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Phillip McSween (751 KP) rated Spider-Man: Homecoming (2017) in Movies
Jan 25, 2021
New Vibes, New Dopeness
When I first saw that Sony was playing nice with Disney/Marvel, I almost lost it when I saw that Spider-Man would make an appearance in Captain America: Civil War. Nerd Moment: I’ve always thought that all of the Marvel properties belonged together and this was a step in the right direction. It’s been amazing what’s happened since. In this third reboot since the new century, Spider-Man: Homecoming is the story of a young Peter Parker handling his role as a teenager and a webslinging superhero.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
Acting: 10
Beginning: 7
Characters: 7
Peter (Tom Holland) is a lovable kid surrounded by a fun cast of friends and foes. They took a different and, in my opinion, smarter route by making Aunt May (Marisa Tomei) younger and more relatable. Not only did it pay off but it helped contribute to side jokes in the story involving Happy (Jon Favreau) and Tony Stark (Robert Downey Jr.). Yes, there are so many characters to love here, both familiar and new…that is until we get to the villain played by one of my favorite actors Michael Keaton. Don’t get me wrong, he wasn’t horrible, I just couldn’t buy his motivation which made it hard at times to connect to the overall story and conflict.
Cinematography/Visuals: 10
Watching some of these scenes play out seriously made me wish I was Spider-Man. The aerial combat and clever use of webs is such a treat to watch and experience, both at home. and in the theater. Marvel hit another home run here with cinematic perfection that stretches all over the great city of New York.
Conflict: 10
The conflict isn’t just about Spider-Man fighting bad guys. Rather it’s about having to do all of this and be a kid at the same time…and impress Tony Stark…and get used to his new suit…and keep all of this a secret from his caretaker. So many things wrapped into one makes this such a fun ride. Yes, there is plenty of spider fights to enjoy, but there is so much more to love about the movie as a whole.
Entertainment Value: 9
Memorability: 8
Pace: 10
Plot: 9
Really enjoyed the story and how it plays into the Marvel universe as a whole. A few twists here and there keep things interesting. Again there is so much driving conflict here and character growth that it’s easy to miss the complexities of everything involved in the story. Again, not in love with Vulture’s motivation, but it doesn’t diminish things too badly.
Resolution: 10
Overall: 90
The difficulty of Peter trying to get used to his new suit alone was enough to keep me beaming watching this movie. Marvel movies are known for packing a mega punch and Spider-Man: Homecoming definitely stands up there as one of the stronger ones. Great movie.
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Lee (2222 KP) rated Spider-Man: Homecoming (2017) in Movies
Jul 14, 2017
Slightly Disappointed
So, here we are. At last. After a couple of great movies, a really poor third movie and a disastrous reboot/sequel, it was beginning to look as though one of our all time favourite superheroes was never going to get another movie to do him justice. And then, in what was already a hero packed, action roller-coaster of a movie, Spider-Man finally returned home to Marvel in spectacular fashion during Captain America: Civil War. A fantastic portrayal of Peter Parker and an even better Spider-Man, it was enough to leave us wanting more and enough to get us pretty excited when standalone movie Homecoming was announced soon after.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Ok, so I’ve been trying to think about how I feel after watching it, and it’s a tough one. This is a Spider-Man movie by Marvel that feels closer to how a Spider-Man movie should be than any of the previous movies before it. And Tom Holland is just a perfect Peter Parker. But, I kind of felt disappointed by it. It didn’t thrill me as much as other Marvel movies, and certainly not as much as Civil War did. When Spider-Man shows up in Civil War, he’s an enthusiastic teen with a lot to learn, but he still manages to pull off some pretty jaw dropping action. In Homecoming it just feels like the momentum has been lost – too much awkward teen, not enough action hero. The awe and thrill of swooping through the New York skyline that we got in the first Spider-Man movie, there’s nothing like that here. I wonder if, for me anyway, it’s some kind of superhero fatigue. But then I didn’t feel that way about Wonder Woman recently, so I’m just not sure. I just can’t quite put my finger on it. I feel ashamed of myself for not liking it as much as I was expecting!
