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Eilidh G Clark (177 KP) rated Optograms in Books
May 13, 2017
Great Collection
Stephen Watt is a poet and spoken word artist from Dumbarton. I stumbled upon his work by accident, and was drawn by his likeness in style to a favourite poet of mine, Raymond Carver. Delighted by what I had read, I preceded to watch some of his spoken word performances on You Tube. I was not disappointed. Watt’s poetry and indeed his spoken word delivery, is smart, punchy, intelligent and contemporary. I was delighted to be offered the opportunity to review his new poetry pamphlet Optograms, published by Wild Word press in 2016. Optograms is a wonderful representation of Watt’s finest work, and is a fresh new approach to Scottish poetry. The poet tackles some controversial topics such as prostitution, homelessness, and gender as well as delving into the more intimate topics such as miscarriage and Alzheimer’s. The imagery is his work is striking and each word and line carefully crafted, but it is the way in which the poems radiate emotion that make this work unique. The readers need look no further than the opening poem to get an understanding of the poet’s compassion and understanding of contemporary society. ‘Lipstick’ explores gender representation and discrimination,
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
I go to my room, wiping
the admirer’s lipstick clean
with tights beneath jeans
retrieved from a friend’s house,
and with the words
Big Girl’s Blouse
reverberating inside my head
This poem speaks volumes in so little words and the reader is forced to look inwardly at their own behaviour toward people who do not conform to the norm. Similarly, ‘Prayers to Aliens and Satellites’ is a raw and candid view of homelessness which digs deep into the readers conscience,
where bloodless, xylophonic fingers
sink into armpits –
petitioned hands closed to benefits
and the friendships of passersby.
Like the previous poem, ‘Prayers to Aliens and Satellites’ urges the reader to become more aware of the social problems in society. If these poems are not enough to capture the heart of the reader, Watt surprises us with his heart crushing honesty in poems such as ‘Clinics Lip’ – a grief stricken account of miscarriage,
A husband, once the acme of affection,
now lollygagging in the garden;
crossmaker in waiting
for the small plot earmarked for the hill’s crest.
My own personal favourite is ‘Trouble was Someone Else’s Kid’, a short account of childhood memories, like a fragment of memoir condensed into neatly arranged stanza’s. There is something funny yet tragic about this poem that brought to me both nostalgia and a desire to relive my own fading youth.
We moved in shadows, kept the lid
on, as if peanut butter sandwiches
had pasted our lips together.
Other neighbourhoods sizzled
with pyromaniacs and politics,
alcoholics who played tin whistles
when Di and Charles got hitched.
These are only a few of the delights that can be found in this little treasure of a pamphlet and I would urge poetry lovers as well as those who are new to poetry to seek out a copy of this work. With twenty-six wonderful poems Optograms, is undoubtedly one of the best collections of contemporary Scottish poetry that I have read.
To learn more about the Stephen Watt you can visit The Scottish Poetry Library, http://www.scottishpoetrylibrary.org.uk/poetry/poets/stephen-watt or like his Facebook page @StephenWattSpit. Optograms, can be purchased from stephenwattspit299@gmail.com or the publisher Marc Sherland marcsherland@me.com at Wild Word Press.
I would rate this 3.5/5 stars.
I’ve never been able to find myself wanting to read Stephen King, and after a few attempts when I was younger to start one of his novels, I still couldn’t and so until this book I have never finished a Stephen King. I persevered through this one because it had been lent to me by a friend with a good review and I had watched the tv series based on it a few years ago.
The start of this novel was very slow and confused me in a few points (but I think that was intentional as our main character – Jake Epping – was also pretty confused at the same time). But because not much was happening, I kept putting the book down, distracted to do something else and really having to force myself to pick it back up. Once I managed to get to part 2, I found that I was much more interested in the story and the plot line and it wasn’t such a chore to make the time to read it. I then had a difficult time to put the book down, and most nights I was only putting it down because I was falling asleep in the middle of a sentence! I read the last quarter of the book in a day, because I just wanted to know what was going to happen and whether he was going to be able to stop the assassination of John F. Kennedy.
