympathetic bitter victim/martyr who craves revenge throughout the book. Jessica is supposed to be a sympathetic betrayer/victim who's heartsick at destroying her sister. <i>(I don't buy it.)</i> Tons of reminiscing flashbacks ensue throughout the book, sometimes the same ones told by different characters, and take up about half of it, so there's barely any plot. Book ends with a thirteen-page <i>Where Are They Now?</i>-type epilogue that tells old fans what has happened to many major supporting characters from the original high school series. <i>(Apparently no one is allowed to be happy. And anyone you may have originally liked from SVH has turned into a big dick. WTF?)</i>
I expected to enjoy this as the usual over-the-top, soap opera stories I remember, but revamped a bit. Sadly, I was left feeling underwhelmed, disappointed, annoyed, and rather pissed off. For one thing, I could not buy the main betrayal -- <spoiler>Jessica and Todd?! In love!!?? Really? In what surreal dimension does that make any kind of sense? This broke the book for me. How can I believe anything else if this doesn't ring true. A passionate affair, sure. A one-night stand, why not? But actual 'til death do us part nonsense? Bull. Not when it's almost always been the Elizabeth and Todd, "made-for-each-other" type of thing. I actually wouldn't have minded if E & T hadn't ended up together, but for Todd to be with Jessica, that's just madness, plain and simple.</spoiler> -- it was just so unbelievable. And I mean that in a Sweet Valley way, which we all know is not steeped in any form of actual reality, so my standards are quite low and I expect the extraordinary and overwrought. So from this point on, which is within the first two chapters, I struggled, but somehow managed to read on. I admit, I gagged more than few times throughout the book. Who wouldn't when faced with passages such as this one,
<blockquote>"And what faces they were.
Gorgeous. Absolutely amazing. The kind you couldn't stop looking at. Their eyes were shades of aqua that danced in the light like shards of precious stones, oval and fringed with thick, light brown lashes long enough to cast a shadow on their cheeks. Their silky blond hair, the cascading kind, fell just below their shoulders. And to complete the perfection, their rosy lips looked as if they were penciled on. There wasn't a thing wrong with their figures, either. It was if billions of possibilities all fell together perfectly.
Twice."
-page 9/10</blockquote>
I hope you managed to hold onto your last meal. I barely did. I also had to endure "his beloved," "his love," and other similar nauseating descriptions.
This is not the PG-rated books from the past, the word "orgasm" is actually used. So is the F-bomb and other expletives. *gasp* Seriously, it does push the boundaries more than the innocent SVH series, but it's not very shocking by today's standards. Except that it does involve the Wakefield Twins, which was strange at first. Of course, current trends had to pop up, like Twitter and Facebook, Justin Timberlake and Beyonce, which always makes a book better and doesn't date it in the least. (That was heavy sarcasm in case you weren't sure.) The book does refer to some incidents and people from the SVU series, but only certain elements, otherwise it's mainly a continuation of high school and no one from the university days actually appears in the book.
Neither Elizabeth nor Jessica felt true to form, especially Jessica, and in fact, none of the characters, whether seen or just talked about, were right. Sure, some people change and some don't, but not a one was recognizable. Where did these strangers with the same names come from? Why couldn't there have been some semblance of the original shining through? Again, I have a hard time with the basis of the book, so that has severely colored my view of the entire thing, but as it stands, it was a complete waste of a good idea. I'd be willing to bet that any fan of SVH could come up with something a million times better than this dreck. Wasn't there an original ghostwriter available? You know, someone who might actually know the world and characters, and have the skill to develop them both in a believable manner?
The writing is rather clunky and purple-ly, often managing both at the same time. Redundancy abounds, editing mistakes, including wrong names and inconsistencies to previous events in SVH-iverse, and lots of use of the words "like" and "so", more-so in Jessica's narrative than anywhere else, which was really, really, so, like, irritating. Like, really. Ms. Pascal must have had a thesaurus at the ready, because there were big words awkwardly thrown into the narrative. While I appreciate authors utilizing lesser known or used words, some just don't blend well with the rest of the text and they pop-out unflatteringly. The structure needed fine-tuning and tenses were oddly used to differentiate the flashbacks from present day.
