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Rift in the Soul (Soulwood #6)
Book
Nell Ingram and her team face a dire, supernatural evil in this newest thrilling paranormal...
Urban Fantasy Romance Ghosts Magic Angels

Fanning Fireflies (The Limerent Series #3)
Book
There is something rotting in Harrisville. It's 1944 and Veronica works so she can afford to eat....
Historical Supernatural Romance

Sarah (7800 KP) rated Truth Seekers - Season 1 in TV
Nov 8, 2020
Enjoyably British
Truth Seekers is the latest collaboration from Nick Frost and Simon Pegg, and centres around employees of a network services provider who run a YouTube channel as amateur paranormal investigators.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.
The series follows Gus Roberts (Nick Frost), the top installation engineer for network provider Smyle. He lives with his dad (Malcolm McDowell) and investigates paranormal activities in his spare time, running his own YouTube channel as ‘The Truth Seeker’. His boss Dave (Simon Pegg) pairs Gus with a new employee Elton John (Samson Kayo), and Truth Seekers follows the pair as they increasingly encounter paranormal and mysterious entities as they go about their daily work, including a haunted young woman called Astrid (Emma D’Arcy).
Truth Seekers starts off as a case by episode series, with a new spooky encounter every time (think Supernatural but very British) and then mid-way works into a bigger overall plot involving Julian Barratt’s Dr Peter Toynbee that seems to tie all the earlier elements together. As a supernatural horror show, this works really well. It doesn’t rely on typical jump scares, and instead uses well known horror situations to be as creepy as possible. Admittedly this is a tad cliched – think of all the known supernatural experiences you’d expect to see (psychiatric hospitals, hotels, demons and satanic books to name a few) and you’ll definitely find them here. However this doesn’t matter as they’re done well and in such a smart, creepy and very British way. Even the special effects are impressive for something that looks like it should be fairly low budget.
Whilst this is made out to be a horror comedy, it’s the comedy side that appears to be a little lacking. Don’t get me wrong, this has its’s funny and witty moments and seems to relish all of the pop culture references it throws in at every opportunity, however it doesn’t seem quite as edgy and quick witted as Frost and Pegg’s previous collaborations. Frost delivers his usual deadpan style well and is ably supported by Samson Kayo’s Elton as his rather adorable and unwitting partner. The standout though is unsurprisingly Malcolm McDowell as Gus’ dad Richard. Right from the first episode McDowell shines and is an absolute riot. Every scene he’s in gives rise to so many laughs and in particular there’s one scene featuring him going upstairs on a stair lift so slowly that nearly had me crying with laughter. But despite this the humour is maybe a little lacking from what we’d expect. I also felt like some of the pop culture references were a little forced and unnatural, which is a shame as there were also a lot that worked quite well – nods to Aliens and The Shawshank Redemption were particularly appreciated.
Truth Seekers may be lacking a little in humour, but what is there is adeptly delivered by a rather stellar cast. Pegg takes a backseat as boss Dave with an atrocious hairpiece and there are some small roles for Kelly MacDonald, Susie Wokoma and Julian Barratt, but everyone puts in a great performance no matter the screen time. McDowell undoubtedly steals the show, but the main trio of Frost, Kayo and D’Arcy carry the show well between them.
What surprised me the most about Truth Seekers is how short it was. A mere eight episodes running at 30 minutes each doesn’t seem like enough – by the end of the eighth episode I was shocked to see there wasn’t any more, although the final scenes do at least set this up for a second series that will hopefully come to fruition. I was a little concerned about the main plot involving Toynbee as it did get a little convoluted towards the end, and the final scenes do nothing but add to this and hint at a much bigger story going on. This could end up being rather good, but it could also turn what is by and large a very enjoyable British supernatural series into something rather crazy and confused. Only series two will tell.

Ronnie (304 KP) rated Supernatural - Season 5 in TV
Apr 3, 2020
Contains spoilers, click to show
Supernatural follows 2 brothers, Sam and Dean Winchester, who have been raised by their dad in a lifestyle of moving across country fighting supernatural beings, ever since their mum was killed by a yellow eyed demon in Sam’s nursery when he was only 6months old. At the end of season 4 Sam accidentally frees the devil from his cage in hell, kickstarting the apocalypse and then in season 5 Sam and Dean have to try and stop the apocalypse, but the apocalypse can’t happen without Sam and Dean’s help. Sam’s body is to be the vessel used by the devil, and Dean’s body is to be the vessel of the angel Michael. Once the two angels have gotten Sam and Dean to say “yes” to being the vessels, they are to have a battle, and should the devil win, the apocalypse will begin.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.
I have very mixed feelings about this season. There were parts of it I loved and parts of it I disliked. The brothers have always had a rocky relationship, but in this season, we see them split up more than once, which I didn’t like, I’ve always enjoyed the two brothers being together. An element of the season that I have very mixed feelings about is the angels. The angel we see the most is Castiel, who has rebelled from heaven and is helping the brothers. He is my favourite character, but that’s where the good parts of the angels stop. The other angel we see frequently throughout the show is Zackariah, who is just annoying. And the third angel, who is only in one episode is Gabriel. He has been in the show multiple times before in earlier seasons, but he was pretending to be a Trickster, and even then, I didn’t like him. Another element I have mixed feelings about is the actual content. The main focus of the season was trying to stop the apocalypse and tracking down the horsemen. In previous seasons a large amount of the episodes were about the brothers’ encounters with supernatural beings that weren’t angels or demons. Two of my favourite episodes were “The End” and “Changing Channels”. In “The End” Dean gets sent five years into the future and in “Changing Channels” Sam and Dean get stuck in Tv shows, or TV Land as they like to call it. Although not obvious at first, these two episodes link back to the angels, which really disappoints me. Something I did like was one of the demons they introduced, called Crowley. He helped the brothers out in a couple of the episodes, and I think he might become a larger part of the show in later seasons. Another thing I liked was that there seemed to be more humour in this season. There has always been bizarre deaths and witty one liners from Dean but there was definitely more humour, which I really enjoyed. Another thing I disliked was the ending. They ended it with Sam in hell and Dean finally having the nice, normal life he always wanted, but you knew that wouldn’t last because there’s 11 more seasons. Overall, I think the season was good, but not hugely enjoyable.

