Search
Emma @ The Movies (1786 KP) rated The Dead Don't Die (2019) in Movies
Jun 20, 2020
I'm a little sad to say that I spent real money on this film. It wasn't showing at my Cineworld and the chance of a second stage release with the summer holidays approaching was unlikely. Luckily one of my Showcase Cinemas had it on and I ventured out into the real world to see it.
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
I won't bother with an extended synopsis because honestly I don't know what the point would be... it's zombies, everyone is trying to stay alive, literally nothing else is really happening in the story.
Up until this point I never really understood people using the word "meta" (unless it was DC related), I get it now. Officer Peterson, played by Adam Driver, is so meta that there actually may not be any more to go around.
The cast felt like it was just quirky enough to work together, especially as this wasn't going to be a traditional zombie movie. Looking back at the actors now I'm wondering if I might have enjoyed this movie more if it had unknown actors in it. I don't think it would have risen much higher in the rankings but I would have been less annoyed by some of the happenings.
Bill Murray plays Chief Robertson, a man who is seemingly always slightly confused by everything and also never becomes more than mildly alarmed by what's going on. The character and the performance were both rather boring. Murray came alive about as much as any of the zombies did.
The same can be said for Adam Driver, though I actually think that's par for the course with the way he acts rather than anything else. He always feels like mid-tier Keanu Reeves without the range. Once you realise that Peterson has the meta inside track it becomes a challenge to see anything he says in any other way. The script became rather frustrating because of this.
We're shown a very strange Tilda Swinton in the trailer and you have to wonder if the make-up direction was just "I want her to be the palest she's ever been and throw in a little "Ring" vibe for good measure." Zelda is probably the perfect zombie apocalypse companion, but she doesn't make for very dynamic viewing.
All of this negative feeling can be laid squarely at the script's door. It has little of interest to warrant a story at all, which is weird because there are elements that you think lead somewhere and then inexplicably don't. The ending is particularly bad and is what I've dubbed the "Stephen King ending". I won't expand on that here because it definitely constitutes spoilers if you haven't seen it.
There are some nice touches. The animal behaviour, the character of Mallory, and some of the effects on Selena Gomez. There's also some that left me questioning how they've portrayed zombies in this compared to other z-movies, but it's not in the trailer and while it's in my notes I'm wondering if I didn't just imagine the whole thing.
Those few little snippets can't save this movie. The poor script has several (that's me being generous) holes in it that just don't stand up when you look closely, and it's not good enough to give you anything else to look at apart from those holes. From its "maybe sciency things will cover the lack of reasoning" beginning to the "Stephen King ending" I was very disappointed.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/07/the-dead-dont-die-movie-review.html
Gareth von Kallenbach (962 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
Steph Freeman (26 KP) rated It (2017) in Movies
Jan 4, 2018
IT was unique from the book and previous miniseries while still maintaining the story line. (2 more)
The kids were funny, and the personalities were similar to those in the book.
Bill Skarsgård played on the fluidity of Pennywise without forcing too much comparison to Tim Curry
Most of the movie was spent wondering how they were going to finish within the time frame. (1 more)
Henry Bowers and crew were much less prominent than in the book, this might be corrected during flashbacks in the second movie.
Contains spoilers, click to show
As a die hard Stephen King fan this book entered my consciousness at 14, before the mini-series which is unusual for my age group. I've devoured all 1400 pages of the novel at least 5 times in the last 20 years, and always felt the mini-series was "good for it's time".
This movie has delivered on the promise for more in a way that was amazing and over the top. Bill Skarsgård clearly did his homework on both Pennywise from the novel and Tim Curry's terrifying rendition. I loved his ability to show the infinite being's vulnerability and desire to be included, while at the same time showing it's ferocity and anger.
The special effects delivered what the promotional material promised, and sucked me right into the world of Derry without a second thought. I loved the references to the shed burning down, the refrigerator where Bowers suffocated the dog, and the phenomenal rendition of the Neibolt street house.
If the next movie is anything like the first it's worth seeing opening night. I look forward to seeing the Loser's Club as adults.
