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Planes, Trains and Automobiles (1987)
Planes, Trains and Automobiles (1987)
1987 | Comedy

"It’s such a leftfield film for someone like me, but what is has is a very clear plot and it has two people trapped together inextricably. But what it does so well is that you laugh, you feel embarrassed, and then at the end — I cry my eyes out at the end of that film. Even thinking about it makes me upset. When Steve Martin is on the tube and John Candy gets off and he’s standing with his bag and he realises there is no one. It’s just such a beautiful thing. You can clearly see from Midnight Cowboy and Planes, Trains that there’s a pattern with me, and it’s really about loving other men – in a non-sexual way. It’s such a big thing for me — I value my friendships with my male friends. I’ve got a fiancé as well, and she’s certainly part of the action, but it’s a very different thing and you can’t get the same sort of friendship with a woman that you can with a man. And interestingly the filmmaking in Planes, Trains isn’t great. It looks so bad, it’s really televisual, but it’s got massive heart. ”"

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Awix (3310 KP) rated Godzilla 1985 (1985) in Movies

Jun 15, 2019 (Updated Jun 15, 2019)  
Godzilla 1985 (1985)
Godzilla 1985 (1985)
1985 | Fantasy
5
6.1 (15 Ratings)
Movie Rating
A textbook example of how to take a fairly unimpressive film and make it much worse through cack-handed re-editing and intrusive inserted scenes. Godzilla reappears, somehow (the film ignores the events of all the previous sequels); a subplot about Cold War tensions only making the crisis more serious is significantly de-emphasised in favour of making the Russians into bad guys. The Pentagon (filled with Dr Pepper vending machines) call in Godzilla expert Steve Martin (not that one); he is never referred to by his first name, for obvious reasons. He and the senior Pentagon staff proceed to do exactly nothing but discuss events taking place in Tokyo.

The original movie was a laudable attempt to take Godzilla back to basics, let down by a sluggish plot, weak climax, and underwhelming monster (Godzilla appears to have had one martini too many and seems a bit unsteady on his feet). This one has all those problems too, which are only compounded by the way that all the film's interesting ideas kind of get lost in the re-edit. There are still a few decent sequences of Godzilla fighting the JSDF, including a sci-fi flying tank, but this is hard going for the most part.