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Bob Mann (459 KP) rated Ghost in the Shell (2017) in Movies
Sep 29, 2021
A robot you could take home to meet mother.
I was intrigued to watch the other day (purely for the interest in the technology employed of course!) a short Guardian video on the development of the world’s first fully functioning sex robot: a disturbing watch, requiring a fairly broad mind. Watching it on the same day as going to see Scarlett Johansson’s new film “Ghost in the Shell” though was a mistake, since the similarities between Johansson’s character (‘Major’) and the animatronic sex doll (‘Harmony’) were… erm… distracting.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Johansson is a stunning actress, with unquestionably a stunning figure that she loves to show off, but you would have to start questioning her film choices: since there is hardly a hair’s breadth between the emotionally reserved superhero depiction here and her recent roles in “Lucy” and “Under the Skin“. With her other ongoing “Avengers” superhero work as Natasha Romanoff, and nothing much else beyond that other than brief cameos (“Hail Caesar“, “Hitchcock“) and voice work, its all getting a bit ‘samey’: I’d like to see her get back to her more dramatic roles like “Lost in Translation” that really launched her career.
Anyhoo, back to this flick. Set in the dazzling fictional Japanese city of Niihama, Johansson plays a terrorist victim saved only by having her brain transplanted into an android by the Hanka corporation. In this time (40 years in the future) human ‘upgrades’ with cybernetic technology are commonplace, but Major is a ‘first of a kind’ experiment. Hanka are not pure humanitarians though, since they have turned Major into a lethal fighting weapon with powers of invisibility and lightning reactions. She works for a shadowy anti-terrorism unit called Section 9, led by the Japanese speaking Aramaki (Takeshi Kitano, “Battle Royale”).
The upside of having no human form is that if you get burned or blown up, the team of cyber-surgeons back at Hanka, led by Dr. Ouelet (Juliette Binoche), can rebuild her – – they “have the technology” to quote another bionic hero.
But all is not necessarily well in the idyll of anti-terrorist slashing and burning. Major suffers from recurring ‘glitches’ of memories from her past life: a life that she has no clear memories of. Her latest mission against a deformed and vindictive terrorist called Kuze (Michael Pitt) progressively resurfaces more of these memories, since Kuze clearly knows more about Major than she does.
“Ghost in the Shell” looks glorious, with the Hong Kong-like city being in the style of Blade Runner but with more holograms. (What exactly the holograms are supposed to be doing or advertising is rather unclear!). The cinematography and special effects deserve an Oscar nomination.
Given the film is based on an original Manga series, written and illustrated by Masamune Shirow and well known for its complexity, this Hollywood version has a surprisingly simple and linear story. As such it may disappoint the hoard of fans who adore the original materials.
Treating it as a standalone film, it should have an emotional depth beyond the superficial action, dealing as it does with loyalty and family ties. However, the scripting and editing is rather pedestrian making the whole thing a bit dull. Johansson and Pilou Asbæk, as her co-worker Batou, breathe what life they can into the material; but Binoche is less convincing as the Dr Frankenstein-style doctor. The best act in the piece though is Takeshi Kitano as the kick-ass OAP with attitude.
Where I had particular issues was in some of the detail of the action. ‘Invisibility’ is an attribute that needs to be metered out very carefully in the movies: Harry Potter just about got away with it; in “Die Another Day” it nearly killed the Bond franchise for good. Here, exactly how the androids can achieve invisibility is never explained and I disliked that intently. Similarly, the androids can clearly be physically damaged, yet Major seems to start each mission by throwing herself headfirst off the tallest skyscraper. Again, never explained.
Even though the premise, and the opening titles, brought back bad memories of that truly terrible Star Trek episode “Spock’s Brain”, this is a dark and thoughtful adaptation with great CGI effects but unfortunately its pedestrian pace means it is one that never truly breaks through into the upper echelons of Sci Fi greatness. Worth a watch though.
Puke Flyswatter (7 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
Sep 12, 2017
Incredible special effects for the time (1 more)
Story writing and characters
The Force is strong with this one
Contains spoilers, click to show
Most fans argue over which of its ongoing episodes, is the best in the Star Wars saga. The Empire Strikes Back took a darker approach than its predecessor in delivering the story of the Rebellion's fight to bring peace and freedom to the galaxy by destroying the Empire who now rule with far more than just iron fist, having snatched its power from the dead hands of the Old Republic. This in my opinion, is what made it not only the best of the saga, but the best science fiction movie of all time and more controversially- one of the best movies ever made; an accolade that has still to be taken by any other movie of the genre to date.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
George Lucas, ("the daddy" and brains behind the series of stories of intergalactic war and oppression), had reportedly suffered from exhaustion to the point of near breakdown- even suffering a near heart attack and so decided for the sake of his health and mental well-being not to helm this project which led to Irvin Kershner taking the reins instead.
Kershner's change in approach is apparent throughout the movie and even from the opening scene on Hoth- the barren ice planet- there is a palpably hollow and sombre overall feel which is more than likely deliberate so as to reflect the apparent futility and hopelessness of the protagonists’ struggle. This cleverly generated more empathy toward the characters, meaning the viewer became more invested in the outcome of the story.
