Search
Search results
Dean (6927 KP) rated The Black Phone (2022) in Movies
Jun 23, 2022
Retro feel (1 more)
Cinematography
Don't hang up!
Good to see this after a long delay for it's release, think I saw a trailer late summer last year. Wasn't sure what to expect, looked a lil low budget more of an indie thriller.
Well it definitely exceeded expectations. Set in 1978 the whole look and feel of the film is great. It visually looks like it was made around that time with a strong retro vibe to it. Story wise it felt like a Stephen King adaptation. There is a strong element to the likes of Stand by me or even Stranger Things in terms of growing up and friendship while over coming a difficult time. Along with a supernatural twist and ideas from the genre, it has a great combination which together make it a really enjoyable watch. Check it out if you are a Stephen King fan especially.
Well it definitely exceeded expectations. Set in 1978 the whole look and feel of the film is great. It visually looks like it was made around that time with a strong retro vibe to it. Story wise it felt like a Stephen King adaptation. There is a strong element to the likes of Stand by me or even Stranger Things in terms of growing up and friendship while over coming a difficult time. Along with a supernatural twist and ideas from the genre, it has a great combination which together make it a really enjoyable watch. Check it out if you are a Stephen King fan especially.
Dean (6927 KP) rated Open House (2010) in Movies
Dec 24, 2018
Well I spotted this was directed by Anna Paquin's brother and also had Stephen Moyer from True Blood on the cover, unfortunately they are not the main stars of the film. Rachel Blanchard of the TV series Clueless is the main lead.
This falls into the category of weird films, there isn't a lot of back story or explanation really into the why or what of what is going on. Reminded me a lot of Funny Games. Quite bloody and brutal, ok for a low budget film but a bit more plot would have be nice....and Anna Paquin!
This falls into the category of weird films, there isn't a lot of back story or explanation really into the why or what of what is going on. Reminded me a lot of Funny Games. Quite bloody and brutal, ok for a low budget film but a bit more plot would have be nice....and Anna Paquin!
Lee KM Pallatina (951 KP) rated Click and Collect (2018) in Movies
Dec 12, 2021 (Updated Dec 13, 2021)
Jingled all the way
An alternate take on the classic Christmas movie "Jingle all the way" throws two neighbours who are on opposite sides of the same coin, one who wants to be friends and the other a little scrooge-esque who doesn't.
It's almost Christmas, a little girl wants the the most sought after pink pony toy around and dad refused to pay the Instore price and his neighbour knows where to get one.
This revelation leads the unlikely duo on an going on an oddball journey - thieves, low speed car chase and a hobo santa are all part of a day's work...
Starring Stephen Merchant & Asim Chaudhry
It's almost Christmas, a little girl wants the the most sought after pink pony toy around and dad refused to pay the Instore price and his neighbour knows where to get one.
This revelation leads the unlikely duo on an going on an oddball journey - thieves, low speed car chase and a hobo santa are all part of a day's work...
Starring Stephen Merchant & Asim Chaudhry
Karla Bergado (17 KP) rated In the Tall Grass (2019) in Movies
Nov 6, 2019
In the Tall Grass Review: Is the Stephen King horror worth a watch? (Spoilers ahead)
Contains spoilers, click to show
Netflix has really been stepping up their game with the number of horror shows being released this year.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
Rache (174 KP) rated Audible – audio books, original series & podcasts in Apps
Jan 21, 2019
Huge range of books (2 more)
Completely portable
Great narrators!
Biggest Smallest Bookshelf Ever!
Hands-free reading at its very best, this is the biggest, smallest bookshelf around. With an incredible choice of classics, modern, fiction, non-fiction, biographies, and podcasts, the Audible app gen uinely has something for everyone, and yet it still fits in your pocket. The user interface is simple and intuitive, and subscribers get free episodic content as well as a credit for a free book every month, which can be spent on any book in the store regardless of price!
The app synchs, so you can be listening to a book on your tablet, switch to your phone and it will pick up at the same place. You can listen to books narrated by famous names like Stephen Fry, and a host of other wonderful voices, at home, in your car, through your headphones, and wherever else you can listen to music or podcasts, and the voices appear to be selected specifically with the content in mind. And if you don't like a book, you can simply swap it for another one, no questions asked.
All in all, Audible is a great, easy to use app, with fantastic content, excellent customer service, an amazing range and number of books and 'shows', and fantastic voice talents, all for a very low monthly fee. And you can give it a try with the first month (and your first book) free in a lot of cases.
The app synchs, so you can be listening to a book on your tablet, switch to your phone and it will pick up at the same place. You can listen to books narrated by famous names like Stephen Fry, and a host of other wonderful voices, at home, in your car, through your headphones, and wherever else you can listen to music or podcasts, and the voices appear to be selected specifically with the content in mind. And if you don't like a book, you can simply swap it for another one, no questions asked.