To put it succinctly, the writing isn't great and neither is the storyline, what there is of it. This was a bizarre read even by Sweet Valley standards and an insult to fans. Seriously, does Francine Pascal hate this universe and its readers? I think I'll stick to the <a href="http://www.goodreads.com/series/58723-sweet-valley-high">Sweet Valley High</a> series and make up my own stories about what happened afterward.
Slightly spoiler-ish lesson learned from this book:
<spoiler>Betrayal is okay as long as it's "Twu Luv."</spoiler>
Second lesson learned:
Everything always turns up fucking sunshine and roses and unicorns and lollipops for the worst person (or people) in the end.
I'd like to leave you with another winning description,
<blockquote>"There were no tears, but her mouth was twisted in a silent sob."
-page 17</blockquote>
<u>A thought a few hours after having finished this book:</u>
Maybe another "sequel" will eventually come out and it'll begin with Elizabeth waking up from the nightmare that is this book and we'll get the real ten years later story. Ahh, sweet dreams.
<u>Update: April 26, 2011:</u>
Oh yes, always good to blame the fans/readers for not liking their terrible book. By pointing out minor, petty reasons, I might add. <b>Warning:</b> book spoilers in article.
http://www.nytimes.com/2011/04/17/business/media/17sweet.html?_r=1
That was my initial thought after turning the final page of <b>Sweet Valley Confidential: Ten Years Later</b>.
As a pre-teen, I was addicted to the <u>Sweet Valley High</u> series, and then later, the <u>Sweet Valley University</u> series as well. Before that even, I had read some of the Twins and Kids series, so when I heard this was coming out last year, I just knew I had to read it. I was excited beyond compare and went into full geek-out mode. Where are the perfect size-six Wakefield twins, and their friends and enemies, now? What are their occupations? Who are they dating or who'd they marry? And my questions kept going on and on. What has inspired this obsession? It's not like these books were high literature, but somehow they became ingrained into my life to this very day and I cannot help but remember SVH fondly.
It is nearly impossible to review the story within the covers without spoilers, but I am going to try my darnedest. Some cursing may or may not be involved.
<b>Short synopsis</b> (snarky comments in parentheses ;P):
Jessica has betrayed Elizabeth. <i>(Doesn't take a rocket scientist to figure out what she did. Anyone who's read the books could make an accurate guess.)</i> The Ultimate Betrayal. <i>(Oooooh!)</i> Elizabeth flees to New York. Elizabeth is a slightly sympathetic bitter victim/martyr who craves revenge throughout the book. Jessica is supposed to be a sympathetic betrayer/victim who's heartsick at destroying her sister. <i>(I don't buy it.)</i> Tons of reminiscing flashbacks ensue throughout the book, sometimes the same ones told by different characters, and take up about half of it, so there's barely any plot. Book ends with a thirteen-page <i>Where Are They Now?</i>-type epilogue that tells old fans what has happened to many major supporting characters from the original high school series. <i>(Apparently no one is allowed to be happy. And anyone you may have originally liked from SVH has turned into a big dick. WTF?)</i>
I expected to enjoy this as the usual over-the-top, soap opera stories I remember, but revamped a bit. Sadly, I was left feeling underwhelmed, disappointed, annoyed, and rather pissed off. For one thing, I could not buy the main betrayal -- <spoiler>Jessica and Todd?! In love!!?? Really? In what surreal dimension does that make any kind of sense? This broke the book for me. How can I believe anything else if this doesn't ring true. A passionate affair, sure. A one-night stand, why not? But actual 'til death do us part nonsense? Bull. Not when it's almost always been the Elizabeth and Todd, "made-for-each-other" type of thing. I actually wouldn't have minded if E & T hadn't ended up together, but for Todd to be with Jessica, that's just madness, plain and simple.</spoiler> -- it was just so unbelievable. And I mean that in a Sweet Valley way, which we all know is not steeped in any form of actual reality, so my standards are quite low and I expect the extraordinary and overwrought. So from this point on, which is within the first two chapters, I struggled, but somehow managed to read on. I admit, I gagged more than few times throughout the book. Who wouldn't when faced with passages such as this one,
<blockquote>"And what faces they were.