This movie has delivered on the promise for more in a way that was amazing and over the top. Bill Skarsgård clearly did his homework on both Pennywise from the novel and Tim Curry's terrifying rendition. I loved his ability to show the infinite being's vulnerability and desire to be included, while at the same time showing it's ferocity and anger.
The special effects delivered what the promotional material promised, and sucked me right into the world of Derry without a second thought. I loved the references to the shed burning down, the refrigerator where Bowers suffocated the dog, and the phenomenal rendition of the Neibolt street house.
If the next movie is anything like the first it's worth seeing opening night. I look forward to seeing the Loser's Club as adults.
The horror genre can’t wait to splash the screen with as much blood and gore as possible, letting you know what the intentions of the film are going to be. In this Blumhouse produced thriller that isn’t the case, as Oscar winner Octavia Spencer plays quiet but dissociated veterinary assistant Sue-Ann, who befriends a group of adolescent teens.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
On the outside she’s warm and friendly, only wanting to be accepted (this becomes apparent as to why later on). She secretly buys them alcohol and lets them have use of her basement to party – until she ‘becomes’ the party and local speakeasy. For the vast majority of the film there is little to class this as anything but a horror. It is relatively uneventful and offers no traditional jumpscares or shock moments.
The narrative unravels slowly allowing us to delve into Sue-Ann’s past and discover her motives, and it is these flashbacks that are most shocking of all, to the point of sympathy. The finale is frenetic, as Sue-Ann goes from likeable charmer to absolute psycho in a matter of moments – not that it hasn’t been building up to it.
Unfortunately it’s all delivered in such a short space of time that it feels rushed. Spencer’s performance is very good and there are distinct similarities to Kathy Bates and her equally psychotic character in Misery – there is even a subtle nod to the Stephen King classic.
Ma is not a total flop, but more could have been done to grip the viewer early on, instead of leaving it all to the final act.
Culture on Two Wheels: The Bicycle in Literature and Film
Jeremy Withers, Daniel Shea and Zack Furness
Book
Bicycles have more cultural identities than many realize, functioning not only as literal vehicles...
The Secrets She Keeps
9.8
Rate It
Book
As the hours of her shifts stocking shelves at the supermarket creep by, the one thing Agatha looks...
The Law of Innocence
Book
THE MOST IMPORTANT CASE OF HIS LIFE. ONLY THIS TIME THE DEFENDANT IS HIMSELF "The law of...
Jesters_folly (230 KP) rated Mr Harrigan's Phone (2022) in Movies
Oct 10, 2022
Contains spoilers, click to show
Mr Harringan's phone is a film based on a short story by Stephen King. Like a lot of Kings work the film is a slow burn but one without much of a pay off.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
Mr Harringan's phone follows Craig, a young boy who is hired by the reclusive Mr Harringan. After working for him for a few years Mr Harringan dies. During his period of grief Craig phones Mr Harringan's old phone and tells him about the problems he is having with a bully, the bully dies soon after and Craig is sure the dead Mr Harringan has something to do with it.
Mr Harringan's phone has the potential to be a great ghost film but it doesn't manage to pull it off. The first 40 to 50 minutes of the film builds up the relationship between Craig and Mr Harringan leaving around an hour for the spooky stuff. However there is little actual horror, there are only 2 deaths due to the ghost and you don't see either of them. The film give what could be natural reasons for the deaths and tries to focuse on the effect they have on Craig as he thinks that he caused them but even this seems lacking.
The film feels like it's trying to be a 'classic' set in the modern day, like a Charles Dickens novel set in the naughties and it does pull this off but still seems to be lacking something.
If you are looking for something like the ring then this probably isn't for you but if you want a slow burn in the gothic/Dickens vain then it may be worth a watch.
