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Apollo 11 (2019)
Apollo 11 (2019)
2019 | Documentary
I was sad to miss this one at the cinema, I imagine having it up on the big screen would have been very impressive, but only one of the mainstream cinemas had it on.

Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.

It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.

Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.

The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.

Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.

I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.

While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
  
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Neon's Nerd Nexus (360 KP) rated Sonic the Hedgehog (2020) in Movies

Feb 14, 2020 (Updated Feb 15, 2020)  
Sonic the Hedgehog (2020)
Sonic the Hedgehog (2020)
2020 | Action, Adventure, Animation
"ITS NO USE"
Sonic The Hedgehog openes up with a bunch of gold rings surrounding the studio logo while money sounds subtlety ding away in the background and from that moment alone it became obvious what this movie was going to be. One big fat soulless cash grab with only one goal in mind, entice your kids in and then quickly take your money. First of all this is a kids movie comparable to the likes of Alvin and the Chipmunks and just like that movie its not a good kids movie either. Now I like kids movies but Sonic decides to lure kids in with mundane things we have seen a million times in similar films like for instance the floss dance, fart jokes or mocking people by talking over them instead of using its own ideas or delivering fresh interesting content. Theres some very odd constant digs at Nintendo's Mario too which felt really unnecessary. Comedy wise none of its miserable attempts at humour are funny in the slightest either and before long its constant bombardment of strange jokes start to take their tole on your patience. Every single character here is sadly really unlikable too see we have the human characters who seem to have no individual personalities of thier own, lack emotions of any kind and also dont react to dangerous situations with any real sense of fear or shock. Jim Carrey as Doctor Robotnik combines Ace Ventura with The Riddler to make a character that just feels to loud & out of place compared to the robotic performances that everyone else gives. Then theres Sonic himself who is obsessive, anoying, childish, selfish, doesnt shut up and has an extremely short attention span too. So with no one to really sympathise/care about or root for the film better have some exciting action or a good story right? sadly not, theres just no thrills, no excitement, no energy and no heart here at all and definitely no love or passion for the source material. As a film its just plain dull (people were actually asleep and snoring in the seats next to me after just 30 minutes) as the film just runs out of ideas near the start and then resorts to repeating its best ines over and over again at a quick pace until it hits a wall. Did you like the Quicksilver sence from Xmen? dont worry Sonic copies it, how about the Transformers highway chase? dont worry Sonic copies it, what about The Fast and the Furious message about family? dont worry that in here too and thats another issue here, instead of making an original film for Sonic fans they have taken all the bits from films that have simply sold well squashed them into a ball and thrown them at a wall hoping they will stick. So heres the bottom line: Sonic is just another forgettable money maker nothing less nothing more more and just like the Garfield movie, Hop or The Smurfs will anyone be talking about it in a few months?? Naaaaaah
  
The Good Dinosaur (2015)
The Good Dinosaur (2015)
2015 | Animation
Over the years dinosaurs have often been portrayed as lumbering oafs, vicious killers, or cuddly playthings. With the reinvigorated “Jurassic” franchise interest in the creatures is at an all-time high. Disney/PIXAR are hoping this interest translates into box office gold with the release of their new film “The Good Dinosaur” which looks to continue the successful and award winning streak of their earlier efforts.

We first heard of the film almost 4 years ago at the D23 Expo when during the upcoming film showcase it was announced that they had a dinosaur themed project in the works but had little else to say about it at that time. The premise of the film is that the asteroid that is rumored to have led to the extinction of the dinosaurs actually missed the earth and millions of years later, dinosaurs continue to evolve.

We meet a family of peaceful dinosaurs who spend their days working in the fields as farmers preparing for the upcoming winter season and the birth of their three children. One of the children named Arlo (Raymond Ochoa) is rather diminutive and tentative and unlike his bigger brother and sister, struggles to master his fear and find a role in which he can excel.

When fate and disaster step in, Arlo finds himself alone and isolated in the strange and dangerous world, forced to make a journey home. Along the way he discover shimself and learn several life lessons in the process. Along the way he makes new friends and staves off threats, all with the help of a new companion, a feral human named Spot. As any fans of Disney/Pixar will tell you the sidekick is often heartwarming comic gold.

While the film follows a very tried-and-true plot line for Disney films with elements of several other Disney classics incorporated within its framework, it does boast some absolutely amazing animation which include some captivating and breathtaking landscapes.

My biggest issues with the film was that I felt I had seen this story several times before in other films by the studio and that while enjoyable and at times heartbreaking, it felt a little too formulaic and did not resonate with me the way that many of their past films had. Parents may want to be cautioned that the film does contain some scary moments and there were a couple of children during our screener who did seem to be a bit disturbed by elements the film although most of those in attendance were captivated and entertained throughout and left the theater howling like wolves.

While I’m not sure the film will be a true modern classic that we have come to expect from the studio, it is still a very enjoyable and entertaining film that will be more than welcome during the holiday season for those looking for some dependable Pixar magic.

http://sknr.net/2015/11/24/the-good-dinosaur/
  
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Gaz Coombes recommended Africa Basil by Jorge in Music (curated)

 
Africa Basil by Jorge
Africa Basil by Jorge
(0 Ratings)
Album Favorite

"I was reading a David Byrne interview and he was talking about Jorge Ben and this album and he talked about this track, 'Hermes Trismegisto Escreveu', and he loved the groove of it. I think it was about the time he was working with Brian Eno on My Life In The Bush Of Ghosts and there's a track called 'Regiment', for which he admitted he took the groove from that Jorge Ben track. And I loved My Life In The Bush Of Ghosts so I then tracked down África Brasil, explored it and loved it. It's weird - I want to give it more credit than it being just a party album or a dinner party album or a tour bus aftershow album, because it is more than that, but that's how I've always listened to it. It's a real go-to record for any kind of little party that I might have but musically it's not in any kind of box. It makes me feel good and I think that combination of South American and African music makes you realise that there's more to it. It has a real gravitas and weight behind it. There's a real importance about this record. Have I explored these rhythms? It's a tricky one. Supergrass did a few times. Something like 'Kiss Of Life' explored a kind of Talking Heads/Tom Tom Club/Jorge Ben vibe but you have to be careful as well; music shouldn't have any boundaries, but you have to be aware of what school you're from. You know, I don't think I'd make a particularly good rap album but I fucking love listening to it. But it's totally different listening to it. I have this view that, just because it feels great and it's fun to play, it doesn't mean that anybody wants to hear you play that. There has to be a point when you have a look at what you're good at and how the music can speak in the right way. It's a real fine line between being yourself and satisfying your pleasures but being aware that not everybody will want to hear that. But I'll tell you what - while I wasn't necessarily going for those kinds of beats from Jorge Ben and records like that, it was more the sounds and the approach and the rhythmic ideas that I was playing around with in the studio and looping a lot of stuff. I was sampling stuff from around the studio and playing beats on weird objects and then looping it. 'Oscillate' on Matador came from this little loop box that I've got and a lot of that was inspired by the vibe of African percussion and sounds and you can hear the room and the air around it. I can't be proficient in that world but I can take different elements from it that I appreciate sonically."

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