Gorgeous. Absolutely amazing. The kind you couldn't stop looking at. Their eyes were shades of aqua that danced in the light like shards of precious stones, oval and fringed with thick, light brown lashes long enough to cast a shadow on their cheeks. Their silky blond hair, the cascading kind, fell just below their shoulders. And to complete the perfection, their rosy lips looked as if they were penciled on. There wasn't a thing wrong with their figures, either. It was if billions of possibilities all fell together perfectly.
Twice."
-page 9/10</blockquote>
I hope you managed to hold onto your last meal. I barely did. I also had to endure "his beloved," "his love," and other similar nauseating descriptions.
This is not the PG-rated books from the past, the word "orgasm" is actually used. So is the F-bomb and other expletives. *gasp* Seriously, it does push the boundaries more than the innocent SVH series, but it's not very shocking by today's standards. Except that it does involve the Wakefield Twins, which was strange at first. Of course, current trends had to pop up, like Twitter and Facebook, Justin Timberlake and Beyonce, which always makes a book better and doesn't date it in the least. (That was heavy sarcasm in case you weren't sure.) The book does refer to some incidents and people from the SVU series, but only certain elements, otherwise it's mainly a continuation of high school and no one from the university days actually appears in the book.
Neither Elizabeth nor Jessica felt true to form, especially Jessica, and in fact, none of the characters, whether seen or just talked about, were right. Sure, some people change and some don't, but not a one was recognizable. Where did these strangers with the same names come from? Why couldn't there have been some semblance of the original shining through? Again, I have a hard time with the basis of the book, so that has severely colored my view of the entire thing, but as it stands, it was a complete waste of a good idea. I'd be willing to bet that any fan of SVH could come up with something a million times better than this dreck. Wasn't there an original ghostwriter available? You know, someone who might actually know the world and characters, and have the skill to develop them both in a believable manner?
The writing is rather clunky and purple-ly, often managing both at the same time. Redundancy abounds, editing mistakes, including wrong names and inconsistencies to previous events in SVH-iverse, and lots of use of the words "like" and "so", more-so in Jessica's narrative than anywhere else, which was really, really, so, like, irritating. Like, really. Ms. Pascal must have had a thesaurus at the ready, because there were big words awkwardly thrown into the narrative. While I appreciate authors utilizing lesser known or used words, some just don't blend well with the rest of the text and they pop-out unflatteringly. The structure needed fine-tuning and tenses were oddly used to differentiate the flashbacks from present day.
To put it succinctly, the writing isn't great and neither is the storyline, what there is of it. This was a bizarre read even by Sweet Valley standards and an insult to fans. Seriously, does Francine Pascal hate this universe and its readers? I think I'll stick to the <a href="http://www.goodreads.com/series/58723-sweet-valley-high">Sweet Valley High</a> series and make up my own stories about what happened afterward.
Slightly spoiler-ish lesson learned from this book:
<spoiler>Betrayal is okay as long as it's "Twu Luv."</spoiler>
Second lesson learned:
Everything always turns up fucking sunshine and roses and unicorns and lollipops for the worst person (or people) in the end.
I'd like to leave you with another winning description,
<blockquote>"There were no tears, but her mouth was twisted in a silent sob."
-page 17</blockquote>
<u>A thought a few hours after having finished this book:</u>
Maybe another "sequel" will eventually come out and it'll begin with Elizabeth waking up from the nightmare that is this book and we'll get the real ten years later story. Ahh, sweet dreams.