Most of the big action pieces, such as the Staten Island ferry scene, have already been shown pretty much on their entirety during the trailer. And the climax, involving Spidey and Vulture on a plane, is fairly difficult to follow, as it’s set in the dark with the plane veering out of control. Probably the most impressive sequence is on the Washington monument, a traditional lift-about-to-fall scenario. Spidey is struggling to get used to his upgraded suit, he’s nervous about being so high up (and so are we, this scene is very well done) and he’s unsure of what to do best to save the day. It’s a tense scene, perfectly handled and we really feel for Peter Parker.
There’s plenty of humour and heart throughout and a good supporting cast. Michael Keaton is impressive and suitably menacing as The Vulture and Robert Downey Jr is… well, his usual self. I just hope that as part of the next Avengers movie and beyond, I feel a bit more impressed next time than I did after this.
Movie Metropolis (309 KP) rated Suicide Squad (2016) in Movies
Jun 10, 2019
Yet another missfire
It’s hard to remember such a lacklustre summer blockbuster season. From unnecessary sequels to underwhelming novel adaptations, it’s been one disappointment after another.
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?
To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.
Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.
From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.
It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.
Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.
The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.
Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.
Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.
https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
After the criticism of spring’s Batman v Superman, DC Comics and Warner Bros. really needed a hit on their hands if they were to compete with the Marvel Cinematic Universe. Suicide Squad is their answer, but after an exhaustive marketing campaign, is the final product any good?
To be frank, not really. Director David Ayer has one of the best ensemble casts in years, but wastes them in a film as loud as any Transformers movie, and about as clever as one too.
Figuring they’re all expendable, a U.S. intelligence officer (Viola Davis) decides to assemble a team of dangerous, incarcerated supervillains for a top-secret mission. Now armed with government weapons, Deadshot (Will Smith), Harley Quinn (Margot Robbie), Captain Boomerang (Jai Courtney), Killer Croc and other despicable inmates must learn to work together. Dubbed Task Force X, the criminals unite to battle a mysterious and powerful entity, while the diabolical Joker (Jared Leto) launches an evil agenda of his own.
From the outset, you can tell Suicide Squad isn’t going to waste time with lengthy introductions to its main characters, and this is a breath of fresh air. It gets around this stumbling block in stylish ease as each villain is given his or her own 3 minute backstory, with nifty graphics completing the sequences.
It’s a pleasing start to a film that promised so much in its trailers, but things really start to go downhill from there as our characters are forced to muscle their way through countless faceless enemies, culminating in a derivative battle against, you guessed it, more dull enemies. It’s almost like watching a third-person video game taking place on a massive screen.
Nevertheless, the cast does well with the material they’re given. Will Smith is his ever-likeable self and channels Deadshot from the source material with flair. However, the film really belongs to Margot Robbie and Jared Leto. Their performances are spot on, with Robbie in particular being the film’s ray of sunshine. Leto’s Joker is unfortunately not given anywhere near enough screen time despite the film’s two hour length.
The soundtrack is fantastic. Boasting Eminem, Grace and Panic at the Disco, it’s a pleasant distraction from the at times incomprehensible mayhem taking place on screen.
Special effects wise, Suicide Squad is fine, if a little uninspiring. The editing and cinematography are very clever indeed but the CGI goes from great to poor in a heartbeat. Considering the film’s $175million budget, this is completely unacceptable.
Overall, Suicide Squad promised us so much and has delivered relatively little. Drawing from the exceptional DC Universe, audiences could’ve had a film completely different from the slew of superhero films we are constantly blighted with these days. Instead, we’ve been given one of the most generic yet and it continues 2016’s trend as one of the worst summer blockbuster seasons in recent memory.
https://moviemetropolis.net/2016/08/08/yet-another-misfire-suicide-squad-review/
Movie Metropolis (309 KP) rated Pete's Dragon (2016) in Movies
Jun 11, 2019
Lovely in every sense of the word
2016 really does belong to Disney. The House of Mouse has been churning out some incredible films this year with the live-action remake of The Jungle Book proving sceptical audiences (and critics) completely wrong.
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
The BFG was a pleasant and inoffensive adaptation of Roald Dahl’s wonderful novel and Finding Dory got Pixar back on the right track, and let’s not forget Captain America: Civil War, by far the best superhero film of the year.
Here, Disney continues its trend with recreating its classic cartoons in live-action; resurrecting Pete’s Dragon. But is this remake of the 1977 film of the same name as good as The Jungle Book?
