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Paul Schneider recommended Dead Ringers (1988) in Movies (curated)

 
Dead Ringers (1988)
Dead Ringers (1988)
1988 | Drama, Horror, Mystery

"Another imperfect perfect film that came slithering into my late-adolescent consciousness at just the right time. I was a disciple by the end of the opening titles (alone worth the price of admission). This thing is a bath of Cronenberg’s cold, polite, Torontonian style, and thus makes the story’s insanity that much more insane—the form of the movie pressure-cooking the content. And what better way to dramatically illustrate this repression explosion than a scene wherein Dr. Icy Veins himself, Jeremy Irons, pounces across an operating table in a spasm of drug withdrawal, belly flopping onto his unconscious patient to rip off her mask and suck anesthetic gas. This is a film featuring twin prescription-drug-addicted gynecologists dressed like Star Wars Imperial Guards who use H. R. Giger–esque, Josef Mengele–level–scary surgical instruments to operate on the “abnormal genitalia” of women they mistake for mutants. Now, if that’s not one for the whole family, well, I don’t know what is! (See Peter Greenaway’s A Zed & Two Noughts for obvious inspiration.)"

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Star Wars: Episode VIII - The Last Jedi (2017)
Star Wars: Episode VIII - The Last Jedi (2017)
2017 | Action, Sci-Fi
A disappointment
After such a good comeback with The Force Awakens and a fantastic prequel in Rogue One, my expectations for The Last Jedi were high and sadly it comes as a bit of a disappointment.

To me this just seems like a filler film. There isn't a massive amount achieved in the nearly 3 hour run time, to the point where I found most of it to be verging on boring. Until the final part, there was no excitement or tension or intrigue. The comedy too was surprisingly illfitted - where's K-2S0 when you need him? Even Luke coming back didn't feel quite right and some of the other characters too were severely underused.


Maybe The Force Awakens felt better because it was the first (good) Star Wars film in a long time, whereas this is the third in as many years with yet more to come. Don't get me wrong, this isn't a bad film and it was enjoyable to a point. It just wasnt as good as it could've been and it just came across as sadly lacking.
  
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Sarah (7798 KP) Dec 22, 2017

That was one of the things I hated the most, what they did (or more appropriately didn't do) with Luke. A massive disappointment for such a major character.

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Lee (2222 KP) Dec 23, 2017

I read a very interesting article the other day which said that this new trilogy might have been better off without Luke, Leia or Han - leaving them in the past - and part of me agrees. Han got to be a bit of a rogue once again in TFA but apart from that, in their rush to develop something which can go on and on and on forever more, I feel that they've just crapped all over everything that went before, especially where Luke is concerned

Shadow of the Sith
Shadow of the Sith
5
5.0 (1 Ratings)
Book Rating
Disney-era Star Wars extended universe novel, set in the period between the end of 'Return of the Jedi' and the start of 'The Force Awakens'.

So same period as covered in TVs 'The Mandalorian', of which this makes no mention.

The novel also double-downs on the big (and not-at-all-well-received due to some extreme clunkiness) twist introduced in 'The Rise of Skywalker', with Luke Skywalker - here, before his hermit days - and Lando Calrissian both being drawn into the protection of a family (who they never meet in person) that is being hunted by the Sith: a family that includes a very young Rey.

I actually found this to be not that bad a read that at least attempted to fix some of the problems in The Rise of Skywalker, although I do have to say that it started from an almost impossible position and chose probably one of the least-liked aspects of that film (and character from the sequel trilogy) to concentrate on/be built around!
  