Second Glance
Book
When odd, supernatural events plague the town of Comtosook, a ghost hunter is hired by the developer...

Thunderstruck
Book
The interwoven stories of two men whose lives intersect during one of the greatest criminal chases...

Awix (3310 KP) rated Witchfinder General (1968) in Movies
May 10, 2018
Famously nasty cult horror movie looks a bit like another Poe-Corman-Price adaptation (and was marketed as such in the States) but is really the work of a much darker sensibility. No actual supernatural elements, just people being sadistic to each other in the middle of a vicious civil war.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.
The story is a pretty standard revenge melodrama, made distinctive by the sheer bleakness of tone throughout the movie. At a time when pretty much every Hammer movie concluded with the defeat of the forces of evil (at least until the next sequel) the sheer amoral nihilism of Witchfinder General is distinctive.
Notable for the closest thing to a completely straight performance you will ever find Vincent Price contributing as the star of a horror movie, and also for the censor-troubling levels of violence and general grisliness. As is standard for British horror films of this period, fun is also to be had spotting youthful appearances by people who went on to have rather distinguished appearances in less extreme material.

Andy K (10823 KP) rated Martyrs (2008) in Movies
Mar 29, 2019 (Updated Mar 29, 2019)
Hard to handle
Director Pascal Laugier said he modeled the ideas and script for this film after "Hostel" and you can see a lot of comparisons from the obvious plot similarities to the definite two sections of both films showcasing different styles and subtexts.
Martyrs is more cerebral, darker and more supernatural getting into the characters minds somewhat, but still having that brutal, visceral element for sure.
I would have to say some of the brutality may be unnecessary; however, I think one of the points of the film is how much a human being can endure, so it's hard to make a conclusion on that.
If you don't like movies like Hostel or Saw I can't seeing you like this one either since they have similar plot devices. I found a lot of this film interesting as it takes chances and definitely shows you things you haven't seen before.
If someone said it was "torture porn shite" it would be hard to argue with them either. All your point of view I guess.
Martyrs is more cerebral, darker and more supernatural getting into the characters minds somewhat, but still having that brutal, visceral element for sure.
I would have to say some of the brutality may be unnecessary; however, I think one of the points of the film is how much a human being can endure, so it's hard to make a conclusion on that.
If you don't like movies like Hostel or Saw I can't seeing you like this one either since they have similar plot devices. I found a lot of this film interesting as it takes chances and definitely shows you things you haven't seen before.
If someone said it was "torture porn shite" it would be hard to argue with them either. All your point of view I guess.

Awix (3310 KP) rated Biggles (1986) in Movies
Mar 28, 2018 (Updated Mar 28, 2018)
Biggles Cocks It Up
Startlingly incompetent big-screen version of the classic boy's-adventure hero. New York yuppie discovers he is 'time twin' of First World War fighter ace, is plucked back through time to help him destroy a German secret weapon. Don't worry, it doesn't make any more sense in the actual movie.
Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.
Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.

Cyn Armistead (14 KP) rated Shady Lady (Corine Solomon, #3) in Books
Mar 1, 2018
I have to give a fairly high rating to a book that involves a woman who largely saves herself from multiple assassins (natural and supernatural) sent by the head of a drug cartel. There are sexy men in her life (three, in fact), but she's definitely the heroine here, not a clinging vine. That's a refreshing approach.
To be honest I don't think this book should be shelved with paranormal romances at all. It deserves to be called urban fantasy, or something along those lines, because relationships are not the main focus of the plot.
Corine has changed a great deal from the beginning of the series, and we learn much more about her background in this volume, explaining some of her behavior. The exposition is never tiresome or without reason — it's worked into the plot very nicely. I enjoy seeing character development, and getting more of the "why" helps the reader make sense of her decisions.
This volume feels like the end of the series, but it was a nice little trilogy and well worth reading.
To be honest I don't think this book should be shelved with paranormal romances at all. It deserves to be called urban fantasy, or something along those lines, because relationships are not the main focus of the plot.
Corine has changed a great deal from the beginning of the series, and we learn much more about her background in this volume, explaining some of her behavior. The exposition is never tiresome or without reason — it's worked into the plot very nicely. I enjoy seeing character development, and getting more of the "why" helps the reader make sense of her decisions.
This volume feels like the end of the series, but it was a nice little trilogy and well worth reading.