Mr. Meacham (Robert Redford), a woodcarver, delights local children with stories of a mysterious dragon that lives deep in the woods of the Pacific Northwest. His daughter Grace (Bryce Dallas Howard) believes these are just tall tales, until she meets Pete (Oakes Fegley), a 10-year-old orphan who says he lives in the woods with a giant, friendly dragon called Elliot. With help from a young girl named Natalie (Oona Laurence), Grace sets out to investigate if this fantastic claim can be true.
Director David Lowery helms the film with a quiet subtlety that automatically makes Pete’s Dragon a very different adaptation to Jon Favreau’s stomping Jungle Book. Here, the joy is in the storytelling rather than popping on a set of nostalgia glasses and settling in for the journey.
Acting wise, it’s a pretty formulaic affair. Bryce Dallas Howard, in her first major role since last year’s smash hit Jurassic World, is as likeable as ever and like the film itself, commands the screen with an understated presence. Elsewhere, Oakes Fegley gives a cracking portrayal of Pete.
Naturally, the main character throughout is Elliot, the big friendly dragon. This bright green behemoth is rendered in wonderful CGI, with each gust of wind lifting his fur beautifully. Considering the film’s modest $65million budget, Elliot is utterly believable in each and every scene.
The lush forest landscape provides a mesmerising backdrop on which to construct a film and David Lowery takes the audience on sweeping journeys across the tree-tops, brilliantly juxtaposed with confined caves and the woodland floor.
Unfortunately, the deforestation side plot is never truly explored with Karl Urban’s underdeveloped “villain” proving to be a slight undoing in this near perfect remake.
Thankfully though, the themes of family, friendship and never giving up despite the odds are explored to their fullest – these are themes that Disney knows how to do better than any other studio and the emotional heart that brings to Pete’s Dragon ensures teary eyes are inevitable.
Overall, Disney has done it again. Just five months after the phenomenal Jungle Book remake, the studio has got it spot on with Pete’s Dragon. The two films couldn’t be further apart, with this one succeeding in its quiet dignity. It is in every sense of the word – lovely.
https://moviemetropolis.net/2016/08/16/lovely-in-every-sense-of-the-word-petes-dragon-review/
Purple Phoenix Games (2266 KP) rated Rhino Hero in Tabletop Games
Jun 12, 2019
What’s that on top of that building? It’s a…..rhino? Yes – you’re not hallucinating! Your neighborhood caped-crusader is indeed none other than Rhino Hero! Although not necessarily the most nimble of superheroes, he always gives 100% when it comes to protecting his people!
Rhino Hero is a dexterity-based game of literal hand management in which players are trying to use their cards to build the tallest tower possible. In simple terms, picture a ‘Jenga’ of sorts mixed with building a house of cards – instead of removing lower tiles and adding them to the top, though, you’re just adding cards to the narrow tower in an attempt to build the highest possible building for our superhero to traverse! The game is very easy to learn, simple to play, and entertaining for all involved! Here’s how it works: All players start with a hand of 5 roof cards. Each player, on their turn, will first place wall cards (as indicated) on the previously played roof card. Once that is done, the active player will then choose a roof card from their hand to play on top of the newly ‘built’ walls. Play continues until either one player has played all of their roof cards, or until a player causes the tower to fall over! Dexterity is important – how steady can you keep your hand as you build the tower? But strategy is key too – some roof tiles allow players to take special actions (play an additional roof card, reverse turn order, etc.), so timing your use of these powers is essential to success! Do you have the steadiness and strategy necessary to help our Hero on his quest for justice? Or will you end up as the clumsy sidekick who ruins the plan?
I thoroughly enjoy playing Rhino Hero. It’s such a fun and lighthearted little game that I can’t help but smile every time I play! One reason it’s so great is that it is extremely simple to learn, teach, and play. Playing with new players? Try Rhino Hero. Playing with children? Try Rhino Hero. Need something short and light to play between big games? Try Rhino Hero. It’s just a nice breathe of fresh air and I am almost always down to give it a couple of plays!
Another reason why I like Rhino Hero is that it’s more than just a dexterity game. Yes, the brunt of this game is centered around carefully building the tallest tower possible, but the card abilities take it to the next level. It adds an element of strategy that keeps players engaged beyond just needing a steady hand. How can you use your cards to best benefit you, or best block your opponents? It all depends on your current roof cards, so every game can require a different strategy!