The scope and scale of each scene is also cleverly used to give the viewer insight into the characters' state of mind and the choice in lighting and colour (or lack thereof) to deliver more impact and focus on the subject matter in each scene.
As far as story writing and script go, this is also miles ahead of the first and brilliant instalment of the saga. This was apparently due to George Lucas not being happy with the direction of the original draft of the screenplay and being forced to write a further two drafts for the movie following the death of the original screenplay author- the renowned Leigh Brackett who sadly died losing her battle with cancer. Lucas felt it necessary to then bring in Lawrence Kasdan to complete the writing of the screenplay, Kasdan would also go on to pen the screenplays for Raiders Of The Lost Ark, Return Of The Jedi, Star Wars VII The Force Awakens (as co-writer) and is also currently penning the screenplay for the upcoming Han Solo...solo movie. His input and impact on Empire took the saga from the swashbuckling heroic scenes of A New Hope to the almost World War-esque style in which characters are somewhat downtrodden and clearly showing the negative psychological effects on their personalities that are associated with any and every war. This set it apart from A New Hope which, despite the deaths of countless poor and innocent Jawas, inhabitants of Alderaan and Obi-Wan Kenobi, still managed to keep an optimistic outlook which while being an immensely fun and thrilling watch, did not do much in the way of drawing the viewer in and having a connection with the characters. This did not in any way ruin my enjoyment of the movie, I was a kid after all, but upon watching Empire for the first time, I was introduced to a new concept in cinema for me- one where the heroes do not always win, but who still carry on the fight no matter how emotionally scarred or beaten they may be. As a kid, this was so much more of a compelling and exciting movie as it was near impossible to guess where the story would lead and what the future would hold for the then trilogy.
Another highly positive aspect, is that the viewer did not necessarily need to have watched the previous movie and could jump straight into the story, able to enjoy it as each of the characters and the movie’s histories are cleverly re-introduced and explained without the use of exhausting flashbacks or back stories, effectively allowing it to serve as a standalone movie.
For people- who for some reason unbeknownst to me- that are not fans of the genre, this remains as a compelling, well-written and visually stunning piece of movie-making that still stands the test of time and one that anyone of any age can enjoy.
Movie Metropolis (309 KP) rated Avengers: Infinity War (2018) in Movies
Jun 10, 2019
An Exhausting Thrill Ride
The Marvel Cinematic Universe has been delighting fans of the comics and thrilling moviegoers since 2008 when Iron Man steamrolled itself onto the big screen in an epic fashion. From the special effects to the casting of Robert Downey Jr. as Tony Stark, it was the complete package.
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
Heather Cranmer (2721 KP) rated Ultraviolet (Ultraviolet, #1) in Books
Jun 7, 2018
(This review can be found on my blog (<a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Wow, wow, wow! This is one of the best books that I've read this year! I absolutely loved this book!
Alison is in a mental institution after she went crazy the night she claimed to have killed Tori Beaugrand, the most popular girl in school, by making her disintegrate. However, Tori's body hasn't been found. Alison also has the weird ability to see numbers as colors and to taste words amongst other things. Ali just wants to know what's wrong with her and why people won't help her find out what happened to Tori.
To be honest, I didn't really know what to think when I saw the title. It doesn't really capture my attention. While the title does have something to do with the book, I think there could've been better titles. But please, don't let the title fool you. Ultraviolet is amazing!
I felt the same with the cover as I did with the title. I feel like the cover is a bit bland which is a shame because there is an excellent story underneath. I just feel like the cover could've been a bit more interesting so that people would actually pick up the book.
I loved the fact that this book was mainly set in a mental asylum. Anything to do with those kind of institutions makes me want to read a book instantly! The world building is definitely believable. I felt as if I was right beside Ali in everything she did. I loved getting a glimpse at the inside of this institution. Even when the plot takes a twist, I still found everything to be quite believable.
The pacing was fantastic! I was always reading a few words ahead just because I wanted to see what was coming next. Ultraviolet is a real page turner, and I couldn't read this book fast enough. Most of the time, I felt like shutting myself in a room where no one could disturb me. I am even saddened that it ended because I was enjoying it so much.
The plot was fantastic! While the whole girl locked up in mental institution even though she thinks she's fine thing has been done before, Anderson puts her own spin on it to make it her own. I even enjoyed the plot twist even though it was kind of predictable. I also enjoyed the fact that there was minimal romance in this book. I'm not big on romances, so this was perfect for me.
The characters were fantastic! I loved Alison! I felt that she was such a strong character especially with what she had to endure. I sympathized with her a lot of the time, and I even felt what she was feeling most of the time. I just wish she would've chose to tell her therapist about her condition rather then hiding it although I can totally understand why she was scared to tell him. I found Kirk to be annoying, but I think that's how the author wanted us to feel about it. Faraday was an interesting character. I loved how he was willing to listen, and I mean really listen, to what Ali had to say. I loved his helpful nature as well. Tori was super interesting as well, but I'll just leave it at that because of spoilers.