Overall, I found the concept very interesting and not just the time travel. I found the concept of the past not wanting to be changed and actively trying to stop someone from changing it interesting, and sometimes it was quite comical the amount of things that went wrong when Jake was trying to change the past. I did, however, find the ending very disappointing. It felt like it was starting to be set up for a different ending and then at the last minute the author decided to change it completely. It just didn’t seem to fit with the set up of the last chapter or so, but I can see why it was done and that the ending that was being set up wouldn’t work in terms of not changing the past.
A very interesting read, but with a disappointing ending, but I would still recommend it!
I’ve never been able to find myself wanting to read Stephen King, and after a few attempts when I was younger to start one of his novels, I still couldn’t and so until this book I have never finished a Stephen King. I persevered through this one because it had been lent to me by a friend with a good review and I had watched the tv series based on it a few years ago.
The start of this novel was very slow and confused me in a few points (but I think that was intentional as our main character – Jake Epping – was also pretty confused at the same time). But because not much was happening, I kept putting the book down, distracted to do something else and really having to force myself to pick it back up. Once I managed to get to part 2, I found that I was much more interested in the story and the plot line and it wasn’t such a chore to make the time to read it. I then had a difficult time to put the book down, and most nights I was only putting it down because I was falling asleep in the middle of a sentence! I read the last quarter of the book in a day, because I just wanted to know what was going to happen and whether he was going to be able to stop the assassination of John F. Kennedy.
Overall, I found the concept very interesting and not just the time travel. I found the concept of the past not wanting to be changed and actively trying to stop someone from changing it interesting, and sometimes it was quite comical the amount of things that went wrong when Jake was trying to change the past. I did, however, find the ending very disappointing. It felt like it was starting to be set up for a different ending and then at the last minute the author decided to change it completely. It just didn’t seem to fit with the set up of the last chapter or so, but I can see why it was done and that the ending that was being set up wouldn’t work in terms of not changing the past.
A very interesting read, but with a disappointing ending, but I would still recommend it!
Hairpin Bridge
8.0
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Looking for a thriller that you can’t put down? Then try this book that everyone’s talking...
Bob Mann (459 KP) rated Table 19 (2017) in Movies
Sep 29, 2021
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies
Dec 3, 2024
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
Kaylin (39 KP) rated Don't Breathe (2016) in Movies
Feb 17, 2019 (Updated Feb 17, 2019)
Stephen Lang is excellent as the old man (2 more)
Pretty decent acting throughout
Has a genuinely tense atmosphere
When's it's good, it's good...
Don't Breathe is an interesting case of a horror movie. It's a home invasion movie, but our main character is not the home owner, it's the people who have broken into the house.
Our main character's, Rocky, Alex, and Money, have made a living breaking into houses. They are able to accomplish this due to Alex's father having the codes to all the alarm systems. Rocky is trying to get her sister out of their abusive home and Money promises her a big payout from this blind old man's house. Rocky agrees to one last job but things do not go as planned.
Don't Breathe has a pretty solid premise and delivers on a lot of it's scares. My main problem would be the twist which I'm not going to spoil for you here, but I'll say it's pretty unbelievable and took a lot of enjoyment out of the movie for me. All and All I'd say give it a view.
Our main character's, Rocky, Alex, and Money, have made a living breaking into houses. They are able to accomplish this due to Alex's father having the codes to all the alarm systems. Rocky is trying to get her sister out of their abusive home and Money promises her a big payout from this blind old man's house. Rocky agrees to one last job but things do not go as planned.
Don't Breathe has a pretty solid premise and delivers on a lot of it's scares. My main problem would be the twist which I'm not going to spoil for you here, but I'll say it's pretty unbelievable and took a lot of enjoyment out of the movie for me. All and All I'd say give it a view.
BobbiesDustyPages (1259 KP) rated The Gunslinger in Books
Apr 21, 2019
I first read The Gunslinger when I was in high school and at the height of my Stephen King obsession. Going in and didn't really know what to expect from the story since I didn't really look too much into the series when I first picked it up which I'm pretty glad I didn't because I have never been much of a western fan so I'm not sure if I really would have have this a fair shot.
