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Necole (36 KP) rated The Patient in Books
Nov 24, 2021
Asylum Fright
November 20, 2021
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
I just got done reading The Patient by Jasper Dewitt and was not expecting to get sucked into a one morning read-a-thon. I think I read it in maybe 2 ½ hours. With that being said, I gave this book a 3-star review, although it should be a 3 ½-star review. I will start with the good and end with the bad.
A young, overconfident psychiatrist gets a new job at a mental asylum and chronicles his attempts to treat a profoundly disturbed patient who has been in the hospital since early childhood through a series of online posts. Each chapter is a new day and a new post that Parker has shared with the readers. This manuscript writing style was a unique way to give us Parker’s perspective and account of what occurred with patient “Joe”. I also enjoyed the transcripts and the audio tapes added into the chapters. These few thing added more layers to the story, sucked you in deeper, and gave an unexpecting twist to the book. It was like you were really reading a true account from whom it occurred to.
After reading all the hype and the synopsis of the book, I was hooked and reeled in. A psychiatrist, a mental patient, an asylum set in my home state of Connecticut, strange occurrences to those who have treated patient “Joe”, misdiagnosis’, undiagnosis’, a 30 plus year mystery … The Patient seemed to have it all!!! Even dark, creepy, supernatural horror!!! A perfectly blended cocktail of psychological thriller and supernatural horror.
Unfortunately, it fell flat for me. I kept anticipating more twists, turns, gore and scare. I wanted this book to haunt me well after I finished. The ending felt rushed and not well thought out, I felt like I was cheated out of being scared out of my mind. There was enough horror, suspense, thrills and mystery to keep me reading but after completing The Patient, I just felt let down. I feel like even as the story unfolds, Jasper could have gotten more in depth with the creepy and horror factor but instead it was almost basic. I tried to let my imagination scare with the images the author tries to put in your mind but again I was disappointed.
If you want a quick read that will scare you a little but will keep the suspense up, then pick this up because one person’s opinion is not another’s and who knows, you might scare more easily than me.
Darren (1599 KP) rated The Baylock Residence (2019) in Movies
Sep 26, 2019
Characters – Patricia Woodhouse left this house years ago, she is drawn back during the war after her sister’s death, she wants to start a new life here, because the war has taken nearly everything else from her, but the past she spent so long trying to forget has come back to haunt her, as she looks for the truth of her sister’s death. Annabel is the help around the house, she stays after Patricia requests for her to stay and help her with the transition, she does help fill in about the past, including what happened to Susanna. Susanna is the sister that has passed away, we are left to wonder what caused her death.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
Performances – Kelly Goudie in the leading role isn’t the strongest leading lady, when it comes to the reaction or horror scenes, we don’t get anything bad, it’s the everyday moments which come off flatter than they should do. Sarah Wynne Kordas is the only other main cast member that does everything needed without getting the best scenes.
Story – The story here follows a woman that returns to her home after years away to deal with a family loss, only to learn that the house has a bigger secret that hasn’t been unlock just yet. This is story that plays into the idea that your past can hold answers no matter how hard you look to forget it, it does also play into the ideas that a family can have secrets which will only disturb. The pace of the story isn’t the most convincing, with large amounts of the film being stuff happening behind characters most notable Patricia, we also end up teasing an idea to what is happening, only it just gets forgotten which would have added extra dimension to an abuse victim. The war time theme doesn’t help because the same story could easily happen at any other era too.
Horror – The horror in this film comes from how Patricia is struggling with the visions that she is having, not being able to balance reality with supernatural.
Settings – The film is set within the one house, which doesn’t look time accurate from the outside, it does show how the family home can be reunited from tragedy.
Special Effects – The film does use effects sparely, when they are used they do add an element to horror in the film.
Scene of the Movie – The secret room.
That Moment That Annoyed Me – The non-horror moment conversations feel out of place.
Final Thoughts – This is a horror thriller that does have moments of strong tension, only it doesn’t keep this up for long enough to make us what to learn the truth.
Overall: Slow Burning Horror.
Incredulous Moshoeshoe and the Lightning Bird
10.0
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Book
Nelson Mandela is about to die. Again. Leftist militants and white nationalists prepare for war...
horror urban fantasy thriller bookbuzz gothic
Matthew Krueger (10051 KP) rated Sinister (2012) in Movies
Jul 16, 2019 (Updated Jul 16, 2019)
Who has a projector and super 8 mm tapes??