Gareth von Kallenbach (962 KP) rated Doctor Sleep (2019) in Movies
Nov 7, 2019
Some nightmares you wake up from, wipe the sweat from your brow, and go back to wonderful slumber as though it never occurred. Others follow you in both your sleep and waking hours. For Dan Torrance (Ewan McGregor) the nightmare that began at the Overlook Hotel in Stephen King’s best-selling novel (and movie directed by Stanley Kubrick) The Shining continue to follow him through his childhood years. With the help of a friendly spirit (Carl Lumbly) Dan learns how to contain the malevolent spirits that followed him from his nightmarish experience, but at almost the cost of his sanity. Falling back on his fathers’ previous crutch, Dan drinks and fights his demons away every night, consumed by a different type of spirit to manage the pain and fear that he has been running from.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Dan is about to hit rock bottom when he encounters a man who has certainly suffered with his own demons in the past, who offers him a place to stay, a job, and an escape from the alcohol that held him in his own personal hell for several years. After eight years of sobriety he strikes up a psychic pen-pal friendship with a young girl named Abra Stone (Kyliegh Curran), who shares his powers. His wish to push his “shining” deep down inside him, and not let it come out is interrupted when Abra witnesses a murder of a young boy. Using her gift, she uncovers a group of beings so evil, that their desire for immortality requires them to snuff out the lives of those who share the same special gift as Dan and Abra. Dan and Abra must join forces, and let their lights shine, if they are to defeat this evil and save themselves and others like them in the process.
Doctor Sleep is the long-awaited sequel to The Shining released (on film at least) back in 1980. While the original film was lauded by most and reviled by some in the way that Stanley Kubrick brought the story to life, it serves as the backdrop to this sequel. Blending reshoots of the original film (using the current actors) as flash backs, it provides the necessary background to those who may have never had the opportunity to see the original, and visual reminders to those who have. While artistically the film doesn’t hold a shine to the original, it tells a far more consumable story, with less focus on the imagery and symbolism in each shot then Stanly Kubrick’s masterpiece.
The bond between Ewan McGregor and upcoming star Kyliegh Curran is not only believable but magical. The chemistry that the two share both in separate scenes and together show the tight bond they certainly must have felt on set. The movie is blessed with an entire cast of supporting characters, that bring the believability and professionalism to the big screen. Rebecca Ferguson, as our duos’ primary adversary Rose the Hat, provides an outstanding performance. Surrounded by her fellow shine-pires, Grandpa Flick (Carel Struycken), Snakebite Andi (Emily Alyn Lind) and Crow Daddy (Zahn McClarnon) to name just a few, the group reminds me of The Lost Boys in their cunning and hunger.
Doctor Sleep is not a scary movie, at least not when it’s put beside The Shining. While it has scary moments, this is a movie about putting aside your fear and challenging evil, regardless of the cost. Dan must put the past behind him and dig deep within himself to find his purpose and with this purpose will come a lot of loss, but acceptance at the same time. The movie begins a little slow and picks up midway through. While the battle against many of the shine-pires may feel a little hollow at first, it’s nothing to what will compare with the ultimate climax between good and evil.
Fans of the Stanley Kubrick film will see lots of familiar locations and costumes throughout the two-and-a-half-hour show. Even the re-created scenes share the same visual imagery and spectacle, just as if it was simply a re-master. I actually liked that they reshot the pivotal scenes and characters, while no one can perfectly mimic the master of Jack Nicholson, I felt that Henry Thomas did an amazing job in his portrayal of the young Jack Torrance. Alex Essoe portrayed an outstanding Wendy Torrance, a role that was masterfully played by Shelley Duvall back in the day.
With the magnitude of Stephen King movies (and series) being released in the recent years, it could easily feel as if we have all been teleported back to the 80’s. There have been some homeruns in recent years (and some foul balls), but Doctor Sleep easily ranks up there as one of the better of the Stephen King movies to be released in recent memory. While the movie is much more action-oriented and doesn’t deliver on the sheer terror of the original, it suits the story, and does a commendable way of bringing closure to some of Stephen King’s more notable characters. Both fans and non-fans of the original will find a lot to like, and for those looking for more story (and less artistry) will be extremely pleased with the way director Mike Flanagan (The Haunting of Hill House series / Hush) brings this rendition to the screen. So, let your light shine and go see Doctor Sleep.
Forsaken (Shadow Cove Saga #1)
8.3
Rate It
Book
From the witch trials of centuries past, an evil awakens. Inspired by Actual Events Excerpt from...
Supernatural horror fiction Stephen King Witches