All in all, Audible is a great, easy to use app, with fantastic content, excellent customer service, an amazing range and number of books and 'shows', and fantastic voice talents, all for a very low monthly fee. And you can give it a try with the first month (and your first book) free in a lot of cases.
JT (287 KP) rated Session 9 (2001) in Movies
Mar 10, 2020
Looking back I’ve written a number of horror film reviews which, probably highlights what my favourite genre is? I’ve not been into torture porn or serious amounts of gore. I don’t mind it in small doses, but I prefer films that get under your skin – case in point, Session 9.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
LeftSideCut (3776 KP) rated Fright Night (1985) in Movies
Jan 19, 2021
Fright Night absolutely epitomizes everything that is great about its era and genre. Its just flat out top tier 80s horror.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
It has great pacing for a start, wasting no time getting to business, as teenager Charley (William Ragsdale) is immediately sus of his new next door neighbour Jerry Dandrige (Chris Sarandon) before quickly (and correctly) accusing him of being a vampire.
Ragsdale is a good lead, even if his character is frustratingly written at times, but it's his teammates who shine here. Amanda Bearse is a scene stealer as Charley's girlfriend Amy, and is equally great when she's adorably likable for the most part, and when she is suitably creepy-as-fuck near the climax. Same goes for Stephen Geoffreys as Charley's friend Ed - typical bone headed teenager one minute, before gleefully relishing in being a creature of the night the next minute. Roddy McDowall plays Peter Vincent, a soon to be washed up horror TV personality who's services are enlisted to help defeat the vampire next door. The three of them together are a damn fine set of support characters.
Chris Sarandon is one smooth S.O.B as the vampyric villain. He manages to be both charming, and a truly evil shit at the same time, and commands attention in all of his scenes.
The narrative is fun, and manages to encapsulate the feeling of teenage adventure. The humour and horror are perfectly balanced throughout. The first half is witty as hell, especially the way that Jerry and his housemate Billy (Jonathan Stark) just fuck with Charley (before things get a little nastier) is low key hilarious. I would have enjoyed a whole movie of that kind of stuff easily. When things get a little messier, the practical effects on display are superb, and although Fright Night is more a light hearted experience, it still manages to pack in some great gory moments. The scene with Vincent and Ed in wolf mode is a perfect example of how practical horror will always be superior.
Fright Night is a truly fantastic horror gem, where everything just fell into place, from the great cast, to the wonderful screenplay. First time director Tom Holland (who would of course go on to direct Child's Play) hit the ground running with this one, and it's definitely a favourite of mine.
Jimmy Ray Davis (0 KP) created a post
Mar 4, 2018
Piper (13 KP) rated Doctor Sleep (2019) in Movies
Nov 27, 2019
Impressive Casting (2 more)
Excellent Ending
Beautifully Shot
Ridiculous Running Time (1 more)
Low On Scares
Doctor Sleep: The Long Haul
Contains spoilers, click to show
Watch enough horror movies, and you develop a certain tolerance: that said, I don't think you'd have to watch many to see this film and still not be scared. There are a couple of grisly moments, and Flanagan does an excellent job of building tension, but I had the feeling coming out of this film that I hadn't just seen a horror film at all. And I think that might have been the point: this was more about the story than the scares.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
The story, overall, was well-adapted. About two-thirds of the way in the film really starts to veer off the path the book had laid out, but what it does with that last third is probably the best part of the movie. Spoilers follow: the end of Kubrick's "The Shining" left the Overlook Hotel intact (if a little sad) rather than burning it down as in the novel. Mike Flanagan does two things with this film, both adapting the novel and following on from Kubrick's film, and the Overlook features heavily in this ending and wraps up the Shining story quite nicely. In fact it seems the main purpose of the ending was to do justice to Stephen King's original vision, and in honesty it's a better ending than that of the novel.
Where "The Shining" largely ignored character's motivations and development and treated them essentially as set-pieces, "Doctor Sleep" spends far too long bringing them together. The characters are expertly cast, and Ewan McGregor almost takes a back-seat to let Kyleigh Curran's Abra shine (pun intended). Interactions are played off nicely and there's a self-referential cameo from Flanagan's other King adaptation that doesn't feel too shoe-horned in. The characters that are obviously just there to die die rather obviously, and one in particular serves purely as motivation for another to keep on fightin'. The acting itself excels, with a star turn by Rebecca Ferguson. The issue is that it simply could have been half an hour shorter, with half an hour less build-up. By the end of the movie I was just glad we had finally returned to the Overlook and things were starting to really happen.