If you’re looking for a short, light game, I hope you’ll consider Rhino Hero. It’s not the most strategic or cut-throat game out there, but it will definitely keep you engaged until the end – with pumping adrenaline and shaky hands (for me, at least). Purple Phoenix Games gives Rhino Hero a rhinoriffic 16 / 24.
https://purplephoenixgames.wordpress.com/2019/05/09/rhino-hero-review/
Rhino Hero is a dexterity-based game of literal hand management in which players are trying to use their cards to build the tallest tower possible. In simple terms, picture a ‘Jenga’ of sorts mixed with building a house of cards – instead of removing lower tiles and adding them to the top, though, you’re just adding cards to the narrow tower in an attempt to build the highest possible building for our superhero to traverse! The game is very easy to learn, simple to play, and entertaining for all involved! Here’s how it works: All players start with a hand of 5 roof cards. Each player, on their turn, will first place wall cards (as indicated) on the previously played roof card. Once that is done, the active player will then choose a roof card from their hand to play on top of the newly ‘built’ walls. Play continues until either one player has played all of their roof cards, or until a player causes the tower to fall over! Dexterity is important – how steady can you keep your hand as you build the tower? But strategy is key too – some roof tiles allow players to take special actions (play an additional roof card, reverse turn order, etc.), so timing your use of these powers is essential to success! Do you have the steadiness and strategy necessary to help our Hero on his quest for justice? Or will you end up as the clumsy sidekick who ruins the plan?
I thoroughly enjoy playing Rhino Hero. It’s such a fun and lighthearted little game that I can’t help but smile every time I play! One reason it’s so great is that it is extremely simple to learn, teach, and play. Playing with new players? Try Rhino Hero. Playing with children? Try Rhino Hero. Need something short and light to play between big games? Try Rhino Hero. It’s just a nice breathe of fresh air and I am almost always down to give it a couple of plays!
Another reason why I like Rhino Hero is that it’s more than just a dexterity game. Yes, the brunt of this game is centered around carefully building the tallest tower possible, but the card abilities take it to the next level. It adds an element of strategy that keeps players engaged beyond just needing a steady hand. How can you use your cards to best benefit you, or best block your opponents? It all depends on your current roof cards, so every game can require a different strategy!
If you’re looking for a short, light game, I hope you’ll consider Rhino Hero. It’s not the most strategic or cut-throat game out there, but it will definitely keep you engaged until the end – with pumping adrenaline and shaky hands (for me, at least). Purple Phoenix Games gives Rhino Hero a rhinoriffic 16 / 24.
https://purplephoenixgames.wordpress.com/2019/05/09/rhino-hero-review/
BankofMarquis (1832 KP) rated The Incredibles 2 (2018) in Movies
Jun 20, 2018
Not just a good "kids" movie, but a good "movie" movie
INCREDIBLES 2 is one of the best movies that has been released, thus far, in 2018.
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Now...there is some debate as to whether that is praise of this film, or a damnation of the lackluster year (thus far) in film.
But...let's start with praising this film. Coming into Cinemas 14 years after the original film, this sequel picks up the story where the first INCREDIBLES film left off (the beauty of cartoon films - the actors don't age) and starts right off with a fun action sequence that, then, sets up the rest of the story.
Brad Bird (THE IRON GIANT) returns as the Director and Writer of this film (he also wrote and directed the first Incredibles film) and his deft touch shows through usage of humor, character, plot and action - all nicely blended to keep the film rolling along. He also was able to get wonderful performances from his talented voice cast.
Holly Hunter and Craig T. Nelson reprise their roles as "Mr & Mrs. Incredible" and hearing them banter back and forth - and seeing these two characters back on the screen - was like pulling on a pair of comfortable shoes. It was good to see/hear them again. Samuel L. Jackson is perfectly cast as their best friend/Allie Frozone and Brad Bird himself is wonderfully funny as Edna. Joining these two is Bob Odekenirk and Katherine Keener as brother and sister Winston and Evelyn Deavor - the duo that hires the Incredibles. Both are terrifically talented character performers and slid right into the swing of things here. Eli Fucile continues the "baby-talk" of Jack-Jack Incredible and Huck Milner takes over the role of Dash Incredible - both are good.
