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Movie Metropolis (309 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 10, 2019
The Galaxy like you've never seen it before
Crafting sequels is never easy, but creating a fitting sequel to 2015’s biggest movie and one of the world’s biggest franchises is no easy feat. Not only do you have to make a film that moves the game on from The Force Awakens, but one that also meets the incredibly high expectations of fans across the globe.
Who took on this ridiculous job I hear you cry? Well Looper’s Rian Johnson takes over directorial duties from J.J. Abrams and the result is The Last Jedi. But is this a fitting sequel or a lacklustre affair?
Following on from the events of 2015’s The Force Awakens, Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance, led by General Leia Organa (Carrie Fisher) prepares to do battle with not only the First Order, but Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) too.
The Last Jedi opens with a beautifully choreographed battle between good and evil as Resistance pilot Poe Dameron (Oscar Issac), assisted by the adorable BB-8, tries to take on the evil First Order. This stunningly directed sequence sets up The Last Jedi perfectly – this is one hell of a good-looking film.
Practical effects are the order of the day here, something some other franchises seem to have forgotten about, and the movie is all the better for having them there. From large scale model ships to the more intricate fauna, The Last Jedi seeps with attention to detail – no stone has been left unturned in creating a living, breathing world. So, it’s all the more disappointing to be sucked out of the spectacle with some occasionally very shoddy CGI.
Apart from a couple of lapses that are geared more towards the film’s finale, The Last Jedi is probably the best-looking Star Wars film out there. From the blood-red lair of Supreme Leader Snoke to the salt-encrusted planet of the film’s gorgeous finale, every frame gives you something to look at. Rian Johnson carefully focusses the cameras on our main characters, using intense close-ups to bleed every single drop of emotion from them. Speaking of which, the entire cast is absolutely mesmerising.
Daisy Ridley deserves recognition for being utterly brilliant in this instalment. I had my reservations about her ability to cope with the toll this franchise would take on the actress but she has proved me wrong, and then some. John Boyega is excellent and Laura Dern’s addition to the galaxy is wonderful. The problem is the cast is just so huge, it’s impossible to mention everyone. Oh, Adam Driver’s performance really has to be seen to be believed and Kylo Ren is definitely moving up the ranks of the Star Wars villain hierarchy. His take on the character in The Last Jedi is exceptional.
If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song
Special mention must go however, to Carrie Fisher. Rian Johnson has stated that none of Fisher’s scenes were changed or moved after the actresses’ untimely death last year, but her time on screen really does take on new, and emotional, meaning here. Princess Leia is as much a Star Wars staple as Chewie, Luke or Han and the galaxy certainly won’t shine brighter without her presence. Nevertheless, this was a fitting tribute to the actress and a wonderful body of work to have her name attached to.
The script is like nothing Star Wars has ever seen before. Riddled with more twists and turns than spaghetti junction, it’s almost entirely unpredictable and that’s something you really don’t see come around very often. In any other franchise it would be exhausting, but here it’s exhilarating and incredibly well written.
At 152 minutes, The Last Jedi is a long film, the longest in the franchise in fact and there’s no getting away from that. The middle act in which some of our heroes traverse a vast casino planet are a little off pace and it does have a whiff of George Lucas’ less than stellar prequels about it, but the rest of the film moves at breakneck speed.
Overall, Rian Johnson has taken risks here and the majority of them pay off with fantastic results; Star Wars: The Last Jedi is a worthy sequel to an ever-growing brand and one that outdoes its predecessor by some margin. If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song because while still feeling like a Star Wars movie in many ways, it’s so different it’ll have you picking your jaw up off the floor more than once. My only question is: why isn’t Rian Johnson directing Episode IX?
https://moviemetropolis.net/2017/12/14/star-wars-the-last-jedi-review-the-galaxy-like-youve-never-seen-it-before/
Who took on this ridiculous job I hear you cry? Well Looper’s Rian Johnson takes over directorial duties from J.J. Abrams and the result is The Last Jedi. But is this a fitting sequel or a lacklustre affair?
Following on from the events of 2015’s The Force Awakens, Rey (Daisy Ridley) develops her newly discovered abilities with the guidance of Luke Skywalker (Mark Hamill), who is unsettled by the strength of her powers. Meanwhile, the Resistance, led by General Leia Organa (Carrie Fisher) prepares to do battle with not only the First Order, but Supreme Leader Snoke (Andy Serkis) and Kylo Ren (Adam Driver) too.
The Last Jedi opens with a beautifully choreographed battle between good and evil as Resistance pilot Poe Dameron (Oscar Issac), assisted by the adorable BB-8, tries to take on the evil First Order. This stunningly directed sequence sets up The Last Jedi perfectly – this is one hell of a good-looking film.