The dialogue was fantastic! I enjoyed reading about what Alison was going through and what she was thinking. It was super interesting. It did annoy me that we were told over and over what a certain noise looked like or what color a number was, etc. I really wish there was just a bit less then that. Overall though, I found the dialogue to flow quite well and feel natural. There was also no swearing in this book.
While this book is part of a series, it can be read as a standalone. The second book in the series is about another character that was mentioned in the book and is more of a companion novel.
Overall, Ultraviolet was a fantastic book that has an incredible plot as well as interesting characters. This book taught me a bit more about Synthesia which I was thrilled about learning. This is one of those books that I know I'll be thinking about for a long time.
I'd recommend this book to everyone aged 13+ because it is just that amazing!
Wow, wow, wow! This is one of the best books that I've read this year! I absolutely loved this book!
Alison is in a mental institution after she went crazy the night she claimed to have killed Tori Beaugrand, the most popular girl in school, by making her disintegrate. However, Tori's body hasn't been found. Alison also has the weird ability to see numbers as colors and to taste words amongst other things. Ali just wants to know what's wrong with her and why people won't help her find out what happened to Tori.
To be honest, I didn't really know what to think when I saw the title. It doesn't really capture my attention. While the title does have something to do with the book, I think there could've been better titles. But please, don't let the title fool you. Ultraviolet is amazing!
I felt the same with the cover as I did with the title. I feel like the cover is a bit bland which is a shame because there is an excellent story underneath. I just feel like the cover could've been a bit more interesting so that people would actually pick up the book.
I loved the fact that this book was mainly set in a mental asylum. Anything to do with those kind of institutions makes me want to read a book instantly! The world building is definitely believable. I felt as if I was right beside Ali in everything she did. I loved getting a glimpse at the inside of this institution. Even when the plot takes a twist, I still found everything to be quite believable.
The pacing was fantastic! I was always reading a few words ahead just because I wanted to see what was coming next. Ultraviolet is a real page turner, and I couldn't read this book fast enough. Most of the time, I felt like shutting myself in a room where no one could disturb me. I am even saddened that it ended because I was enjoying it so much.
The plot was fantastic! While the whole girl locked up in mental institution even though she thinks she's fine thing has been done before, Anderson puts her own spin on it to make it her own. I even enjoyed the plot twist even though it was kind of predictable. I also enjoyed the fact that there was minimal romance in this book. I'm not big on romances, so this was perfect for me.
The characters were fantastic! I loved Alison! I felt that she was such a strong character especially with what she had to endure. I sympathized with her a lot of the time, and I even felt what she was feeling most of the time. I just wish she would've chose to tell her therapist about her condition rather then hiding it although I can totally understand why she was scared to tell him. I found Kirk to be annoying, but I think that's how the author wanted us to feel about it. Faraday was an interesting character. I loved how he was willing to listen, and I mean really listen, to what Ali had to say. I loved his helpful nature as well. Tori was super interesting as well, but I'll just leave it at that because of spoilers.
The dialogue was fantastic! I enjoyed reading about what Alison was going through and what she was thinking. It was super interesting. It did annoy me that we were told over and over what a certain noise looked like or what color a number was, etc. I really wish there was just a bit less then that. Overall though, I found the dialogue to flow quite well and feel natural. There was also no swearing in this book.
While this book is part of a series, it can be read as a standalone. The second book in the series is about another character that was mentioned in the book and is more of a companion novel.
Overall, Ultraviolet was a fantastic book that has an incredible plot as well as interesting characters. This book taught me a bit more about Synthesia which I was thrilled about learning. This is one of those books that I know I'll be thinking about for a long time.
I'd recommend this book to everyone aged 13+ because it is just that amazing!
Sophia (Bookwyrming Thoughts) (530 KP) rated Bring Me Their Hearts (Bring Me Their Hearts, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i><b>Bring Me Their Hearts</b></i><b> has plenty of sass, snark and </b><b>humor laced throughout</b>, which is no surprise considering one of the biggest reasons why I loved Sara Wolf's debut novel is the sass and humor (I can now officially count on Wolf to make me laugh). This book literally starts with Zera comparing the king's worth to a <i>potato</i>.
<h2>Potatoes aside, let's talk about Sara Wolf's dive from contemporary into fantasy, aka <b>how did </b><b><i>Bring Me Their Hearts</i></b><b> do???</b></h2>
Because that is the most important question: is the book good? Is it as bloodeh as the title? Let me give you the 411.
<h3><b>If you're looking for a good dose of sass, snark and humor, count on it.</b></h3>
Zera has a comeback for <i>everything</i>. Of course, she says she can't help herself because it's how she deals with it since she became Heartless, which is essentially a witch's pet monster. If you can't deal with her comebacks, then suck it up an drop off a cliff is what she'll likely tell you. But the amount of sass is 👌👌👌 and #100percentapproved.
<h3><b>But let's be a little honest here: sometimes Isis Blake appears too much in Zera.</b></h3>
Isis Blake is <a href="https://bookwyrmingthoughts.com/blog-tour-love-me-never-by-sara-wolf-arc-review-and-giveaway/">the main character of Wolf's <i>Lovely Vicious</i> series</a> and sometimes she appears way too much in Zera. Think two people stuck in one body = identity crisis much?