But it is the work of Sarah Vowell as angsty teen Violet Incredible that stood out for me. I had no idea who performed this character - and had vague recollections of Violet from the first film - but she is front and center and was so extremely entertainingly real as the teenage daughter that I had to look up who is the voice. To my surprise, this teenager was voiced (yet, again) by a now almost 50 year old radio journalist, critic, reporter and editor (best know for her work on NPR's THIS AMERICAN LIFE). I had no clue that I wasn't listening to a teenage girl - she is that good, and that believable. And I should know, I HAVE a teenage daughter!
While the first INCREDIBLES is my #1 Pixar film, I'll have to sit on this one for awhile to see where this one lands - pretty high up the list, I'm sure. I could quibble on a few things - the motivations of the "bad guy" is paper thin and the humor relies just a bit too much on the Jack-Jack character, but all-in-all this is a top notch Pixar film - and a top notch SuperHero film. Proving that a good Pixar movie isn't just a good "kid" movie, but a good "movie" movie as well.
Letter Grade: A-
8 (out of 10) stars - and you take that to the BankofMarquis
Ryan Hill (152 KP) rated Spider-Man (2002) in Movies
Jun 30, 2019
" With great power comes great responsibility"
One of the first movies to pave the groundwork for modern superhero flicks, Spider-Man is an incredibly fun & endlessly entertaining action-adventure that brings its web-slinging hero to life on the silver screen in a truly fascinating manner after spending nearly a quarter of a century in development hell and, with its record-breaking box office performance, acts as a precursor to an era when superheroes would dominate the summer box-office.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
Based on the Marvel Comics character of the same name, the story of Spider-Man follows Peter Parker; a high-school kid who after being bitten by a radioactive spider at a genetic laboratory begins to develop spider-like abilities and puts his new powers to good use by turning to crimefighting. Meanwhile, Norman Osborn experiments a power-enhancing drug on himself as a desperate attempt to preserve a military contract critical for his company's survival.
Directed by Sam Raimi, Spider-Man has all the ingredients of a summer blockbuster plus it benefits a lot from Raimi's dynamic filmmaking style that doesn't dwell on a single moment for far too long, keeps the story fresh, light-hearted & action-packed for the most part, plus never loses its initially-gained momentum. David Koepp's screenplay is no slouch either for it packs in a compelling plot & few interesting characters and the whole story is cheesy but well humoured.
The technical aspects are all brilliantly executed. Camerawork is excellent for the most part for the chosen angles, swift movements, slow-mo shots & warm colour palette are correctly employed. Editing provides a frenetic pace to its narrative, each moment has a role to play, and its 121 minutes of runtime simply flies by. Visual effects team makes use of both CGI & practical stuntwork and it's amazing just how well it has aged when compared to other effects-laden movies released back then.
Coming to the performances, Spider-Man packs in a very interesting cast in Tobey Maguire, Kirsten Dunst, James Franco, Willem Dafoe, J.K. Simmons & others, and many of them are pretty convincing in their given roles. Maguire does a terrific job under Raimi's supervision, Dafoe plays Norman Osborn with finesse but that Green Goblin suit is extremely off-putting, Simmons is a near-perfect rendition of J. Jonah Jameson from the comics while both Dunst & Franco do a fine job as Mary Jane Watson & Harry Osborn, respectively.
Also worthy of admiration is Danny Elfman's outstanding score that captures just the right tone & feel of your friendly neighbourhood Spider-Man's universe and brims with tracks that seamlessly integrate into the story. On an overall scale, Spider-Man may not seem as impressive today as it did back when it made its debut on the silver screen but it still remains one of the best offerings of its category and delivers a roller-coasted ride that's enjoyable, entertaining & highly satisfying. Spider-Man is a summer popcorn extravaganza right on the money.
JT (287 KP) rated Buried (2010) in Movies
Mar 10, 2020
Shot with a low budget and entirely in one location (inside Paul’s coffin), Buried is a very intense and gripping movie, which plays on the age-old human fear of being buried alive and takes it to whole new levels.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Paul not only has to deal with thoughts of his almost imminent demise, but he also has to endure the psychological torment that comes with realising that your loved ones are in terrible danger and that the people whom your life depends upon don’t really care about your fate. This is the story of Paul Conroy (Ryan Reynolds), an American contractor working on an assignment in Iraq, who wakes up in something which looks like a makeshift wooden coffin, alone, and with no recollection of when and how he ended up there. All he remembers is that he and his colleagues were attacked by a group of Iraqi insurgents.