Practical effects are the order of the day here, something some other franchises seem to have forgotten about, and the movie is all the better for having them there. From large scale model ships to the more intricate fauna, The Last Jedi seeps with attention to detail – no stone has been left unturned in creating a living, breathing world. So, it’s all the more disappointing to be sucked out of the spectacle with some occasionally very shoddy CGI.
Apart from a couple of lapses that are geared more towards the film’s finale, The Last Jedi is probably the best-looking Star Wars film out there. From the blood-red lair of Supreme Leader Snoke to the salt-encrusted planet of the film’s gorgeous finale, every frame gives you something to look at. Rian Johnson carefully focusses the cameras on our main characters, using intense close-ups to bleed every single drop of emotion from them. Speaking of which, the entire cast is absolutely mesmerising.
Daisy Ridley deserves recognition for being utterly brilliant in this instalment. I had my reservations about her ability to cope with the toll this franchise would take on the actress but she has proved me wrong, and then some. John Boyega is excellent and Laura Dern’s addition to the galaxy is wonderful. The problem is the cast is just so huge, it’s impossible to mention everyone. Oh, Adam Driver’s performance really has to be seen to be believed and Kylo Ren is definitely moving up the ranks of the Star Wars villain hierarchy. His take on the character in The Last Jedi is exceptional.
If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song
Special mention must go however, to Carrie Fisher. Rian Johnson has stated that none of Fisher’s scenes were changed or moved after the actresses’ untimely death last year, but her time on screen really does take on new, and emotional, meaning here. Princess Leia is as much a Star Wars staple as Chewie, Luke or Han and the galaxy certainly won’t shine brighter without her presence. Nevertheless, this was a fitting tribute to the actress and a wonderful body of work to have her name attached to.
The script is like nothing Star Wars has ever seen before. Riddled with more twists and turns than spaghetti junction, it’s almost entirely unpredictable and that’s something you really don’t see come around very often. In any other franchise it would be exhausting, but here it’s exhilarating and incredibly well written.
At 152 minutes, The Last Jedi is a long film, the longest in the franchise in fact and there’s no getting away from that. The middle act in which some of our heroes traverse a vast casino planet are a little off pace and it does have a whiff of George Lucas’ less than stellar prequels about it, but the rest of the film moves at breakneck speed.
Overall, Rian Johnson has taken risks here and the majority of them pay off with fantastic results; Star Wars: The Last Jedi is a worthy sequel to an ever-growing brand and one that outdoes its predecessor by some margin. If The Force Awakens was J.J. Abrams love letter to the franchise, then The Last Jedi is the break-up song because while still feeling like a Star Wars movie in many ways, it’s so different it’ll have you picking your jaw up off the floor more than once. My only question is: why isn’t Rian Johnson directing Episode IX?
https://moviemetropolis.net/2017/12/14/star-wars-the-last-jedi-review-the-galaxy-like-youve-never-seen-it-before/
David McK (3496 KP) rated Thrawn Ascendancy Book I: Chaos Rising in Books
Jun 21, 2022
Grand Admiral Thrawn
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
Mitth'raw'nuruodo.
The blue-skinned, red-eyed Imperial antagonist of Timothy Zahn's 'Heir to the Empire' series of Star Wars novels from the early 90's, and one of - if not [i]the[/i] breakout characters from that book.
Yet to make his appearance in live action (as an aside, I imagine maybe someone like Benedict Cumberbatch in the role), although he is one of the few characters to survive the 'great purge' when Disney bought out Lucasfilm and re-branded the old Expanded Universe as 'Legends', appearing in the later seasons of the animation 'Star Wars: Rebels'.
This is the first in a new trio of novels, with the opening text reading something along the lines of: 'A long time ago beside a galaxy far far away ...' which, in itself, helps set the scene. Beside a galaxy. So we're not in the realms of the Empire/The Rebellion here, or even in the realm of the Clone Wars, although we are - as the novel later makes clear when Thrawn encounters a key character from that period of time - in that particular era.
So, a prequel then? Maybe, but - I have to say- to me, this particular version of Thrawn just somehow *feels* different than that from the old EU. There's a certain Je Ne Sais Qua about that - I can't quite put my finger on it, but it's like meeting the identical twin brother of your best friend: they may look alike, sound alike and even dress alike but there's a certain indefinable *something* that's not quite right ...
Is it this version of Thrawn's political naivety? His seemingly not-quite-so-ruthless tactical genius? I don't know, but I will probably read more to see if/how the character evolves into that I am more familiar with.
Pete (121 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Dec 16, 2017
Action scenes (4 more)
Better comedy
Porgs
Daisy Ridley ?