<u>Update: April 26, 2011:</u>
Oh yes, always good to blame the fans/readers for not liking their terrible book. By pointing out minor, petty reasons, I might add. <b>Warning:</b> book spoilers in article.
http://www.nytimes.com/2011/04/17/business/media/17sweet.html?_r=1
Kristy H (1252 KP) rated Then She Was Gone in Books
Apr 24, 2018 (Updated Apr 24, 2018)
Excellent psychological thriller - hard to put down!
It's been ten years since Laurel Mack's beloved youngest daughter, Ellie, disappeared. She was fifteen and adored by her parents and boyfriend. Intelligent, bright, and excited about her future, Ellie was just about to sit for her exams when she vanished. In the years since her daughter's disappearance, Laurel's marriage has fallen apart, and her relationship with her two remaining children is strained. She is resigned to her lonely life until she randomly meets Floyd one day in a coffee shop. The two begin to date, bringing some joy and excitement back into Laurel's solitary life. She also meets Floyd's daughters; the youngest, Poppy, reminds Laurel so much of Ellie sometimes that she can barely stand it. As Laurel tentatively allows herself to feel happy again, she also cannot help but to again question Ellie's disappearance. What really happened to her daughter? And why does she feel so strangely drawn to this young girl who looks so very much like her long-lost daughter?
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
This was a great one. It drew me in immediately and then just kept going. Jewell slowly doles out these tantalizing, fun snippets and clues that you have to carefully piece together. The novel is composed of interesting, suspicious, and strange pieces of information; as it progresses, it's wonderfully creepy and menacing. The result is an incredibly well-done novel that has you frantically turning the pages. In fact, I had worked some of the plot out and still found myself willing the book forward, wanting Laurel to do the same. It was compulsively readable, and I read the entire second half in one sitting, staying up late to finish it (and this is saying a lot, because sleep is a precious commodity in my life).
The book is divided into three parts, each with some varying narrators, with Laurel as the thread that ties it all together. This works really well at building suspense. It's also heartbreaking at times. It's so awful and terrifying to think of your child going missing, and there are parts that made me cry. And, in turn, the book is realistic. For instance, Laurel comes across as a very true-to-form. She is truly a grieving mom and Jewell also captures the complexities of being a mother quite well too.
Overall, this is an excellent psychological thriller. It's incredibly easy to get absorbed into its well-written plot and strong characters. It also has a tender side, as well. Even when you might see where (some) things are going, it's completely impossible to put down, as it rushes toward a crazy and exciting conclusion. Definitely a great read!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Ben Howkins (7 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Feb 14, 2019 (Updated Feb 17, 2019)
Visuals (1 more)
Story
A fitting farewell to Hiccup and Toothless
The basic plot of the movie is: 1 year after the events of the 2nd film, the new chief of Berk, Hiccup and his friends have taken to rescuing captured dragons and taking them back to Berk, which Hiccup has decided make a Viking/ Dragon utopia. This, unfortunately, gets the attention of a band of a group of Warlords, who wish to use the dragons themselves for their plans. The Warlords enlist a legendary dragon hunter called “Grimmel The Grisly” to kidnap Hiccup’s Night Fury dragon Toothless as he is the alpha and all the other dragons will obey him. To do this, Grimmel uses a female, white Night Fury (dubbed a Light Fury) as bait to play with Toothless emotions. As a way of helping Toothless with his matters of the heart and to get away from Gimmel, Hiccup decides to go looking for a legendary place which his dad used to talk of, where all dragons came from, called “The Hidden World”
Because this was an animated film I find it really hard to do any sort of proper performance reviews of the characters and associated performers. In all honesty, in my opinion, it is very hard to muck up read lines off of a sheet (though it can be done). This is, in my opinion, a double-edged sword, as though it is really hard to really stand out in voice performances (though some people always do aka Mr Hayter, Mr North and Mr Baker), the fact that I believed this to be a very good film shows the quality of the script, story and animation. The people of Berk still feel like a group of empty-headed, muscular idiots just like they were in the first film, whilst at the same time all growing as characters. All the relationships show on screen have their own distinct elements which add to the story, be it the romance between Hiccup and girlfriend Astrid, the awkward and silly crush Snotlout has for Hiccup’s mum Valka or of course the eternal friendship between Hiccup and Toothless. And finally, the visual art style and animation work amazingly well and capture the scenery perfectly at times, be it the giant waterfalls of “Old” and “New” Berk, the bright and vibrant colours of inside “The Hidden World” or even just the effects of making the Light Fury look so elegant and mysterious.