Maybe I am complaining too much here because regardless of how Isis seems to appear occasionally in Zera, <b>I still enjoyed Zera's voice.</b> And I still approve of snarkcisms used. So I'll just sit in a corner and hush up.
<h3><b>Let's take a moment to appreciate a side character (really, we should appreciate most side characters).</b></h3>
Meet Malachite, who is officially one of my favorite characters of <i>Bring Me Their Hearts</i> simply because he was wonderful and had no filter for being a royal bodyguard. 11/10 would adopt.
But we all know, Ms. Wolf, that you're going to kill Malachite later on, right? And kill my feels along with it?
<h3><b>There is this weird issue of the beginning being kind of out of place but used as a lovely hook.</b></h3>
<i>Bring Me Their Hearts</i> starts us in a court before backtracking a few weeks and then continuing. <i>Please note I am a very forgetful person</i> but we're in Zera's world of Heartless and witches and then Training101 for 30% of the book. I completely forgot everything by that point aside from a potato being involved.
But it's used as a lovely hook, so I'm not exactly complaining too much (someone fix my memory please and thank you).
<h3><b>Common Fantasy Plot #2927: Got 'em!</b></h3>
Eventually, you get to the point where you see the most common plotlines aka royalty is secretly venturing out in the world of plebians to be a badass and accidentally meets potential love interest aka the main character.
<h3><b>I was expecting this to be more bloody? I did not get more bloody.</b></h3>
I got a lot of court intrigue, sass, humor, but I was expecting more blood for some reason. I got more near the end though, because Heartless are monsters after all.
<h3><b>Hold up, this is the first novel?</b></h3>
I was expecting this to be a standalone but hahaha no nice try, Sophia. Come back in the future to satiate your curiosities in book two.
<i>Bring Me Their Hearts</i> wasn't horrible if you enjoy a snarky little monster who really just wants everything to be all good and dandy (but hahaha, life isn't going to be that nice) and a nice little note tacked on the end that says, "come back soon for more!"
While I wanted a little more blood because I'm smol and evil thoughts run through my brain sometimes, this was fun to read, and I have hopes for the second novel.
<a href="https://bookwyrmingthoughts.com/blog-tour-bring-me-their-hearts-by-sara-wolf-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i><b>Bring Me Their Hearts</b></i><b> has plenty of sass, snark and </b><b>humor laced throughout</b>, which is no surprise considering one of the biggest reasons why I loved Sara Wolf's debut novel is the sass and humor (I can now officially count on Wolf to make me laugh). This book literally starts with Zera comparing the king's worth to a <i>potato</i>.
<h2>Potatoes aside, let's talk about Sara Wolf's dive from contemporary into fantasy, aka <b>how did </b><b><i>Bring Me Their Hearts</i></b><b> do???</b></h2>
Because that is the most important question: is the book good? Is it as bloodeh as the title? Let me give you the 411.
<h3><b>If you're looking for a good dose of sass, snark and humor, count on it.</b></h3>
Zera has a comeback for <i>everything</i>. Of course, she says she can't help herself because it's how she deals with it since she became Heartless, which is essentially a witch's pet monster. If you can't deal with her comebacks, then suck it up an drop off a cliff is what she'll likely tell you. But the amount of sass is 👌👌👌 and #100percentapproved.
<h3><b>But let's be a little honest here: sometimes Isis Blake appears too much in Zera.</b></h3>
Isis Blake is <a href="https://bookwyrmingthoughts.com/blog-tour-love-me-never-by-sara-wolf-arc-review-and-giveaway/">the main character of Wolf's <i>Lovely Vicious</i> series</a> and sometimes she appears way too much in Zera. Think two people stuck in one body = identity crisis much?
Maybe I am complaining too much here because regardless of how Isis seems to appear occasionally in Zera, <b>I still enjoyed Zera's voice.</b> And I still approve of snarkcisms used. So I'll just sit in a corner and hush up.
<h3><b>Let's take a moment to appreciate a side character (really, we should appreciate most side characters).</b></h3>
Meet Malachite, who is officially one of my favorite characters of <i>Bring Me Their Hearts</i> simply because he was wonderful and had no filter for being a royal bodyguard. 11/10 would adopt.
But we all know, Ms. Wolf, that you're going to kill Malachite later on, right? And kill my feels along with it?
<h3><b>There is this weird issue of the beginning being kind of out of place but used as a lovely hook.</b></h3>
<i>Bring Me Their Hearts</i> starts us in a court before backtracking a few weeks and then continuing. <i>Please note I am a very forgetful person</i> but we're in Zera's world of Heartless and witches and then Training101 for 30% of the book. I completely forgot everything by that point aside from a potato being involved.
But it's used as a lovely hook, so I'm not exactly complaining too much (someone fix my memory please and thank you).
