"What’s left to be said about The Third Man? Quite a bit, actually—as evidenced by the multiple Criterion commentaries on this edition, one featuring filmmakers Steven Soderbergh and Tony Gilroy, the other with historian Dana Polan. I could watch this movie, and its supplements, on a loop for days without going cuckoo."

"It’s a very personal choice because when I came to America from mainland China, I was an actress, but I never knew about Hollywood. I had heard of Hollywood but we didn’t have access to see Hollywood movies. A photographer was taking pictures of me and said, “You remind me of this actress named Audrey Hepburn.” I said, “Who is that?” He said, “Bai Ling, you have to watch her films,” and he found me Roman Holiday. That was the first Hollywood movie I’d ever seen. And it’s still one of my favorites, because it first introduced me to Hollywood — beautiful, romantic, very graceful, and elegant. I would like to remake it — I hope some director can help me, maybe Steven Soderbergh or Wong Kar-Wai. [Laughs] What I remember about those old Hollywood films is that when a leading lady and a leading man meet, they don’t have to say anything; you already know they’re in love. You root for them; you want them to be together. That’s the magic of Hollywood. I think somehow today we’ve lost a little bit of it, and you don’t care as much if two characters get together. But Roman Holiday makes you smile, makes your heart smile, makes your heart sing for these two people. Gregory Peck is gentle and elegant, the kind of tall leading man that I like. I think we should remake the film. Everybody in America, in Asia, and in Europe, would appreciate it. The beautiful, pure, romantic story — I wish I would play a role like that, because I have a romantic soul. I’d like to bring that purity to the audience, to have their fantasy fulfilled."