Overall I feel like this is a fitting end to what I feel is Dreamwork’s best made and least loved series. It is filled with laughs, cheers and unless you have a soul of stone, DEFINITELY some tears.
Because this was an animated film I find it really hard to do any sort of proper performance reviews of the characters and associated performers. In all honesty, in my opinion, it is very hard to muck up read lines off of a sheet (though it can be done). This is, in my opinion, a double-edged sword, as though it is really hard to really stand out in voice performances (though some people always do aka Mr Hayter, Mr North and Mr Baker), the fact that I believed this to be a very good film shows the quality of the script, story and animation. The people of Berk still feel like a group of empty-headed, muscular idiots just like they were in the first film, whilst at the same time all growing as characters. All the relationships show on screen have their own distinct elements which add to the story, be it the romance between Hiccup and girlfriend Astrid, the awkward and silly crush Snotlout has for Hiccup’s mum Valka or of course the eternal friendship between Hiccup and Toothless. And finally, the visual art style and animation work amazingly well and capture the scenery perfectly at times, be it the giant waterfalls of “Old” and “New” Berk, the bright and vibrant colours of inside “The Hidden World” or even just the effects of making the Light Fury look so elegant and mysterious.
Overall I feel like this is a fitting end to what I feel is Dreamwork’s best made and least loved series. It is filled with laughs, cheers and unless you have a soul of stone, DEFINITELY some tears.
Kyera (8 KP) rated A Crown of Wishes (The Star-Touched Queen, #2) in Books
Feb 1, 2018
A Crown of Wishes is a companion novel to Roshani Chokshis A Star-Touched Queen, but neither needs to be read to enjoy the other. They can either be read in conjunction or be read as a stand-alone without the story being affected significantly in either case. That being said, A Crown of Wishes takes place later in time than A Star-Touched Queen and if you plan to read both perhaps reading them in chronological order would be best. I personally enjoyed A Crown of Wishes more than A Star-Touched Queen. The writing was equally lyrical and beautiful, but I found it to be more engaging than its predecessor.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
I found Gauri and Vikram to be more likable main characters than Maya and Raja, from the other book. Gauri is tough, she had to be to grow up with the cruel Skanda as her brother and King of Bharata. She trained with warriors and keeps her emotions tucked away. Vikram is the adopted son of the King of Ujijian, but despite his mind, his lack of blood relation to the monarch will force him to be a puppet king. He wishes more than anything to be taken seriously and rule his people fairly, not via a corrupt cabinet.
Vikram was definitely my favourite character in this book, he was witty and cheerfully went out of his way to get under Gauris skin. The relationship and interactions between the two of them went from mutual disdain to begrudging respect authentically. It was nice to see them support one another, even if they didnt have any reason to beyond being partners for the Tournament of Wishes.
The story was more engaging than its predecessor, continuing to build the magical Otherworld but including scenes with faster pacing and action. The Tournament of Wishes was intriguing, as each contestants role and journey were different. No two people experienced the same trials or puzzled through the same clues. It was interesting to attempt to discern what each clue referred to before Vikram inevitably worked it out.