<h3><b>Common Fantasy Plot #2927: Got 'em!</b></h3>
Eventually, you get to the point where you see the most common plotlines aka royalty is secretly venturing out in the world of plebians to be a badass and accidentally meets potential love interest aka the main character.
<h3><b>I was expecting this to be more bloody? I did not get more bloody.</b></h3>
I got a lot of court intrigue, sass, humor, but I was expecting more blood for some reason. I got more near the end though, because Heartless are monsters after all.
<h3><b>Hold up, this is the first novel?</b></h3>
I was expecting this to be a standalone but hahaha no nice try, Sophia. Come back in the future to satiate your curiosities in book two.
<i>Bring Me Their Hearts</i> wasn't horrible if you enjoy a snarky little monster who really just wants everything to be all good and dandy (but hahaha, life isn't going to be that nice) and a nice little note tacked on the end that says, "come back soon for more!"
While I wanted a little more blood because I'm smol and evil thoughts run through my brain sometimes, this was fun to read, and I have hopes for the second novel.
<a href="https://bookwyrmingthoughts.com/blog-tour-bring-me-their-hearts-by-sara-wolf-arc-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Heather Cranmer (2721 KP) rated Small Spaces (Small Spaces #1) in Books
Jul 29, 2019
I love creepy books, so when I came across Small Spaces by Katherine Arden, it immediately caught my attention. I don't normally read middle grade fiction, but I do make an exception for middle grade horror, and I'm really glad I had the chance to read Small Spaces.
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
---
(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
---
(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Purple Phoenix Games (2266 KP) rated Sequoia in Tabletop Games
Mar 17, 2021
Sequoias are some of the largest trees on Earth, growing hundreds of feet tall and living for thousands of years. A few summers ago I had the chance to visit northern California, and spent a day hiking in a forest full of redwoods and sequoias. The sheer size of the trees was breathtaking, and that hike remains high on my list of favorite vacation spots ever. So when I saw a small game based on those behemoth trees, I was instantly transported back to NorCal, and knew I had to give this game a shot!
Sequoia is a game of dice rolling and area majority in which players are trying to grow the largest trees across different forests. To setup the game, lay out the 11 forest cards on the table within reach of all players, and randomly assign a 1st and 2nd place token to each card. Each player receives 5 dice and 20 tree tokens in their chosen color. The game is ready to begin!
On each turn, players will simultaneously roll their 5 dice – keeping the results secret from all other players! After rolling, players will create 2 pairs using 4 of their dice (one will be left out). Everyone reveals their pairs at the same time, and will place a tree token on the card that matches each of their dice pairs. For example, my pairs might be a 5 and a 2, and a 6 and a 6, so I would put a tree token on the 7 and 12 forest cards. Play continues in this manner (rolling dice, creating pairs, and placing tree tokens), until players have placed all of their tokens. Once all tokens have been placed, the game moves to the scoring phase. For each forest card, the 1st and 2nd place tokens go to the players who have the most and 2nd most tree tokens on the forest card. Once all cards have been scored, count up final points, and the player with the most points wins!
I have to start off by saying that Sequoia really surprised me. I was expecting a fast, light game, and that’s what I got. But I also got a game with a fun amount of player interaction and strategy that keeps all players engaged. You may not know what forest cards a player will choose each turn, but you can see who has already played tree tokens to each card, which can help drive your strategy. Do you want to directly compete with everyone and really pile on the tokens to win 1st place on a card? Or do you want to spread your tokens around to as many forest cards as possible, and hopefully maximize points that are otherwise being ignored by opponents? Especially since the 1st and 2nd place tokens are randomly assigned and have differing values, you really don’t know which forests will yield the highest points until the end of the game. Sequoia is a Yahtzee-esque game that allows direct player interaction, and that elevates the overall gameplay for me.
Let’s talk about components for a minute. These components are great. The forest cards are a nice thick card stock. The tree tokens and 1st/2nd place tokens are all good chunky bits that will definitely hold up over time. And the dice are nice little d6’s that are easy to read and fun to manipulate. The color matching with the dice and tree tokens is also really nice, and I appreciate that uniformity for each player color. All in all, a high quality production for such a small game.
If you ask me, I think Sequoia is a perfect filler game. It is super fast to teach and play, the setup/cleanup takes literally seconds, and it provides an engaging and fun gameplay. Beyond being a filler game, it is a great small standalone game as well. Want something fast to play while the oven is pre-heating for dinner? Pull out Sequoia! I also love that it is simple enough for younger players to understand – it is a numbers game, but you can also visually see what your opponents are working towards, and that lends itself to a good amount of player interaction. Definitely a game that I can see getting a decent amount of table time in my group! Purple Phoenix Games gives this one a sky-rocketing 8 / 12. Check it out, you might be surprised!
Sequoia is a game of dice rolling and area majority in which players are trying to grow the largest trees across different forests. To setup the game, lay out the 11 forest cards on the table within reach of all players, and randomly assign a 1st and 2nd place token to each card. Each player receives 5 dice and 20 tree tokens in their chosen color. The game is ready to begin!