Star Wars: Episode IX - The Rise of Skywalker (2019)
Star Wars: Episode IX - The Rise of Skywalker (2019)
2019 | Action, Adventure, Fantasy
Second Half (0 more)
First Half (0 more)
I have very mixed feelings following The Rise of Skywalker, the concluding chapter of not just another trilogy of Star Wars movies but also the conclusion of the Skywalker saga. Starting this trilogy, I was comforted by the familiarity presented in The Force Awakens and I felt that movie got the balance right between it's handling of the past and the introduction of new characters, scenarios and threats. But, I’m one of those people that was ultimately disappointed by The Last Jedi. Not the kind that fanboy rages about Star Wars and my entire childhood being ruined, as there are actually a lot of things I liked about it, but I do feel it deviated too much from some of the direction introduced in the previous movie and the movies prior to that. So I went into The Rise of Skywalker not quite as excited as I've been previously, but still cautiously optimistic following a trailer which managed to give me goosebumps pretty much every time I saw it.

As a final chapter, The Rise of Skywalker has a lot resting on it's shoulders. Concluding, and wrapping things up, while not completely ignoring the ideas put forth in The Last Jedi, JJ Abrams is however clearly more interested in revisiting some of his own ideas from The Force Awakens. But I felt that maybe he was relying a little too much on that familiarity aspect at times, as he tries to please everyone.

In The Rise of Skywalker, the resistance are still outnumbered by the First Order and Kylo Ren is now Supreme Leader. Meanwhile, Rey is training with Leia, becoming more confident and powerful, while Finn, Poe and Chewie are out in the Millennium Falcon gathering intel from spies. But an old threat from the past has returned, as a message goes out across the galaxy from an unknown region - Emperor Palpatine is warning of revenge, supported by a powerful fleet of ships.

To go into much more detail would involve spoilers, but lets just say that the first half of the movie involves a search to find something which is going to help them find something else, which is going to lead to the location of the emperor. The quest takes us from location to location, with the odd rescue along the way and the occasional new character popping up. Rey and Ren still have a bond which means that they can manipulate and battle each other from anywhere in the galaxy as Ren and his knights seek out Rey and her team in order to destroy them. There's a lot going on in that first half, and it all felt a bit messy. It's fair to say, I was very bored by this first half.

Around that half way mark though, the journey takes us to a world in the Endor system, where the remains of the second Death Star lies out at sea, among towering waves. It's there that an epic battle between Rey and Ren takes place, which you no doubt will have seen snippets of in the trailers or marketing material. Waves crash around them and the visuals, the choreography, the score, it all came together and really kick started the second half off for me. I still can't quite put my finger on it, but from that point on I felt a real shift (in the force?) and I began to really enjoy the rest of the movie, right up until the huge, inevitable and breathtaking final battle.

As mentioned earlier, there are certainly a lot of characters to take care of in this movie, including plenty of newcomers, all fighting for attention and screen-time. Some of the seemingly important characters introduced to us previously in this trilogy feel a bit lost at times, while we do still manage to find time for a very welcome return by Landon Calrissian. Rey and Ren are both outstanding once again and a special mention goes out to Richard E Grant, who I thought was brilliant as head of the First Order fleet, Allegiant General Pride. Scenes involving Carrie Fisher are beautifully handled, but I felt that the fan service went a little bit too far with some of the scenes involving Luke Skywalker.

The level of craftsmanship and design that goes into a Star Wars movie is always incredible and The Rise of Skywalker is no exception, elevated by a powerful John Williams score and some amazing visuals. I'm really not sure what I was expecting from this final chapter but, despite it all coming good for me in the end, I do feel slightly disappointed overall by the wildly differing halves of the movie. Still, there's nothing quite like seeing a new Star Wars movie on the big screen at Christmas time!
  
Solo: A Star Wars Story (2018)
Solo: A Star Wars Story (2018)
2018 | Action, Sci-Fi
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.

Going into this film, I felt that this film had a few things going against it:

1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.

And you know what? It has overcome these things - and more!

Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.

Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.

Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.

Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.

As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.

And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.

Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.

Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.

But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.

Letter Grade: A-

8 (out of 10) stars and you can take that to the Bank (ofMarquis)
  
    Star Conflict Heroes

    Star Conflict Heroes

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    Command and expand a fleet of spacecraft in Star Conflict Heroes, the sci-fi action RPG! Explore a...