Sinister- is creppy, scary, terfying and overall a underrated movie. Its also directed by Scott Derrickson.
The plot: True-crime writer Ellison Oswald (Ethan Hawke) is in a slump; he hasn't had a best seller in more than 10 years and is becoming increasingly desperate for a hit. So, when he discovers the existence of a snuff film showing the deaths of a family, he vows to solve the mystery. He moves his own family into the victims' home and gets to work. However, when old film footage and other clues hint at the presence of a supernatural force, Ellison learns that living in the house may be fatal.
Ethan hawke was really good in this movie. He is a underrated actor.
Sinister- might make you have nightmares at night, but overall its a okay horror movie.
The plot: True-crime writer Ellison Oswald (Ethan Hawke) is in a slump; he hasn't had a best seller in more than 10 years and is becoming increasingly desperate for a hit. So, when he discovers the existence of a snuff film showing the deaths of a family, he vows to solve the mystery. He moves his own family into the victims' home and gets to work. However, when old film footage and other clues hint at the presence of a supernatural force, Ellison learns that living in the house may be fatal.
Ethan hawke was really good in this movie. He is a underrated actor.
Sinister- might make you have nightmares at night, but overall its a okay horror movie.
Mysterious Radio
8.0
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Podcast
Free weekly editions start again Jan 8th, 2018. NEW show every Monday. Listen to some fascinating...
Supernatural - Season 1
9.2
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TV Season Watch
We are introduced to the Winchester Brothers, Sam and Dean set off on a journey to find their father...
WENDIGO
10.0
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Book
When something or someone butchers a man and leaves his broken body in the woods, can two friends, a...
supernatural horror story
JT (287 KP) rated Mama (2013) in Movies
Mar 10, 2020
When a film is presented by a well-known director it initially has a certain weight to it that will place it above the shoulders of others. In the case of horror/thriller Mama it has the backing of Spanish director Guillermo del Toro which is a certain plus point for any one who is a fan.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
However, any big name attachment is probably there to push the marketing of the film, sadly this one doesn’t quite do itself much justice and falls some way short of achieving any greatness.
It’s a film of two halves, which as the second and third acts take shape becomes more and more ridiculous.
The film is brought to the big screen by director by Andrés Muschietti who also helmed the short three minute piece. It follows the story of two girls Lily and Victoria who are taken away by their father Jeffrey after he goes a bit doolally and offs his co-workers and wife.
When the car they are travelling in crashes they take shelter in a house deep in the forest, riddled with guilt Jeffrey then decides to enter into murder suicide, but something supernatural stops him and the girls are left to fend for themselves.
Move ahead five years and Jeffrey’s brother Lucas continues his search for the girls hiring a couple of hicks to trail the forest looking for the derelict cabin. When they are finally found the girls are practically feral and need psychiatric supervision as they are welcomed back into society.
Lucas and his grunge girlfriend Annabel are given custody as well as a nice new house for them to live in, all under the watchful eye of Dr. Dreyfuss. Once inside the house its clear to see that the girls have brought something back with them, something that doesn’t want to let them go.
Mama starts well enough, with a frenetic opening that glimpses the supernatural entity through blurred vision it moves from eerie strength to strength building tension and then unleashing it in small doses not giving the audience long enough to draw breath.
Of course it sticks quite closely to now tried and tested horror clichés, with things lurking in the shadows, children talking to imaginary nothingness and the so old “what’s in the closet” routine?
Then the director, whether bored with just giving us tit bits of the mother like antagonist, decides to reveal ‘it’ in all its glory. It then moves from scare mongering horror to poorly constructed ghost story in the space of a few minutes.
The acting is nothing to write home about, Jessica Chastain while so dominant in Zero Dark Thirty is flat and a little off the mark here, why the need for the grunge look is beyond me. Maybe it was in keeping with the Gothic back story?
The young girls do well, sweet and innocent yet dependable when needed, the rest of the cast pretty much fall by the wayside. The ending was for me beyond ridiculous and undid most if not all of the good work the start gave us, although saying that it was pretty much on the decline when Mama herself becomes much more of a central character.
It’s not as main stream a horror as you would expect, but the protagonist shadows the central figure that graced the god awful Darkness Falls and that is one supernatural entity well worth staying away from.
Sassy Brit (97 KP) rated The Key to Death's Door in Books
Jun 6, 2019
The Key To Death’s Door by Mark Tilbury is a tense, mystery, thriller novel interwoven with supernatural and horror aspects, which reminded me of Stephen King style reads.