The film is shot beautifully, and where scenes or characters from "The Shining" are re-created or referenced it's done with a great amount of care. I might have been the only one that found Rose flying above the clouds a little naff, but I still have to admit it was at least shot nicely. Overall, this was a brilliant film that could just have benefitted from a little trimming down, but Flanagan clearly cared about these characters and wanted us to feel for them and I think he certainly achieved that - and I have to stress again how ridiculously impressed I was with the ending.
Gareth von Kallenbach (980 KP) rated Pet Sematary (2019) in Movies
Jul 2, 2019
Spoiler free section: Pet Sematary starring Jason Clarke, Amy Seimetz and John Lithgow wasn’t badly cast, it felt perfect actually, even the child actor Jete Laurence was above average. There wasn’t anything wrong with their performance either, each actor performed their role really well and their characters were believable. But the movie just left me needing so much more.
Pet Sematary is a movie about a family who moves from Boston to escape big city life and spend more quality family time in the country side. Little do they know that their new property contains a pet cemetery! Horror ensues… well kinda, a little bit does at least.
The movie moves at a slow creeping pace, which is fine for a horror movie to start but there needs to be payoff. The build up to payoff ratio is about 90-10. It’s all build up with a few aspects of the movie never having any sort of payoff whatsoever. Even the movie as a whole ended without solid resolution.
The atmosphere in the movie was average for a main stream horror movie but if you are a hardcore horror movie fan you will be disappointed. The movie drew a lot of unintentional laughter from the audience at times when the movie should have been building tension. There was the occasion where the movie was doing it intentionally and that’s really when the movie was at its best. I use the term “best” loosely as the movie sets the bar pretty low.
If you were expecting this reboot of the Stephen King classic to be on the same level as IT, you will be greatly disappointed.
Spoiler section: The unresolved stories in this movie really bugged me.
There is a character played by Obssa Ahmed, who is a car accident victim who kinda haunts the family but says it’s because the main character tried to help him before he died. He seems like he’s eventually going to play a saving role but never does, he just exists, for no reason.
The actual Pet Sematary is meaningless. It’s actually not haunted, and nothing exceptional happens there. It’s just a passing through point to the actual haunted place a mile away. Boring.
Kids with the masks and the funeral procession that looked really cool in the preview meant nothing…
Supernatural things kept happening in the house. Was the house haunted? I couldn’t tell if it was the family, the house or just the area a mile behind the house that was haunted. The only thing I was sure about was that the titular pet cemetery was the only thing not haunted at all.
This movie is not for hard core horror fans, its more for your mom who likes scary movies occasionally. I can’t recommend this movie. It’s very forgettable and not worth the price of admission. Super vanilla, pointless characters and plot points, and only a few jump scares make this movie a hard pass. 1.5 out 5 stars. That Ramones song during the end credits is catchy as hell though J
Pet Sematary is a movie about a family who moves from Boston to escape big city life and spend more quality family time in the country side. Little do they know that their new property contains a pet cemetery! Horror ensues… well kinda, a little bit does at least.
The movie moves at a slow creeping pace, which is fine for a horror movie to start but there needs to be payoff. The build up to payoff ratio is about 90-10. It’s all build up with a few aspects of the movie never having any sort of payoff whatsoever. Even the movie as a whole ended without solid resolution.
The atmosphere in the movie was average for a main stream horror movie but if you are a hardcore horror movie fan you will be disappointed. The movie drew a lot of unintentional laughter from the audience at times when the movie should have been building tension. There was the occasion where the movie was doing it intentionally and that’s really when the movie was at its best. I use the term “best” loosely as the movie sets the bar pretty low.
If you were expecting this reboot of the Stephen King classic to be on the same level as IT, you will be greatly disappointed.
Spoiler section: The unresolved stories in this movie really bugged me.
There is a character played by Obssa Ahmed, who is a car accident victim who kinda haunts the family but says it’s because the main character tried to help him before he died. He seems like he’s eventually going to play a saving role but never does, he just exists, for no reason.
The actual Pet Sematary is meaningless. It’s actually not haunted, and nothing exceptional happens there. It’s just a passing through point to the actual haunted place a mile away. Boring.
Kids with the masks and the funeral procession that looked really cool in the preview meant nothing…
Supernatural things kept happening in the house. Was the house haunted? I couldn’t tell if it was the family, the house or just the area a mile behind the house that was haunted. The only thing I was sure about was that the titular pet cemetery was the only thing not haunted at all.
This movie is not for hard core horror fans, its more for your mom who likes scary movies occasionally. I can’t recommend this movie. It’s very forgettable and not worth the price of admission. Super vanilla, pointless characters and plot points, and only a few jump scares make this movie a hard pass. 1.5 out 5 stars. That Ramones song during the end credits is catchy as hell though J