Understandably, he begins to panic, frantically trying to escape before realising that he won’t be able to do it on his own. Whoever buried him left a mobile phone, a lighter, a knife, a torch and some glow sticks in the coffin, and such items quickly become Paul’s connection to the outside world and his only hope of survival.
This situation is so exceptional (thankfully) that the film’s real challenge is to try and represent it as realistically as possible. What would you do? Would you let the nerves get the better of you, or would your will to live step in instead, and make you stay focused in trying to save yourself?
Ryan Reynolds does an excellent job in this, his Paul Conroy is human, desperate, scared, with no superhero pretence. The direction, by Rodrigo Cortes, is vivid, realistic, and makes good use of the limited space that the coffin setting allows to show; anxious people should try watching this anyway because, while it is undoubtedly claustrophobic, Paul’s determination to stay alive and the pull of wanting to know what’s going on outside keeps the mind occupied.
The voice of Hostage Work Group operator Dan Brenner (Robert Paterson) is possibly a little too “staged” and “actorish”, making it sound somewhat fake but also sinister, going to heighten the feeling of dread. Buried manages to be scary, tense, and yet ironic in representing the ignorance, incompetence and cowardice behind the behaviours of people we are supposed to trust in dangerous situations.
The whole film maintains a focused and realistic eye on the suffering of the protagonist – because we are supposed to feel what he feels, to be there with him in his fight for life- except maybe in a few moments when it slips into “mainstream”, cheap stratagems to reiterate that Paul is a good man who doesn’t deserve his fate (for example, when he calls his ill, senile mother who lives in a home and can’t even remember him).
Definitely best watched in a cinema screen rather than on DVD, this is a film which is very well done, and interesting; you will want to see what happens of Paul but also how his story is told from the confines of his coffin buried underground.
Bob Mann (459 KP) rated The Suicide Squad (2021) in Movies
Aug 10, 2021
Anarchic and very funny script, with some great visual gags (1 more)
Elba, Davis and Robbie all great. As is new name Daniela Melchior.
What a difference a "The" makes! The original "Suicide Squad" from 2016 was a botched and lacklustre affair, getting just 5/10 from me. James Gunn's semi-reboot is hyper-violent, overlong, totally ludicrous but a whole bunch of fun.
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
Positives:
- "From the horribly beautiful mind of James Gunn" gushes the trailer. But in this case, they ain't kidding. The film is (at times) hugely inventive in its visual gags as well as its dialogue. On the DC/Marvel superhero spectrum, this is right up at the "Ragnarok" end in terms of comedy value. It made me guffaw a good dozen times.
- To match that, the action scenes are suitably ludicrous and over-the-top. They feature the most "out there" big-boss since Mr Stay Puft terrorised New York in the original "Ghostbusters"!
- All the cast seem to be having a blast, which carries you, as the audience, along with the fun. Both Viola Davis and Idris Elba add real gravitas at the middle of it all, but Robbie's reprise of Harley Quinn tends to get all the best lines and the most memorable sequences. Her petal-strewn decimation of a platoon of security guards is something to behold.
- But of the lesser-known names, it's Daniela Melchior who really stood out for me as Cleo Cazo - Ratcatcher 2. This appears to be the first non-Portuguese feature she's done, and a great future beckons I think. Such extraordinary screen presence! Loved her character too: a "millennial" who sleeps in and questions what an OHP is!
- Great music choices, as you would expect from the "Guardians of the Galaxy" guy.
Negatives:
- Like Polka-Dot's mum, the comedy style is all over the place! (You have to have watched the movie to understand that gag!). I guess that's true of any comedy, but a number of the jokes feel contrived and didn't fully land.
- There is just so much gratuitous violence in this one that I am frankly amazed that the BBFC awarded it only a UK "15" certificate (this is my second query in a row to the BBFC - they need to employ me!). I reckon this will prove to have the highest body count of any movie in 2021. It's all done in a comic-book style, but when "Army of the Dead" (review still to follow) gets an "18", I'm not quite sure why this is much different.
Summary Thoughts on "The Suicide Squad": I'd mentally set myself up to really hate this one. But the opposite turned out to be true. As a comedy it made me laugh like a drain at times, and although some of the violence went somewhat over the top for me, I thought it to be a fine summer popcorn blockbuster (but very much for adults).
(For the full graphical review, please check out One Mann's Movies on the web, Facebook and Tiktok. Thanks).