On each turn, players will simultaneously roll their 5 dice – keeping the results secret from all other players! After rolling, players will create 2 pairs using 4 of their dice (one will be left out). Everyone reveals their pairs at the same time, and will place a tree token on the card that matches each of their dice pairs. For example, my pairs might be a 5 and a 2, and a 6 and a 6, so I would put a tree token on the 7 and 12 forest cards. Play continues in this manner (rolling dice, creating pairs, and placing tree tokens), until players have placed all of their tokens. Once all tokens have been placed, the game moves to the scoring phase. For each forest card, the 1st and 2nd place tokens go to the players who have the most and 2nd most tree tokens on the forest card. Once all cards have been scored, count up final points, and the player with the most points wins!
I have to start off by saying that Sequoia really surprised me. I was expecting a fast, light game, and that’s what I got. But I also got a game with a fun amount of player interaction and strategy that keeps all players engaged. You may not know what forest cards a player will choose each turn, but you can see who has already played tree tokens to each card, which can help drive your strategy. Do you want to directly compete with everyone and really pile on the tokens to win 1st place on a card? Or do you want to spread your tokens around to as many forest cards as possible, and hopefully maximize points that are otherwise being ignored by opponents? Especially since the 1st and 2nd place tokens are randomly assigned and have differing values, you really don’t know which forests will yield the highest points until the end of the game. Sequoia is a Yahtzee-esque game that allows direct player interaction, and that elevates the overall gameplay for me.
Let’s talk about components for a minute. These components are great. The forest cards are a nice thick card stock. The tree tokens and 1st/2nd place tokens are all good chunky bits that will definitely hold up over time. And the dice are nice little d6’s that are easy to read and fun to manipulate. The color matching with the dice and tree tokens is also really nice, and I appreciate that uniformity for each player color. All in all, a high quality production for such a small game.
If you ask me, I think Sequoia is a perfect filler game. It is super fast to teach and play, the setup/cleanup takes literally seconds, and it provides an engaging and fun gameplay. Beyond being a filler game, it is a great small standalone game as well. Want something fast to play while the oven is pre-heating for dinner? Pull out Sequoia! I also love that it is simple enough for younger players to understand – it is a numbers game, but you can also visually see what your opponents are working towards, and that lends itself to a good amount of player interaction. Definitely a game that I can see getting a decent amount of table time in my group! Purple Phoenix Games gives this one a sky-rocketing 8 / 12. Check it out, you might be surprised!
Ivana A. | Diary of Difference (1171 KP) rated Would I Lie to the Duke (Union of the Rakes, #2) in Books
Oct 5, 2020
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Thank you to Mills & Boon, for sending me a copy of Would I Lie to the Duke by Eva Leigh, and for the opportunity to participate on this blog tour.
Would I Lie to the Duke by Eva Leigh is the second book in the Union of the Rakes series. It can be easily read as a standalone though.
<b><i>Synopsis:</i></b>
This is the story of Jessica McGale. Her family business is in need of investors, after it collapses due to a fire. Jessica is determined to acquire investors for her business at any cost. When she realises that London’s elite will never give a chance to a humble farm girl like herself, she does the unthinkable. She poses as “Lady Whitfield” and joins the elite on the table. She especially tries to get close to the Duke of Rotherby, as his influence and support could save her company. But one thing Jess never expected to happen, is to grow feelings for him.
Noel is the carefree and notorious duke, but only his close friends truly know him. When he meets Lady Whitfield at the business bazaar, his world shifts. She makes him want to obey every command she tells, which is something he never imagined doing. He struggles to trust people, but trusting Jess is so easy.
But what happens when the business bazaar is over, and so is the fake portrayal of Lady Whitfield? How do you cope when someone has lied to you, but you want them in your life forever? Read this amazing book to find out!
<b><i>My Thoughts:</i></b>
I was so hooked about this book, and I finished it in two days. While the plot is a bit predictable and it has a Cinderella vibe to it, I still enjoyed it a lot.
I could completely understand where Jess was coming from, and in order to save her business, I don’t think there were any other options, given how much rejection she faced in the first chapters. But as soon as she started developing feelings, she should’ve been honest with Noel. The person in me felt uncomfortable for her every single time she would deliberately put herself in an awkward situation and not tell the truth when she had a chance to. And the business trip to the farm? Oh, that got me biting my nails again. I also understand that continuing with the deception was a crucial part of the plot, to produce the drama that it did, but I am just not a fan of dishonesty.
<b><i>Noel was an amazing character, even though, at times, he seemed like the typical rich boy.</i></b>
I loved the way his relationship with Jess progressed during the couple of days, and how he started opening up. Honestly, I didn’t believe it at first, given that it was based on a lie. I thought that given the fact how much trust issues he had, he could never get past her betrayal. And for me, his way of coping and resolving the issue didn’t fit with his character. I have the feeling that people who are lucky enough to have a high income and live in the elite societies are much more wary of “gold diggers”, and everything Jess does (even though for a good reason), seems to be for her business. So I wouldn’t have blamed him if he reacted in a way more different way and just told her to “bugger off”.
