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Movie Metropolis (309 KP) rated Ready Player One (2018) in Movies

Jun 10, 2019 (Updated Jun 10, 2019)  
Ready Player One (2018)
Ready Player One (2018)
2018 | Sci-Fi
Virtually Amazing
Ready Player One by Ernest Cline is a novel with such intricate parts and such nostalgia it should be next to impossible to film. In the hands of most directors it would have failed, luckily for Warner Bros. and us as an audience the great Steven Spielberg stepped up. However is this massive task of bringing a world filled with wonder and excitement, too much for the veteran director?

Ready Player One follows Wade Watts in the year 2045, where the world is in decline and people fill their time in the OASIS, a virtual world where everything is possible and the only limits are people’s imagination. When the creator of the OASIS dies, he releases his will to challenge all the users of the OASIS to find his very own Easter Egg inside the game, whoever wins becomes the new owner.

The OASIS is filled with gaming and pop culture references that will always leave you with a smile of nostalgia. When we are transported to the OASIS, the computer animation and voice acting is pretty much spot on. A lot of the humour comes from Spielberg’s direction especially from when we see people in the real world reacting to the events within the OASIS. Without giving too much away there is a scene about halfway through that pays homage to one of the best horror movies of all time: this is the true highlight of the film that I’m sure everyone will enjoy.

In the real world, everyone gives a performance that they can be proud of, particularly Mark Rylance who plays James Halliday. Rylance’s performance is filled with wisdom and creativity but it’s clear to see the moments of vulnerability and clumsiness that could only be put across from a performer like Rylance. Tye Sheridan and Olivia Cooke give adequate performances that they can be proud of and prove that they can lead a film quite comfortably in the future. Simon Pegg also makes an appearance and although much more subtle then what you would expect from the actor, it pays off in an amazing way towards the end of the movie.

Where the film falls a bit short is in the real world. The OASIS is such a joy to explore because it has such elaborate details hidden within. When the film transitions back to the real world, however, it falls a bit flat because it’s not as fully explored. Being a dystopian world you would hope Spielberg would explore that a little more and answer questions about how it came to be.

The action sequences are very good in both the real world and the OASIS and have that classic Steven Spielberg touch you would expect. Although the script relishes in funny one-liners, these can sometimes become a little too cheesy in their delivery.

Steven Spielberg took on an impossible task and does justice to the novel and everyone should really appreciate the genius of the man. He’s created a world that everyone would dream to be part of, and I urge every person who is a fan of his work, or a major lover of pop culture to go and watch this epic tale. I would also like to plug the book, as it does differ from the film enough for you to give it a try, and you will not be disappointed if you enjoyed


https://moviemetropolis.net/2018/03/22/ready-player-one-review-virtually-amazing/
  
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Hazel (1853 KP) rated It's About Love in Books

Dec 17, 2018  
IA
It's About Love
4
4.0 (1 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review

It’s About Love</i> is not a typical love story. The author of Tape, Steven Camden, has written a story from the point of view of a sixteen-year-old boy named Luke. In his first week of college he meets a girl in his film studies class. Her name is Leia and, ignoring the Star Wars connection, their passion for film makes them the perfect partners.

Luke, however, comes from a very troubling background. He has purposefully chosen a college two bus journeys away in order to escape his past. He can try to hide his relation to his brother due to be released from prison, but he cannot cover up the scar on his face. Initially Luke wants as little attention as possible, although once he starts developing feelings for Leia he enjoys being around her and her friends.

Yet everything changes when Luke’s past life and friends collide with the new. Believing he has ruined everything with Leia, Luke needs all the encouragement he can get from his film studies tutor, Noah, to keep on going.

Camden writes the story through first person narrative, film directions and ideas in Luke’s notebooks. This is an interesting method and helps to create a clearer picture of Luke’s personality. He is a teenager with potential and the ability to think for himself. It is his past history that makes him feel like he does not deserve happiness or success.

Although I liked the concept I did not care for any of the characters. Many could be described as thuggish and a lot of violence was involved. I understand that Luke needed to be involved with these types of people for the storyline to work, but it was not for me.

Despite the title, <i>It’s About Love</i> is more suitable for young adult males than it is females due to the nature of the story and the main character. Whether a boy would happily be caught reading a book with ‘love’ written on the cover is another matter. Steven Camden clearly has the young adult audience in mind as he writes and, even though I did not think it anything special, I am sure there will be many readers who will love this book.
  
Contagion (2011)
Contagion (2011)
2011 | Drama
One Flu Over - The Cooker's Next
Steven Soderbergh's crack at the all-star disaster movie genre starts well but is eventually tripped up by its own insistence on naturalism and scientific rigour. Gwyneth Paltrow comes back from a business trip with mutant pig-bat flu, drops dead, gets cremated (see review title), authorities struggle to contain the spread of the virus. Gwynnie's widower Matt Damon wanders about looking mournful wondering how well he really knew his wife.

More a collection of subplots than an actual narrative, but there are plenty of good moments and strong performances to begin with (maybe not Jude Law's Australian accent, come to think of it). The problem is that Soderbergh sets out to do this seriously, which means that he struggles to build the thing to a proper climax with any real sense of closure: a real pandemic would be horrible, but not apocalyptic in the way it's usually presented in movies and TV shows. Soderbergh can't help but be effortlessly watchable and stylish though. Not sure what the point of the film is, except to traumatise germophobes and hypochondriacs, but it's good at that and engaging for everyone else.
  
Colossal (2016)
Colossal (2016)
2016 | Comedy, Drama
An interesting idea
I remember seeing a trailer for this film when it was first released, and as didn’t play at my local cinema I hadn’t seen anything from it since until it popped up on Netflix recently.

It’s a very interesting idea and a great take on the traditional monster movie. Without going into too much detail, this film really doesn’t pan out the way I was expecting. It took me a little while to adjust to this, but I actually really enjoyed it and the ending was beyond satisfying. It was great to see Jason Sudeikis play something other than his usual type of comedy character, and Anne Hathaway was wonderful as always. I do think Dan Steven was ridiculously underused and they really could’ve given him a much better part.

The effects are a tad dodgy at times but given the low budget, it’s not a massive surprise or issue. I do think there are some slightly irritating plot holes and it does drag a little at times, but overall still a rather good film and a refreshing change to the traditional “Godzilla” style films.
  
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Andy K (10823 KP) Nov 2, 2019

I liked this quite a bit more than I thought I would. I think this movie has the distinction of being the very first I rated on Smashbomb! 😊