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American Boy: A Profile of Steven Prince (1978)
American Boy: A Profile of Steven Prince (1978)
1978 | Documentary
(0 Ratings)
Movie Favorite

"It’s known as the lost Scorsese movie. It’s a documentary he made about his friend Steven Prince, who worked in the music business in the ’70s – the height of their drug use. Marty, who was already a hot filmmaker then, is in it and talks 200 miles a second. The main character is fascinating, and so honest, snatched out of the Hollywood and music business and drug culture of that time. Steven Prince tells the story that Quentin Tarantino used for the needle in the chest in Pulp Fiction (1994); it had happened to him, he had put a magic marker on a girl’s chest and plunged an adrenaline needle into her heart."

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Duff McKagan recommended 1999 by Prince in Music (curated)

 
1999 by Prince
1999 by Prince
1990 | Rock
8.0 (1 Ratings)
Album Favorite

"I’d be hard pressed to choose from those early records, but 1999 was a big departure from the first three and that double album was a massive undertaking. Those records where you don’t know how the hell the writer did the thing are the ones that will always have a massive mystique and weight with me. Probably the casual fan of my bass playing or the rhythm section of Guns wouldn’t be able to pick up on it, but me and Steven really worked on this groove by playing along to Prince as well as Sly and the Family Stone. We would sit in the rehearsal room and crank the music on this ghetto blaster and just play along and emulate some of that stuff. It was ‘85 and no-one knew what was going to be next, there was a big question mark. Punk was sort of in its death throes, there was this – if you ask me – really bad metal that didn’t relate to anybody, then the rest of it was up to us, people who were our age 19, 20, 21, whatever and we knew it. So we tried to go a different route and that 1999 record was a big influence on me becoming a bass player."

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Spencer (2021)
Spencer (2021)
2021 |
Diana hits rock bottom… as does the script.
Discordant strings sound as the royal party arrives at Sandringham for Christmas. “Is she here yet” intones the Queen. “No ma’am” her major domo replies. “Then she’s late”. Cut to a soulful choral version of “Perfect Day” as Diana Princess of Wales (née Spencer) arrives via a dramatic aerial shot. Hugs go to her sons William and Harry before she unhappily stalks through the corridors like a hunted animal.

This is the second movie in a row that I’ve intro’d via a positive emotional response to a great trailer. In the last case – for “Last Night in Soho” – the movie more than lived up to my high expectations from the trailer. But here – oh dear! It comes to something where the very best thing about the film is the trailer.

For, unfortunately for me, this came across as pretentious, vaguely insulting and with a dreadful script.

Plot Summary:
It’s Christmas 1991 at the Sandringham estate. Diana (Kristen Stewart) is the black sheep of the royal family, flouting tradition and always late for every formal event. She sees conspiracies at every turn, suspecting the household coordinator Major Gregory (Timothy Spall) of plotting against her. Her only allies that she can talk to are head chef Darren (Sean Harris) and her dresser Maggie (Sally Hawkins).

Mentally unstable, bulimic and self-harming, Diana must survive a tumultuous three days without destroying the Christmas spirit for her two sons and irreparably damaging her relationship with the wider royal family.

Certification:
US: R. UK: 12A.

Talent:
Starring: Kristen Stewart, Timothy Spall, Sally Hawkins, Jack Farthing, Sean Harris.

Directed by: Pablo Larraín.

Written by: Steven Knight.

“Spencer” Review: Positives:
Kristen Stewart does a simply fabulous job of impersonating Diana. She’s clearly studied a lot of video of the lady in getting to mimic the way she looks, walks and dances. Although I didn’t rate the film, the performance is a cut-above.
It’s an ironic touch that in all of her driving scenes, Diana never wears a seat-belt.

Negatives:
Oh man, Steven Knight’s dialogue here I found to be simply atrocious. Head-in-the-hands bad. I decided about half way through this monstrosity that “The Room” had had its day as a cult student classic, and that “Spencer” should take over in that role.
These things evolve organically over time, but I came up with the following basic rules for a student showing:
Every time Kristen Stewart does a ‘simp’ look to camera, down a shot;
When Darren utters the line “What are you going to do with wirecutters?” the audience yells as one “CUT WIRE!” **;
When Diana intones “Beauty is useless. Beauty is clothing”** the audience should strip to their underwear;
Every time a member of the hunt shouts “PULL!” you throw a stuffed pheasant in the air. Otherwise you keep the stuffed pheasant next to you, and engage in studious conversation with it as the film progresses;
Whenever Anne Boleyn appears, shout “OFF WITH HER HEAD”;
When a character says to Diana “I love you. And yes, in that way”**, the audience must shout “Aye aye” and every female audience member needs to passionately kiss another female audience member; and finally…
When Diana says “Leave Me. I want to masturbate”**, the audience throws dildos at the screen.
** I’d really like to pretend that I made these lines up. They might be paraphrased a bit, but honestly, that’s the gist!
Oh yes. It’s a sure-fire student classic of the future. You read it here first folks! I can see the filmmakers lauding me with praise for turning their movie into a post-release sleeper hit. “WHAT A CULT” they shout at me. “WHAT A CULT”!
The rest of the cast do a good enough job with what they have, but have the general vibe of being embarrassed to deliver the dialogue they’ve been given. Sean Harris – a fine actor – inexplicably spouts Shakespeare like Christopher Plummer in “Star Trek VI”! And one can only assume that Timothy Spall was given direction to act as if he had a whole lemon stuck inside his mouth for the whole movie.
I’ve been a fan of Jonny Greenwood’s music in other movies like “Phantom Thread“. I’ve seen Mark Kermode describe this soundtrack as “fantastic”. But, for me, the intrusive atonal strings and laid-back jazz vibe just didn’t work for me at all.


Summary Thoughts on “Spencer”
As you can probably tell, I hated this one. And the illustrious Mrs Movie Man 100% agrees with me in this assessment. The trailer promised a lot, but the movie delivered very little for me. It just all felt to me like an affront to the memory of Diana. Making a highly fictitious “fable based on a real life tragedy” just feels wrong. This seems particularly the case when the Queen, Prince Charles and (particularly) William and Harry are alive to watch it. What must they think if and when they get to view this?

I was a big fan of Larrain’s 2017 biopic on Jackie Kennedy – “Jackie” – which really covered the very similar ground, of a lady in the focus of publicity struggling with mental illness. But at least that had the benefit of historical distance.

I seem to be swimming against the critical tide here, since the movie currently has an IMDB rating of 7.4/10. But frankly, for me, I thought the recent series of “The Crown” did this so much better.