The Gunslinger honestly can be on the slow side even for such a short book but King does an amazing job of really showing you the world ge is building while still leaving a lot open for the series to build around. After reading this for the first and second time in still not sure how I feel about Rowland aka The Gunslinger I do grow to really love the character in the next book but as an introduction my feelings are never really solid. The character that really peaks my interest is The Man In Black through out the book I just can't wait to find out more about him and why Rowland is chasing him.
The Gunslinger honestly can be on the slow side even for such a short book but King does an amazing job of really showing you the world ge is building while still leaving a lot open for the series to build around. After reading this for the first and second time in still not sure how I feel about Rowland aka The Gunslinger I do grow to really love the character in the next book but as an introduction my feelings are never really solid. The character that really peaks my interest is The Man In Black through out the book I just can't wait to find out more about him and why Rowland is chasing him.
David (771 KP) rated Logan (2017) in Movies
Jan 17, 2018
Very different from other X-men films
I sat at home to watch this not knowing much about it except the synopsis on screen. Watched the colour version rather than the film noir version. As my title says it's not like other X-men films with it's bloody violence and bad language as the previous films were aimed at a younger audience (in my opinion). The film was fast paced and gave us a little back story on how Prof X and Wolverine got to where they are now. As I am used to him in humorous roles, Stephen Merchants character was a surprise showing that he can step out of his comfort zone. The actress that played Lauren was fantastic even though she didn't speak for the first half of the film. She would be a great evil spirit in a ghost/horror movie as she has a very good deadpan glare that looks straight through you (chilling). I am not going to do spoilers, I will say that I would watch the film again maybe even the film noir version.
Rachel Maria Berney (114 KP) rated Norse Mythology in Books
Dec 4, 2018
A little informative and interesting
Contains spoilers, click to show
I love Neil Gaiman. I was so excited to read this book as I really enjoyed American Gods and jabe a love of Viking history. Right before reading this I read Stephen Fry's Mythology, unlucky for Neil and me. I can't help but compare the two and Gaiman's Norse Mythology comes up short. Whilst we do have access to more information of Greek myth than Norse myth, I don't think that's the entire reason that Norse Mythology is a hard read. The telling of the Norse stories doesn't have the flow I have come to expect from Gaiman, there is a strangled growth to it that makes for a choppy reading that is just hard work and not that enjoyable. Gaiman's style and what I enjoy about him is too constrained in this retelling of Norse myths, this may be due to a lack of evidence of Norse myth and history. I think it would have worked well online, as blog posts etc. As a book it is something easily put down, forgotten about and never finished.
Sarah (7799 KP) rated Desperation in Books
Aug 16, 2019
Rather creepy
Stephen King is known for his scary and horror filled stories, but it isnt often that I find them to be like this. Desperation however is the first story I've actually found to be rather unsettling and really quite creepy.
This is one of King's good multiple character driven books, told from the point of view of each of the well developed yet flawed characters. You can say what you like about King, but he knows how to write to keep you reading. The plot is bonkers but full of unsettling creepiness and gore that you can't help but imagine. It may be slightly too long and drawn out in parts, and I'm not a big fan of the religious aspects. However it's still a very enjoyable tale. I had worried I wouldn't like this as much having already read The Regulators, but both books have their own merits and whilst related, still stand distinctly separate. The character names might be the same, but fortunately as the personalities and appearances were changed so drastically in The Regulators, it makes it much easier for Desperation to stand apart as the original story.
This is one of King's good multiple character driven books, told from the point of view of each of the well developed yet flawed characters. You can say what you like about King, but he knows how to write to keep you reading. The plot is bonkers but full of unsettling creepiness and gore that you can't help but imagine. It may be slightly too long and drawn out in parts, and I'm not a big fan of the religious aspects. However it's still a very enjoyable tale. I had worried I wouldn't like this as much having already read The Regulators, but both books have their own merits and whilst related, still stand distinctly separate. The character names might be the same, but fortunately as the personalities and appearances were changed so drastically in The Regulators, it makes it much easier for Desperation to stand apart as the original story.