Overall, I enjoyed Would I Lie to the Duke and it was a very pleasurable short read to get me away from reality. I don’t always dive into historical romance, and this was a surprising change that ended on a positive note. Honestly, I am glad that it sparks a debate in my mind and makes me think of “what I would have done” on either side of the relationship. I would have acted very differently. And maybe that’s the reason I’m not married to a duke (yet).
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Thank you to Mills & Boon, for sending me a copy of Would I Lie to the Duke by Eva Leigh, and for the opportunity to participate on this blog tour.
Would I Lie to the Duke by Eva Leigh is the second book in the Union of the Rakes series. It can be easily read as a standalone though.
<b><i>Synopsis:</i></b>
This is the story of Jessica McGale. Her family business is in need of investors, after it collapses due to a fire. Jessica is determined to acquire investors for her business at any cost. When she realises that London’s elite will never give a chance to a humble farm girl like herself, she does the unthinkable. She poses as “Lady Whitfield” and joins the elite on the table. She especially tries to get close to the Duke of Rotherby, as his influence and support could save her company. But one thing Jess never expected to happen, is to grow feelings for him.
Noel is the carefree and notorious duke, but only his close friends truly know him. When he meets Lady Whitfield at the business bazaar, his world shifts. She makes him want to obey every command she tells, which is something he never imagined doing. He struggles to trust people, but trusting Jess is so easy.
But what happens when the business bazaar is over, and so is the fake portrayal of Lady Whitfield? How do you cope when someone has lied to you, but you want them in your life forever? Read this amazing book to find out!
<b><i>My Thoughts:</i></b>
I was so hooked about this book, and I finished it in two days. While the plot is a bit predictable and it has a Cinderella vibe to it, I still enjoyed it a lot.
I could completely understand where Jess was coming from, and in order to save her business, I don’t think there were any other options, given how much rejection she faced in the first chapters. But as soon as she started developing feelings, she should’ve been honest with Noel. The person in me felt uncomfortable for her every single time she would deliberately put herself in an awkward situation and not tell the truth when she had a chance to. And the business trip to the farm? Oh, that got me biting my nails again. I also understand that continuing with the deception was a crucial part of the plot, to produce the drama that it did, but I am just not a fan of dishonesty.
<b><i>Noel was an amazing character, even though, at times, he seemed like the typical rich boy.</i></b>
I loved the way his relationship with Jess progressed during the couple of days, and how he started opening up. Honestly, I didn’t believe it at first, given that it was based on a lie. I thought that given the fact how much trust issues he had, he could never get past her betrayal. And for me, his way of coping and resolving the issue didn’t fit with his character. I have the feeling that people who are lucky enough to have a high income and live in the elite societies are much more wary of “gold diggers”, and everything Jess does (even though for a good reason), seems to be for her business. So I wouldn’t have blamed him if he reacted in a way more different way and just told her to “bugger off”.
Overall, I enjoyed Would I Lie to the Duke and it was a very pleasurable short read to get me away from reality. I don’t always dive into historical romance, and this was a surprising change that ended on a positive note. Honestly, I am glad that it sparks a debate in my mind and makes me think of “what I would have done” on either side of the relationship. I would have acted very differently. And maybe that’s the reason I’m not married to a duke (yet).
Lee (2222 KP) rated Annabelle Comes Home (2019) in Movies
Jul 12, 2019
Enjoyable, not as good as Annabelle Creation
Annabelle Comes Home is the third standalone movie for the creepy looking doll since her introduction during the original Conjuring movie. It's also the seventh feature movie from the ever expanding 'Conjuring Universe', a series of movies that have seen wildly varying degrees of quality and success thus far. I tend to start my reviews for this series of movies by declaring my love for the first Conjuring, before wishing that the latest release I'm reviewing might actually match that. But so far the only other movie in the series to come anywhere close to doing that for me was the last Annabelle movie - Annabelle Creation. So, I had very high hopes for this next Annabelle installment.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
After venturing into the past with the previous Annabelle movies, Annabelle Comes Home begins by expanding on the events of The Conjuring. The Warrens take the Annabelle doll into their care in order to keep it safe in their home, under lock and key in their famous artefact room. The car journey home is an eventful one though and it is a real joy to be back in the company of Patrick Wilson and Vera Farmiga and their portrayal of paranormal investigators, Ed and Lorraine Warren. Their characters, and their performances, have been the most enjoyable aspect of these movies for me and this opening chapter with them gets things off to a great start. With Annabelle in the artefact room, blessed by the local priest and contained in a cabinet made out of chapel glass, the evil is contained. And Annabelle is now home.
From there we shift forward a year, where the focus of the movie turns to the Warren's 10 year old daughter Judy (Mckenna Grace). Her parents occupation and reputation is clearly having an effect on her life, with other children at school poking fun at her and refusing to come to her birthday party at the creepy Warren house. That uncomfortable, uneasy feeling of having a room in your house where unspeakable evil is being contained probably doesn't help things either! When her parents have to go away one night, friendly babysitter Mary Ellen comes over to take care of Judy, stepping in to the role of much needed friend. Mary Ellen's friend Daniela arrives to join them a little bit later, uninvited and proving to be a little less straight-laced than Mary Ellen is.