The beautiful prose and flowery writing definitely lent itself to the story. It helped to build a magical and unusual world for readers to slip into. Each vibrant fruit, eerie tree, and terrifying creature come to life in vivid detail. As long as you dont mind words that you really must pay attention to in order to absorb, I believe you will enjoy this book. It might not be your style if you tend to skim and breeze through stories, as this does require a degree of concentration to appreciate. Overall, I would recommend this book to fans of Renee Ahdiehs or Laini Taylors style of writing.
Phillip McSween (751 KP) rated Dogma (1999) in Movies
Jul 28, 2018
Funny and Deep
Talk about off the beaten path. Dogma is at weird as it comes. Offensive to some, hilarious to others, if you can take it for what it is and not get overly deep about it, you'll find yourself watching a quality comedy. The plot? A little complicated to explain without using more words than I would like. I will say that it involves two fallen angels who are looking for a way back into heaven.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Acting: 10
Beginning: 8
Characters: 10
You want characters? This film has them by the boatload. Outside of the fallen angels, you will meet the likes of a woman who is the savior of humanity, a messenger from heaven, and an apostle holding a grudge just to name a few. Dogma is a melting pot of personalities and temperament which is a huge part of what makes the film such a good one. You are going to love Jay the Prophet. He is just plain hilarious. And Alan Rickman's dry sarcasm always makes for a good laugh.
Cinematography/Visuals: 8
Conflict: 8
There are never any real lulls where the film gets boring. There is a lot of dialogue but the progression of the conflict keeps the film moving at a solid speed. I did dock a couple of point for a brief dead spot about an hour in, but there is pretty solid action and comedy throughout for the most part.
Genre: 7
There is a special scene where the characters are discussing a John Hughes movie. The dialogue builds and, before you know it, you're cracking up at every word they're saying. It's scenes like these that contribute to making the film a pretty solid comedy. If the strip club scene doesn't make you laugh, I don't know what will!
Memorability: 10
The originality of the plot and the messaging help the film stand out in my mind among a sea of other movies I've seen. I appreciated the interesting introspection of faith and life. The Belief Vs. Ideas convo was another solid moment. Dogma is funny, but it gives you some things to digest as well.
Pace: 8
Plot: 5
While the plot is certainly intriguing, it was also a bit of a hindrance for me as it got confusing as all get out in certain spots. The struggle to find a short plot description above was real. Not sure what they could have done differently here, but there were certain spots where my experience was dampened by all the crazy stuff happening.
Resolution: 8
Overall: 82
With a solid cast (Ben Afleck and Matt Damon always work well together) and a number of memorable moments, Dogma is definitely worth a watch. Glad I can check this one off the list and add it to my favorites.
Phillip McSween (751 KP) rated Braveheart (1995) in Movies
Jul 28, 2018
Epic
The Story of Scottish Patriot William Wallace (Mel Gibson) and his quest to unite the clans and rise up against their English oppressors.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
Acting: 10
Beginning: 10
The film gets off to a hot start by immediately drawing you into the story. Once the camera pans into the hut with all of the hanging bodies, they had my attention right away. The sheer intrigue was enough to make me want to see more.
Characters: 10
The Scots are a crazy bunch and I LOVE them. Whether old or young, they're all tough guys in their own right. One crazy person is enough to make a film interesting, but you put a bunch of them together and now you're really cooking with fire. William Wallace, of course, takes the cake of all the crazies. His character is easily one of my all-time favorite protagonists from his demeanor to the strong message he carries.
Cinematography/Visuals: 10
You kind of cheat when you shoot a film in Scotland, let's be honest. Beautiful landscapes abound, filled with mountains and lush valleys. I got lost watching William Wallace ride through the countryside on horseback. Made me think, "Damn, am I taking enough vacations?"
It's not the landscapes, however, as the battles are epic and sprawling. You get a taste of a bit of blood or something gory right before it cuts to a new fight. Seeing a fight that probably took hours abbreviated into a couple minutes is jarring and effective. These are some of the best battles captured on film.