Rey, finn and Poe
Really really enjoyable film
As much as a star wars fan i am, as much as i really enjoyed the film, its still missing something. As much as it is like Empire Strikes Back it still offers more. The new characters are starting to move the film away from the original cast and will eventually take over from them, but they all still have alot to learn.
Long story short, great to watch, still alot like Empire Strikes and the new films are going in the right direction ????
Long story short, great to watch, still alot like Empire Strikes and the new films are going in the right direction ????
Jessalyn Joy (118 KP) created a poll
Jul 16, 2017 (Updated Jul 16, 2017)
Erika (17789 KP) rated Star Wars: Episode VII - The Force Awakens (2015) in Movies
May 9, 2018
Initially, I really loved this film. I loved the nostalgia, and the fact that the original trio was brought back. I liked the new characters, and how everything came together. The opening scene was probably one of my favorites out of the film. The new trio had perfect casting, but I do think The Last Jedi ruined it a bit.
Then I realized I liked it so much because it mirrored A New Hope. Episode 4 is my favorite Star Wars film. Yes, it works, but Ep 4 does it better.
Anyway, I'm just glad this trilogy is being given back to Abrams to fix.
Then I realized I liked it so much because it mirrored A New Hope. Episode 4 is my favorite Star Wars film. Yes, it works, but Ep 4 does it better.
Anyway, I'm just glad this trilogy is being given back to Abrams to fix.
Dean (6927 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Han & Chewie friendship (1 more)
Emilia Clarke
It's a blast
I saw this yesterday in 4dx! Just the type of film to make the most of the experience. I really liked this, definitely better than The Last Jedi. It's good to see the back story of an iconic character. It ties in really well with the Star wars films as a whole with lots of references to the original 3 films. Featuring a great cast of good actors even in the small roles. Plenty of action scenes and a few surprises. It doesn't have the deepest of plots but there is enough here to keep everyone happy!
Paul Smedley (141 KP) rated Solo: A Star Wars Story (2018) in Movies
Jun 1, 2018
Another side story winner!
Contains spoilers, click to show
Wow. Just wow. I was so worried for this being bad after so many reviews saying it was a let down but how wrong they were.
A lot of nods to other characters and story arcs as well as a string link to Star Wars Rebels (the animated series) of which I also loved.
It was good to see how the Millennium Falcon got its iconic shape and how it was won.
Oh and of course the origin of the 12 parsecs run!
Go watch it now!!
A lot of nods to other characters and story arcs as well as a string link to Star Wars Rebels (the animated series) of which I also loved.
It was good to see how the Millennium Falcon got its iconic shape and how it was won.
Oh and of course the origin of the 12 parsecs run!
Go watch it now!!
David McK (3496 KP) rated Isard's Revenge (Star Wars: X-Wing, #8) in Books
Jan 30, 2019
If, by and large, books can be compared to food - the classics being haute cuisine; the terrible books being dog-food - then the X-Wing series of Star Wars books (all written pre-Episode One, and based on the popular LucasArts games) could probably be best described as fast food: enjoyable enough in small doses but you wouldn't want to live on them and not always that memorable.
With regard to this book, which picks up from the end of Timothy Zahn's "The Last Command" (with the ending of that novel shown from a different perspective), it's also more than half way through before the jacket blurb begins to make sense.
With regard to this book, which picks up from the end of Timothy Zahn's "The Last Command" (with the ending of that novel shown from a different perspective), it's also more than half way through before the jacket blurb begins to make sense.
David McK (3496 KP) rated The Matrix (1999) in Movies
Dec 10, 2019
1999, the year that everybody expected Star Wars Episode 1: The Phantom Menace to be the best sci-fi movie.
It wasn't.
This was, instead.
Coming seemingly out of nowhere with an ingenious marketing campaign ("What is the Matrix?"), and with Keanu Reeve cementing his action man persona in lather and shades, this (I believe) was the first time that Western audiences was introduced to bullet time.
Very much Manga influenced ("I know Kung Fu"), and with a plot that owes more than a bit to Descartes philosophical "what is reality" question, this film soon launched a host of imitators and 2 not-as-good filmed back-to-back sequels.
It wasn't.
This was, instead.
Coming seemingly out of nowhere with an ingenious marketing campaign ("What is the Matrix?"), and with Keanu Reeve cementing his action man persona in lather and shades, this (I believe) was the first time that Western audiences was introduced to bullet time.
Very much Manga influenced ("I know Kung Fu"), and with a plot that owes more than a bit to Descartes philosophical "what is reality" question, this film soon launched a host of imitators and 2 not-as-good filmed back-to-back sequels.
Darth Vader and Friends
Book
In this funny and sweet new book in the bestselling Darth Vader(t) series, Eisner Award--winning...