Daniela is currently grieving from the recent loss of her father and is suffering with strong feelings of guilt surrounding the circumstances of his death. She is clearly fascinated and intrigued by the work of the Warrens, so while Mary Ellen and Judy are outside rollerskating, she wastes no time in hunting down the keys to the artefact room so that she can take a poke around inside. As Daniela slowly and carefully examines the room and its many contents for us, it's clear that we're getting a pretty good introduction to the variety of horrors set to be unleashed on the girls in some form later on in the movie. It's a slow buildup though, and on top of the babysitter buildup we've had so far, it's probably a good 45 minutes into the movie before anything substantial happens. I read my review of Annabelle Creation before seeing this movie, and I'd noted that following a similar pattern, with very good results, so I wasn't overly concerned by all of that if the payoff was worth it.
The thing is though, when things do start going a little crazy, the results aren't entirely successful. To be fair, there are some genuinely creepy and very well executed scares. But there are also plenty that don't work so well too. Some new spirits are introduced too, no doubt destined to have their own spin-off movie at some point - 'The Ferryman', who guides souls into the afterlife and requires payment of two coins placed on the eyes of the dead, and the 'Hellhound of Essex'. One of those works considerably well, the other just being distracting and silly.
Despite it's slow-burn start, and it's generic baby-sitter horror setting, I definitely enjoyed Annabelle Comes Home. It's certainly not as good as either of The Conjuring movies, or Annabelle Creation, but it's definitely much better than The Nun or The Curse of La Llorona.
Emma @ The Movies (1786 KP) rated The Suicide Squad (2021) in Movies
Aug 15, 2021
Much like the recent Justice League redo we have Suicide Squad... sorry, The Suicide Squad.
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html
The bad guys (and gals) club together to protect America... and by default, the world.
So it's not really a sequel, it's not really a reboot, but it's sort of a rebooted sequel while being a standalone film in the same universe. I've got no idea, but what we've got doesn't really bring out the same character dynamics as we've had previously.
Harley, Flag, Boomerang and Waller make repeat visits to the franchise. Harley and Boomerang are their usual, slightly off the wall, selves to bring the outlandish humour element. But Flag and Waller aren't anywhere near the versions they were in their last outing. Flag isn't sceptical, and that could be acceptance after the previous missions, but he's less of a leader and altogether more... bland. Waller on the other hand is still a hardass, but on a much different level. Before, she was sinister evil with a smidge of understated terrifying. Now... she's just shouty. It didn't make for a good viewing experience.
The dynamic change also left me cold. Harley and Boomerang have great chemistry together, what they did to her and Flag though, that was an odd mood. At least last time he was firm and decisive, now we're getting lingering camera shots that feel like they have romantic undertones. They also took Harley out of a lot of group activity, for a storyline that could easily have been summed up in another way.
Supporting the old familiars are a lot of new faces. In fact, there are over a dozen new named characters in The Suicide Squad.
Idris Elba is obviously a big pull in the advertising of this. Bloodsport isn't a character I know well, but it's handy that there are several, almost identical, characters they could swap in for Deadshot in case they want to bring Will Smith back later. But whether or not the comic book characters are the same, the story on the screen comes across almost identical.
And then there's Peacemaker, played by John Cena... another highly trained marksman. But this one with a penchant for tighty-whities. With this and F9, I'm not sure I have enough words. This is the last in a string of roles for him that I really haven't enjoyed. I'm even more distressed now that I know there's an 8 episode Peacemaker series coming in 2022. Heavy "do not want" vibes.
I couldn't go through this review without talking about King Shark... that would be criminal. Sylvester Stallone did this perfectly. Nanaue has humour, vulnerability, anger, wonder... and that was all conveyed with animation and a minimal script. I will not apologise for saying he was the best thing about the whole movie.
The rest of the characters are a steep learning curve. There was a lot of opportunity, but some rash decisions meant there was also a lot of wasted IP.
Our bad guys were a little all over the place. Front and centre we had Peter Capaldi as Thinker. He's not exactly a force to be reckoned with though, and honestly, I kind of expected more considering his prominence in the trailer. Starro was more of a challenger as a baddie, but they did ignore a lot of his abilities and left him as more of a novelty... and those armpits... *shudder*
Effects were as you'd expect for a DC film, not bad, but nothing that blows your mind. Animating a giant starfish is never going to look all that believable though, so there's a certain amount of leeway you need to give them for that.
The vibrant colours felt very on brand for James Gunn, and almost made this a bit of a companion piece to Birds of Prey... but those flowers... Yes, Harley has her hallucinatory moments, those flowers felt entirely pointless and out of place.
While The Suicide Squad was watchable, I really didn't find it to be the redemption that a lot of people are praising it to be. In fact, it felt like a solid step back for some characters and an excessive waste of others. Had they made the entire movie from King Shark's point of view then this obviously would have been a 5 star film, but as it was I didn't like the tone it had, and a lot of the action felt way too lighthearted for me. This wasn't an improvement on the previous iteration.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/08/the-suicide-squad-movie-review.html