Conflict: 10
Genre: 7
Memorability: 8
Braveheart is a film that easily stands the test of time. The brotherhood of the clans alone is memorable in and of itself. These are guys that lay down their lives for each other to advance their nation. The battles that ensue as a result of the stand that these men take are sheer inspiration. "They can take our lives, but they'll never take our freedom!"
Pace: 10
While the film slows down just slightly after the opening scenes, once the fighting starts, things move forward at a breakneck pace. It drives you from one scene to the next with intensity and passion. Just when you think you've had enough action, you're graced with more! Very solid pace.
Plot: 10
Resolution: 5
The ending was a bit deflating, at least for my taste. I respected the realism, but it felt counterintuitive to what the rest of the film was accomplishing. Not horrible, but perhaps a different approach would warrant a better score.
Overall: 90
I never had any interest whatsoever to watch this film and, after finally seeing it, I can't believe I waited this long. Such an inspirational, all-time classic. Loved it.
BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
Daniel Boyd (1066 KP) rated The Predator (2018) in Movies
Sep 27, 2018 (Updated Oct 5, 2018)
The Ultimate Hunter Becomes Hunted Trope
After letting my girlfriend drag me to see A Simple Favor at the weekend, it was my turn to drag her to see something and to be honest, I think that she enjoyed this thing more than I did. This is a film that you can look at a couple of ways. You can either look at it and take none of it seriously, in which case this is a fairly fun, if extremely dumb action sci-fi romp, or you can take a bit more seriously, which I think the moviemakers want you to, in which case it is messy and unbearably cringey at times.
The main problem here is that I am not sure how the director wants us to take this film because the tone is all over the place, with some characters playing it totally straight and some just having a laugh with the ridiculously cheesy material they have been given to work with. The cast are okay, but it is as if they are all working on different movies. Boyd Holbrook, Alfie Allen and Olivia Munn are taking the whole thing pretty seriously and playing it straight while everyone else around them plays it comically and the clash of tones never really sits well throughout the movie. I am a long time Predator fan, I love the original and I think that Predators is a solid sequel too, (let's not mention Predator 2,) I am also a fan of Shane Black. I love the Lethal Weapon movies, Kiss Kiss Bang Bang and The Nice Guys, so I should have loved this movie, yet it just didn't work as well as it sounds on paper.
The VFX in the film was okay at times, but at others the CGI, especially on The Predator himself, felt light and floaty and weightless, which is kinda the opposite of how the Predator is supposed to look as he moves about onscreen.
The whole 'hunter becomes the hunted,' trope actually serves as an appropriate metaphor for what this series has become. The once king of action sci fi (Predator) is now on the back foot and being outdone by a bigger, stronger competitor, (Avengers,) and by comparison, the OG hunter can't stand up to it's superior successor.
Overall, it's not the best Predator movie by a long shot, but it's definitely not the worst either. There are some laughs and some cool kills sprinkled through the film, but there are better action films that have dropped this year and there are better sci fi movies out there too that are more worthy of your time.
The main problem here is that I am not sure how the director wants us to take this film because the tone is all over the place, with some characters playing it totally straight and some just having a laugh with the ridiculously cheesy material they have been given to work with. The cast are okay, but it is as if they are all working on different movies. Boyd Holbrook, Alfie Allen and Olivia Munn are taking the whole thing pretty seriously and playing it straight while everyone else around them plays it comically and the clash of tones never really sits well throughout the movie. I am a long time Predator fan, I love the original and I think that Predators is a solid sequel too, (let's not mention Predator 2,) I am also a fan of Shane Black. I love the Lethal Weapon movies, Kiss Kiss Bang Bang and The Nice Guys, so I should have loved this movie, yet it just didn't work as well as it sounds on paper.
The VFX in the film was okay at times, but at others the CGI, especially on The Predator himself, felt light and floaty and weightless, which is kinda the opposite of how the Predator is supposed to look as he moves about onscreen.
The whole 'hunter becomes the hunted,' trope actually serves as an appropriate metaphor for what this series has become. The once king of action sci fi (Predator) is now on the back foot and being outdone by a bigger, stronger competitor, (Avengers,) and by comparison, the OG hunter can't stand up to it's superior successor.