When Teenager Lee Hunter and his best friend Charlie Finch go on a fishing trip, Lee drowns only to discover that when he awakes he has travelled back in time about 30 years and is now living the life of another lad called Paul Collins. To his horror, he, his family and his best friend are at the mercy of the evil and sadistic Daryl Finch, Charlie Finch’s father and they are all about to be killed.
After being successfully resuscitated by Charlie, Lee comes back as himself – to the current time period – knowing the horrific truth about Charlie’s father, Daryl, and what he is capable of. With his newfound knowledge Lee sets out to avenge the death’s of the Collins’ family. But where to start? Who is going to believe Lee knows what happened all those years ago, when he wasn’t even born then?
The Key to Death’s Door is a clever story, and raises serious issues of child abuse, wife beating, animal cruelty and murder in such vivid detail, I totally wanted justice for what had happened, and for Daryl Finch to get his comeuppance for his past and present atrocities. There’s no way he could be allowed to get away with what he’s done, surely?
I loved the relationship of best friends Lee and Charlie, they were portrayed realistically for their ages, and their characters were fun to read. They might not always have been able to say what they really meant to each other, but they had each other’s back, and at times their conversations were even quite funny and endearing. Contrast this with the scenes in the Collins’ house, which were utterly brutal and horrifying and you’re in for a thrilling ride with a supernatural twist. I certainly enjoyed The Key to Death’s Door and will look for more of Mark Tilbury’s work from now on.
When Teenager Lee Hunter and his best friend Charlie Finch go on a fishing trip, Lee drowns only to discover that when he awakes he has travelled back in time about 30 years and is now living the life of another lad called Paul Collins. To his horror, he, his family and his best friend are at the mercy of the evil and sadistic Daryl Finch, Charlie Finch’s father and they are all about to be killed.
After being successfully resuscitated by Charlie, Lee comes back as himself – to the current time period – knowing the horrific truth about Charlie’s father, Daryl, and what he is capable of. With his newfound knowledge Lee sets out to avenge the death’s of the Collins’ family. But where to start? Who is going to believe Lee knows what happened all those years ago, when he wasn’t even born then?
The Key to Death’s Door is a clever story, and raises serious issues of child abuse, wife beating, animal cruelty and murder in such vivid detail, I totally wanted justice for what had happened, and for Daryl Finch to get his comeuppance for his past and present atrocities. There’s no way he could be allowed to get away with what he’s done, surely?
I loved the relationship of best friends Lee and Charlie, they were portrayed realistically for their ages, and their characters were fun to read. They might not always have been able to say what they really meant to each other, but they had each other’s back, and at times their conversations were even quite funny and endearing. Contrast this with the scenes in the Collins’ house, which were utterly brutal and horrifying and you’re in for a thrilling ride with a supernatural twist. I certainly enjoyed The Key to Death’s Door and will look for more of Mark Tilbury’s work from now on.
Michael Packner (32 KP) rated Pyewacket (2017) in Movies
Jun 16, 2019
Pacing (6 more)
Dark tone
Dark and sadistic ending
Fantastic acting from every character
Well thought out story
Moral lesson: Be careful what you wish for, you might get it.
Moral lesson 2: Be careful what you do in anger. You might never be able to take it back.
Somewhat of a rushed ending (1 more)
Some minor loose ends that could've been tied up better.
Pyewacket is definitely a hidden gem. I love indie horror films because they have so much more freedom to be what the filmmaker wants, rather than something with great potential but watered down to appeal to a wider audience. Pyewacket plays to it's audience and it makes the film that much better. I typically do not like supernatural horror because it's just so ridiculous. I know, it's a movie and I should learn to be more forgiving. I'm a slasher fanatic and not too many of them are high on realism. I guess it's just a preference I've developed. Anyway, I do enjoy the occasional supernatural get down, especially if it's dark and done well, ex: Sinister. Pyewacket is both dark and done well. I'm also a sucker for a good slow burn that's not afraid to set itself up and properly build tension. Again, Pyewacket succeeds here. The film is extremely dark and gives us one hell of a dark and twisted gut punch ending. It even teases the ending, convinces you it's going there, pulls back enough to fake you out, then dives right back in and gives it to you with an extra punch. Magnificent! The only real gripe I have is that while the ending is fantastic, it also feels a bit rushed. They could've tacked on an extra 20 minutes and really went for it, but I surmise budget was to blame. I also wish we could've seen more from her friend who went nutty, but that's a smaller issue and definitely forgivable. Definitely worth the rent.