Overall, it's not the best Predator movie by a long shot, but it's definitely not the worst either. There are some laughs and some cool kills sprinkled through the film, but there are better action films that have dropped this year and there are better sci fi movies out there too that are more worthy of your time.
Gareth von Kallenbach (977 KP) rated the PlayStation 4 version of Batman: Arkham Knight in Video Games
Jun 19, 2019
Playing as Batman never gets old for fans of the Caped Crusader and in the latest video game offering Arkham Knight from Warner Bros Interactive and Rocksteady Studios, fans can once again climb, soar, and now drive through the streets of Gotham City to make the world a safer place.
After the Scarecrow has launched an attack on the city, it is up to Batman to save the day as the mass exodus caused by the attack has left Gotham a shell of its former self and allowed more of the seedy underbelly of the city to come to ground.
As Batman investigates he encounters all sorts of foes ranging from Poison Ivy to the Arkham Knight who stand in his way. Of course there are legions of henchmen and goons for you to fight through and the free-form combat that has been established in the previous games in the series really shines as the action is as fast and smooth as you would want.
Driving segments played a big part in the game and while I loved racing through the city, I did find the vehicle combat a bit linear and repetitive for my taste, but there are some great side missions such as one in the sewers with the Riddler that will put your driving skills to the test.
What I loved about the game was that the city was a true living and breathing city. It is vast, complex, and something to enjoy when you’re gliding or rappelling your way across the rooftops.
The plot of the game is also a huge selling point as it is filled with twists and turns that will keep you hooked during the entire time that you are playing the game.
From the great graphics and action, the sound quality in the game really makes things come to life, especially the thuds of your fists hitting the next bad guy who was crazy enough to think that they could get away from Batman.
If you are a fan of the previous Batman games in the series, there is much to like about Arkham Knight as aside from the Batmobile issues, I had very little to complain about. The control system works well, the graphics, and sound are first-rate, and the storyline is gripping and engaging.
I look forward to playing the game again and focusing more on the side quests, but for now, let me say that Batman: Arkham Knight is a must own for fan of the series as it is on par with the amazing Arkham Asylum for the best Batman adaptation to date.
http://sknr.net/2015/07/28/batman-arkham-knight/
After the Scarecrow has launched an attack on the city, it is up to Batman to save the day as the mass exodus caused by the attack has left Gotham a shell of its former self and allowed more of the seedy underbelly of the city to come to ground.
As Batman investigates he encounters all sorts of foes ranging from Poison Ivy to the Arkham Knight who stand in his way. Of course there are legions of henchmen and goons for you to fight through and the free-form combat that has been established in the previous games in the series really shines as the action is as fast and smooth as you would want.
Driving segments played a big part in the game and while I loved racing through the city, I did find the vehicle combat a bit linear and repetitive for my taste, but there are some great side missions such as one in the sewers with the Riddler that will put your driving skills to the test.
What I loved about the game was that the city was a true living and breathing city. It is vast, complex, and something to enjoy when you’re gliding or rappelling your way across the rooftops.
The plot of the game is also a huge selling point as it is filled with twists and turns that will keep you hooked during the entire time that you are playing the game.
From the great graphics and action, the sound quality in the game really makes things come to life, especially the thuds of your fists hitting the next bad guy who was crazy enough to think that they could get away from Batman.
If you are a fan of the previous Batman games in the series, there is much to like about Arkham Knight as aside from the Batmobile issues, I had very little to complain about. The control system works well, the graphics, and sound are first-rate, and the storyline is gripping and engaging.
I look forward to playing the game again and focusing more on the side quests, but for now, let me say that Batman: Arkham Knight is a must own for fan of the series as it is on par with the amazing Arkham Asylum for the best Batman adaptation to date.
http://sknr.net/2015/07/28/batman-arkham-knight/